Here are 100 books that Spider Eaters fans have personally recommended if you like
Spider Eaters.
Book DNA is a community of 12,000+ authors and super readers sharing their favorite books with the world.
Having grown up under a repressive dictatorship in Iran, I always wondered about how humans could come together to bring about change. Years of living in different countries have only prolonged that quest. I had identified as a socialist since my teen years in the 2000s (when this political identity wasn’t so popular) and have continuously studied the history of the Left and the pathways it offers to make a better world. I don’t believe in exhaustive favorite lists, so these are just five books that, I think, will help us better appreciate this long history of a quest for progress.
I still vividly remember the first time I read this book in my teenage years in Tehran. Its powerful rhythm, its vivid political imagery, and its sweeping vision shook me. It caught me right then and has never quite let go.
Not only has it remained relevant throughout the years, but it still reads like the literary masterpiece that it is.
'The proletarians have nothing to lose but their chains.'
Marx and Engels's revolutionary summons to the working classes - one of the most important and influential political theories ever formulated.
Introducing Little Black Classics: 80 books for Penguin's 80th birthday. Little Black Classics celebrate the huge range and diversity of Penguin Classics, with books from around the world and across many centuries. They take us from a balloon ride over Victorian London to a garden of blossom in Japan, from Tierra del Fuego to 16th-century California and the Russian steppe. Here are stories lyrical and savage; poems epic and intimate;…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
When in the summer of 1991, I stood with the crowds at Moscow’s White House during the attempted coup against Gorbachev, I had the sense that I was living through and in a small, but not unimportant way, making history. I left Moscow fascinated by the questions of how big historical events shape individuals’ lives and how personal circumstances influence public action and commitments. My books explore how children experienced and made sense of the Russian Revolution; how survivors of the World War II blockade of Leningrad interacted with official state commemorations of the war; and how international communists explained and remembered their participation in the Spanish Civil War.
Hobsbawm was both one of the most influential professional historians of the twentieth century and a lifelong communist. As a historian, Hobsbawm had no illusions about the failures of twentieth-century communist regimes. His life story illustrates how a commitment to communism entailed far more than an endorsement of Stalin or the Soviet Union. A schoolboy in Berlin when the Nazis came to power, Hobsbawm, associated communism with antifascism. In his autobiography, he offers not a confession or a justification for his membership in the communist party, but an effort to explain what he calls the “wars of secular religion” that devastated so much of the twentieth century.
Eric Hobsbawm has been widely acclaimed as one of the greatest living historians. Called "a lyrical, pungent, and provocative memoir" by Publishers Weekly, Interesting Times offers a personal tour through what Hobsbawm terms "the most extraordinary and terrible century in human history." The book takes us from his birth in Alexandria, Egypt, and early schooling in Weimar Berlin to his student days as a Cambridge Red and Apostle at King's College. Hobsbawm took E.M. Forster to hear Lenny Bruce, demonstrated with Bertrand Russell against nuclear arms, translated for Che Guevara in Havana, and inaugurated the modern history of banditry. With…
When in the summer of 1991, I stood with the crowds at Moscow’s White House during the attempted coup against Gorbachev, I had the sense that I was living through and in a small, but not unimportant way, making history. I left Moscow fascinated by the questions of how big historical events shape individuals’ lives and how personal circumstances influence public action and commitments. My books explore how children experienced and made sense of the Russian Revolution; how survivors of the World War II blockade of Leningrad interacted with official state commemorations of the war; and how international communists explained and remembered their participation in the Spanish Civil War.
In 1968, Margaret Randall, an American radical fleeing political repression in Mexico, moved to Cuba with her children. She remained there until 1980. Her memoir of her years in Cuba provides insight into the lived experience of revolutionary change. She charts her everyday life and struggles and offers a compelling picture of the broader political and economic context. A pioneering feminist, oral historian, and photographer, Randall, with the permission of the Cuban government, interviewed women throughout the country about how the revolution shaped their lives. Acknowledging the revolution’s failures, blind spots, and shortcomings, she remains committed to changing the world.
