Books like Spending — picked by fans

Set in Victorian England, this novel begins where romances often start—with a beleaguered heroine. She is a brilliant cook with a questionable past. Her patron dies. His brother takes over the estate where—let’s say—she’s been multi-tasking. The brother has perversely cut all pleasure from his life. But oh, that food. Complications develop, including his desire to not desire the food or the cook. There are dark secrets and dark hungers including a hunger for revenge on both the hero’s and heroine’s parts. I love a sexy, twisty story that I can’t put down. This one meets all of my marks. 

I confess that almost everything Baxter has written is too intellectually frigid for me. But this novel is one of my favorites. At times sweet, at times intense, it is a meditation on the ways we love, and the various stages of love based on our ages and the duration of our relationships. Baxter explores romantic love, first love, old love, love for our children, and sexual obsession. Grief and hope figure prominently. At first, seemingly a series of short stories, the novel’s characters gradually drift into one another’s orbits and their stories become integrated. I love the author’s mastery of form while telling a brilliantly humane—and sexy—story about what it means to love.

A teenage girl in Maine steals a dictionary at the mall and is sentenced to do community service in her small town’s library. The middle-aged head librarian there has exiled herself from a divorce accompanied by public scandal. A much younger New York City stockbroker who had piles of money turns up in town after losing everything in the 2008 crash. He believes his aunt’s savings booklet from a bank long subsumed by another—he just needs to figure out which one—will put him back on his feet. I love how gently this novel reveals these damaged characters’ foibles and hopes. They seem to have nothing in common, yet they heal each other. And there is (spoiler alert) a sexy little romance between the librarian and the stockbroker.

Ms. Wesley didn’t publish until she was seventy, which I find inspiring. She produced ten slim interconnected novels. Like the heroine of Delicious although a century later, this one cooks. She cooks for elderly ladies, visiting for a week or two to stock their freezers with fabulous meals. Her less innocent sideline is “visiting” with men. These occupations earn her enough to keep her fatherless son in an excellent private school. Then, the unthinkable happens: two men who were previously unknown to each other discover they may be sharing the same mistress. The problem is they thought their arrangements were exclusive. A comedy of manners ensues. Wesley’s prose cuts like a finely honed knife. And she does her cutting with very few words. I so admire that skill!  

I love stories about artists, and I loved the creativity of the whole idea behind this adult fantasy set against an Asian-inspired backdrop, where art is magic and can be used to make things happen in the physical world.

But even better is the fact that the main character—a skilled artist roped into working for a corrupt entity—is nonbinary, and this is nothing more than a mundane fact. It’s a clear reminder that gender is just one part of a person’s existence—and probably not the most important one. 

On Vincent van Gogh’s death, and the subsequent death of his brother, Theo, six months later, Johanna van Gogh-Bonger – at only twenty-eight years old – became keeper and advocate of Vincent’s immense collection of paintings, sketches, letters, and illustrations. 

Whilst grieving and caring for her infant son, Jo translated those letters. That we are able to read Vincent’s letters and to hear his words add both depth and insight to our appreciation of his art. This book is our chance to connect with a Vincent beyond the tortured artist that contemporary society portrays. These letters are one of Jo’s many gifts to us. 

As a skilled mystery/thriller author, Dick Francis always wrote stories with interesting protagonists fighting uphill against all odds, and this fascinating story is no different.

I personally loved this attention-grabbing plot set in the Scottish highlands about an offbeat young painter who gets drawn into a complex family drama. As the most unlikely character chosen to protect his ancient family heritage, I found the ever-changing story with an unexpected ending a sheer delight to consume rapidly.

Picture book biographies need to narrow their focus on a subject, and I love the way the author achieves this. She could have written about Van Gogh’s life in general, but she used the refrain “Vincent can’t sleep” to describe his childhood, schooling, boring jobs, and finally becoming an artist. Insomnia led to his most well-known painting, “The Starry Night.”

I also admire how gently she portrayed his mental illness by emphasizing his quest to find the colors of the night. Lean prose contrasts neatly with Van Gogh’s free-wheeling brushstrokes, richly illuminated by Grandpré’s sweeping illustrations.

I’m fascinated by historical fiction that sticks to the “facts” of a person’s life but imagines and richly describes that person’s inner world—in this case Georgia O’Keefe’s. The novel focuses on the young painter’s love affair with Alfred Stieglitz, an established photographer and art dealer. Before the art world knows Georgia O’Keefe as a ground-breaking artist in her own right, she is introduced as the female nude in Stieglitz’s photographs. Does her art gain notice in part because of this scandalous introduction, or does it merely eroticize her and her work? And while she learns much from Stieglitz, what does this relationship cost her? This book is masterfully “painted” with O’Keefe-like brush strokes that assemble a tantalizing picture and still leave much to the imagination.

In this wondrous book on Caravaggio, the world of Naples unfolds from the inside through an electrifying reading experience. Written with grace, almost every sentence imparts an epiphany. The author challenges us to undertake soul-work, even if one is a secular reader. Reading becomes an act of empathy and passion. In the words of Wallace Stevens, potential readers will become ‘necessary angels’.