Here are 100 books that Suder fans have personally recommended if you like
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I grew up in a confusing, chaotic household, and magic was always an escape for me. Books were my place to dream about other worlds and bigger choices. Stories of forgotten, invisible, or odd people who found their way to each other, found courage and talents they didn’t know they had, and then banded together to fight some larger foe even though they were scared. Was it possible that dragons and witches and gnomes were real and very clever at hiding in plain sight? What if I had hidden talents and courage and could draw on them with others just like me?
The book is wonderfully weird even though it starts out in ordinary settings. I loved it because the ride was wild and fast-paced and took so many turns; I couldn’t put it down.
The vivid detail helped me see the strange ball game or the flying car, and it was so well set up that I didn’t question any of it. The story took me on an adventure, and I didn’t let go until the very end.
From the Pulitzer Prize winning Michael Chabon comes this bestselling novel that blends fantasy and folklore with that most American coming-of-age ritual: baseball—now in a new edition, with an introduction by the author.
Ethan Feld is having a terrible summer: his father has moved them to Clam Island, Washington, where Ethan has quickly established himself as the least gifted baseball player the island has ever seen. Ethan’s luck begins to change, however, when a mysterious baseball scout named Ringfinger Brown and a seven-hundred-and-sixty-five-year-old werefox enter his life, dragging Ethan into another world called the Summerlands. But this beautiful, winter-less place…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
I’m a writer and a lifelong baseball fan with a weakness for baseball-ish fiction. For a lot of folks, this means reading the usual suspects: Kinsella, Malamud, Coover, Roth, DeLillo... But I especially enjoy stumbling across under-the-radar novels that can’t help but surprise in their own ways. I enjoy this so much, in fact, I went out and wrote one of my own – inspired by the life and career of an all-but-forgotten ballplayer from the 1880s named Fred “Sure Shot” Dunlap, one of the greats of the game in his time. In the stuff of his life there was the stuff of meaning and moment… of the sort you’ll find in the books I’m recommending here.
I was looking forward to this one and read it as soon as it came out, early on in these pandemic times. It’s not really a baseball novel, except it kinda, sorta is. Mostly, it’s a subversive look at a dystopian future that turns on the redemptive power of baseball. It made a lot of noise on publication, but the focus of most of the reviews leaned away from the baseball bits and into the dystopian bits. Gish Jen writes gloriously about the game – but also about life and love, longing and belonging, hope and hopelessness.
The moving story of one family struggling to maintain their humanity in circumstances that threaten their every value—from the highly acclaimed, award-winning author of Thank You, Mr. Nixon. • “Intricately imagined … [It] grows directly out of the soil of our current political moment.” —The New York Times Book Review
The time: not so long from now. The place: AutoAmerica, a country surveilled by one “Aunt Nettie,” a Big Brother that is part artificial intelligence, part internet, and oddly human—even funny. The people: divided. The “angelfair” Netted have jobs and, what with the country half under water, literally occupy…
I’m a writer and a lifelong baseball fan with a weakness for baseball-ish fiction. For a lot of folks, this means reading the usual suspects: Kinsella, Malamud, Coover, Roth, DeLillo... But I especially enjoy stumbling across under-the-radar novels that can’t help but surprise in their own ways. I enjoy this so much, in fact, I went out and wrote one of my own – inspired by the life and career of an all-but-forgotten ballplayer from the 1880s named Fred “Sure Shot” Dunlap, one of the greats of the game in his time. In the stuff of his life there was the stuff of meaning and moment… of the sort you’ll find in the books I’m recommending here.
I was working as a flak at Simon & Schuster when this book came out, and I helped to write the flap copy, so it feels to me like I had a hand in it. As an aspiring writer, I remember admiring the hell out of this novel. On a recent re-read, as a grizzled, wizened veteran writer, I still do. Hays gives us a collection of memorable characters, and a wild, vagabonding tale that offers a glimpse at minor league life in the deep South. There’s humor and heartache and all that good stuff.
An account of a season with baseball team, the Arkansas Reds. Their line-up includes an ex-con first baseman, a couple of real Reds on loan from Castro, young bucks on the way up and old-timers on the way down, all led by a one-armed Marxist and ex-major leaguer named Lefty.
Katie's Gamble is an unexpected, unique story about a young woman who's trying to support her younger siblings by keeping her family's confectionery shop open.
In order to do that, she has to take on her older brother, who's a notorious gambler in Louisiana. Additionally, she has to outsmart Rowdy…
I’m a writer and a lifelong baseball fan with a weakness for baseball-ish fiction. For a lot of folks, this means reading the usual suspects: Kinsella, Malamud, Coover, Roth, DeLillo... But I especially enjoy stumbling across under-the-radar novels that can’t help but surprise in their own ways. I enjoy this so much, in fact, I went out and wrote one of my own – inspired by the life and career of an all-but-forgotten ballplayer from the 1880s named Fred “Sure Shot” Dunlap, one of the greats of the game in his time. In the stuff of his life there was the stuff of meaning and moment… of the sort you’ll find in the books I’m recommending here.
