Here are 100 books that Shanghai Immortal fans have personally recommended if you like
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I came to Shanghai largely by accident back in the late twentieth century and found a city of art deco and modernism, of influences form east and west – then far less developed, smaller and more intimate, as if a dust sheet had been thrown over the city in 1949 and the metropolis underneath left to await a new era. The old city, the once international city that was the most modern in Asia – jazz, skyscrapers with elevators, streamline moderne villas, a hundred nationalities living cheek-by-jowl was still, seemingly, just within reach. I’ve never stopped being fascinated by that old world, or writing about it.
Malraux’s novel is perhaps the most intricately atmospheric novel of old Shanghai, written in 1933 but set amid the 1927 Lefist Uprising and the massacre that follows. Malraux weaves the stories of Chinese revolutionaries, Russian agents, stateless refugees, foreign businessmen and poor workers into a portrait of the city. It is also a book that shows Shanghai as the most modern city in Asia between the world wars – neon, traffic jams, jazz….
Shanghai, 1927, and revolution is in the air. As the city becomes caught up in violence and bloodshed, four people's lives are altered inexorably: idealist and intellectual Kyo Gisors, one of the leaders of the Communist insurrection, who is also trying to deal with his own marital strife; Ch'en Ta Erh, an assassin and terrorist brutalized by killing; Baron de Clappique, a French gambler, opium dealer and gun runner; and Russian revolutionary Katov, who calmly watches events unfold, until he has to make the ultimate sacrifice. Each of these men must try to resolve their personal conflicts amid political turmoil,…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
“Old Shanghai” is in my blood: though raised in Hong Kong, I was surrounded by all things Shanghai through my parents and their friends, who had grown up during Shanghai’s 1930s heyday. The classical culture … the modern glamour … the breathtaking scandals! Since childhood I’ve searched for connections to my heritage; this fascination led me, years later, to write Remembering Shanghai with my mother, by then in her eighties. Having immersed myself in Shanghai history and culture most of my life, I am passionate about intimate, authentic stories that are told against a rich historical backdrop—the kind that make reviewers say “you can’t make this up!”
At the center of the novel Night in Shanghai is Black American musician Thomas Greene, who arrives in Shanghai from segregated Baltimore to find wealth, position, and love—only to have his life changed forever by the outbreak of World War II. Author Nicole Mones was a businesswoman in China in the 1970s; her China experience, coupled with meticulous research, makes this a pitch-perfect portrait of the city and its denizens. A talented storyteller, she describes the little-known Black American experience of Shanghai, taking the reader from go-go Shanghai to wartime, weaving in actual events, characters, and depictions of the nightspots and jazz clubs of my parents’ Shanghai.
In 1936, classical pianist Thomas Greene is recruited to Shanghai to lead a jazz orchestra of fellow African-American expats. From being flat broke in segregated Baltimore to living in a mansion with servants of his own, he becomes the toast of a city obsessed with music, money, pleasure and power, even as it ignores the rising winds of war. Song Yuhua is refined and educated, and has been bonded since age eighteen to Shanghai's most powerful crime boss in payment for her father's gambling debts. Outwardly submissive, she burns with rage and risks her life spying on her master for…
I have been fascinated by history since I spent a year in Britain as a ten-year-old. I became hooked on novels set in ancient Greece and Rome and found it incredibly exotic to walk through old buildings and imagine the lives of the people who had walked through those same doors. In college, I began studying history in earnest and grew intrigued by China, especially Chinese cities during periods of upheaval and transformation. My first passion was Shanghai history, and I spent time there in the mid-1980s before the soaring Pudong skyscrapers that are now among its most iconic structures were built.I have since shifted my attention to Hong Kong, a city I had enjoyed visiting for decades but had not written about until after I completed my last book on Shanghai. My fascination with cities that are in China but enmeshed in global processes and are sites of protest has been a constant.
