100 Books Like Night in Shanghai

A great deal has been written about the Jewish refugees who flooded into Shanghai during World War II, but that’s not the case with the story of the wealthy Sephardic Jewish families who arrived in the early days of opium trading and built fabulous fortunes. In Last Kings of Shanghai, Pulitzer Prize winning journalist Jonathan Kaufman weaves the epic tale of the Sassoons and the Kadoories, stretching from Baghdad to Shanghai to London and Hong Kong. It’s a story of business acumen and political intrigue, of wartime survival and the choices that saw one family perpetuate its wealth and influence in China, and the other fade into history.

Decadent Old Shanghai was never going to survive a Communist takeover. It wasn’t easy to leave—in her family, my mother was told she was the lucky one, and so was the mother of author Helen Zia. An accomplished journalist, Zia masterfully captures what it was like for four young people—including her mother—to make the wrenching decision to leave their homes for places unknown, the chaos and distress of boarding that fabled “last boat” out of Shanghai, and what came after. The core of the story unfolds through the authentic accounts of the main characters Benny, Annuo, Bing, and Ho. Additionally, Zia uses detailed research and extensive interviews with hundreds of émigrés from all strata of Shanghai society, bringing to life this last of a generation to embark on a largely forgotten mass exodus.

Having interviewed hundreds of Chinese Canadians, I knew that many of Canada’s earliest Chinese migrants met and gave money to Sun Yat-sen, the father of modern China, though most were less enthusiastic about Chiang Kai-shek. This book presented a complicated narrative of US-Chinese relations from the perspective of the Soong sisters, who straddled the boundaries of west and east and lived in a world where most Chinese were excluded because of their race. Similar to many of the bachelors in my book, the sisters were also influenced by KMT politics and religion. Both the Soong sisters and the bachelors knew that religion trumped race and that Christian identities and faith helped them open doors to dominant society that remained closed to most Chinese of the era. 

Hard to imagine now, but when Tess Johnston arrived in Shanghai as an American diplomat in 1981, no one was researching or writing much about Old Shanghai. Fascinated by the city’s old Western buildings, she collaborated with Shanghainese photographer Deke Erh to piece together the stories behind the once-grand architecture. Photographed in the 1980s and ’90s, A Last Look provides a provocative visual history of Old Shanghai, accompanied by succinct text penned in Johnston’s personable style. This oeuvre is not only an appealing entrée into a lost era but has become a precious remembrance, as many of its subject buildings and neighborhoods have since been demolished. Although the book is out of print, it’s worth ordering a used copy.

Malraux’s novel is perhaps the most intricately atmospheric novel of old Shanghai, written in 1933 but set amid the 1927 Lefist Uprising and the massacre that follows. Malraux weaves the stories of Chinese revolutionaries, Russian agents, stateless refugees, foreign businessmen and poor workers into a portrait of the city. It is also a book that shows Shanghai as the most modern city in Asia between the world wars – neon, traffic jams, jazz….

Written in the 1940s, this book takes readers to Hong Kong as the Japanese occupation replaced the British colony. It’s mostly a love story in which the intensity of war reflects the passion of emotions and the restraint on actions. 

But like all of Eileen Chang’s works, it’s also beautifully written. Though the fall of Hong Kong is at the heart of the novella, I’ve always found the city less important in the story than the domestic settings. When the Bai family talks, I’m in the room, sitting in a wingback chair, sipping green tea, and listening.

Also formerly a public radio reporter based in Shanghai, Scott Tong takes us inside his own extended family, scattered across China. Personal stories of the relatives he found reveal not just their troubled histories but also the unvarnished stories of their varying ability to adapt to the opportunities of a modernizing China.

I’m always struck by how modern Eileen Chang’s voice feels to me, even though her stories take place in China decades ago.

Little Reunions, for instance, opens with the main character Julie facing her school exams just before the Japanese occupation of Hong Kong during WWII. But I found it easy to identify with Julie—her observations, her longings, and even her pettiness.

It’s one thing to read about a character who would get your background; it’s another to read about a character who would get you. In Little Reunions, I got both.

In 1929, Bernardine Szold Fritz, age 33, accepted a proposal of marriage that brought her to Shanghai. From the very beginning, I was intrigued. Why would a single Jewish woman hop a train to China to be with a fourth husband, a man she met briefly in Paris? While the marriage is a disappointment, Art Deco Shanghai is not. 

Like other Jewish women before her, she started a salon in her home and an International Arts Theater that saw the likes of Hollywood luminaries and famous names in the arts and politics. I was mesmerized by how Bernardine’s commitment to intellectual pursuits defied the fragile political situation that existed in Shanghai through the civil wars and the time period leading up to World War II. She brought creativity and joy to a city that would soon change forever.

Shanghai, which was once called the “Hollywood of Asia,” has always been a cinematic city par excellence, so a good way to describe the charms of this book is via movie terms. In one sense, it zooms in tightly on a specific day in the history of the city and what was happening in a single setting. It mixes close-ups of a horse race and some people who came to watch it, though, with wide-angle shots and flashbacks. The author, a skilled historian with deep knowledge of Chinese history and a stylish writer, moves effortlessly between Shanghai in the early 1940s as the Japanese military’s World War II era grip on the city and much of China was tightening and earlier points in its past. He also moves fluidly between the racecourse—a potent symbol, as during the height of the British imperial period, Britons would often build these to mark… show more.