Here are 50 books that Shop Class as Soulcraft fans have personally recommended if you like
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As a teenager, I worked on cars and motorcycles in my spare time while apprenticing in an architectural millwork shop, paneling the homes of the rich and famous. Thus I discovered the great joys and satisfactions of working with my hands. After a long stint in graduate school, then four years as an editor at Fine Woodworking magazine and for Taunton Press books, I opened a custom design furniture business in 2000. Travel, writing, and reading are aligned passions, and I’ve lived, taught English, and woodworking here and abroad in France, Slovakia, India, and Japan.
They say that travel opens the mind in ways that staying home doesn’t. Books can take you places you can’t otherwise go. So with Yanagi, I got to visit the mind of an early 20th-century Japanese craft connoisseur who looked at thousand-year-old (plain and unassuming) tea bowls and wondered why they’re utterly beautiful and treasured (the best fetch huge sums at auctions–$25million recently for one). Yanagi’s exploration of how the hands of craftsmen can unknowingly and unintentionally create objects of great beauty was both fascinating as it was challenging. It made my shop work a hundred times more enjoyable.
craftsman working in a set tradition for a lifetime? What is the value of handwork? Why should even the roughly lacquered rice bowl of a Japanese farmer be thought beautiful? The late Soetsu Yanagi was the first to fully explore the traditional Japanese appreciation for objects born, not made.' Mr. Yanagi sees folk art as a manifestation of the essential world from which art, philosophy, and religion arise and in which the barriers between them disappear. The implications of the author's ideas are both far-reaching and practical. Soetsu Yanagi is often'
The Victorian mansion, Evenmere, is the mechanism that runs the universe.
The lamps must be lit, or the stars die. The clocks must be wound, or Time ceases. The Balance between Order and Chaos must be preserved, or Existence crumbles.
Appointed the Steward of Evenmere, Carter Anderson must learn the…
As a teenager, I worked on cars and motorcycles in my spare time while apprenticing in an architectural millwork shop, paneling the homes of the rich and famous. Thus I discovered the great joys and satisfactions of working with my hands. After a long stint in graduate school, then four years as an editor at Fine Woodworking magazine and for Taunton Press books, I opened a custom design furniture business in 2000. Travel, writing, and reading are aligned passions, and I’ve lived, taught English, and woodworking here and abroad in France, Slovakia, India, and Japan.
This unassuming book opened up a world of enjoyable handwork, craftsmanship, and satisfying fun for me. I first wanted to learn how to incise letters. Butz writes clearly, his photos show what I needed to see, and I didn’t have to figure out anything much on my own. It was everything a how-to book should be. Thanks, Rick. Then I wanted to take a stab at an acanthus leaf. He covered it just as well. I’ve not yet gotten to the whittling or wildlife sections, but I will one day, and this little book sits on my shelf to help, never to be given away.
Including scale patterns for each project and a gallery at the end of each chapter, this book provides information on whittling, chip-carving, wildlife carving, relief carving, lettering and architectual carving.
As a teenager, I worked on cars and motorcycles in my spare time while apprenticing in an architectural millwork shop, paneling the homes of the rich and famous. Thus I discovered the great joys and satisfactions of working with my hands. After a long stint in graduate school, then four years as an editor at Fine Woodworking magazine and for Taunton Press books, I opened a custom design furniture business in 2000. Travel, writing, and reading are aligned passions, and I’ve lived, taught English, and woodworking here and abroad in France, Slovakia, India, and Japan.
Albert Sack is a riot. He lines up expensive antiques, ranks them from the definitive label “Masterpiece” to the slow-hand insult of “Good”. He describes each in brutally honest and thereby exceptionally insightful terms. One chair is “a brilliant achievement”, while a clock is “relatively crude,” and a table’s legs “end nowhere.” No one comes away with a trophy for participation, making the book exceptionally good to train your eye towards good design. You want people to like the things you make, don’t you? Learn to distinguish good from great with Albert.
An indispensable guide for collectors and dealers who want to compare and evaluate early American antiques. When Albert Sack's Fine Points of Furniture: Early American--Good, Better, Best was published in 1950, it established a new standard for evaluating American antiques. In his new book, Sack applies this standard to furniture pieces that have appeared on the market in more recent years. Full color and black-and-white photographs.
The Guardian of the Palace is the first novel in a modern fantasy series set in a New York City where magic is real—but hidden, suppressed, and dangerous when exposed.
When an ancient magic begins to leak into the world, a small group of unlikely allies is forced to act…
As a teenager, I worked on cars and motorcycles in my spare time while apprenticing in an architectural millwork shop, paneling the homes of the rich and famous. Thus I discovered the great joys and satisfactions of working with my hands. After a long stint in graduate school, then four years as an editor at Fine Woodworking magazine and for Taunton Press books, I opened a custom design furniture business in 2000. Travel, writing, and reading are aligned passions, and I’ve lived, taught English, and woodworking here and abroad in France, Slovakia, India, and Japan.
