Books like Sister of the Bollywood Bride

Much as the young adult phase of life is defined by establishing your unique identity, separate from that derived by your school, community, or family, for South Asians this is always a dilemma. South Asians are brought up with very strict parental controls, even though they might want to break away, at a psychological level, they struggle with the idea of sub-consciously pleasing their parents because their own identity is so intrinsically linked to that of their parents. Anuradha explores these very bold, disturbing, and realistic themes that send her protagonist, Rani through an inner journey of emotional turmoil.

This is a young adult romance novel featuring Radha Chopra, a world-renowned Kathak dancer, who gives up her love of dance when a family betrayal comes to light. Radha is instantly a protagonist to root for, a strong, independent, and fierce Indian woman that we so rarely see in contemporary Western media. Nisha Sharma champions such genuine desi representation in this story, and it is absolutely a must-read for all—but especially for passionate and creative Indian American teenagers. 

When Dimple Met Rishi is one of the first young adult romances featuring Indian American teenagers to garner international acclaim. What makes this story so powerful is not necessarily the romantic plot—although Rishi is quite the swoon-worthy hero, and Dimple is an empowered heroine that commands her audience’s attention straight away. In fact, When Dimple Met Rishi succeeds in its deliberate bridging of the Indian American diaspora, taking the time to emphasize that one can subscribe to both cultures without losing one or the other. As a young adult in this diaspora as well, I can really resonate with Dimple and Rishi’s struggles, and it was a joy to see them overcome these challenges and fall in love all at once.

Here’s another PI series set in Boston, and while Carlotta Carlyle is nowhere near as well-known as Spenser, Linda Barnes is every bit as readable as Robert Parker. In her first outing (an Edgar Award nominee for Best Novel), ex-cabbie and ex-cop Carlyle takes on a missing person case that has her tangling with IRA gunrunners. A Trouble of Fools is my pick because it brings the ‘80s Boston I remember to life, and because of the light, humorous voice Barnes lends the proceedings.

Detectives Sarah Kelling and her much-loved husband Max Bittersohn live in her inherited house on Beacon Hill, Boston. These are detective novels of the cozy and charming sort, and because of the relationship between Sarah and Max are adventure romances as well.

Sarah has a large extended family and they enter into all the books as friends. This makes each one a friend and fun to read. MacCleod knows Boston and her descriptions of the habits and haunts of classic Beacon Brahmins/Yankees are as charming and rich as her plots. I recommend this and her other books for the fun of reading and the great plots.

Even before A Civil Action became a Hollywood film, the book’s characters pulled me into the true story of a whole town and the question of how so many families there were poisoned.

I loved the book because it told a real underdog story in a totally gripping way, through a main character I didn’t expect to like. I’ve given this book to friends.

Though this book has a terrific storyline, a finely fleshed-out cast of characters, and a very appealing writing style, what mattered to me most was a tacit bond of honor between the main character (the well-known private detective, Spenser) and his cohort in danger (Hawk). Their banter and ripostes are Parker’s trademarks that have made him a bestseller.

But what lies beneath that friendship is a code of honor that appeals to me in a powerful way. In this story, a young boy must rise above the pettiness of his parents’ friction and divorce. Spenser and Hawk provide the physical protection that he needs, but just as important is what the boy comes to understand about friendship and loyalty by observing his protectors’ interactions.

One of the most kinetic books I read a few years back and told in a kind of beautiful, white-hot stream of consciousness, Sketchtasy is the tale of young, genderqueer Alexa and her friends navigating pleasure and survival in mid-90s, AIDS-battered Boston.

This is no “model LGBTQ person” book; Alexa and her friends, scarred by trauma and addled by every recreational drug on the planet, are creatures of the night, showing off outrageous looks in the clubs and turning tricks to pay the rent and put food in their mouths.

It’s a breakneck-paced look at both exuberant and terrified young queer people right before HIV went from being a near death sentence to a chronic manageable disease. 

Most people know this book due to its film adaptation, with Robert Mitchum in the title role. To me, it is a splendid book because, like all great fiction, it tells the truth. More than a great many nonfiction books, it tells the truth about the actual nature of organized crime.

It strips away the phony glamour and describes the actual nature of the mob—treacherous, violent, and unforgiving. And the dialogue is amazing! What you see in this book is not the Mafia but Irish gangsters, and they are tired blue-collar men who are just scraping by. That is what organized crime is all about today, just as it was in the 1970s.

This whole book is a powerful exploration of alcoholism, homelessness, and the father-son relationship, but it was a single chapter that made me write “WOW” in the margins.

“Same Again” is a four-page chapter composed of nothing but short sentences that contain only euphemisms for alcohol, from “the usual” to “same again.” That sounds like it wouldn’t work, but it does. It’s poetic, gripping, and follows a narrative arc through a single evening at the bar.

Read the whole book, but don’t skip this mesmerizing chapter.