Here are 100 books that Smellosophy fans have personally recommended if you like
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I’m a historian of the senses. When I first traveled to the United States, I was fascinated and overwhelmed by the smell and sound of the streets entirely different from my hometown in Japan. Since then, every time I go abroad, I enjoy various sensory experiences in each country. The first thing I always notice is the smell of the airport which is different from country to country. We all have the senses, but we sense things differently—and these differences are cultural. I wondered if they are also historical. That was the beginning of my inquiry into how our sensory experience has been constructed and changed over time.
The Enlightenment is often associated with intellectual changes. But the book sheds a new light on this “Age of Reason” by showing how emotions and feelings played a crucial role in this intellectually and sensorially dynamic period. Purnell tells this change by providing many interesting, and funny, episodes. My favorite, among others, is the seventeenth-century vogue for perfumes made of the excretions of the civet cat or the musk deer, and it was only in the mid-eighteenth century that floral scents became popular. This shift had to do with people’s ideas about health, cleanliness, and naturalness that changed over time. You will learn how and why people in the eighteenth and nineteenth centuries thought about the senses, how they experience their sensory world, and how our sensory experience came about over the course of a few hundred years.
Blindfolding children from birth. Playing a piano made of live cats. Using tobacco to cure drowning. Wearing "flea"-coloured clothes. These actions seem odd to us but in the eighteenth century they made sense.
As Carolyn Purnell persuasively shows, while our bodies may not change dramatically, the way we think about the senses and put them to use has been rather different over the ages. Journeying through the past three hundred years, Purnell explores how people used their senses in ways that might shock now. Using culinary history, fashion, medicine, music and many other aspects of Enlightenment life, she demonstrates that,…
The dragons of Yuro have been hunted to extinction.
On a small, isolated island, in a reclusive forest, lives bandit leader Marani and her brother Jacks. With their outlaw band they rob from the rich to feed themselves, raiding carriages and dodging the occasional vindictive…
I’m a historian of the senses. When I first traveled to the United States, I was fascinated and overwhelmed by the smell and sound of the streets entirely different from my hometown in Japan. Since then, every time I go abroad, I enjoy various sensory experiences in each country. The first thing I always notice is the smell of the airport which is different from country to country. We all have the senses, but we sense things differently—and these differences are cultural. I wondered if they are also historical. That was the beginning of my inquiry into how our sensory experience has been constructed and changed over time.
What is noise? Is it about loud music? Train sounds? Well, what makes certain sounds noise depends on the context. In the late-nineteenth-century United States, for example, the sound of the locomotive, which may sound like noise to many people, was heard as a symbol of modernity and technological advancement. Thompson’s book explores such change in the nature of sound and the culture of listening with the rise of new technology in the United States during the first few decades of the twentieth century, from the street and the Philadelphia Saving Fund Society Building to Radio City in New York.
In this history of aural culture in early-twentieth-century America, Emily Thompson charts dramatic transformations in what people heard and how they listened. What they heard was a new kind of sound that was the product of modern technology. They listened as newly critical consumers of aural commodities. By examining the technologies that produced this sound, as well as the culture that enthusiastically consumed it, Thompson recovers a lost dimension of the Machine Age and deepens our understanding of the experience of change that characterized the era.Reverberation equations, sound meters, microphones, and acoustical tiles were deployed in places as varied as…
I’m a historian of the senses. When I first traveled to the United States, I was fascinated and overwhelmed by the smell and sound of the streets entirely different from my hometown in Japan. Since then, every time I go abroad, I enjoy various sensory experiences in each country. The first thing I always notice is the smell of the airport which is different from country to country. We all have the senses, but we sense things differently—and these differences are cultural. I wondered if they are also historical. That was the beginning of my inquiry into how our sensory experience has been constructed and changed over time.
Why do certain tunes become popular and others fail? What is music that sells? In Selling Sounds, Suisman explains how the music industry has shaped the culture of listening to music and how they capitalized on it, creating an entirely new music culture in the early-twentieth-century United States. This emergence of the music industry and culture involved not just the creation of novel sounds by a genius musician, but rather commercial, technological, and cultural changes, which are still with us today.
From Tin Pan Alley to grand opera, player-pianos to phonograph records, David Suisman's "Selling Sounds" explores the rise of music as big business and the creation of a radically new musical culture. Around the turn of the twentieth century, music entrepreneurs laid the foundation for today's vast industry, with new products, technologies, and commercial strategies to incorporate music into the daily rhythm of modern life. Popular songs filled the air with a new kind of musical pleasure, phonographs brought opera into the parlor, and celebrity performers like Enrico Caruso captivated the imagination of consumers from coast to coast. "Selling Sounds"…
Jake Sledge, a rugged ex-cop turned private eye, teams up with his colossal partner Bobo to navigate the gritty streets of River City.