There are more comprehensive and detailed books on green woodworking, but none with Alexander’s unedited, liberating spirit, or his pioneering work. Lines such as “You need very few tools to go into the woods and bust a chair out of a tree” gave me a kind of permission to be bold, experiment, and just have fun (which is what he did, and is where the book comes from). You’ll learn how to make chairs (chairs!) with a small set of tools. You’ll likely put the book down before finishing it, and run into the woods to get started.
When a tree is felled, the wood is green and is easy to cut, split, shave and shape. As it dries, the wood shrinks and hardensQand it becomes vastly more difficult to work. In the old days, wood-workers relied on the ease with which green wood could be worked to make the parts they needed, and on the way wood shrinks to hold these parts together. These old ways have almost been lost, but are revived here for the modern woodworker. Make a Chair From a Tree is a lively and informative introduction to the old ways of splitting and…
For as long as I can remember I’ve been obsessed with figuring out how things work. What started with me pulling apart redundant household tech as a child (thanks to my very supportive parents) has become a lifelong passion in making and restoring one of the most incredible machines invented – the watch. Our millennia-old obsession with making things tells us so much about who we are and the world we like in. I love all of these books as, in varied ways, they inspire curiosity and connect us with our innately human instinct to understand the world around us.
Full disclosure, I was interviewed for the chapter on springs but I promise to be unbiased! I’ve been a fan of Agrawal’s work since Built.
A structural engineer by training, she’s an amazing storyteller with the most incredible way of deconstructing and explaining technology. Nuts & Bolts is no different, you’ll never look at the world around you in the same way again, from bicycles to breast pumps and tiny rivets to the ISS. It will fill you with the enthusiasm of a child discovering the world around you all over again.
Some of engineering's mightiest achievements are small in scale, even hidden-and yet, without them, the complex machinery on which our modern world runs would not exist. In Nuts and Bolts, Roma Agrawal examines seven of these extraordinary elements: the nail, the wheel, the spring, the lens, the magnet, the string, and the pump.
From the physics behind both Roman nails and modern skyscrapers to rudimentary springs that inspired lithium batteries, Agrawal shows us how even the most sophisticated items are built on the foundations of these ancient and fundamental breakthroughs in engineering. Agrawal explores an array of intricate technologies-dishwashers, spacesuits,…
For as long as I can remember I’ve been obsessed with figuring out how things work. What started with me pulling apart redundant household tech as a child (thanks to my very supportive parents) has become a lifelong passion in making and restoring one of the most incredible machines invented – the watch. Our millennia-old obsession with making things tells us so much about who we are and the world we like in. I love all of these books as, in varied ways, they inspire curiosity and connect us with our innately human instinct to understand the world around us.
As you’ve probably guessed by this point, I love it when makers and restorers write about what they do.
It brings a history of craft to life in such an infectious way. The Stonemason is a journey back in time that explores how the way we’ve built buildings can tell us stories about our social and cultural histories. It’s incredibly personal, using some of the monuments Ziminski has worked on over his 30-year career as a stonemason, and for my fellow dog lovers it also stars his gorgeous whippet Nutmeg.
A stonemason's story of the building of Britain: part archaeological history, part deeply personal insight into an ancient craft.
In his thirty-year career, stonemason Andrew Ziminski has worked on many of our greatest monuments. From Neolithic monoliths to Roman baths and temples, from the tower of Salisbury Cathedral to the engine houses, mills and aqueducts of the Industrial Revolution and beyond, The Stonemason is his very personal history of how Britain was built - from the inside out. Stone by different stone, culture by different culture, Andrew Ziminski (with his faithful whippet in tow) takes us on an unforgettable journey…
Aury and Scott travel to the Finger Lakes in New York’s wine country to get to the bottom of the mysterious happenings at the Songscape Winery. Disturbed furniture and curious noises are one thing, but when a customer winds up dead, it’s time to dig into the details and see…
For as long as I can remember I’ve been obsessed with figuring out how things work. What started with me pulling apart redundant household tech as a child (thanks to my very supportive parents) has become a lifelong passion in making and restoring one of the most incredible machines invented – the watch. Our millennia-old obsession with making things tells us so much about who we are and the world we like in. I love all of these books as, in varied ways, they inspire curiosity and connect us with our innately human instinct to understand the world around us.
As adults, we get to a point in our lives where we generally know what we’re good at, and when we’re good at something, it becomes challenging to try new things we know we’ll initially, probably, be very bad at it. It pushes us outside our comfort zone.
