Books like Strange Flowers — picked by fans

This was my favorite book the year I read it, and I will read it again, with no doubt the same result. The narrator is an anonymous 18-year-old woman navigating family, community, and romantic relationships in the midst of the Irish Troubles.

Almost every character is identified by a local nickname, part town culture and part a way to keep both authorities and rebels off track. I loved the strong writing and the surprising but always plausible twists. I’ve recommended it to every reader I know.

This book sticks the reader in the middle of a maternity ward in poverty and flu-stricken Dublin circa 1918. I was totally rooting for nurse Julia Powers, an experienced maternity nurse who works long, thankless shifts trying to keep women and their babies alive.

The lack of medicine, staffing, and money is appalling as women enter the hospital to give birth. Yet through empathy, determinism, and quick thinking, Julia, her trainee, and her patients find ways to help each other. It’s a tour de force in female friendship, intelligence, and problem-solving and an indictment of the medical incompetency of male physicians.

It illuminates a cross-section of Dublin citizens struggling with poverty, the Great Flu, and the aftermath of a horrendous war. I found the story moving, gripping, and somehow hopeful.

David has lost his wife far too early. A man in mourning, he relives their twenty years together and sees that the ground beneath them had shifted and he had simply not noticed, or was it more that he had chosen not to. The writing here is spectacular and the theme of love and loss so very moving. Set between Ireland and Spain, McMahon captures the sublime and mundane nature of long-term love with exceptional skill. Another reason I like this book is that in my debut novel, my main character Maurice Hannigan, while very different from David, was also a widower, and naturally, the issue of loss figured heavily so I feel a bond to this book that is very special.

Set over three generations of the one family, this is the story of their fight for survival. What I love here is not just the prose, because there is no one finer than O’Callaghan, but also because it touches on the depopulation of Ireland’s small islands during the famine and the small island to which he refers has a very significant family connection for me. Partly based on O’Callaghan’s own family, Life Sentences tells an epic story of working-class life in Ireland from famine right through to modern-day. It is an unforgettable tale of love, abandonment, and reconciliation.

Julie Lessman’s tagline is “Passion with a Purpose” and she delivers this so well, especially in A Passion Redeemed. This story also deals with abuse toward women, (even though the heroine is an adult not a child) and the remarkable power of God to deliver, redeem and heal victims of such atrocities. 

No one does dialogue and atmospheric tension like Tana French. Faithful Place is my favorite of hers.

I felt like the characters were so alive that I could hear their voices in my head long after I had closed the book. This story is rife with a gritty, urban Irish atmosphere and thick with familial tension. French does a cross between literary fiction and procedural that is devastating, at times quite dark, and yet ringing with hope—one of my favorite qualities in a mystery.

Best read on a dark, rainy afternoon with a mug of rich coffee—or a Guinness. 

Irish author Tana French is known for her Dublin Murder Squad series and is what some call a literary crime writer.

The Searcher, a standalone novel, explores themes of restorative justice. Chicago cop Cal Hooper retires to rural Ireland where he undertakes the renovation of a dilapidated cottage. While he toils, he’s joined by a nearly silent teen Trey.

It’s another book where an adult and child don’t realize they need each other, but so quietly and beautifully help heal each other’s wounds.

This was my absolute favorite book in this author’s canon. It’s not perfect, but it’s perfectly imperfect.

More beautifully written magic realism, with compelling characters and a fascinating plot. Fowley-Doyle uses the obliqueness of the supernatural and the compelling tropes of a mystery story to explore Ireland's troubled history with women and children. There's something of the road trip to this one, with a warm, supportive, found-family providing kindness and companionship to the main character in a story that otherwise might be too bleak to bear. Release yourself to the prose and to the experience, let the book carry you. It’ll be worth the journey.

Spanning the decades between the 1920s and 1980s, this is the story of the Quintons of Kilneagh, County Cork, Protestant mill-owners but supporters of the Irish independence cause; of the revenge taken on them by the Black and Tans; and of its life-skewing consequences for the survivors of Kilneagh. The Quintons’ son, Willie, is confronted with an almost indescribable fork in the road: should he avenge the family for the Black and Tans’ atrocities? Or should he search his heart for forgiveness? His decision takes an enormous toll on his character, with ramifications for his ability to be truly close to any other human being, including his lover Marianne.

This fine introduction to both the Irish themselves, and their tortured history, was first published in 1947 by this respected commentator. The only way to really understand Ireland is to dissect the many distinctive population groups -- their peculiarities of religion, social outlook, political ambitions, and allegiances -- and then to see how the mixture of these complex streams determined the country's history, with positive but also calamitous results over many centuries. O'Faolain deals with the indigenous Celts, the interloping Normans, the increasingly acquisitive English, and how the tumultuous interactions between them produced the core of Irish society: its peasantry, the Anglo-Irish aristocracy, the clergy, politicians, rebels, writers, and dreamers. The only thing O'Faolain missed, because he didn't live to see it, was the emergent, and now dominant, middle class of the Celtic Tiger. A beautifully written book.