100 Books Like Something Happened

Not exactly literary fiction, I know. And it breaks none of the rules governing the novelist’s craft. And we all read it back when it came out, didn't we? Or saw the movie, there've been a couple of versions...

So why is it on my list, you ask?

The Day of the Jackal is quite simply the greatest thriller ever written, and should be read by anyone who writes fiction, literary or otherwise—and by the rest of us as well.

Think for a moment: We follow The Jackal’s relentless quest to corner and kill French President Charles DeGaulle for 380 pages, waiting with breath bated to see whether he will succeed even though we know before we ever open the cover of the book (if we know even the slightest bit of history) that DeGaulle was never assassinated—ever!—not by The Jackal and not by anyone in… show more.

In 2025, does anyone actually read The Sound and the Fury anymore?

Consider that it’s soooo very complex and difficult: four narrators, three of them unreliable often enough to be considered suspect; a non-linear narrative structure awash in stream of consciousness and the interior monologue, the narrative devices Faulkner developed along with Joyce; multiple perspectives on the same event that dash any hopes for “objective truth;” an appendix the author felt compelled to tack on after the novel was already in print to make sure his readers could actually understand what they were reading.

It requires intense focus and concentration from beginning to end, work that we are loathe to invest our time in in this jacked-up, high-speed modern age that already demands more of it than we are able to give. I read it while working on my Master's Degree under the guidance of a Faulkner scholar, and it… show more.

I once heard a friend of mine describe Last Exit to Brooklyn as “a significant minor novel.” He was wrong. It’s a good deal more than that.

Set in the same Brooklyn in which one will find Herschel Cain, the main character in my own novel, before he becomes professional wrestler Haystacks Kane, yet light years away, Last Exit is a searing portrayal of life in the raw amongst the American underclass, profoundly disturbing and terribly, terribly sad. It shook me to my core when I read it not long after it was published in the mid-1960s, and has remained with me ever since.

In countless ways, Selby’s novel thumbs its nose at traditional novel structure and the customary rules of grammar, spelling, and punctuation in order to present virtually every moment of its bleak and upsetting narrative with a ferocious immediacy rarely found anywhere else.

In truth, it does… show more.

You rarely hear any mention these days of John Hawkes or his masterful 1971 novel, The Blood Oranges, his sumptuously written exploration of one man’s pursuit of freedom—in particular, sexual freedom—and the costs and consequences of that pursuit for himself, his wife, and the couple they meet, bond with, seduce in more ways than one, and help to destroy. 

Which is too bad. Because it’s truly exceptional.

The story unfolds in an unnamed tropical setting that is rich with atmosphere and heat, literal and otherwise.  Entering its world was like throwing open the doors to a dream, a dream heavy with languorous passion and sexual tension. It was poetry in sensual slow motion, poetry in the guise of fiction, erotically charged but never ever pornographic (one reviewer called its underlying subject “sexistentialism”). 

Hawkes gifts all this to us in voluptuous prose that suffuses the senses; it dazzles and soars.… show more.

I’m an absolute sucker for a ‘what really happened that night’ tale and this is one of my all time favourites due to the unreliable narration and the sense of slowly creeping dread.

The core of this book is the messy tangle of friendship, obsession, and unspoken longing, which I can never get enough of. Throughout my first read of the story, I re-evaluated what I thought I knew, and went back to the start over and over. I had to know who was lying…

This novel tells the story of Maise, a devoted wife and mother of four children.

It takes place over the course of a single day in October that begins with Maise nursing her infant and leads to a family outing to an orchard the following afternoon. It beautifully captures the daily emotions that a mother feels, ranging from anxiety to grief to deep love, and explores the feelings around the unpaid labor of motherhood and the financial anxiety that being a parent brings to us all. 

Thomas Covernant is a leper shunned by society but finds himself in the Land where some herald him as the one who’ll save them from an evil sorcerer, Lord Foul. He is not always a sympathetic character, but being on society’s edge where all and sundry openly shun him can do that to anyone.

What I loved the most was the captivating Land with its many peoples and inhabitants, such as the sentient woods and the Forestals that ward them, the Elohim, a benign people with special powers, the Giants and the evil Viles, Waynhim, and ur-viles.

Outside being exotic, the world feels credible and immersive, especially the “wild magic” Covernant begins to wield. I ended up caring passionately about what happened to the Land and wanting Covernant to acknowledge his worth.

This book is horror for adrenaline fiends, but it has emotional depths and a rich cast of well-developed characters to balance out its fast-paced thrills.

My favorite character in this book, and one of my favorites in the whole horror canon, is Nell Talbot, one half of the brother-sister duo of protagonists. Nell is a 100-proof disaster bisexual, surfing a wave of her own bad choices all the way to shore.

You know how a story is supposed to have an inciting incident? Nell Talbot is the inciting incident.

Every story belongs to a genre and genre is a part of story development. I found this book to be the best available explaining what genres are and how they work to support the process of story development.

Truby’s book lays out each major story genre, its beats, dynamics, and place in the world of storytelling. This is an essential reference every writer needs on their bookshelf.

I’ve spoken to people who really couldn’t get into this book, and I consider them somewhat deranged. It’s a rollicking good read, and maybe it helped that I enjoyed the author reading the story, which added to my enjoyment. I’ll go out on a limb and suggest very few authors make great audiobook performers. Mortimer absolutely does, getting the voice of the squirrel spot on.

There’s a strange and convoluted plot set in the not-terribly-underworld of London. A brilliant neighbor part for Kathy Burke should Mortimer ever be fielding Netflix offers. It’s a book you’ll read in days, not weeks. Fast-paced and has me on edge for part two–out in August.