Ploszajski is a brilliant materials scientist who bravely heads outside her field on a journey to explore the hands-on world of the materials she knows so well in the lab. It’s an incredibly inspiring read for anyone holding back from trying new skills. It’s hard to come away from this book without having set your heart on taking up a new craft!
From atomic structures to theories about magnetic forces, scientific progress has given us a good grasp on the properties of many different materials. However, most scientists cannot measure the temperature of steel just by looking at it, or sculpt stone into all kinds of shapes, or know how it feels to blow up a balloon of glass. Handmade is the story of materials through making and doing. Author and material scientist Anna Ploszajski journeys into the domain of makers and craftspeople to comprehend how the most popular materials really work.
Anna has the fresh perspective of someone at the forefront…
For as long as I can remember I’ve been obsessed with figuring out how things work. What started with me pulling apart redundant household tech as a child (thanks to my very supportive parents) has become a lifelong passion in making and restoring one of the most incredible machines invented – the watch. Our millennia-old obsession with making things tells us so much about who we are and the world we like in. I love all of these books as, in varied ways, they inspire curiosity and connect us with our innately human instinct to understand the world around us.
I can’t think of a better way to close than with a book to inspire the next generation of people who love taking things apart! This brilliant compilation of easy makes sets out to cultivate curious young minds.
By using common things you can find around the house, it makes science and making accessible to all. The projects are all really straightforward and designed by Shaha, a dad and science teacher, to support the educational curriculum whilst having a lot of fun.
Transform and recycle household objects into your very own home-made toys and machines!
Learn about the centre of gravity by making a balancing bird, create a toroidal vortex with a smoke-ring machine, and turn a spoon into an electromagnet. Chances are you won't need to buy the materials required for these machines because they're all in your house right now. Every child can be an engineer with the help of Mr Shaha and his marvellous machines.
Written by a science teacher and dad, Mr Shaha's Marvellous Machines is the highly anticipated sequel to Mr Shaha's Recipes for Wonder. This book…
From earliest childhood I have been passionate about creating community, always seeking a sense of place and cultivating belonging. While completing my master's degree in Whole Systems Design, I co-founded a nonprofit which began my 20+ year career in philanthropy. I enjoy examining community-wide challenges and working with others to ask better questions and find the levers for systems change. Never satisfied with ‘the way things are,’ I actively pursue ways to make the world better. I’ve worked for nonprofits and foundations, founded several community initiatives, and held retreats for women philanthropists, all with a focus on being an informed, intentional and joyful philanthropist.
This whole book is mindblowing, laying out the ways that the success of our current economic system of work is built on the unpaid labor of women and people of color. The section on nonprofits is essential reading for anyone working or volunteering in the sector. This is not a treatise for not working or quiet quitting; it is a case study of why we work and how we can work better, and surprise surprise, it also comes back to understanding the economics of power and privilege, who is benefiting, and who is being left behind. This book gave me the confidence in my convictions that my work in the nonprofit sector had been contributing to the problem rather than reimagining new ways of being.
A deeply-reported examination of why "doing what you love" is a recipe for exploitation, creating a new tyranny of work in which we cheerily acquiesce to doing jobs that take over our lives.
You're told that if you "do what you love, you'll never work a day in your life." Whether it's working for "exposure" and "experience," or enduring poor treatment in the name of "being part of the family," all employees are pushed to make sacrifices for the privilege of being able to do what we love.
In Work Won't Love You Back, Sarah Jaffe, a preeminent voice on…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
I am a happy, very well-adjusted adult who deeply believes that life is pointless. This understanding that I do not matter–and neither does anything else I love–hasn’t driven me to despair but rather liberated me. My nihilism is a tool to free me from corrosive messages of meaning, performance, consumption, and exploitation. It allows me to understand and love my life as a delicate, fleeting, lovely, and one-day forgotten thing. And with that perspective, I understand how precious it is.
Fun fact: I wrote my book while recovering from a period of intense work burnout that someone more dramatic could call a nervous breakdown. During that time, I was coming to terms with the fact the job I love has broken my brain and likely made it very easy for other people to exploit me.
I read this book during this period, and it helped me understand not only how toxic but also how unnecessary our relationship with work was. It helped me detangle my identity from employment and realize that a job is just a part of my life–not the whole thing.
It helped free me from the dreaded “hustle culture.”
'Spectacular and terrifyingly true' Owen Jones 'Explosive' John McDonnell, New Statesman, Books of the Year 'Thought-provoking and funny' The Times
Be honest: if your job didn't exist, would anybody miss it? Have you ever wondered why not? Up to 40% of us secretly believe our jobs probably aren't necessary. In other words: they are bullshit jobs. This book shows why, and what we can do about it.
In the early twentieth century, people prophesied that technology would see us all working fifteen-hour weeks and driving flying cars. Instead, something curious happened. Not only have the flying cars not materialised, but…
