91 Books Like Native Son

This 1937 novel centers on a Black woman in the contemporary American South seeking to find freedom and love as she leaves her grandmother's farm to explore three romances.

In the process, she finds herself—and recovers it as a dark, shocking twist at the end creates a stumbling block she triumphantly surmounts.

This book is part odyssey, part ghost story, and part passion play. Toni Morrison is one of the patron saints of American literature whom I was fortunate to discover at an early age. This is her masterpiece, an example of what is possible when a writer’s heart, mind, and spirit are aligned.

The fact that the unfathomable sacrifice around which Beloved is imagined is based upon an actual event speaks volumes about the innate horrors of slavery. In matters of race, America’s skeletons are buried in shallow graves.

I loved this novel in part because of three reasons: 1. A quote from the book: "Memory believes before knowledge remembers," 2. Faulkner's ability (in spite of a style many readers give up on) to put the reader in a particular complicated moral place as well in an emotional or psychological small piece of time. 3. Faukner's range from slap-stick to horror.

Once, a friend called me on the phone and said, "Clyde, I want to read you a quote from Light in August." Before he said another word, I said, "Memory believes before knowledge remembers." 

This novel won the National Book Award and it’s easy to see why. Written by a Native author about reservation life, it discusses a crime that occurred that—like many reservation crimes—went unsolved for a long time.

The book is informative and compelling, and it weaves Native practices and culture into the story. I found it particularly interesting because it includes characters and themes that resonated with my experiences.

Several books focused on the Works Progress Administration (WPA), or discreet parts of it, had been published before Borchert’s was released but this is the best of them. I doubt that any other book will ever tell the story of the Federal Writers’ Project (FWP) quite so well. On one level, it lays out the project’s scope and walks readers through the politics involved with its creation and continued operation. And on another, it explains what the project meant for the writers it employed and how it influenced their work. Every other book on this list was written by an author employed by the project or another part of the WPA; this book will help you understand them as part of a coherent literary moment in American history.     

Never Come Morning is Nelson Algren’s second novel and his first great book.  He wrote it during his time with the Federal Writers’ Project in Chicago, between working on a cookbook, a travel guide, and sundry other assignments. In some ways, this book feels of a piece with his first. In some ways, this book feels like a piece with his first. Both books center on alienated young men; both are coming-of-age stories (after a manner). But this novel was a leap forward for Algren. The psychological portrait of its protagonist is fully realized, and the prose sings. Algren had the project to thank for both developments. He used the access his job afforded him to conduct interviews, portions of which made their way into the novel verbatim. And with the projects’ financial support, he was able to revise for months, and months – folding nuance, insight, and poetry into… show more.

Unlike Welty’s works featuring honorable or broadly comic characters, this dense story cycle was never excerpted in anthologies. It’s a trickier cast: consider Jinny Love Stark and Virgie Rainey, who cut through the languor of Depression-era Mississippi with stone-cold intention. Jinny Love plays croquet with her lover to enrage her volatile husband; she encourages her daughter to wear lizards as earrings to offend the propriety of her own controlling mother. Impoverished piano prodigy Virgie flouts her gift merely to watch her teacher go mad. Later, she trims her dead mother’s yard with sewing scissors while neighbors do the real work of laying out the body and receiving mourners. The heat presses forward. What day is it? What hour? This is weird, experimental Welty, and the payoff is sweet.

Until I entered grad school for my Ph.D. in American literature, I had never heard the name Charles Brockden Brown and my guess is that few people alive today would recognize it. In his own time, however, he was an important literary figure. The author of a quartet of books composed in a yearlong creative frenzy at the close of the 18th century, he is regarded as "The Father of the American Novel." As the creator of our nation's first Gothic fiction, he was a major influence on writers like Poe and Hawthorne. His 1798 novel Wieland was inspired by a sensational crime that happened seventeen years earlier in upstate New York, when a farmer named James Yates, allegedly acting under orders from a divine voice, slaughtered his entire family. If by "best" we're talking about most enjoyably readable, then Wieland, like all Brown’s novels, doesn't exactly qualify. But it's… show more.

Also by Dreiser, An American Tragedy, 1925, is the slow-moving and heavy-handed but steadily engrossing and ultimately overwhelming account of a poor boy so bewitched by a beautiful rich girl that he commits literal murder and loses his own life in his struggle to have her.

I have loved this novel since first reading it in college—probably when I should have been studying for exams! 

Double Indemnity is one of the first and best American noir novels and served as the basis for the 1944 film by the same name. The novel taught me about the classic noir trap: a basically good but flawed man helps a basically bad but attractive woman in an effort to murder her husband, the good/flawed man hoping to end up with both the woman and the money.

But things seem fated to go wrong, and what starts out as a bleak tale ends up even bleaker—at the dark end of a one-way street. Since reading this powerful novel—and seeing the equally powerful film with its crackling dialogue by famed hardboiled crime writer Raymond Chandler—I have never looked at life quite the same way again.