100 Books Like Strength of a Lion, Soul of a Lamb

A wonderful retelling of the legend of Gelert the Wolfhound.

This story of bravery and loyalty, starring the world's largest dog breed, takes the reader on an adventure of tremendous magnitude. I fell in love with the illustrations, I laughed at the jokes. I adored the book. This is one you will keep in your library for rereading.

This is one of my special favorites. I know Amanda personally and knew and grew to love the real Millie and Bridie.

Arohuani is a magical kingdom ruled by Irish Wolfhound Queen Millie. When a dark force rises in the land, her daughter, Princess Bridie leads an army of wolfhounds to defeat the evil. This is one of my favorite books because it transports the reader to a world ruled by gently, loving hounds. I reread it yearly.

This book is a must read for anyone considering getting an Irish Wolfhound or anyone who falls in love with one.

Bob's stories of his life with these giant dogs will warm your heart, make you laugh until you cry, and sometimes break your heart. His 20 year experience of living with dogs the size of small horses will have you rolling on the floor and crack your heart in two.

I love this book because I am the parent of Wolfhounds and Bob describes the challenges and rewards of sharing your life with a being that loves unconditionally, with a love as large as their valiant hearts and a personality as big as their bodies. Another book that I read numerous times, during the year.

This book, for younger readers, is a collection of retellings of some of Ireland’s most well-known stories like Oisín in Tír na nÓg, as well as less famous ones like Son of an Otter, Son of a Wolf. Doyle writes terrifically well, perfectly pitching his tales at a young audience. Illustrated by Niamh Sharkey in her distinctive style, this is a collection to be treasured. I loved the pronunciation guide for the Irish names, as well as the introduction and the page about Doyle’s sources.

The crime scene generally occurs near the start of a mystery—something incomprehensible and threatening the reader and detective will endeavor to explain by the book’s end. Sometimes, though, the world is the crime. In almost painfully beautiful language, this book sets us down in a frightening fairytale forest. We’re traveling with a failed detective looking for a runaway wife, but much of the investigative work emanates from the reader attempting—and often failing—to break through the atmosphere, through the visceral but unmappable feelings of danger and loss the text produces in order to find something that can be named, explained, neutered.

This is the kind of book that affected me sidewise; I never saw it coming, but it got me over and over again. The Spanish edition includes illustrations, the English a suggested playlist.

I loved the meet-cute for this book—technically, the second meet-cute of the two main characters. Who doesn’t want to be saved from a burning building by a hunky firefighter, especially the one you loved as a teenager?

I adored the main character, Emmy, and her belief in love and romance. The setting was especially cozy, and the book made me laugh, too!

This is a fairy tale. I’ll state this upfront because at first glance, it’s a bit of a hard read. And why is it a hard read? Because—to me, anyway—it feels like wish-fulfillment fantasy on steroids. It’s like the rantings of a terribly abused boy. Of course, much fiction—especially fairytales which is this book’s genre—is wish fulfillment. But the story feels very uncomfortable. Mio is so over-the-top happy about having been transported into the kingdom of his father the king that one feels as if one is listening to a pitiful delusion.  I found myself reading the book with two minds. One mind kept saying, “Dive into the reverie and joy of a boy who has found his dead father in a faraway land and who discovers that he’s important to the world.” And simultaneously, my other mind was thinking, “Oh my heavens! This little boy… show more.

Pamela Dean’s Tam Lin has been top of my favourite books list since I first read it more than 20 years ago.

It’s also a fascinating, nuanced, and evocative book about the magic and fantasy of a particular time and place - in this case, a liberal arts college in the mid-1970s in Minnesota. The fantasy elements of the book are slow to emerge (and reward a re-read later).

Dean deftly weaves together details of the place - season to season - but also the way that the lives of students change across their time at college. Most of all is the feeling of something just around the corner, whether it’s a ghost, a hint of magic, bagpipes drifting through the night, or small details that don’t quite add up. 

I always find it ironic (and amusing) when critics sneer that romance writing is formulaic, emotionally shallow, and focused on sex only. Thankfully, Jordan shows them how it’s done right: in every one of her 10+ series, she writes with gut-wrenching emotional depth and her characters are complex, imperfect human beings. Zander introduces us to a group of eight men raised together in a single foster home and who now consider each other brothers. Rough around the edges and on different life paths as adults, they’re all gallant heroes at heart. Zander is the gruffest, least-affable of the brothers, a man who seems unlikely to own up to a mistake or show emotion… but Jordan brings him to life in ways that are simultaneously beautiful and heartbreaking.

I am a huge fan of the very-brief gothic. It’s so hard to do well; trivial jump-scares are easy, but to produce a meaningful effect in only a few pages takes real precision. Shirley Jackson holds the crown with "The Lottery," but my second favorite instance of a surprisingly quick read that produces a real gasp is Angela Carter’s mini-treasure, "The Werewolf."

It manages to be a fairy tale, feminist critique, a witch, and a werewolf story all at once—and, like the beast in the title, it may not be what it appears. Also wonderful to me are "The Company of Wolves," "The Snow Child," and the eponymous "The Bloody Chamber," that one a revisioning of "Bluebeard"—essentially, Carter updates all kinds of dark fairy tales, bringing out their subversive shadows for a savvy reader. Still so fresh to this day.