I loved this book the moment I saw the title. And the cover! I loved it even more when I noticed it shared a publication date with my own baseball novel back in 2016, so it feels to me like we’re related. The title and cover alone should earn this one a spot on your shelf, but there’s tasty goodness inside. Duchovny’s love of the game is apparent – but so too is his Ivy League education. He writes like a lifelong reader, with a keen eye for baseball and its denizens and an ear for poetry. He’s funny af, too.
Ted Fullilove, aka Mr. Peanut, is not like other Ivy League grads. He shares an apartment with Goldberg, his beloved battery operated fish, sleeps on a bed littered with yellow legal pads penned with what he hopes will be the next great American novel, and spends the waning malaise filled days of the Carter administration at Yankee Stadium, waxing poetic while slinging peanuts to pay the rent. When Ted hears the news that his estranged father, Marty, is dying of lung cancer, he immediately moves back into his childhood home, where a whirlwind of revelations ensues. The browbeating absentee father…
Philosophical novels challenge rather than appease. They subvert. They obscure. As a former acquisitions editor at major publishing houses, I am confounded by the scarcity of chances taken on books that don’t fit the status quo or, are "difficult." I am most interested in how books—even when they meander and cavort—lead to surprising and unsettling revelations. Or how they don’t lead to revelations at all but keep the reader guessing as to when some semblance of grace will be achieved. I don’t wish to sound pessimistic; if anything, I wish to be realistic. Philosophical novels are reflections of life, which is often confusing, contradictory, and, yes, difficult. With a touch of grace for good measure.
Perhaps the most “realistic” novel of this bunch, Ralph Ellison’s National Book Award-winning novel follows an unnamed black narrator’s life in a small southern town, as detailed through his memories, dreams, and desires.
Ellison didn’t intend to write a “protest novel,” apparently, but it has become exactly that: a protestation of the inequities of an American system designed to keep Black people in the shadows. The novel’s voice, though singular, is representative of an entire social movement. A perfect novel.
NATIONAL BOOK AWARD WINNER • NATIONAL BESTSELLER • In this deeply compelling novel and epic milestone of American literature, a nameless narrator tells his story from the basement lair of the Invisible Man he imagines himself to be.
He describes growing up in a Black community in the South, attending a Negro college from which he is expelled, moving to New York and becoming the chief spokesman of the Harlem branch of "the Brotherhood," before retreating amid violence and confusion.
Originally published in 1952 as the first novel by a then unknown author, it remained on the bestseller list for…
I grew up as a fundamentalist Christian in the rural South of the United States. Gradually, I began to see the good and the bad in the church community and social community I loved as a child (and still love). My realizations led to tension in my heart, and that led to the creation of stories, both fiction and non-fiction. My list of five books is a kind of cornerstone (or touchstone?) of some of my present notions about our lives on earth before we each join the Majority.
This book, about racism, among other matters, helped open my eyes to the humanity of all people and showed me, in particular, the ways that cruelty and racism exist in our cultures and subcultures. When I read this book, I was fresh out of five years in the Air Force (1971) and had just experienced the caste system of military life.
Prior to that, I'd lived, as a child and teenager, in a community in which racism and fundamentalist religion were taken for granted as givens of the universe. When I read this book, I realized the power of literature to open a person to meanings previously absent in their life.
Reissued to mark the 80th anniversary of Native Son's publication - discover Richard Wright's brutal and gripping masterpiece this black history month.
'[Native Son] possesses an artistry, penetration of thought, and sheer emotional power that places it into the front rank of American fiction' Ralph Ellison
Reckless, angry and adrift, Bigger Thomas has grown up trapped in a life of poverty in the slums of Chicago. But a job with the affluent Dalton family provides the setting for a catastrophic collision between his world and theirs. Hunted by citizen and police alike, and baited by prejudiced officials, Bigger finds himself…
Papyrologist Lisa Emmer's world flips when the Sûreté detains her at her Metro station with news of the savage murder of the esteemed Paris historian Dr. Raimond Foix, her friend and mentor in the study of ancient documents.
Horrified, Lisa finds clues at the crime scene left behind for her…
I have had two careers and two lives. Beginning as a historian of American culture, I
have become a writer of fiction. That I have turned to fiction now is because I have so many of my
own stories to explore and relate. And what I love most about writing novels and the
short pieces I compose is the possibility to create living characters who sometimes
surprise me with what they believe and do, but always, I know, emerge from the very
deepest corners of my imagination and the issues that I feel compelled to examine and
resolve.
I have always considered Philip Roth to be a master stylist and, even more, a brilliant author of the way that characters think and feel. This book is also wonderful for the way its ironies unfold in a story that is riveting, disturbing, and revealing.