A murdered lawyer drags them into a web of political intrigue, neo-Nazi thugs, and bloody showdowns. With sharp wit and hard-hitting action, Jake tackles scumbags the only…
I’m a historian of the senses. When I first traveled to the United States, I was fascinated and overwhelmed by the smell and sound of the streets entirely different from my hometown in Japan. Since then, every time I go abroad, I enjoy various sensory experiences in each country. The first thing I always notice is the smell of the airport which is different from country to country. We all have the senses, but we sense things differently—and these differences are cultural. I wondered if they are also historical. That was the beginning of my inquiry into how our sensory experience has been constructed and changed over time.
Kiechle’s Smell Detectiveshows how smell, the mute sense, has been in fact quite “talkative.” By going back to the nineteenth-century United States, the book discusses how cities back then smelled and how people living there reacted to it. Olfaction is actually a critical source of knowledge. Smell can tell you a lot about your surrounding environment and other people. It also gives historians clues to understand how people lived in the past. Moreover, smell, like other senses, is not a simply subjective, biological phenomenon. Sensations we experience change over time—imagine smell and sounds on the street today and hundred years ago. It is also cultural and political, too. How people understand certain sensations is a historical product—a certain “bad” small was racialized and associated with a lower class, for example. This book is an excellent way to “sniff” out the history of the senses.
What did nineteenth-century cities smell like? And how did odors matter in the formation of a modern environmental consciousness? Smell Detectives follows the nineteenth-century Americans who used their noses to make sense of the sanitary challenges caused by rapid urban and industrial growth. Melanie Kiechle examines nuisance complaints, medical writings, domestic advice, and myriad discussions of what constituted fresh air, and argues that nineteenth-century city dwellers, anxious about the air they breathed, attempted to create healthier cities by detecting and then mitigating the most menacing odors.
Medical theories in the nineteenth century assumed that foul odors caused disease and that…
Kevin Davis is the author of three non-fiction books about the criminal
justice system, The Wrong Man,Defending the Damned and The Brain Defense. Davis has also authored eight
nonfiction children’s books. He’s an award-winning journalist and magazine
writer based in Chicago.
This was a much-needed cautionary examination of the increasing hype
about neuroscience. Following a period in which neuroscience suddenly
became a pop culture phenomenon, Brainwashed aims to tamp things down. The book
takes issue with how mainstream media trumpeted studies that supposedly show
how the brain “lights up” when we kiss, listen to music or engage in other
activities. Satel and Lilienfied explain what brain scans and neuroscientific
reports really reveal and don’t reveal.
What can't neuroscience tell us about ourselves? Since fMRI,functional magnetic resonance imaging,was introduced in the early 1990s, brain scans have been used to help politicians understand and manipulate voters, determine guilt in court cases, and make sense of everything from musical aptitude to romantic love. But although brain scans and other neurotechnologies have provided ground-breaking insights into the workings of the human brain, the increasingly fashionable idea that they are the most important means of answering the enduring mysteries of psychology is misguided,and potentially dangerous.In Brainwashed , psychiatrist and AEI scholar Sally Satel and psychologist Scott O. Lilienfeld reveal how…
I have always been infatuated with smells, as many childhood photos of me with my nose stuck in something can prove. However, I did not consider studying olfaction as a primary area of research until mid-way through my PhD. As a full-time student, part-time lecturer, and primary caregiver to an inquisitive, energetic toddler at that time, I needed to gain a background understanding of smell as quickly and efficiently as possible. Thus began my obsession with books on smell, taste, and flavor. At the start of the millennia, the area was still small and has since blossomed, allowing me to continue to read books about smell for pleasure in my downtime.
I like to daydream about how my olfactory perspectives would change in different scenarios such as being one of the borrowers or colossus. This provides by far the most exhaustive and fun to read introduction to canine olfaction that provides so much fodder for my olfactory flights of fancy.
It is hard not to get caught up in thought experiments about what it must be like to have such a fantastically adept nose, how cool it would be to engage in overt social chemosignal behavioral exchanges, and at times even to wonder if we are odorifically missing out by not sniffing all the repugnant stuff that dogs simply love to wallow around in smelling.
Horowitz’s coverage is cutting edge based on her lab’s research and expansively covers a larger field of study than one might expect at the outset. This is one of those books you pick-up and just want…
Alexandra Horowitz's runaway bestseller Inside of a Dog began a movement among dog owners to not just quietly accept and enjoy the presence of the pooch at their sides, but to wonder at that dog, and let him show us how he sees the world, and what he knows. What the dog sees and knows comes mostly through his nose, and the information that every dog has about the world based on smell is unthinkably rich. It is rich in a way we humans once knew something about, once even acted on, but have since neglected. By smelling, tapping into…
Caroline Herschel has always lived in the shadows. Beholden to her wildly popular older brother, William, who rescued her from servitude, she's worked hard to build a life for herself – one where she can go unnoticed and repay the debt she believes she owes him. But when her brother…
Since I was a little boy, long before I dreamed of becoming a Daoist monk, I sensed that there was far more beneath the pond of life than on the surface. I remember feeling jealous of a little turtle I saw in the Connecticut River. Why couldn’t I pop out of my world and see what was happening above, but he could? My spiritual questing led me to Asia and also deep into myself. Writing magical realism does not feel like engaging a fantasy; it feels like I can finally share how the world really is.
