Books like Stretch to the Sun — picked by fans

I originally intended to write a chapter in my book about how the birth of San Francisco (and other imperial cities) sent out a shock wave of deforestation, but I only touched lightly upon it in my chapter on mining.

Greg King has filled that need in his magisterial book about how ruthlessly and quickly the city’s magnates converted one of the Earth’s most magnificent forests and remarkable ecosystems into stumps as well as cash, credit, and dynastic fortunes on the city’s markets so that today only four percent of California’s old-growth redwoods remain.

Depressing as his narrative might otherwise be, King also reveals how the epic fight to save what remains has—like the campaign to stop whaling—changed popular perceptions of our living colleagues so that what once seemed a heroic enterprise now appears to many an epic crime. 

I loved being transported through time and space on a journey to learn about redwoods, the tallest trees on Earth. This is one of those great books where the illustrations show what is being described in the text, but in a way that makes the reader feel immersed—Roman soldiers riding the subway?

I liked learning about how redwoods start their lives and how they survive in their environment, including when fires strike. I love how the book includes the dangerous work of scientists studying redwoods and amazing scientific facts about how redwoods create their own rain and host other plants and animals that live high up in the redwood canopy. 

This book is so beautiful you could just admire it for the illustrations. It is written in rhyme which flows well with the images. All about the California Redwoods, it educates children about the animal creatures that call this place home. It pulls in educational components such as counting and also offers some STEAM activities. Great for teachers and parents. 

Each of us who has felt the awe of being in a redwood forest will identify with the kids in this book.

Julian is less than happy about having to spend the summer with his Uncle Sibley, CEO of a big company, while his mother is doing research in China. Though he knew it is wrong, he reads his uncle's email and discovers that the company is about to cut down first-growth California redwoods. Irate about both his situation and the prospect of losing the redwoods, he and friends devise a convoluted plan to solve both. 

This story shows the persistence and resolve of the kids in their concern for the environment.

In this moving novel, the late great Oakley Hall took me back to World War II era San Diego. What I love about it is it paints a much fuller portrait of the lost city of old than he does in his first San Diego-based novel.

This book is filled with wonder, dread, love, and longing but what makes it noteworthy is its keen eye toward history and the darkness at the heart of the city’s streets and neighborhoods—and at the center of the war itself. 

Mitali Perkins is a winsome, thoughtful writer who easily draws the reader into her discussions of the timelessness of each classic book. This book is a blend of memoir, literary criticism, and moral formation. My favorite part of Steeped in Stories was her contagious love for each book. She reminded me why I loved them, and why I wanted my children to read them when they were younger. Not only does Mitali guide the reader through what makes these books classics in a good sense, she also helps us see them with discerning eyes so that instead of ditching old books for problematic parts, she helps us navigate them with young readers in mind. Steeped in Stories discusses The Hobbit, Heidi, Emily of Deep Valley, Little Women, and The Silver Chair. 

Possibly the best and rarest of all publications about the start of the women’s music movement, this volume was prepared by the students at the University of California at Santa Cruz to serve as a textbook (and record of their experiences) for the first-ever course on feminism and music. Still available to good sleuths who find used copies floating around, the title page is Women in American Music. Women’s Studies, Kresge College, University of California, Santa Cruz, Spring 1975.

The idea for the class was initiated by Karlene Faith, who went on to be an influential producer and distributor; the book she helped edit includes interviews with early Olivia artists who were guest speakers and performers in the class. Before her untimely death, she too was working on a history of Olivia Records.

It’s a stretch to call this true crime, but I found this a compelling detective story, wrapped in geological and human mystery. It felt like true crime.

Iconic author John McPhee tags along with geologist Eldridge Moores on field research trips, searching the rocks of the disruptive San Andreas fault for clues to where geological history and human history collide. I was driving through California myself while I was reading the book, and the chapters alternated deep geological time with the march of human time—the frenzy of the Gold Rush, the Donner Party disaster. McPhee pulls these together.

The story reaches a climax with a vivid, hair-raising account of one of the great earthquakes of our time and the overwhelming power of nature.

Over Easy is the first part of Madge’s story, followed by The Customer is Always Wrong. They can be read separately as each stands on its own, but are best absorbed one after the other. These books are visually inventive and full of unforgettable characters who leap off the page and lodge in your imagination. The story follows Madge, an open-hearted artist who finds refuge and adventure in the wise-cracking, fast-talking, drug-taking world of the Imperial Café where she gets a job as a waitress after being denied financial aid to cover her last year in art school. Full of wit and pathos, Mimi Pond captures the perfect balance of hilarious and heartbreaking, all with fantastic drawings. She makes it look easy!

Woollett’s novel is based on much research on Peoples Temple and Jonestown. She came to the US from Australia for interviews with many survivors and others—including Ron Cabral and me because of our knowledge of the teenagers in the Temple. It’s a great read and adds much to the understanding of those who joined the Temple. Evelyn Lyndon (all the characters have fictional names except Jim Jones) is the “Beautiful Revolutionary” who, with her idealistic husband, joins the Temple and eventually becomes one of Jones’s mistresses. I recognize many of the book’s characters, sometimes two people rolled into one. Only in a novel could Woollett be in the minds of the characters she follows in this story, who are all believable and vividly drawn.