I am intrigued by the way that Roth can confront important social issues. Even though this was written several years ago, I find it to be particularly relevant to the debates about diversity that seem to concern us most as a society today.
The American psyche is channelled into the gripping story of one man. This is the Pulitzer Prize-winning writer Philip Roth at his very best.
It is 1998, the year America is plunged into a frenzy of prurience by the impeachment of a president. In a small New England town a distinguished professor, Coleman Silk, is forced to retire when his colleagues allege that he is a racist. The charge is unfounded, the persecution needless, but the truth about Silk would astonish even his most virulent accuser. Coleman Silk has a secret that he has kept for fifty years. This is…
My writing background started in the newsroom where, as a reporter, my job was to interview and tell the stories of others. At one point in my career, my editors assigned me a bi-monthly column, and while I used this space to write about a variety of issues happening in the community, I also used it occasionally to write personal essays. I love this form because the personal story helps us drill down on an issue and, in essence, make deeper connections with the collective. When I left the newsroom, I continued to study and write in essay and memoir form. In my MFA program, I was able to focus on this form exclusively for two years, and I have spent many years crafting my first book-length memoir into form.
I have not read a book like Melissa Valentine's The Names of All the Flowers, which is a beautiful, painful, and exquisitely written narrative about her brother Junior, who was gunned down on the streets of Oakland when he was 19. "Say his name, say her name," we chant when yet another one of our brothers or sisters is killed. In this memoir, Valentine gives us not only Junior's name but an intimate look into his head, his heart, his fears, his dreams, his joy.
Set in rapidly gentrifying 1990s Oakland, this memoir—"poignant, painful, and gorgeous" (Alicia Garza)—explores siblinghood, adolescence, and grief in a family shattered by loss.
Melissa and her older brother Junior grow up running around the disparate neighborhoods of 1990s Oakland, two of six children to a white Quaker father and a black Southern mother. But as Junior approaches adolescence, a bullying incident and later a violent attack in school leave him searching for power and a sense of self in all the wrong places; he develops a hard front and falls into drug dealing. Right before Junior’s twentieth birthday, the family…
"My friends are my estate." This quote from Emily Dickinson (which I like so much, I’ve put in my novel!) gives a proper dignity to the concept of friendship. Friends can be overlooked in fiction, often just there to show that the main character isn’t a complete loner. Friendships are portrayed as less interesting and important than romances. Yet in real life, romantic relationships come and go, whilst friends are there for you, no matter what. Or at least, the best ones are. I’m a passionate believer in stories which reflect the importance, and complexity, of what, for many of us, are our longest-lasting relationships.
Sparky, fast-talking and addictive, I adored this book when it came out in the early 1990s. I enjoyed the subsequent film, too.
But you don’t hear much about it any more, though I think it’s probably still a relevant portrait of Black women’s lives in America. It’s about four friends, women in their thirties, each chapter told from the viewpoint of one of the friends.
The voice is so fresh and in-your-face, so funny and engaging. I love how teasing and chiding of each other they are when they’re together, but also so supportive and loving. Below the lighter-than-air surface of their conversations, the reader comes to realise what they mean to each other.
The story of four vibrant black women in their thirties. They draw on each other for support as they struggle with careers, divorce, motherhood and their relationships with men.
A poisonous maiden, a Daoist sex cult, and a violent insurgency.
The polyandrous Yan family in China's rural Shaanxi Province takes in two carpenter brothers. When one brother is convicted of murder after killing their neighbor in a dispute, a constable threatens to expose the family's rumored polyandry and extorts…
I listen to about eight albums of music per week. At least one per day and another of that bunch gathers a re-listen, though more warrant the same! Listening is my favorite hobby. I name it like one would rock climbing or gardening, and though we are here connecting through words and swapping ideas, it all starts with my ear. I most want to feel what I’d like to know, and it is possible that music sometimes held the work of thinking on my behalf. In writing my book, I was most interested in what it meant to be offered the world in such a personal yet composed way each day.
Both keen and forgiving, this book traces the amorous and lofty histories of Black masculinity in America while also delighting in the surprises surrounding its speaker(s).
No song is without a community to which it belongs. We sing our songs together. This realization is especially stark and exacting in this book as it chronicles the bounty of lyrics from Marvin Gaye to the Delfonics.
Imperial Liquor is a chronicle of melancholy, a reaction to the monotony of racism. These poems concern loneliness, fear, fatigue, rage, and love; they hold fatherhood held against the vulnerability of the black male body, aging, and urban decay. Part remembrance, part swan song for the Compton, California of the 1980s, Johnson examines the limitations of romance to heal broken relationships or rebuild a broken city. Slow Jams, red-lit rooms, cheap liquor, like seduction and betrayal - what's more American? This book tracks echoes, rides the residue of music "after the love is gone."