There is a lot of wonderful fiction set in Shanghai, so I wanted to make sure to include one such work. Figuring out which wasn’t easy, as there are good short stories and novels by a range of important authors, from deceased writers like Mao Dun, Eileen Chang, and J.G. Ballard, whose partly autobiographical Empire of the Sun was based on his Shanghai childhood, to living ones like Wang Anyi. I chose this collection of vignettes by Qiu Xiaolong (who is best known for his Inspector Chen Shanghai-set police procedurals and grew up in Shanghai and now lives in the United States) because it pairs so well with Shanghai Homes. You can read it as a fictional cousin to Jie Li’s book, as this work by Qiu, in which his famous detective does not appear, is made up of tales set in a single alleyway neighborhood. Reading them together,…
Published originally in the pages of Le Monde, this collection of linked short stories by Qiu Xiaolong has already been a major bestseller in France (Cite de la Poussiere Rouge) and Germany (Das Tor zur Roten Gasse), where it and the author was the subject of a major television documentary. The stories in Years of Red Dust trace the changes in modern China over fifty years―from the early days of the Communist revolution in 1949 to the modernization movement of the late nineties―all from the perspective of one small street in Shanghai, Red Dust Lane. From the early optimism at…
The Year Mrs. Cooper Got Out More
by
Meredith Marple,
The coastal tourist town of Great Wharf, Maine, boasts a crime rate so low you might suspect someone’s lying.
Nevertheless, jobless empty nester Mallory Cooper has become increasingly reclusive and fearful. Careful to keep the red wine handy and loath to leave the house, Mallory misses her happier self—and so…
“Old Shanghai” is in my blood: though raised in Hong Kong, I was surrounded by all things Shanghai through my parents and their friends, who had grown up during Shanghai’s 1930s heyday. The classical culture … the modern glamour … the breathtaking scandals! Since childhood I’ve searched for connections to my heritage; this fascination led me, years later, to write Remembering Shanghai with my mother, by then in her eighties. Having immersed myself in Shanghai history and culture most of my life, I am passionate about intimate, authentic stories that are told against a rich historical backdrop—the kind that make reviewers say “you can’t make this up!”
Hard to imagine now, but when Tess Johnston arrived in Shanghai as an American diplomat in 1981, no one was researching or writing much about Old Shanghai. Fascinated by the city’s old Western buildings, she collaborated with Shanghainese photographer Deke Erh to piece together the stories behind the once-grand architecture. Photographed in the 1980s and ’90s, A Last Look provides a provocative visual history of Old Shanghai, accompanied by succinct text penned in Johnston’s personable style. This oeuvre is not only an appealingentrée into a lost era but has become a precious remembrance, as many of its subject buildings and neighborhoods have since been demolished. Although the book is out of print, it’s worth ordering a used copy.
Peeking over the American fence, I found myself in China in 2004 as the nation was transitioning from its quaint 1980s/90s self into the futuristic “China 2.0” we know it today. My occupation, like many expats, was small-town English teacher. I later departed for what would become a two-year backpacking sojourn across all 33 Chinese provinces, the first foreigner on record to do so. It was during this journey that I discovered the following five female writers, whose catty, carnal memoirs accompanied me like jealous mistresses vying for attention.
Like her or not, the reigning queen of the naughty girl subgenre of Chinese literature decidedly is Wei Hui, whose debut, Shanghai Baby, was a cultural phenomenon that resulted in public book burnings, an international media frenzy, dozens of imitators, and one so-bad-it’s-good movie adaptation starring Bai Ling. Not that Wei Hui is a particularly well-regarded writer – Shanghai Baby is basically a knockoff of shallow Western-style chick-lit, about a designer-brand-obsessed young woman who has an affair with a married foreigner – but in 1999 it was groundbreaking for kicking the publishing doors down for the post-1970s generation of Chinese writers.
Publicly burned in China for its sensual nature and irreverent style, this novel is the semi-autobiographical story of Coco, a cafe waitress, who is full of enthusiasm and impatience for life. She meets a young man, Tian Tian, for whom she feels tenderness and love, but he is reclusive, impotent and an increasing user of drugs. Despite parental objections, Coco moves in with him, leaves her job and throws herself into writing.
Shortly afterwards she meets Mark, a married Westerner. The two are uncontrollably attracted and begin a highly charged, physical affair. Torn between her two lovers, and tormented by…
I fell in love with Asia as a young boy growing up in Phoenix, Arizona. Many of my playmates were Asian Americans, and I was fascinated by the photos of their ancestors who had immigrated to America. That curiosity grew to a passion—one that led me to a long career as an Asian expert in the US Government. My first visit to China in the early 1980s took me to Shanghai before its incredible transformation. I knew much of its history, but walking the streets, seeing the buildings, and encountering its citizens made it real and left me wanting more. The history of Shanghai became a hobby.
