100 Books Like Stolen Sommer

I’m an entrepreneur who was born literally within sight of the Intracoastal Waterway in South Florida. Got my first boat (a dinghy) when I was six. I used to drive an airboat on Lake Okeechobee and learned to fly back when I was a teenager. Since then, I’ve flown over a dozen different types of planes and even a helicopter. As a kid, I spent a lot of time in the Bahamas, Virgin Islands, and the Antilles. In my late teens I worked on various private sportfishing boats in Florida, Georgia, and the Bahamas. With this much time spent on, in, under, or around the water, I was destined to write coastal novels. 

I grew up in California when cameras had flashcubes, skateboards had clay wheels, and kids longed for a lime-green Schwinn Stingray. Sailing, surfing, beach parties, and rock music were staples of my youth. Over time, we lost the Beatles but found the Allman Brothers, Zeppelin, and The Who. Disco had not yet destroyed us. I ditched the skateboard but kept sailing. Later, I became a criminal defense attorney. My profession inspires me to write realistic mystery/thriller novels. My sailing provides the setting. My goal is to give readers a solid, entertaining tale while bringing them to warm waters and island cultures and putting a little sand between their toes.

I’m an entrepreneur who was born literally within sight of the Intracoastal Waterway in South Florida. Got my first boat (a dinghy) when I was six. I used to drive an airboat on Lake Okeechobee and learned to fly back when I was a teenager. Since then, I’ve flown over a dozen different types of planes and even a helicopter. As a kid, I spent a lot of time in the Bahamas, Virgin Islands, and the Antilles. In my late teens I worked on various private sportfishing boats in Florida, Georgia, and the Bahamas. With this much time spent on, in, under, or around the water, I was destined to write coastal novels. 

I’m an entrepreneur who was born literally within sight of the Intracoastal Waterway in South Florida. Got my first boat (a dinghy) when I was six. I used to drive an airboat on Lake Okeechobee and learned to fly back when I was a teenager. Since then, I’ve flown over a dozen different types of planes and even a helicopter. As a kid, I spent a lot of time in the Bahamas, Virgin Islands, and the Antilles. In my late teens I worked on various private sportfishing boats in Florida, Georgia, and the Bahamas. With this much time spent on, in, under, or around the water, I was destined to write coastal novels. 

Although my Midwestern roots in southwest Michigan situated me far away from the sea, I am now an expert on small islands and remote communities in the greater Caribbean. As a result, I grew to understand that much of the everyday lived experiences of island people must contend with the sea. As a result, I have spent the last two decades studying topics such as migration, fishing, and even conservation as related to small islands from the better-known Cayman Islands to the lesser-known San Andrés and Providencia Islands. I am a history professor at the US Naval Academy.

Even as a kid, I was intrigued by the underwater world, so as an adult, I learned to scuba dive. I took to it like a fish to water, and my husband and I spent the next several years traveling to tropical islands to experience the local dive conditions whenever possible. I loved learning how every island had a different culture and a different undersea environment. Since I love tropical islands, scuba diving, mysteries, and adventure stories, these books really hit my sweet spot.

I have always had a lifelong passion for all things maritime. In the early 1980s, I crossed the Atlantic Ocean as a crew companion to the late famous Captain Ted Falcon Barker, author of The Devil’s Gold. The expedition made landfall in the Bahamas, so this area became a focus of fascination. I also have a very strong historical sense, reflected in my poetry and two of my other works of fiction, the novels Charity Amour and No Gentle Bondage. 

I am an Antiguan-Barbudan writer. When I was a teen, there weren’t a lot of books from my world. So, I was excited when the Burt Award for teen/young adult Caribbean literature was announced. While that prize ran its course after five years, it left a library of great books in this genre, including my own Musical Youth which placed second in the inaugural year of the prize. I have since served as a judge of the Caribbean prize and mentor for the Africa-leg. I love that this series of books tap into different genres and styles in demonstrating the dynamism of modern Caribbean literature. For more on me, my books, and my take on books, visit my website.

I am an Antiguan-Barbudan writer. When I was a teen, there weren’t a lot of books from my world. So, I was excited when the Burt Award for teen/young adult Caribbean literature was announced. While that prize ran its course after five years, it left a library of great books in this genre, including my own Musical Youth which placed second in the inaugural year of the prize. I have since served as a judge of the Caribbean prize and mentor for the Africa-leg. I love that this series of books tap into different genres and styles in demonstrating the dynamism of modern Caribbean literature. For more on me, my books, and my take on books, visit my website.

I was born and raised in Haiti where I was known as ti-blan—little white. And when we moved to central Florida, I remember the feeling of utter sadness and despair. I felt wrenched from the place I loved. The only person I could speak creole with was the janitor at the segregated white school. The teacher yelled at me for talking with him. Since then, I have been interested in this weird problem of race in America. I am drawn to women writers and Caribbean women writers. I love books that evoke place and language and tell me a story—but also deal with the specific urgent political questions of our times.