Here are 100 books that Slave Ship Sailors and Their Captive Cargoes, 1730-1807 fans have personally recommended if you like
Slave Ship Sailors and Their Captive Cargoes, 1730-1807.
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As an engineer, I have constructed bridges, highways, and power plants throughout Africa, and on journeys learned and explored the continent's history. My novel, Ama, a Story of the Atlantic Slave Trade, won the 2002 Commonwealth Writers Prize for the Best First Book. My 200 plus sources, and excerpts from many of them, are listed on the companion website.
In this classic history, Paul Lovejoy examines how indigenous African slavery developed from the fifteenth to the early twentieth centuries within an international context, leading to the Atlantic trade conducted by Europeans and Americans. He describes the processes of enslavement and the marketing of slaves and assesses slavery's role in African and world history.
This history of African slavery from the fifteenth to the early twentieth centuries examines how indigenous African slavery developed within an international context. Paul E. Lovejoy discusses the medieval Islamic slave trade and the Atlantic trade as well as the enslavement process and the marketing of slaves. He considers the impact of European abolition and assesses slavery's role in African history. The book corrects the accepted interpretation that African slavery was mild and resulted in the slaves' assimilation. Instead, slaves were used extensively in production, although the exploitation methods and the relationships to world markets differed from those in the…
The Victorian mansion, Evenmere, is the mechanism that runs the universe.
The lamps must be lit, or the stars die. The clocks must be wound, or Time ceases. The Balance between Order and Chaos must be preserved, or Existence crumbles.
Appointed the Steward of Evenmere, Carter Anderson must learn the…
As an engineer, I have constructed bridges, highways, and power plants throughout Africa, and on journeys learned and explored the continent's history. My novel, Ama, a Story of the Atlantic Slave Trade, won the 2002 Commonwealth Writers Prize for the Best First Book. My 200 plus sources, and excerpts from many of them, are listed on the companion website.
This book is a brief introduction to the history of Elmina, its castle, the people, and their traditions. It outlines the town’s 500-year relations with Europeans, highlighting the transformations that have developed out of these interactions. Written by one of the top historians of Ghana and a leading scholar of the African diaspora, the book is based on original archival information and oral sources. It is richly informed by the writer’s own personal knowledge as a citizen of Elmina.
This is a brief introduction to the history of Elmina, its castle, the people, and their traditions. It outlines the town’s 500-year relations with Europeans, highlighting the transformations that have developed out of these interactions. Written by one of the top historians of Ghana and a leading scholar of the African diaspora, the book is based on original archival information and orally-derived sources. It is also richly informed by the writer’s own personal knowledge as a Nyampa Safohen and citizen of Elmina. Despite the tremendous changes engendered by the European contact, Elmina’s historical development demonstrates an amazing degree of cultural…
I’ve been fascinated by the Atlantic slave trade since 2007, when I first studied the business papers of a Liverpool merchant who had enslaved over a hundred thousand people. I was immediately struck by the coldness of the merchant’s accounts. I was also drawn to the ways in which the merchant’s profit-motivated decisions shaped the forced migrations and experiences of their victims. I have subsequently extended my research to examine slave traders across the vastness of the Atlantic World. I'm also interested in the ways that the slave trade’s history continues to shape the modern world, from the making of uneven patterns of global economic development to such diverse areas as the financing of popular music.
This book really helped me to look beyond slave trading merchants’ papers to think about the lived realities of the slave trade for those merchants’ victims.
Smallwood follows enslaved people from their initial sale on the African coast, aboard the slave ships, and then through their sale and seasoning in the English Americas—a model that brilliantly exposes the multi-staged way that captive Africans were commodified within the slave trade.
Saltwater Slavery also details the experiences of enslaved people within the trade, especially the mental and physical trauma that they suffered aboard the slave ships.
This bold, innovative book promises to radically alter our understanding of the Atlantic slave trade, and the depths of its horrors. Stephanie E. Smallwood offers a penetrating look at the process of enslavement from its African origins through the Middle Passage and into the American slave market.
Smallwood's story is animated by deep research and gives us a startlingly graphic experience of the slave trade from the vantage point of the slaves themselves. Ultimately, Saltwater Slavery details how African people were transformed into Atlantic commodities in the process. She begins her narrative on the shores of seventeenth-century Africa, tracing how…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
As an engineer, I have constructed bridges, highways, and power plants throughout Africa, and on journeys learned and explored the continent's history. My novel, Ama, a Story of the Atlantic Slave Trade, won the 2002 Commonwealth Writers Prize for the Best First Book. My 200 plus sources, and excerpts from many of them, are listed on the companion website.
