Books like Stone Blind — picked by fans

I never outgrew the curiosity of wanting to know more about the things we fear. Plenty of monsters are just neat! But the more you learn about them, whether they’re animals like bears and sharks or figures of myth like werewolves and dragons, the more interesting they become. I wanted to take audiences deep inside a skin unlike their own so they could understand how it feels to be cast out and how much a monster might look down on us. Because the more you look at monsters, the more you recognize us in them.

I am a conflict resolution coach. I have a master's degree in conflict and am an ICF professional coach. I like my clients to live “clean” between their ears—even when life is not going their way. My book is light and fun. Deep and meaningful. And a flashlight to help those who are in the clouds of conflict get “good with themself.” Conflict becomes less scary when you identify the words that caused the issue. There is no use surviving a bad situation and then replaying it over and over again. Keeping the past alive in your mind keeps the past alive. Bury it with honor and grace.  

I love mythological creatures! I grew up gravitating toward fantasy books but because I have a narcissistic parent, I got teased for reading them. To avoid the teasing, I ended up reading a lot of mythology because that was a “safe” fantasy option; reading mythology was “educational” rather than “silly.”  When I got older, I discovered that there’s a whole category of fantasy books that retell myths from alternative points of view. This subgenre opened new doors of understanding and empathy for me. Reading old stories from new perspectives opens my eyes to a myriad of different types of people and broadens my view of the world. And I’ve been reading them ever since.

I love mythological creatures! I grew up gravitating toward fantasy books but because I have a narcissistic parent, I got teased for reading them. To avoid the teasing, I ended up reading a lot of mythology because that was a “safe” fantasy option; reading mythology was “educational” rather than “silly.”  When I got older, I discovered that there’s a whole category of fantasy books that retell myths from alternative points of view. This subgenre opened new doors of understanding and empathy for me. Reading old stories from new perspectives opens my eyes to a myriad of different types of people and broadens my view of the world. And I’ve been reading them ever since.

Have you noticed the scarcity of YA novels told solely from a guy’s point of view? If you aren’t a boy, the parent of one, or maybe a savvy librarian, you probably haven’t. I’m two out of three. I have two awesome sons. They’re avid readers and burned through the YA section and into adult fantasy and sci-fi long before I was ready for them to. Boys read! There’s a need for protagonists who identify as male. No surprise, my YA novels often feature ordinary boys doing heroic things. Thanks to years of spying on my sons and their friends, I have plenty of fodder to feed my muse.

I’ve been in love with cozy, low-stakes fantasy ever since my mother first handed me a copy of The Hobbit—so for most of my life. I love the focus on place and small comforts, the humble (and often unwilling!) heroes, the slower pace that builds to an emotional crescendo (as well as an action-packed one!), and the way these stories always leave me feeling warm, like I’ve just shared a coffee with a loved one. It should come as no surprise, then, that these are the kinds of stories I love writing best.  

For my Book of Extraordinary Tragedies, I drew heavily upon my own life as a former musician who now lives with hearing loss, and how that loss informs my relationships with my family. The book is set on the south side of Chicago in the neighborhood where I grew up and where I continue to return to to visit family and it’s that part of the city that’s almost never documented in fiction or film that drew my attention. I wanted to write a novel that felt like a musical composition, detailing the contradictions of a family struggling against the past and present.

I write historical fiction and survival adventures, but I’m a historian at heart. The past fascinates me and provides the best fodder to explore age-old questions about life, love, and the hero and heroine’s journey to greatness. History has sparked inspiration for some of the most beautiful fictional and reimagined stories I’ve ever read, and transports readers to places long forgotten and unknown—and all without cell phones and internet at the core. Perhaps that’s what I love—a crueler but more hard-earned, simpler life. I hope you enjoy these epic tales of love and adventure as much as I did, and lose yourself in the magic of story. 

I’m a devourer of Golden Age Detective Fiction, and a writer of locked-room mysteries inspired by the classics. When it comes to old-school mystery writers, my favourites are John Dickson Carr, Ellery Queen, and of course Agatha Christie. What I love about that era is the brilliance of the puzzles, and the way those writers really engaged with the reader and (in some cases) addressed them directly, challenging them to solve the crime along with the detective. Additionally, I’m fascinated by stage illusions (though I’m terrible at performing them myself), and this has also had a major influence on my writing.

I once thought I was broken, because I became so invested in the characters I read about. I carried them with me out into the real world, where their struggles kept me from focusing on my own tasks. Then I learned this connection is a feature of reading, not a bug. While some people collect book boy/girl-friends–and I do enjoy swooning over a love interest–I am more drawn to those characters I’d want to share a rum with or meet for a beer. Authentic characters show us we’re not alone and inspire us to grow. They become so much more to us than mere words on the page.