100 Books Like Sisters of Arden

I was surprised by how much I loved this book about England in the 1500s. The story of Thomas Cromwell and Henry VIII has been told and retold, but even when I thought I knew what was coming (it is history, after all), I didn’t!

I laughed, cried, and found myself rooting for Cromwell. Yes, Cromwell! Such is the power of Hilary Mantle; there is no better historical fiction writer.

A glimpse into medieval times. It’s a sumptuous tale of passion and danger.

Katherine comes to the court of Edward III aged fifteen and turns the head of the King’s favourite son, John of Gaunt.  But their paths in life pull them apart until their love forces them back together. This is a wonderful book by a writer who manages to make you experience life as it was then, but without trying to teach you, and asks, ‘how much would you give up for love?’

It seems that there is no detail of life in the late 1700s and early 1800s that Winston Graham doesn’t know. From aspects of history, geography, social class culture, medicine, ship-building, mining… Graham is ‘The Man’. But he is also a composite storyteller, weaving a compelling, generations-spanning narrative that charts the turmoils and triumphs of Ross Poldark and his family. One detail that I love is the representation of genuine female experience in a mode that is not about feminist agendas; Graham writes his women with compassion and complexity, making them far more than the housewives and bodice-rippers characteristic of some historical fiction. Quintessentially English, but never rose-tinted, these novels are a treasure that deserve greater acknowledgment.

I chose this because it was probably the first historical novel I read, aged 11 or 12. It deals with real events – sort of. Whether the Children’s Crusades of the early 13th century really involved children or merely the dispossessed poor, this book did bring to life the driving force of the religious fanaticism of the time. And whipping up young people to leave their homes and head for a war zone in the hope of dying or killing for God is a horribly contemporary theme, though it was written in the 1950s. An excellent introduction to historical fiction for young people, but also thought-provoking for adults.

Not many children’s books set in historical times manage to incorporate “contemporary” concerns within their narrative such as how children with learning difficulties interact with the world around them – but I liked The Queen’s Fool for doing just that, with its story of Cat Sparrow, whose sister is abducted from their convent home and taken to one of Henry VIII’s palaces.

The trail Cat follows to rescue her sister takes her to the Field of the Cloth of Gold, a great diplomatic shindig between Henry and the French King, Francis.

The author explains in a historical note at the end of the book how her research into a little-known genetic condition known as Williams Syndrome inspired her portrayal of Cat, whose unique talents and character form the book’s heart.

Susannah Dunn has a way of putting you right inside history with her instinctive and impeccable descriptive writing. She has fictionalised the stories of a number of Tudor women and all are excellent but I’ve chosen this as it was the first of hers I read. It tells of Henry VIII’s tragic fifth wife, a teenager pushed into the King’s bed by her ambitious family. The story unfolds through the eyes of her companion – an intimate insider’s view, typical of Dunn’s work – who witnesses everything but is powerless to help. Without giving too much away, it doesn’t end well.

I was drawn to this book because Mary is so often overshadowed by her older brother, King Henry VIII. The research is faultless, and the story well told. I enjoyed how Tony Riches went against convention and entertained the idea that perhaps the marriage between Arthur Tudor and Catherine of Aragon was actually consummated. His characters are fully rounded keep within the social boundaries of the time. The setting was one that I recognized and peopled with familiar historical figures yet it was still full of pleasant surprises. Tony Riches has written several books set just before and after this period and I’ve read them all. I enjoy the underlying wit and humour with which he writes.

Another lesser-known figure, Elizabeth is the wife of Thomas Cromwell. She has very little mention in the historical record but the author draws on what we do know of her husband, Thomas. Elizabeth Cromwell’s character is convincing and likable. I particularly enjoyed glimpsing another side of Thomas Cromwell, a more human side and I loved the descriptions of their imagined daily life together. The author doesn’t over describe but the sights, sounds, and smells of the city are touched on just enough to provide a sense of place. It was also refreshing to see a woman involved in business in her own right, the cloth trade is described with enough detail to engage the reader but never becomes tedious.

I can not express how moved I was by this book. I have read extensively on Henry VIII but this book truly brought him to life. We see him not as the obese king with a fondness for the axeman, but as a smart, emotional, however somewhat egotistical, young king. We watch Henry age, fall in and out of love, and become an old man with many health problems. The characters in this book are so very real and George did a tremendous job bringing the court of Henry VIII alive for her readers.

Though I did enjoy the earlier Wolf Hall I found Bring Up the Bodies more readable and compelling.

Hilary Mantel paints intimate word pictures of Henry VIII, Anne Boleyn, Jane Seymour, and especially Thomas Cromwell, struggling to make his way through the minefield of political intrigue at Henry’s court. Though it is against almost every principle he holds dear, Cromwell charts a course which one step at a time ultimately brings Anne Boleyn down.

Finding himself in an almost impossible situation, he agonizes over every decision, looking at it from many sides: legal, political, ethical, spiritual, and religious. Meanwhile not far in the background we see the Church’s Pope Clement trying desperately, like Oz’s man behind the curtain, to control events.

Mantel’s genius was her ability to transform dry history into compelling, character-driven stories.