Books like Spy Princess — picked by fans

I have been passionate about the world of espionage ever since I saw James Bond for the first time on the silver screen. I read Ian Fleming’s books in those early Pan editions and entered the exotic world of devious enemies, exotic locations, fast cars, and women. After service in the Royal Marine Commandos, I began writing in 1984. To date, I have written sixteen books and over 200 articles. Eight of the books are espionage-themed. The rest are military history and historical novels. 

Writing narrative nonfiction books is, for me, quite an adventure. My quest is to discover remarkable stories of deep significance and find answers to long-lingering questions, such as why a spy was never caught. For my six books, I have travelled worldwide to interview key players, dig through archives, and see first-hand the stories’ settings. With master’s degrees in journalism (Columbia University) and library science (University of Michigan), I use the research skills of both professions. Designing the best story structure is my passion because that’s the bridge writers must construct to artfully deliver true stories to readers. And I am inspired by reading excellent books.

I’m passionate about reading books in which three-dimensional female heroines are put into situations where they are challenged to reach their full potential, along with being capable of looking after themselves and facing their fears. A great, suspenseful thriller allows me to delve into that dangerous part of the world, which is frightening but strangely enticing.

Writing narrative nonfiction books is, for me, quite an adventure. My quest is to discover remarkable stories of deep significance and find answers to long-lingering questions, such as why a spy was never caught. For my six books, I have travelled worldwide to interview key players, dig through archives, and see first-hand the stories’ settings. With master’s degrees in journalism (Columbia University) and library science (University of Michigan), I use the research skills of both professions. Designing the best story structure is my passion because that’s the bridge writers must construct to artfully deliver true stories to readers. And I am inspired by reading excellent books.

Having spent much time in France, I’ve been party to some incredible stories of the war years. The beautiful home owned by friends was once gifted by General De Gaulle to the village baker for his work hiding Resistance messages in loaves of bread; 90-year-old Jeanne remembers her father hiding Jewish families and helping them cross into free France; woodlands are punctuated by wooden crosses marking execution sites. For a writer, this is irresistible material, and it has been an honour to write The Schoolteacher of Saint-Michel and The Lost Song of Paris in tribute to the many acts of bravery and resistance over four long years of German occupation.

My father never talked about his experiences during the war. After he died at 67, we found his handwritten itinerary of three years and ten days in the Army Signal Corps. Plotting it on a map sparked a passion that continued for years, taking me twice to sites in Europe and through hundreds of records and books. I am amazed at all he never told us—the Queen Mary troopship, his radar unit’s landing on Omaha Beach (D+26), the Normandy Breakout, Paris after liberation, fleeing Bastogne, and so on. I grew up on WWII films but never grasped till now what my dad may have seen. 

I read a lot of first-person books because I write a lot of 1st person books. I was a creative writing teacher for twenty years and I wanted my students to ‘own’ their material—to write about what they saw and felt and empathized with and loved and feared. These book recommendations below are only a handful of immensely brilliant books that have strong character/narrator voices that put you inside the skin of the narrator. These are the books that are recklessly beautiful and ruthlessly genuine-- and by example teach you how to write honestly and how to capture your own readers.

After my father died when I was eleven years old, I started asking those deeper spiritual questions. This started me on a journey both personally and academically to find needed answers to my queries. I became fascinated with mystical experiences and how seekers navigated their way through the vicissitudes of the spiritual journey. With this interest as a focal point, I received a doctorate in theology, attended retreats, and received guidance from Sufi, Buddhist, and Christian teachers. I taught mysticism and world religions at Ithaca College and co-founded Light on the Hill Retreat Center in 1991, where I still guide people of any or no faith on their spiritual journeys.

I am inspired and driven by a lifelong curiosity about the larger framework of complexities and interconnectedness of evolution and its impact on our environment. Since childhood, this fascination has fueled my science career and compelled me to explore various viewpoints on the subject. My aim is not merely to grasp the direction of evolution but to unveil aspects of its driving force, empowering us to become more aware of the diverse avenues available for personal development. I appreciate these books for their valuable insights, which contribute to demystifying our evolutionary path and enriching the importance of mindfulness, intention, and emotional awareness as key components of our growth.

In 2013, I found a red suitcase under my mother’s guestroom bedroom filled with letters and radiograms. I shipped it home, combined its contents with her brother’s papers, and my family’s Pearl Harbor story emerged but questions remained. Seven years later, after a lot of research which included the books I’ve listed for your consideration, and the help of many people, I was able to answer the question of why Pearl Harbor was taken by surprise. I also unpacked my family’s story, long-buried for fear of prosecution. My book shows the civilian Pearl Harbor story as it weaves its way through the world of cryptology, spies, and 1941 radio technology.