I love history, especially of Asia and WWII, and Jordan’s intense and harrowing description of the “battle at the end of the street” in 1932 between the Chinese Nationalists and Japan moved me with its descriptions of the destruction and suffering it brought. Jordan is an academic, but this isn’t a stodgy history.
Jordan’s lively account covers not only the fighting, but the political maneuvering running up to it, efforts by the international community to control it, and the heroic stand by the Chinese Nineteen Route Army that gave the Japanese militarists all they could handle. I came away with not only a deeper understanding of WWII in China but greater respect for the Chinese soldier.
China's Trial by Firepresents the balanced history of how, ten years before Pearl Harbor, Japan tested modern China in a thirty-three-day war, now known as the Shanghai War of1932. Often obscured by the larger World War II, this history details how the Chinese fought from trenches against Japan's modern bombers and navy, and formed a defense that brought the country together for the first time. Unlike other histories' brief generalizations of the incident, this study traces the war from the initial January 28th Japanese marine raid on Chinese Shanghai. It also studies the roles played by the prevailing Japanese leaders,…
Don’t mess with the hothead—or he might just mess with you. Slater Ibáñez is only interested in two kinds of guys: the ones he wants to punch, and the ones he sleeps with. Things get interesting when they start to overlap. A freelance investigator, Slater trolls the dark side of…
I have been fascinated by history since I spent a year in Britain as a ten-year-old. I became hooked on novels set in ancient Greece and Rome and found it incredibly exotic to walk through old buildings and imagine the lives of the people who had walked through those same doors. In college, I began studying history in earnest and grew intrigued by China, especially Chinese cities during periods of upheaval and transformation. My first passion was Shanghai history, and I spent time there in the mid-1980s before the soaring Pudong skyscrapers that are now among its most iconic structures were built.I have since shifted my attention to Hong Kong, a city I had enjoyed visiting for decades but had not written about until after I completed my last book on Shanghai. My fascination with cities that are in China but enmeshed in global processes and are sites of protest has been a constant.
Shanghai, which was once called the “Hollywood of Asia,” has always been a cinematic city par excellence, so a good way to describe the charms of this book is via movie terms. In one sense, it zooms in tightly on a specific day in the history of the city and what was happening in a single setting. It mixes close-ups of a horse race and some people who came to watch it, though, with wide-angle shots and flashbacks. The author, a skilled historian with deep knowledge of Chinese history and a stylish writer, moves effortlessly between Shanghai in the early 1940s as the Japanese military’s World War II era grip on the city and much of China was tightening and earlier points in its past. He also moves fluidly between the racecourse—a potent symbol, as during the height of the British imperial period, Britons would often build these to mark…
12 November 1941: war and revolution are in the air. At the Shanghai Race Club, the elite prepare their best horses and most nimble jockeys for the annual Champions Day races. Across the city and amid tight security, others celebrated the birth of Sun Yat-Sen in a new centre which challenged European imperialism. Thousands more Shanghai residents attended the funeral of China's wealthiest woman. But the biggest crowd gathered at the track; no one knew it, but Champions Day heralded the end of European Shanghai. Through this snapshot of the day's events, the rich and complex history that led to…
Peeking over the American fence, I found myself in China in 2004 as the nation was transitioning from its quaint 1980s/90s self into the futuristic “China 2.0” we know it today. My occupation, like many expats, was small-town English teacher. I later departed for what would become a two-year backpacking sojourn across all 33 Chinese provinces, the first foreigner on record to do so. Since then, I have published three books about China, with two specifically focusing on the expatriate experience. This quirky yet timeless subgenre is my guilty pleasure; the following are but five of five hundred I’d love to recommend.
