49 Books Like Standing in Another Man's Grave

Here is another masterpiece.

It purports to be historical fiction set in the Old West, following one of the last great cattle drives. Yet within a few chapters, it begins to feel like a series of episodes from Grimm’s fairy tales.

I remember at UC Irvine, where I earned my Fiction MFA, several fellow writers were reading this novel alongside me. We kept stopping each other in the hall or at cocktail parties to relive this or that chapter, struggling to understand how it could be both so entertaining and so good.

The fact that it is long—a real doorstopper of a book—adds to its “too-big-for-one-genre” feel.

One of the best explanations I’ve read of the rise of Fascism in Hitler’s Germany. I agree that ignoring the lessons of history means we’ll be forced to endure repetition. And Kerr paints such a chilling scenario no one in their right mind would wish the maxim to come true. His prose applies color and form like an artist at the top of their game.

At times I found him reminiscent of Chandler in the way he portrays the Nazis as the worst gangsters in the game. This is the first book of the Bernard Gunther series, and I was so enthralled that I raced through the others in just a few days. His storyline is filled with horror, passion, fear, and pathos—a tour de force of emotions.

With my background, I had to include a book set in N. Ireland during the Troubles. McKinty’s books are a clever blend of fiction and nonfiction. His description and understanding of the absurdities of the Troubles mirror my own beliefs.

His RUC detective is a Catholic in a largely Protestant police force, and McKinty weaves an easily understandable tableau of what it took to live through the Troubles. It is something very difficult to explain to outsiders, though I believe the entire populace still suffers from PTSD.

It was not an easy read as it brought back many painful memories, such as being caught up in the horror of Bloody Friday.

In contrast to Lonesome Dove, I’ve included this book by Craig Johnston, partly because of my anthropology training. Johnston relates the modern life of a Wyoming sheriff interacting with the culture of the Sioux and Cheyenne.

I particularly admire the way Johnston handles the spiritual aspect of the native people. His depiction of Wyoming's emptiness or mountainous areas kept me turning pages all night long. His protagonist knows only too well that law and order is not a black-and-white matter and is prepared to dispense justice as he seems fit.

I have watched the TV series of the books but found it underwhelming. The printed word can often outdo the constraints of a TV producer.

To be honest, I could have picked multiple books by Lisa Jewell. She’s my favorite thriller writer, and many of her books use close-knit communities to set up mysteries in which I constantly change my mind about who I can trust. Exactly what I love about domestic noir!

In this book, the setting is a picturesque village in the Surrey Hills, where teenage parents Tallulah and Zach head out on a date to the local pub and never come home. There are two aspects of the seemingly idyllic community that really sucked me in: a mysterious mansion just outside the village known as Dark Place and a boarding school with its own long-kept secrets. Jewell uses the setting not only to heighten the sense of mystery–there are secret tunnels, woods where bad things happen, clues in old paintings, all the good stuff!–but also to explore themes of class, sexuality, and… show more.

As a former journalist and magazine editor, I’m all too familiar with the ongoing demise of print media, and so I found myself identifying with protagonist Kate Waters, a journalist fighting to keep her newspaper job by looking for the next big story. Kate thinks she may have found it after reading a short article in her evening newspaper: the discovery of the skeletal remains of a baby at a construction site. 

Skillfully told from multiple POVs, this is as much a book about what could have been as what may—or may not—have happened, and Barton is undeniably equal to the task.

No matter how much you may love a certain genre, you can inevitably fall into a reading slump. Too much of a good thing, right?

I will begrudgingly admit, the “missing” or “murdered girl” trope can sometimes get a bit dull without a new touch. Which is why when I came across Megan Miranda’s adult debut told entirely in reverse (from Day 15 to Day 1) was I ever floored with delight!

How absolute genius is it to take a twisty, shocking story about the disappearance of two girls, decades apart but give it to reader backwards? I found myself deeply engrossed not only in the propulsive story but intrigued by the unique way I had to process the timeline.

Grafton takes a rare departure from her usual singular narrative by P.I. Kinsey Millhone, alternating with POVs between “present day (1987)” Kinsey’s investigation and flashbacks by 1953 characters. The case is that of flirtatious Violet Sullivan who disappeared in 1953, leaving behind a young daughter, Daisy, and husband, Foley. Thirty-four years later, Daisy is looking for closure. Did her mother leave of her own volition? Is she still alive and living the good life? Or did she meet with a bad end? The premise of a disappearing mother can take many different paths, and Millhone handles each scenario in turn as she delves deep into the past…all without the aid of a cell phone and internet. 

I loved this book for its exploration of shock, grief, and denial on the part of two adult daughters whose mother inexplicably ends her own life by drowning in the sea. At odds for many years, the two very different women slowly mend their relationship as they discover a long-buried secret their mother had been keeping.

I especially related to the healing of their relationship as it was in adulthood that I drew much closer to my own sisters. As children, they associated my arrival with the loss of their mother, which did not make for an easy relationship.

Having grown up in a waterfront community, I couldn’t resist this atmospheric thriller featuring a young woman drawn back to a small Southern town built around a lake. Years ago, her mother had abandoned her, leaving her with her stepfather. Or so she’s always been told.

But as she peels away family secrets and lies, she discovers that her mother never intended to leave her, and she has no idea who hurt her mother or who may be trying to silence her. The plot twists and sense of ever-present dread kept me reading long into the night!