100 Books Like The Queen's Fool

I liked this book so much I turned it into a play, which has been performed by a number of schools in the United States and England.

A nineteenth-century classic (first published in 1881) by one of America’s most famous writers, it tells the story of two boys who swap places: one is Prince Edward, the son of King Henry VIII, the other is Tom Canty, a poor boy from the London streets. The action, full of twists and turns (and Twain’s satirical observations about wealth, power, and identity) unfolds in London and Kent and incorporates a host of weird and wonderful characters that both boys encounter on their adventures.

It has had umpteen film and TV adaptations and has influenced every “role swap” plot that has ever been concocted since.

Another book set amidst the colour and vibrancy of Elizabethan theatre – but I enjoyed this book particularly for its featuring of William Shakespeare himself as a character!

A young American actor comes to contemporary London to perform at the newly-built Globe theatre – and finds himself transported back in time to the first Globe theatre and the world of Shakespeare and his players. A plot against Queen Elizabeth I drives the action forward in this unusual time-slip adventure.

I liked this book as it provides an insight into the reign of Henry VIII, the most famous Tudor monarch, from a child’s perspective – particularly the intrigues that dominated his court and could often prove deadly.

Will Montague is a page to Prince Edward, Henry’s son, and finds that his father, a victim of those court intrigues, has been thrown into prison for committing treason.

He joins up with Nick, a boy from the poverty-stricken streets of London, to prove his father’s innocence and set him free – on the way, providing readers with an insight into how the poor lived in Tudor times, as well as the more fortunate. The adventure the two boys embark on takes them all the way to Calais, which at that time was an English possession in France.

As well as being an author of children’s historical fiction, I am a writer and director of children’s plays (including a production at the Edinburgh Fringe performed by actors aged 11-14). So I am always drawn to plays about performing, and this book, set in Elizabethan England, provides a great insight into the world of English theatre in the era of Shakespeare.

The lead character is Ben Button, a boy player with a troupe that travels out of London to perform at a nobleman’s manor house. Our hero immediately becomes embroiled in a quest to discover who has stolen a valuable plate from the manor.

It’s the first book in a series, Elizabethan Mysteries, which features the same boy and his group of players.

Though I did enjoy the earlier Wolf Hall I found Bring Up the Bodies more readable and compelling.

Hilary Mantel paints intimate word pictures of Henry VIII, Anne Boleyn, Jane Seymour, and especially Thomas Cromwell, struggling to make his way through the minefield of political intrigue at Henry’s court. Though it is against almost every principle he holds dear, Cromwell charts a course which one step at a time ultimately brings Anne Boleyn down.

Finding himself in an almost impossible situation, he agonizes over every decision, looking at it from many sides: legal, political, ethical, spiritual, and religious. Meanwhile not far in the background we see the Church’s Pope Clement trying desperately, like Oz’s man behind the curtain, to control events.

Mantel’s genius was her ability to transform dry history into compelling, character-driven stories.

Peter Brears takes us ‘below stairs’ at the court of Henry VIII and into the kitchens that fed and waited on up to 1000 people a day. Structured around the different rooms that made up the kitchen, he details the food and drink that was being produced and gives a snapshot of the ordinary people working there. The book is nicely illustrated with sketches of Tudor implements and methods of cooking. For anyone who wants to try eating like a Tudor, the book concludes with a selection of recipes, all of which have been trialed in the kitchens at Hampton Court and adapted for the modern kitchen.

I can not express how moved I was by this book. I have read extensively on Henry VIII but this book truly brought him to life. We see him not as the obese king with a fondness for the axeman, but as a smart, emotional, however somewhat egotistical, young king. We watch Henry age, fall in and out of love, and become an old man with many health problems. The characters in this book are so very real and George did a tremendous job bringing the court of Henry VIII alive for her readers.

Of all the six wives of Henry VIII, it is fair to say that Anne of Cleves is often considered the least interesting. We have Katherine – the stoical first wife; Anne Boleyn – the Mistress who lost her head; Jane Seymour – Henry probably loved her most and she died giving him his much-longed-for son; Katherine Howard – young, flighty, and careless who also lost her head; and Katherine Parr who loved another and managed to out-live Henry and her marriage to him. And then in the middle, there’s Anne of Cleves – dull (Henry thought so too), who he divorced and packed off to the country. No story there.

But in Anna of Kleves, Weir really brings her alive and gives us a living, breathing version of who she may have been. From her days before Henry, to her survival instincts both during and after her marriage, I… show more.

In this thought-provoking book, Onyeka Nubia encourages us to re-examine Tudor concepts of race and ethnicity in Tudor (and Stuart) England without assumptions based on post-colonial narratives. What emerges is a nuanced picture of complex interactions, attitudes, and prejudices. As well as studying the writings of Tudor scholars, theologians, and authors, Nubia looks at the lives of individual Africans in England, showing that they weren’t “strangers” but lived as part of English communities - whether in cosmopolitan London parishes such as St Botolph without Aldgate, or in rural villages.

I found this historical novel about the life of Mary Sidney Hebert, the Countess of Pembroke really enjoyable because it offers me the fantasy of filling in the gaps in the historical record about one of the early women writers.

I find it impressive because it draws on years of research on Mary Sidney Herbert by the author who is a renowned literary critic. Miller tells Mary Sidney Herbert’s story ingeniously by paralleling it with the life of a fictional character, Rose, who serves as her waiting woman.

Although I know the historical facts, the twists and turns in the narrative successfully cast new light on how I read Mary Sidney Herbert’s poetry and her play Antonius, though, for me, the co-authorship that the novel imagines remains entirely fictional.