Decidedly contemporary China’s most provocative foreign writer, Isham Cook has spent the past decade in Beijing penning books about taboo subject matter that heretofore few expat authors have been willing to publicly reveal about their lives here. Specifically, prurience and libertine excess. I liken him as a reincarnated Edmund Backhouse with a hint of Henry Miller and a dash of de Sade. In his putative memoir The Mustachioed Woman of Shanghai, Cook reimagines himself as an Asian woman in order to psychoanalyze his past relationships with Chinese girlfriends whom he tormented with polyamory. If nothing else, read this for its sheer audacity.
An erotic thriller of "ambitious, Faulknerian structure" (Kirkus Reviews)exposing what's really going on with relationships in China today.
It is the Shanghai of courtesans and concubines, danger and decadence, updated to 2020. American expat author Isham Cook has disappeared. His last known history is chronicled by an exotic woman who seems right out of 1930s Shanghai herself, Marguerite, a mustachioed Afghan-American who weaves Persian rugs and deals in psychedelics. As she tells it, Isham's story all began with Luna, a beguiling but troubled Chinese woman who happens to have a mustache herself. Also vying for Isham's affection is the charismatic…
I first went as a student to Beijing in 1984 with a camera and a suitcase of film but not much of a plan. I found myself in a country whose young people were suddenly empowered to put their skills to use rather than let state planning order every aspect of their lives. My academic studies rapidly evolved into a vocation to photograph the changes around me. There was demand for this: one of my first assignments being for Life magazine and then a slew of US and European publications eager to expand their coverage of all that was reshaping China and in turn the world. I chose street-level life as the most relatable to an international audience and in recent years also for Chinese eager to see how this era began.
Shanghai is a city that fascinates and repels both Chinese and foreigners alike. The harsh exploitative past and the contemporary resurgence embrace a sometimes unsettling mix of wealth, style and brutality. The architectural reshaping of the megalopolis of more than 20 million souls reflects this context and no one has captured it better than Greg Girard, a Canadian photojournalist who spent much of his career in Asia. The twilight of eerie neon tones in the smoggy half-demolished city is fertile territory for this image maker chasing the phantoms.
“Shanghai—a city in the process of dismantling its history to accommodate China’s new cosmopolitan vision of itself.”—Greg Girard
As Shanghai modernizes and seeks acceptance as an international city, buildings and neighborhoods that were once preserved simply by lack of intervention are now being purposefully demolished.
Phantom Shanghai is a spectacular look at a Shanghai that won’t survive the vision the country has for itself. For the past five years, Greg Girard has been photographing the city’s buildings, shops, homes, and neighborhoods. This stunning photographic journey is a look at present-day Shanghai, where politically inspired neglect meets politically inspired development.
Peeking over the American fence, I found myself in China in 2004 as the nation was transitioning from its quaint 1980s/90s self into the futuristic “China 2.0” we know it today. My occupation, like many expats, was small-town English teacher. I later departed for what would become a two-year backpacking sojourn across all 33 Chinese provinces, the first foreigner on record to do so. Since then, I have published three books about China; my anthology Unsavory Elements was intended as a well-meaning tribute to the expatriate experience, however my own essay – a bawdy account of a visit to a rural brothel – was understandably demonized. The following five books expand on that illicit theme.
Starting out as a serial in an 1890s Shanghainese magazine, yet remaining unpublished until 2005 following the discovery of its English translation among the belongings of the late Eileen Chang, The Sing-Song Girls of Shanghai is an unparalleled historical classic set in the pleasure quarters of the Qing Dynasty. Unlike the hyper-erotic writings of Li Yu and Lanling Xiaoxiao Sheng, the author, Bangqing Han, opted for a tempered realism unique for its period. Clocking in at 600 pages, and densely layered with multiple character arcs that are a bit difficult to keep track of, Sing-Song Girls may require more than one reading.
Desire, virtue, courtesans (also known as sing-song girls), and the denizens of Shanghai's pleasure quarters are just some of the elements that constitute Han Bangqing's extraordinary novel of late imperial China. Han's richly textured, panoramic view of late-nineteenth-century Shanghai follows a range of characters from beautiful sing-song girls to lower-class prostitutes and from men in positions of social authority to criminals and ambitious young men recently arrived from the country. Considered one of the greatest works of Chinese fiction, The Sing-song Girls of Shanghai is now available for the first time in English. Neither sentimental nor sensationalistic in its portrayal…