91 Books Like Stories I Might Regret Telling You

Indigenous singer-songwriter Buffy Sainte-Marie is a music legend in Canada. When illustrator Julie Flett decided to turn one of Sainte-Marie's iconic songs, Still This Love Goes On, in a picture album, it was like the song was brought to life in a whole new way. Readers (or the small children the book can be read to) are able to travel through Buffy's poignant lyrics and Julie Flett's moving, evocative illustrations and truly feel what the song is about. Plus, you can listen to the song while you look at the book and hear Buffy's haunting, heart-breaking voice. Seeing music while hearing it? Sounds like a perfect introduction to me. 

The 7-to-10-year-old set will love this one. My own rock-loving son, who inspired the character of Truffle in our book, was addicted to this series of books (which also includes Black Music Greats: 40 inspiring icons), originally published in France. Both informative and filled with fun facts about the 40 artists selected by the authors (readers will learn about Mod culture through The Who, about how ABBA got their name, or how the Wu-Tang Clan influenced hip hop), the book reads like a cheat sheet on pop and rock music, with vivid and colorful illustrations.   

A wonderful graphic novel for and about teens, Operatic follows Charlie, a teen girl who must find "her song" for a school project, and embarks on an emotional journey about the meaning of music, friendship, love, and opera. The book, gutting and uplifting all at once, is also an homage to the great Maria Callas, while peppered with pop and rock references. A perfect book for readers 12 and up, by which I mean: up to 30, up to 45, up to 99 years old, as music ties us powerfully with our life story, no matter our age. 

Laurie Colwin is by far my favorite fiction writer. She died in 1992 at the age of 48, and Goodbye Without Leaving is one of my all-time favorite books of hers.

In it, Geraldine Coleshares—a privileged graduate student who is unmoved by her insulated and expectation-laden world—goes on the road as backup singer for Ruby Shakely and the Shakettes—an Ike and Tina Turner-type rock and roll band.

Her parents are horrified and will barely speak to her when she calls them from the road, but there’s nothing she loves more than to stand on stage in a day-glow fringed dress, singing her heart out.

When love finds her in the form of a straight-ahead lawyer who adores her and knows every rock n roll and rhythm and blues artist from the last century, she grudgingly lets him in, and though she knows she loves him, she resists marriage at every… show more.

Spending the summer in a cabin in the woods? Then The Ceremonies is a darn fine choice. The first time I read it was on a camping trip, and I was captivated by the way Klein describes the empty, lonely wilderness surrounding the Poroth Farm (the main location of the tale).

The protagonist of the book is an English professor who’s writing a book on the Gothics, and through the course of the book name drops a ton of classic horror novels and stories from the early 20th century. This book is not only a tremendous cosmic/folk horror novel, but sort of a treatise on classic gothic literature.

Not only is The Ceremonies a truly unsettling horror novel in its own right, but it could inspire a whole new reading list for you!

Coy Hall is a newer writer on the scene but the work he has produced so far has been of exceptional quality.

This particular book contains short stories which interlink yet standalone. Hall’s Grimoire of the Four Imposters has its folk horror set against the historical backdrop of the 16th and 17th centuries. I freely admit to being a history fan and seeing this mixed with a favourite subgenre is a delight.

The stories are dark and menacing, vibrant with character, and melding folklore and the occult into a showcase of storytelling. They show that folk horror can be done differently. 

The child of Communist parents, Alix would grow up to be one of the most profound movers and shakers of the lesbian music movement, producing the first full-length lesbian album, Lavender Jane Loves Women, in 1973. But this memoir is a series of chapters on her early years growing up in the 1950s with progressive activists and folk club life, embarking on her own career in the folk circuit, singing against the backdrop of repressive politics, and coming into the women’s movement as a married mother about to fall in love with another woman.

I absolutely love this book! I knew the story of Maria von Trapp from The Sound of Music, but reading Maria’s experiences in her own words was compelling beyond anything I expected.

Although not everything in the movie is true, the vast majority of it IS true, and what we get in the movie is only half the story! There’s so much grit and goodness in this remarkable book. Above everything else, it is the story of a woman who didn’t expect to be a mother but became one of the best mothers the world has ever known.

I walked away from this book feeling absolutely inspired to be as good a mom as Maria von Trapp. If she could do it, so could I! If you’re looking for an incredible true story, whether you’re a mom or not, this is it. 

This book sucked me into the author’s world. I think this was the author’s first novel, so I was unsure how it would read, but it’s gripping & well-written. I’m glad the author has written a sequel to this book. The style of writing is different from what I’m used to, but the author has a way of making the story believable. 

Not everyone who loves and admires this folk musician, the half-sister of Pete Seeger and a longtime collector of English folk ballads, knows her as the songwriter behind Roberta Flack’s hit “The First Time Ever I Saw Your Face;” hence the title. The quirky style of this real page-turner provides fantastic stories of folk heritage, song collecting, love, child-rearing, radio performance activism, encounters with English Travelers, travels to China, and life growing up as a daughter of the ethnomusicologist Charles Seeger.