I grew up speaking Russian with my grandparents and always yearned to read classic Russian literature in the original. Perhaps it was my great love for those grandparents or the stories they told that led me to major in Russian at Yale University. Like any translated work, Russian literature loses something in translation. Still, it gains something, too, effectively juxtaposing a culture that is neither Eastern nor Western yet entirely alien to most of us today.
Satire, dark humor, and perfect pacing make this story a laugh-out-loud work, at least to me. Despite being ridiculous, its delivery is straight-faced, which at least makes the humor and the social commentary all the more powerful. The gritty reality of Russia in the age of tsars is so palpable you can taste it, and so is the humor.
'Strangely enough, I mistook it for a gentleman at first. Fortunately I had my spectacles with me so I could see it was really a nose.'
With this pair of absurd, comic stories Gogol indulges his imagination and delights readers.
Introducing Little Black Classics: 80 books for Penguin's 80th birthday. Little Black Classics celebrate the huge range and diversity of Penguin Classics, with books from around the world and across many centuries. They take us from a balloon ride over Victorian London to a garden of blossom in Japan, from Tierra del Fuego to 16th-century California and the Russian steppe.…
I am a historian of science who just completed a book on the role of perfume in the quest for the secret of life and vitality. While writing it, I became fascinated with the challenge of translating scent into language. While our nose can recognize a virtually infinite number of odors, there are only a few basic categories of description (“floral,” “woody,” “citrus,” etc.). To fully describe them often requires a poet’s touch – invoking a tapestry of memories, associations, and feelings to create the experience in the reader’s mind. These are some of the best books I’ve encountered for talking about the complex world of scent, and the importance of perfume in human history.
At the center of this rollicking account is the larger-than-life figure of Luca Turin, a perfume aficionado and renegade biophysicist with an uncannily sensitive nose.
Burr followed him as he traded blows with the scientific establishment over his unorthodox theory of how smell works. What emerges is a profound appreciation of just how little understood this sense still is, and how varied and potent the smells of the world are to someone as attentive to them as Turin.
In the tradition of Susan Orlean's The Orchid Thief and James Gleick's Genius, The Emperor of Scent tells the story of Luca Turin, an utterly unusual, stubborn scientist, his otherworldly gift for perfume, his brilliant, quixotic theory of how we smell, and his struggle to set before the world the secret of the most enigmatic of our senses.
I have been a doctor, psychiatrist, and brain researcher for nearly 50 years. I have treated thousands of patients, written over a thousand scientific articles, and given a similar number of lectures to medical and neuroscience students and to the general public. I have held many leadership positions in this field for academic groups both in UK and Europe and in 2009 I set up the charity Drug Science, to tell the truth about drugs and addiction.
A book written after decades of research by a leading neuroscientist to share his love of the brain with the general public. An ideal starter book for those of you who want to get a sense of all the different parts of the complex organ that comprise the human brain. In a series of chapters on the many different parts, regions structures, and brain processes this book provides a succinct yet comprehensive overview of the brain. It explains what the different parts do to make your brain work and how they work together they make us do what we do and makes sense of what we are.
Everything we think, do and refrain from doing is determined by our brain. From religion to sexuality, it shapes our potential, our desires and our characters. Taking us through every stage in our lives, from the womb to falling in love to old age, Dick Swaab shows that we don't just have brains: we are our brains.
'A blockbuster about the brain ... provocative, fascinating, remarkable' Clive Cookson, Financial Times
'A giant in the field' Zoe Williams, Guardian
'Engrossing, intriguing and enlightening' Robin Ince
'Enchantingly written' The Times Higher Education
'Wide-ranging, fun and informative ... as an ice-breaker at parties,…
Rodney Bradford comes into Lindsay's restaurant, offers to buy her small house for double its value, eats her brownies, and drops dead on the sidewalk in front. Next, her almost-ex-husband offers to sign the divorce papers, but only if she'll give him her small,…
Kevin Davis is the author of three non-fiction books about the criminal
justice system, The Wrong Man,Defending the Damned and The Brain Defense. Davis has also authored eight
nonfiction children’s books. He’s an award-winning journalist and magazine
writer based in Chicago.
I came across this “comic” book while researching my own book, The Brain
Defense, and was immediately seduced by the terrific graphics and simple
storytelling that takes readers on a journey through the brain via dreamy neuro
landscapes including forests and caves populated by various creatures, beasts, and a giant squid. I enjoyed reading this and marveling over the images with my
young son.
Do you know what your brain is made of? How does memory function? What is a neuron and how does it work? For that matter what's a comic? And in the words of Lewis Carroll's famous caterpillar: "Who are you?"
Neurocomic is a journey through the human brain: a place of neuron forests, memory caves, and castles of deception. Along the way, you'll encounter Boschean beasts, giant squid, guitar-playing sea slugs, and the great pioneers of neuroscience. Hana Ro and Matteo Farinella provide an insight into the most complex thing in the universe.
