100 Books Like Showdown

Jonas is our youngest protagonist on the list. He is destined to be the receiver of memories in a futuristic utopian society. Those memories are to be passed down to him by an old man, the Giver.

Jonas lives in a society where people are innocent—innocent of emotion, pain, and suffering. He must lose his innocence to experience the joys and pains of humane experience. 

That’s a heavy responsibility. And it’s Jonas’ thoughtfulness and curiosity that draws me to him. He faces difficult ethical choices. His awakening is unique to the fictional world he inhabits, but it is universal in theme. His quest to gain knowledge, his willingness to question authority to get to the truth, and his ability to make tough choices to experience the depth of what it means to be human make him someone I would want in my corner. 

It would be the most extreme of criminal acts for this beloved book not to be my ‘list topper!’ Reading this book instilled an instant love of good fantasy storytelling in me early on. It defines the fantasy genre, exemplifying the absolute best extremes in great world-building, characters, and epic storytelling.

Tolkien set the high bar I strive for in all areas in my own writing with one of the most memorable stories in one of the most unforgettable worlds of all time … and he managed to pull it all off within the context of a single book! No matter how many times I go back and re-read this one, I find something new to cherish, and you will too!

I almost didn’t include this Newbery Medal winner book by Louis Sachar on my list of magical middle-grade books set in the real world. Is it really magical? Is it set in the real world? With a fourteen-year-old protagonist, Stanley Yelnats, is it even middle-grade?

Here’s why my love for this book won out. Sachar weaves together a quirky, complex story, just interconnected enough to qualify as “magical.” The setting, a juvenile prison camp with a sadistic warden, is “real-world” enough. And Stanley, though emotionally young for fourteen, is a kind, thoughtful kid well worth rooting for.

About halfway through reading, its darkness almost prompted me to lay this book aside. I’m so glad I didn’t. In the end, its themes of perseverance, hope, and redemption shone through.

One of the most popular children’s book series of the twentieth century, all of the books in the series feature the author speaking directly to the reader, detailing past events, reminding the reader of personality traits of the characters, and providing the reader with background details about the world the reader finds themselves in.

More so than the other books on the list, it’s clear the voice is that of C.S. Lewis though, rather than a seemingly separate narrator.

The North Shore is surfing’s mecca. I’ve been making the annual pilgrimage since my early teens. It’s a heavy place — the waves, the people, the vibes.

Author Chas Smith throws himself into the task of writing unflinchingly about people, places, and things that most people are afraid to go near. There’s tremendous humor. There’s a sexy, ‘cinematic’ car. I fell in love with Chas as much as I did with the North Shore and its hairball beefiness.

Ron Berger is a global treasure in the field of education. He is the guiding spirit behind the remarkable EL Education schools – they used to be called Expeditionary Learning schools – in the USA. An Ethic of Excellence was the first book of Ron’s I encountered, and it blew me away. With years of hard-won experience, he has learned that all students, give the right kind of support, are capable of producing genuinely high-quality work, and he knows how to teach in a way that makes that possibility a reality. Ron says, “when we are grown up, we won’t be judged by our test scores, but by the quality of both our character and our work”, and he gets students ready for that world. His schools get all their students to good colleges, and they get good degrees. The quality of Ron’s work is truly inspiring.

Until this book, I didn’t realize we live in a culture that applauds starting, growing, and flowering while turning a blind eye to ending, decaying, and dying.

Harald Welzer starts out by calculating how humans turn more living matter on Earth into dead matter each year. We don’t seem able to see that this is a sure way to stop living. Having survived a stroke, he asks the question: "What life do I want to have lived?" This is the framework of the book.

Along the way, he shares wonderful examples of (artistic) endeavors that attend to the ending–of a factory’s life, of insects killed by pesticides, of cathedrals that can only be built by accepting that some of them will crumble before they are finished.

Twelve-year-old Emma Graham she lives with her chef mother, older brother, Will, in the once-grand resort, Hotel Paradise. Emma works as a waitress in the hotel restaurant. Often left to her own devices, Emma learns about a forty-year-old mystery involving another twelve-year-old girl, Mary-Evelyn, who drowned in Spirit Lake. Emma is convinced the girl was murdered and sets out to prove it. Hotel Paradise is the first in a series. I love the plot thread that is woven through all four books as Emma uncovers one secret after another in her quest for the truth. But the book is about more than solving a mystery, it’s about Emma discovering who she is and her purpose in life. 

Once upon a time, in a small apartment in Brooklyn, an unemployed, unproduced, unagented writer sat down to start a script. Three days later he finished it. Twelve months of rewrites and he sold it. Four years later it was made. And a year after that it won the Oscar for Best Original Screenplay. But, Michael Arndt notes in his modest introduction to the shooting script, this isn’t “a rewards-of-virtue narrative”; it’s a story about the razor-thin line between success and failure – and how, as Dwayne says in the movie, you should “do what you love and fuck the rest”. Words to live – and write – by.

Murray, the creator of the wonderful shows Rocko's Modern Life and Camp Laslo, details in full the story of his own career in animation while at the same time exploring the mechanics of producing animation for television.

He includes interviews with his colleagues and contemporaries in the field which are revelatory about how many great programs of the 1990s and 2000s were produced, and fills a major research gap in the process.