100 Books Like Sharpe's Eagle

There have been too many novels featuring the story of King Arthur to count; this is my favorite. I found it (and the following two books in the series) really captured the idea of who Arthur was, why he was needed, and why he did what he did at the time for me.

It was the first Cornwell novel I read, and he has become my favourite novellist. I think he writes battle scenes better than anyone–he puts you in the middle of the action and makes you feel the visceral nature of combat (especially in his Arthurian and medieval books). If anyone is looking for a place to start with Arthurian fiction but doesn’t know where to begin, I wouldn’t hesitate to recommend this book and series. 

Speaking of books, I love The Saxon Tales, or as you TV plebs will know it, The Last Kingdom, which is absurdly good. I love the TV show (on Netflix), but the books are next-level.

Uhtred, son of Uhtred, raised by Danes but Saxon by blood fights to regain his blood right and the home that was stolen from him. Cornwell writes the best battle scenes in all of literature, and these books are full of them. I loved them so much that I styled the fighting in my own books after Cornwell’s battle scenes in this series. 

This was the first book to truly wreck me in the best way.

The stakes felt so personal—the slow unraveling of safety, the sacrifices, the loss of innocence. It taught me how finales can be harrowing, heavy, and yet still hopeful. It’s a study in how to end a journey with weight and wonder.

This epic by Homer has a great impact on epic culture.

Writing such an epic in the 700-800 BC era is mind-blowing, War of Troy which we used to read in comic books and movies has so well narrated citing the bravery of Greek and Trojan Heroes in the Iliad.

Everyone should read about the heroes of Iliad epic King Agamemnon, warrior Achilles and Odyssey’s Greek hero Odysseus, king of Ithaca and his return journey about the Trojan War. Greek mythology is always a great source of information about the ancient time wars and treaties.

This was the first series of heroic historical fiction I ever read. Forester’s narratives had the power to pull me into the stories as if I was serving alongside Horatio Hornblower.

The series follows the exploits of seventeen-year-old Midshipman Hornblower in 1794 as he rises in rank and responsibilities to flag rank by 1815. During the course of the series, we watch Hornblower mature from an unsure, bookish teenager to become a self-confident and bold commander. Forester’s ability to meld true historical events and personages into his narratives captured me from the start and is a quality that I strive to accomplish in my own writing. I read these books decades ago and still keep them on my bookshelf for when I need inspiration or want to understand how Forester resolved certain authorly issues.

I have enjoyed literally hundreds of hours of thrilling military SF in the series of which this book is the first novel. David Weber is one of two authors who have invented new SF sub-genres. In David’s case, the sub-genre is often called space opera. The other author is David Drake. His Hammer’s Slammers stories are now considered the first books in the ‘space marines’ sub-genre.

David Weber’s story universe is huge. I sometimes think it’s too big in the sense that he tries to weave too many sub-plots into the larger story arc. But his first book is quite moderate in this regard. I started writing my own military SF novels partly because Weber wasn’t writing new sequels fast enough to satisfy my thirst for thrilling space combat.

This is C.S. Forester’s famous naval hero Horatio Hornblower at his best. Captain Hornblower is in command of his first ship of the line. Forester knows ships from bowsprit to sternchasers and you can feel it in every word. There's a truth to the writing that puts you right down in the thick of it. Duty, skill and courage are on display throughout and the climax, when Captain Hornblower accepts an impossible task to protect his allies, and turns his ship to face three to one odds, knowing he cannot win? It’s a masterclass in writing a battle scene, sailors facing certain death with iron will. Nerve wracking doesn’t begin to cover it.

This is a masterpiece of the New Wave fantasy novels of the 1960s and 1970s. The hero, Dorian Hawkmoon, is a nobleman in the far future where science has become so advanced it is indistinguishable from magic. Hawkmoon is forced to work for his enemies by a magical jewel they embed in his forehead. Hawkmoon’s world is Europe, but hardly recognisable, and a vast empire with impossible super-technology is conquering the whole continent. It’s a story of heroism vs magic in a war where the technological wonders feel alien and familiar all at once. The evil empire of Granbretan, where everyone is continuously masked, is one of the most original of the trope that has ever been written.

We need more characters like Paksenarrion Dorthansdotter, the daughter of a sheep farmer who joins a mercenary company to avoid an unwanted marriage. Moon, who served as a Marine in Vietnam, gives us a perfect hero’s tale. Paksenarrion (“Paks” for short) doesn’t set out to garner fame and glory, but she works hard at what she does, and her moral compass is firmly attuned to a sense of justice and truth. Paks captures everything we want in a hero, and Moon’s understanding of infantry, siege, and melee tactics filters through in subtle yet powerful ways, from details like foot soreness on the march to how most sieges end with rebellion within the gates. Sheepfarmer’s Daughter literally has it all. Go read it today. 

Oh dear, I’m cheating again. Sort of. This isn’t really fantasy, either. It’s an adventure for young adults featuring teenage spy Alex Rider. But I love it too much to care, and besides, cheating is cool, kids! But there’s a specific reason why I’m finishing this list with Stormbreaker. Despite its exciting action, the book is written as a relatable and grounded affair. Alex Rider is an ordinary kid with ordinary problems. He’s ginger, often lonely, underestimated, and regularly cast aside. He’s relatable and that’s why I loved the books.

The film adaptation is a ridiculous charade of impossible stunts starring an incredibly handsome blonde-haired model and it feels like someone threw up confetti over a story that actually meant something to me. Fifteen-year-old me was justified in throwing his popcorn at the screen.