In the introduction, dated July 1978, Mattoso writes. … my purpose in writing this book was to discover what life was really like for the slaves in Brazil … This book is addressed to an audience of general readers. I have therefore felt free to dispense with the usual scholarly apparatus of extensive footnotes and bibliography … Its title … signals my intention to adopt the standpoint of the slaves themselves … to trace the various stages in the lives of the slaves as individuals and of the slave group as a community.
The book has the great advantage of placing the slave in the center of the history not simply as a type of labor, but as an actor whose culture, actions and decisions influenced the operation of the system... written with verve and grace for a general readership.
I’ve been fascinated by the Atlantic slave trade since 2007, when I first studied the business papers of a Liverpool merchant who had enslaved over a hundred thousand people. I was immediately struck by the coldness of the merchant’s accounts. I was also drawn to the ways in which the merchant’s profit-motivated decisions shaped the forced migrations and experiences of their victims. I have subsequently extended my research to examine slave traders across the vastness of the Atlantic World. I'm also interested in the ways that the slave trade’s history continues to shape the modern world, from the making of uneven patterns of global economic development to such diverse areas as the financing of popular music.
In 2007, I was writing a biography of Liverpool merchant William Davenport, who had made his fortune via the slave trade.
As I researched Davenport’s dry ledgers and letterbooks, I was fortunate to have Marcus Rediker’s exceptional The Slave Ship to hand. Pushing back against the “violence of abstraction” inherent to the accounts of slavers like Davenport, Rediker’s book exposed the horrors of the Middle Passage in unflinching detail.
His book is also filled with powerful individual stories of captives, captains, and crewmen that demonstrated to me the importance of writing “human histories” of the slave trade.
The slave ship was the instrument of history's greatest forced migration and a key to the origins and growth of global capitalism, yet much of its history remains unknown. Marcus Rediker uncovers the extraordinary human drama that played out on this world-changing vessel. Drawing on thirty years of maritime research, he demonstrates the truth of W.E.B DuBois's observation: the slave trade was 'the most magnificent drama in the last thousand years of human history'. The Slave Ship" focuses on the so-called 'golden age' of the slave trade, the period of 1700-1808, when more than six million people were transported out…
When I was growing up, I had no idea that New York State had 200 years of slavery. And when I realized that my Dutch American ancestors had been some of the most fervent enslavers, I knew I had to know more. It wasn’t until I met Eleanor Mire, a woman who is descended from the very people that my family enslaved, that my story became fuller. We realized that, through rape, we shared ancestors, which makes us “linked descendants.” Rather than turning away from the upsetting history, we became friends who knew we needed to keep learning and tell the stories of those who had been lost.
Before I read this book, I had no idea just how much slavery’s economic benefits to the North allowed so many individuals to look the other way. This was the first book that underlined for me why all Americans, Northerners, and Southerners, need to own and understand our history.
The chapter “Plunder for Pianos” on the ivory trade and piano keys forever changed my sense of how the Triangle Trade operated.
A startling and superbly researched book demythologizing the North’s role in American slavery
“The hardest question is what to do when human rights give way to profits. . . . Complicity is a story of the skeletons that remain in this nation’s closet.”—San Francisco Chronicle
The North’s profit from—indeed, dependence on—slavery has mostly been a shameful and well-kept secret . . . until now. Complicity reveals the cruel truth about the lucrative Triangle Trade of molasses, rum, and slaves that linked the North to the West Indies and Africa. It also discloses the reality of Northern empires built on tainted…
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
I was in my 40s before I began exploring the topic of the British Empire. It came after I realised it explained so much about me (my Sikh identity, the emigration of my parents, my education) and so much about my country (its politics, psychology, wealth…) and yet I knew very little. It turned out that millions of people feel the same way… and I hope I provide an accessible introduction and summary of the massive topic.
Coming in at just over 250 pages of generously spaced text, this is not the longest book on the subject. Nor is it the most famous.
But in efficiently telling the stories of three men – John Newton, the captain of a slave ship, who later became a preacher, Thomas Thistlewood, a slave owner who made a small fortune from a plantation in Jamaica, and the black slave Olaudah Equiano.
Walvin deftly reveals how slavery, like so many aspects of the empire, has been erased from the British consciousness and conscience.
There has been nothing like Atlantic slavery. Its scope and the ways in which it has shaped the modern world are so far-reaching as to make it ungraspable. By examining the lives of three individuals caught up in the enterprise of human enslavement. James Walvin offers a new and an original interpretation of the barbaric world of slavery and of the historic end to the slave trade in April 1807.
