70 Books Like Stretch to the Sun

I originally intended to write a chapter in my book about how the birth of San Francisco (and other imperial cities) sent out a shock wave of deforestation, but I only touched lightly upon it in my chapter on mining.

Greg King has filled that need in his magisterial book about how ruthlessly and quickly the city’s magnates converted one of the Earth’s most magnificent forests and remarkable ecosystems into stumps as well as cash, credit, and dynastic fortunes on the city’s markets so that today only four percent of California’s old-growth redwoods remain.

Depressing as his narrative might otherwise be, King also reveals how the epic fight to save what remains has—like the campaign to stop whaling—changed popular perceptions of our living colleagues so that what once seemed a heroic enterprise now appears to many an epic crime. 

I loved being transported through time and space on a journey to learn about redwoods, the tallest trees on Earth. This is one of those great books where the illustrations show what is being described in the text, but in a way that makes the reader feel immersed—Roman soldiers riding the subway?

I liked learning about how redwoods start their lives and how they survive in their environment, including when fires strike. I love how the book includes the dangerous work of scientists studying redwoods and amazing scientific facts about how redwoods create their own rain and host other plants and animals that live high up in the redwood canopy. 

This book is so beautiful you could just admire it for the illustrations. It is written in rhyme which flows well with the images. All about the California Redwoods, it educates children about the animal creatures that call this place home. It pulls in educational components such as counting and also offers some STEAM activities. Great for teachers and parents. 

Each of us who has felt the awe of being in a redwood forest will identify with the kids in this book.

Julian is less than happy about having to spend the summer with his Uncle Sibley, CEO of a big company, while his mother is doing research in China. Though he knew it is wrong, he reads his uncle's email and discovers that the company is about to cut down first-growth California redwoods. Irate about both his situation and the prospect of losing the redwoods, he and friends devise a convoluted plan to solve both. 

This story shows the persistence and resolve of the kids in their concern for the environment.

Possibly the best and rarest of all publications about the start of the women’s music movement, this volume was prepared by the students at the University of California at Santa Cruz to serve as a textbook (and record of their experiences) for the first-ever course on feminism and music. Still available to good sleuths who find used copies floating around, the title page is Women in American Music. Women’s Studies, Kresge College, University of California, Santa Cruz, Spring 1975.

The idea for the class was initiated by Karlene Faith, who went on to be an influential producer and distributor; the book she helped edit includes interviews with early Olivia artists who were guest speakers and performers in the class. Before her untimely death, she too was working on a history of Olivia Records.

Mitali Perkins is a winsome, thoughtful writer who easily draws the reader into her discussions of the timelessness of each classic book. This book is a blend of memoir, literary criticism, and moral formation. My favorite part of Steeped in Stories was her contagious love for each book. She reminded me why I loved them, and why I wanted my children to read them when they were younger. Not only does Mitali guide the reader through what makes these books classics in a good sense, she also helps us see them with discerning eyes so that instead of ditching old books for problematic parts, she helps us navigate them with young readers in mind. Steeped in Stories discusses The Hobbit, Heidi, Emily of Deep Valley, Little Women, and The Silver Chair. 

María Amparo Ruiz de Burton lived through one of the most tumultuous periods of history in California. She was born in Baja California to an elite family but moved to Mexican Alta California, as it was then known, during the Mexican-American War, marrying US army captain Henry Burton and becoming a US citizen. Ruiz de Burton watched California’s transformation under US rule, and this 1885 novel uses fiction to lay bare the very real problem of land dispossession of the Mexican Californians (known as Californios) and the arrival of ‘squatters’ from the eastern US who were claiming contested property. Ruiz de Burton is considered to be one of the earliest Mexican-American female authors to write in English, and this work illustrates how Alta California’s transition to statehood upended the lives of many people who had lived there under Spanish and Mexican rule.

In this book are directions for planting and pruning roses and protecting them from pests, all keyed to the climate of the greater Bay Area. The separate chapter on rose-growing in the fog will be especially welcomed by coast-side gardeners, as will the list of rose varieties rated for the SF Bay Area. Order the book's current edition on the San Francisco Rose Society website using the direct link below. 

Over Easy is the first part of Madge’s story, followed by The Customer is Always Wrong. They can be read separately as each stands on its own, but are best absorbed one after the other. These books are visually inventive and full of unforgettable characters who leap off the page and lodge in your imagination. The story follows Madge, an open-hearted artist who finds refuge and adventure in the wise-cracking, fast-talking, drug-taking world of the Imperial Café where she gets a job as a waitress after being denied financial aid to cover her last year in art school. Full of wit and pathos, Mimi Pond captures the perfect balance of hilarious and heartbreaking, all with fantastic drawings. She makes it look easy!

I read The Brick People when it was first published in 1988.

At the time, I was already familiar with Morales’ work, but this historical novel about the Simons Brick Factory in Southern California and the Mexican migrants who the Simons brother depended upon for their success seized my imagination.

The author blends folklore, history, myth, and magical realism into a novel that relates the story of Mexican migrants and their complicity with or rebellion against the Simons brothers and the mores of the early 20th Century Los Angeles region.

Morales shows how history from the ground up is manifested in people’s lives.  His characters work and play hard as they seek to build community and pursue dreams of social mobility even when customs and laws prohibit them.