In To Change the World, the legendary writer and poet Margaret Randall chronicles her decade in Cuba from 1969 to 1980. Both a highly personal memoir and an examination of the revolution's great achievements and painful mistakes, the book paints a portrait of the island during a difficult, dramatic, and exciting time.
Randall gives readers an inside look at her children's education, the process through which new law was enacted, the ins and outs of healthcare, employment, internationalism, culture, and ordinary people's lives. She explores issues of censorship and repression, describing how Cuban writers and artists faced them. She recounts…
Sine, a professor of creative writing, accompanies Sam, a neuroscientist, on a conference trip to a Hotel Castle. Sam wants to present a new device, the "monitor." Sine hopes to recover from tending to her mother who just passed away.
When they arrive, Sine is in a dream-like state. Real…
When in the summer of 1991, I stood with the crowds at Moscow’s White House during the attempted coup against Gorbachev, I had the sense that I was living through and in a small, but not unimportant way, making history. I left Moscow fascinated by the questions of how big historical events shape individuals’ lives and how personal circumstances influence public action and commitments. My books explore how children experienced and made sense of the Russian Revolution; how survivors of the World War II blockade of Leningrad interacted with official state commemorations of the war; and how international communists explained and remembered their participation in the Spanish Civil War.
The Communist Experience is a vast and kaleidoscopic collection of primary sources that range from a fragment of the memoir of a Russian worker who became a Bolshevik before the 1917 revolution to letters from Spanish children evacuated to the USSR during the Spanish Civil War to the manifesto of the Gay and Lesbian Association of Cuba. Young organizes the collection around themes that cross-national and temporal borders, such as “children of the revolution” “state violence and repression,” and “leisure, entertainment sports, and travel.” The book can be read from cover to cover, but also rewards readers who dip into sections or personal stories according to their interests.
Using a source-based approach, The Communist Experience in the Twentieth Century is the first text designed to help students, general readers, and scholars understand how people constructed Communist ways of life around the world. Taking a global approach, it extends beyond Russia and Eastern Europe to examine the lives of people in China, Korea, Vietnam, Cambodia, Kyrgyzstan, Algeria, Peru, Cuba, and elsewhere. The book provides an inside look at the Communist experience, where people were-sometimes simultaneously so-enthusiasts, reshapers, resisters, and victims of an ideological project that was (and, for some, still is) both humanity's darkest nightmare and brightest hope. Since…
I’m a fan of many kinds of stories, but the novel is my favorite form. I love most genres, especially historical and literary. My favorite reads are sagas, not to escape life but rather to experience more of life, immersing myself in a sweeping yet intimate journey into someone else’s world. In my favorite fiction, the protagonists are women or girls who discover their power. Not superpowers, but the real deal: intelligence, compassion, courage. The secret sauce is when an author accomplishes this without a wink—without the heroic woman becoming a caricature of unexpected masculinity or precious femininity. I want novels about women with potential as unlimited as men.
In this book, I admire how author Vanessa Hua blends intimate storytelling about one teenager into a vast historical saga—drawing on her research skills as a journalist, a background we have in common. In this coming-of-age tale about a secret enclave of pampered and abused teenage girls, I could see why Mei was lured by a promise with feminist allure: that girls can become heroes.
My life experience told me she would get used, yet I loved Mei’s awakening: an idealist transformed into a sexual slave sharpens her wits against Chairman Mao’s even as she becomes his prey, then must use all she’s learned to save herself. Mei’s story is a wake-up call about the dangers women face when societies decline and the price we pay to become heroes.
NATIONAL BESTSELLER • A teenage girl living in 1960s China becomes Mao Zedong’s protégée and lover—and a heroine of the Cultural Revolution—in this “masterful” (The Washington Post) novel.
