Books like Slaves Without Masters — picked by fans

People were shocked to read about the Osage murders, but those who’ve read Angie Debo just had to sigh and shake their heads since it’s nothing new. Her 1936 work opened my eyes to the systematic devastation of the tribes, bite by bite. Forced off their homelands with removal, they were promised to hold land in Oklahoma “as long as the waters run,” but it wasn’t more than a few decades before allotment narrowed tribal holdings and opened up more land to be taken. With Native peoples not even legal citizens, anyone with money had to have a guardian, a breeding ground for amoral administrators to siphon off as much as they wanted.

William James Edward is the grandfather of the author Donald Stone. The author does a great job of highlighting the importance that William J. Edward placed on lineage at the beginning of the book. The author shows the forgotten legacy of Edwards as one of Tuskegee’s first graduates. Edwards goes on to start a secondary school in Wilcox county Alabama, following the legacy of Booker T. Washington. The school was called the Snow Hill Institute and in its prime employed over 20 teachers and had over a dozen buildings on the campus. The curriculum was like Tuskegee, where the students learned trades and received a formal education. Under the leadership of William James Edwards, the school thrived until it was forced to close in the 1960s. Donald Stone mostly uses primary sources to paint a picture of the opposition that Edwards faced in trying to operate a school outside of… show more.

You can’t understand the role of labor in America unless you understand slavery, which set the original template for American labor exploitation that still echoes to this day.

This book is one of the best explorations of American slavery, its roots, and its integral connection to the capitalism that surrounds us all.

When you appreciate how long and completely slaves were oppressed and who got the gains of the work they did, you will develop a much sharper appreciation for the importance of maintaining worker power today.

A beautiful manuscript documenting the overall racial tension between Indigenous, enslaved Africans, and Europeans is superbly described by Dr. Miles in all aspects. The undertones of admiration and challenges between all three racial groups is eloquently pictured in the relationship between Shoeboots, a prominent Cherokee Champion and farmer, and Doll, his companion and enslaved African woman. The three-decade depiction of Shoeboot’s and Doll’s lives together and Doll’s petition to the federal government requesting Shoe Boot’s pension as his widow is beyond historic. Ties that Bind is a true testament to the enslaved Africans tribal experience before, during, and after slavery; it is essential to one’s book collection.  

Clearly, I’m a fan of small, southern town tales depicting amazing African American females who make magic out of the injustices stacked against them. Well, meet Maggie Wiggins. She and her best friend, Hubert, turn life tragedies and situations into a “perfectly suited” marriage of deception. Outwardly, they live an enviable existence; but only they know the cost of their happiness. I love Mary Monroe’s ability to infuse humor into the most chilling situations, as well as her small town cosmoses and complicated, “countrified” characters. They frustrate me to no end, yet I find myself rooting for them, just as I rooted for Maggie to win. She does in the end but at such a horrific cost that I’ll never look at a bowl of gumbo the same way again. 

This book breaks my heart. It covers the African-American experience in the postbellum years and into the early 20th Century. This was a time when the country might have chosen–and fleetingly seemed as if it would choose–to finally live up to its founding ideals.

Instead, the country chose another path, and Leon F. Litwack chronicles that path–mob violence, electoral intimidation, and official government indifference–in brutal color and unsparing detail. This is one of those books that makes me think of what might have been.  

Walker’s Jubilee extends the slave narrative, a popular weapon used by abolitionists to fight slavery. Instead of ending when the main character escapes their cruel master, Walker tells the story of a woman’s journey from emancipation to reconstruction and beyond.

I included this book not only because of a great beginning, but also because I wanted to give an example of how important story is to the success of a book, and in some cases more important than the language.

Besides, how can you not read on after a first chapter with the title, “Death is a mystery that only the squinch owl knows”? 

I’ve always been fascinated by terrible periods in history: the Nazis, witchcraft trials, and the American Deep South in the days of slavery. I need to know why people behaved in the heinous ways they did; paradoxically, a bit like time travel, the more I read, the less things make sense.

Our heroine is an African-American woman from modern times who finds herself sent back to early nineteenth-century Maryland when slavery was rife. We experience her reactions to it through a modern lens. It reminded me of the TV series Outlander in the way it builds whole lives back in time. It didn’t pull any punches and wasn’t always easy reading, but I couldn’t put it down.

Even though it wasn’t commercially successful in its time, Cane was a critical success. I love the fact that it’s come to be considered a representative work of both literary modernism and the Harlem Renaissance. 

The book’s three-part structure was described by Toomer as a circle, moving from stories, poems, and songs featuring rural characters in Georgia in the first part, to stories set in theaters and sections of dramatic dialogue set in the cities of Washington, DC, and Chicago in the second part, and finally back to the rural South in the third part.

It is a beautiful and wildly experimental work, and flies in the face of many assumptions about African American characters, in both the South and the North.

Anna Julia Cooper is one of the nineteen and twentieth American philosophers I find most exciting.

Her book, A Voice from the South, is the first feminist book to introduce the idea of intersectionality! She spent her very long lifetime writing about education, women’s rights, racism, and she has a fascinating correspondence with the intellectuals of her time, including W.E.B Dubois.

But until recently getting hold of her writings wasn’t terribly easy, unless you were willing to read online, or had access to a good academic library.

This beautiful and cheap edition is a godsend and everyone should buy it.