John Newton (1725-1807), author of 'Amazing Grace', was a slave captain who marshalled his human cargoes with a brutality that he looked back on with shame and contrition. Thomas Thistlewood's…
As an undergraduate History student, I was told by one of my professors that I thought too much like an anthropologist; as a postgraduate Anthropology student, I was told by another professor that I wrote too much like a historian! At that point, I finally gave up and turned to journalism and fiction writing…though my love for history figures largely in much of what I continue to write and read today.
This is another one that comes down to voice for me: hearing the story of one of the last African slaves to experience the Middle Passage in his own words. It’s moving, thought-provoking, and refocuses the vast and familiar history of the American slave experience to a disarmingly—and powerfully—human scale.
A major literary event: a never-before-published work from the author of the American classic, Their Eyes Were Watching God which brilliantly illuminates the horror and injustices of slavery as it tells the true story of the last known survivor of the Atlantic slave trade-illegally smuggled from Africa on the last "Black Cargo" ship to arrive in the United States.
In 1927, Zora Neale Hurston went to Plateau, Alabama, to interview ninety-five-year-old Cudjo Lewis. Of the millions of men, women, and children transported from Africa to America as slaves, Cudjo was then the only person alive to tell the story of…
Steven Rogers is a retired professor from Harvard Business School (HBS) where he created a new course titled, “Black Business Leaders and Entrepreneurship.” He has written more HBS case studies with Black protagonists than anyone in the world. He is an HBS and Williams College alum. He majored in Black history. He has taught at the Kellogg School of Management at Northwestern University, and West Point U.S. Military Academy. He has published 3 books including Entrepreneurial Finance (4 editions), Successful Black Entrepreneurs, and A Letter to my White Friends and Colleagues: What You Can Do Now to Help the Black Community.
After reading Barracoon by Zora Neale Hurston, I wanted to learn more. This book, about the last Black person captured in Africa and enslaved in America, was astounding, but short.
My thirst for more about the protagonist, Kossolo Lewis, led me to Dreams of Africa in Alabama. This book gives excellent riveting details about slavery, the crime against humanity. It also fascinatingly tells the detailed story, supported by research of facts and data about a crime against Federal U.S. laws, how Mr. Lewis was taken from Africa in the 1850’s, more than 4 decades after the U.S. prohibited the importation of people to be enslaved in 1808.
By reading this book, I was exposed to real life stories about a White family, who broke laws, so they could enrich themselves off of the suffering of other humans. But even more importantly, the book chronicles Mr. Lewis’ life after slavery.…
In the summer of 1860, more than fifty years after the United States legally abolished the international slave trade, 110 men, women, and children from Benin and Nigeria were brought ashore in Alabama under cover of night. They were the last recorded group of Africans deported to the United States as slaves. Timothy Meaher, an established Mobile businessman, sent the slave ship, the Clotilda , to Africa, on a bet that he could "bring a shipful of niggers right into Mobile Bay under the officers' noses." He won the bet.
This book reconstructs the lives of the people in West…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I'm fascinated with material culture – studying the things we make and use – and what they tell us about our history. My particular passion is for nineteenth-century Black material culture, often the only tangible history of enslaved and newly-emancipated Black lives. The books on my list educated me of the historical realities for African Americans, from emancipation to Jim Crow – providing critical context for deciphering the stories embedded in historical artifacts. Overall, the gendered (and harrowing) history these books provide on the contributions of African-American women to civil rights and social justice should be required reading for everyone.
I consider Standing Soldiers, Kneeling Slaves one of the best books on how Confederate monuments came to dominate nineteenth-century public spaces – most notably in my hometown of Richmond, Virginia - and what they tell us about post-Civil War history.
It is a compelling narrative of how white Southern society purposefully chiseled racism and white superiority into their post-war commemorative landscape, and used these memorials to both re-define the public’s memory of the Civil War and to cement the white-black hierarchy established during slavery.
Savage’s analysis of the Confederate monuments looks at all the political, historical, cultural, and artistic factors that enabled the creation of Richmond’s racialized landscape. This approach helped me understand the importance of context when examining nineteenth-century public art through a twenty-first-century lens.
A history of U.S. Civil War monuments that shows how they distort history and perpetuate white supremacy
The United States began as a slave society, holding millions of Africans and their descendants in bondage, and remained so until a civil war took the lives of a half million soldiers, some once slaves themselves. Standing Soldiers, Kneeling Slaves explores how the history of slavery and its violent end was told in public spaces-specifically in the sculptural monuments that came to dominate streets, parks, and town squares in nineteenth-century America. Looking at monuments built and unbuilt, Kirk Savage shows how the greatest…