“A new classic about China’s Cultural Revolution . . . Think Succession, but add death and mayhem to the palace intrigue. . . . Ambitious and impressive.”—San Francisco Chronicle
ONE OF THE BEST BOOKS OF THE YEAR: The Washington Post, PopSugar • Longlisted for the Joyce Carol Oates Prize
On the eve of China’s Cultural Revolution and her sixteenth birthday, Mei dreams of becoming a model revolutionary. When the Communist Party recruits…
Born and raised in China, I grew up on a remote state-run farm where my parents, as condemned intellectuals during Mao’s Cultural Revolution, lived for 20 years. It wasn't until mid-80s they were allowed to return. I have heard many stories and read many books about this tumultuous period in China. I didn’t know much about my parents’ personal experiences until I was in my 30s. Today’s China is very different but I believe that history extends its roots deep into the present. As a writer, what interests me the most is the impact of history on individuals and society. My latest book is a historical wartime novel set in China and Europe.
I first read the book when I was at college in China, and over the years, I’ve read it several times. In China, Yu Hua is one of the few leading writers known as both a literary master and a popular writer with huge commercial success. His charm is well demonstrated in To Live, which has become a classic in modern Chinese literature. It’s a story of a common Chinese man named Fugui living through one after another social and political changes. The story is dramatic, sad, humorous, and sarcastic at times yet never sentimental and judgmental, and it draws you in with a simple but compelling question: after you lose everything dear to you, can you still go on to live?
Originally banned in China but later named one of that nation’s most influential books, a searing novel that portrays one man’s transformation from the spoiled son of a landlord to a kindhearted peasant.
“A work of astounding emotional power.” —Dai Sijie, author of Balzac and the Little Chinese Seamstress
From the author of Brothers and China in Ten Words: this celebrated contemporary classic of Chinese literature was also adapted for film by Zhang Yimou. After squandering his family’s fortune in gambling dens and brothels, the young, deeply penitent Fugui settles down to do the honest work of a farmer. Forced…
In an age of splendor, a heretic king strips Egypt bare—forcing his queen to quell rebellion and plunging his children into a conspiracy against the crown.
Salvation in the Sun follows Nefertiti as she ascends the throne beside Pharaoh Amenhotep—soon to become Akhenaten—just as he declares war on Egypt’s ancient…
I arrived in China in 1995 as one of the country’s first Peace Corps volunteers, and for over a decade lived in rural Sichuan, historic Beijing, and arcadian Jilin. These settings inform my trilogy of books about daily life in corners of the country overlooked by correspondents. I’ve won a Whiting Writers’ Award, a Guggenheim Fellowship, two Lowell Thomas Awards for travel writing, and I am currently a Fulbright Scholar in Taiwan. I’m a member of the National Committee on United States-China Relations‘ Public Intellectuals Program, a recipient of a 2017 National Endowment for the Humanities Public Scholar Fellowship, and a Professor of English at the University of Pittsburgh, where I teach nonfiction writing.
Set in China’s southwestern mountainous rainforest borderland of Xishuangbanna, this novella is based on the author’s time as a “sent-down youth” during the Cultural Revolution. Politics take a backseat to the intimate friendships forged during those years, alongside the heedless degradation of the country’s lushest lands. The famed director Chen Kaige—who had served two mountains away from the author—made a faithful film adaptation.
When the three novellas in The King of Trees were published separately in China in the 1980s, "Ah Cheng fever" spread across the country. Never before had a fiction writer dealt with the Cultural Revolution in such Daoist-Confucian terms, discarding Mao-speak, and mixing both traditional and vernacular elements with an aesthetic that emphasized not the hardships and miseries of those years, but the joys of close, meaningful friendships. In The King of Chess, a student's obsession with finding worthy chess opponents symbolizes his pursuit of the dao; in The King of Children-made into an award-winning film by Chen Kaige, the…
I’m a Kiwi who has spent most of the past three decades in Asia. My books include Formosan Odyssey, You Don't Know China, and Taiwan in 100 Books. I live in a small town in southern Taiwan with my Taiwanese wife. When not writing, reading, or lusting over maps, I can be found on the abandoned family farm slashing jungle undergrowth (and having a sly drink).
This strange novel consists of vignettes presented as encyclopedia-style entries written by the narrator. He’s an “educated youth” relocated to the fictional rural Hunan village of Maqiao as part of the Cultural Revolution “learn from the peasants” movement, reminiscent of Han Shaogong’s own experience of being sent to the countryside. First published in 1996 and in English in 2003 (expertly translated by Julia Lovell), the novel is better than the premise suggests, and it often features in “best of” Chinese literature lists.
One of the most-talked about works of fiction to emerge from China in recent years, this novel about an urban youth "displaced" to a small village in rural China during the Cultural Revolution is a fictionalized portrait of the author's own experience as a young man. Han Shaogong was one of millions of students relocated from cities and towns to live and work alongside peasant farmers in an effort to create a classless society. Translated into English for the first time, Han's novel is an exciting experiment in form-structured as a dictionary of the Maqiao dialect-through which he seeks to…
I’m a historian, educator, and author with an abiding interest in stories that help bridge cultural divides. I first encountered tales of China as an elementary school student in Singapore. Years later, I studied Chinese and backpacked through China, after which I earned my M.A. in Asian Studies. I would go on to become a high school instructor, and this experience helped me teach AP World History ™ and IB (International Baccalaureate) History. I began writing my Jackie Tempo series as a way of providing accessible content in the classroom. Historical fiction has always helped provide deeper context for me and my students.
My future husband and I read excerpts of this book as undergraduates—great preparation for our post-graduation trek into China. We were determined to track down his great-aunt in Chengdu—no mean feat in the late 80s, given the absence of cellphones and internet.
A cover blurb notes this book is in the “tradition of Orwell and Solzhenitsyn” but I’d point instead to Heller (Catch-22) for context on China’s Cultural Revolution. “Chairman Mao is a Rotten Egg,” for example, reveals strategies that made sense when we met my then-fiancé’s great aunt. She shared how her husband was thrown in jail given his training as a doctor, and how she responded to the Red Guards who had come for him: “Good! Take him away,” she feigned bravery, “he’s a pain.” They brought him back two days later.
". . . in the great tradition of Orwell and Solzhenitsyn; its true subject is the survival-and sometimes the defeat-of the human spirit in its lonely quest for integrity." -Time
"The almost childlike directness of Chen's tales. . . is captured in the very lightly revised translations of this new edition. . . Highly recommended." -Choice
A classic of modern world literature, this collection of stories provides a vivid and poignant eyewitness view of everyday life in China during the Cultural Revolution. For this edition, Howard Goldblatt has thoroughly revised the text and updated it…
Born the heir of a master woodcutter in a queendom defined by guilds and matrilineal inheritance, nonbinary Sorin can’t quite seem to find their place. At seventeen, an opportunity to attend an alchemical guild fair and secure an apprenticeship with the…
I started solo travelling as soon as I left school, and since then I’ve spent many years doing so. I came of age while cycling, kayaking, hiking and skiing across distant lands. The bittersweetness of being alone on the road has become a source of constant fascination for me. The on-again-off-again loneliness creates a state of mind where you’re that much more willing to throw yourself in at the deep end, to meet strangers, and to look, listen and learn. At its very best, solo travel writing seamlessly encompasses two journeys: the physical journey in a foreign land, and the psychological journey within the author.
I must have read dozens of books on China but Colin Thubron’s elegiac account comfortably takes the crown. Behind the Wall captures a unique moment in China’s history when foreigners were first allowed to travel around the country but the nation was yet to be influenced by the outside world. Having learnt to speak Mandarin in advance of travelling, the author probes deep into the rural areas and distant desert outposts of a closed communist empire still recovering from the ravages of the Cultural Revolution.
A powerful unforgettable journey through China with one of our greatest travel writers.
'An achievement of great and lasting brilliance' Patrick Leigh Fermor
Having learned Mandarin, and travelling alone by foot, bicycle and train, Colin Thubron set off on a 10,000 mile journey from Beijing to the borders of Burma. He travelled through the wind-swept wastes of the Gobi desert and finished at the far end of the Great Wall.
What Thubron reveals is an astonishing diversity, a land whose still unmeasured resources strain to meet an awesome demand, and an ancient people still reeling from the devastation of the…
