Here are 100 books that Shadows on the Wall fans have personally recommended if you like
Shadows on the Wall.
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As an author, I love reading books that feature writers and explore their daily ups and downs as well as their larger successes and failures. Working on a novel or an article is already a harrowing task, but throw in other complications like writer’s block, dangerous fans, and sources who won’t give you the information you need, and life gets a lot more challenging. These twisty tomes explore what happens when these writers find their own stories taking some perilous turns.
When novelist Paul Sheldon suffers a terrible car accident, he finds himself in the care of Annie Wilkes, a woman who claims to be his biggest fan and wants to nurse him back to health. But Annie isn’t pleased with the way Paul has brought his beloved series featuring Misery Chastain to a close.
I love that we get a front-row seat to this unhinged author-fan encounter. Despite the horror that’s inflicted, readers—especially ones who are also writers—may take a perverse pleasure in seeing a fan have such strong feelings about a fictional character.
Another component I adore is the way an author’s ego often causes them to overlook warning signs that would set off alarm bells in others who have a clearer picture of what’s really going on.
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I wasn’t a fan of reading when I was young. I was a lazy reader. Subjects and genres were always chosen for me during education, until I hunted for my own. I used to write a lot more than reading in early high school. I wrote a horror journal, submitted to my English teacher every week. He told me that my writing was good but advised me that reading the genre could help develop my ideas. Funny, a young teenager couldn’t work that out? So, off I went to the local bookstore and bought my first horror novel. I devoured it within a week. I've been a reader and writer of horror ever since.
A book I’d wanted to read for a long time, but it wasn’t until later in life I was able to get it. When I was just on the early stages of my writing career, my now longtime friend, Marty, said he had a spare copy of Cabal laying around and offered to send it to me. Marty was my writing mentor at the time as he’d been writing horror for many years previous, and his work is inspiring. So, knowing I was getting a book in the mail from my mentor, to whom I hadn’t met in person yet, was very exciting. The book itself was a tired secondhand copy (which I was told it was) yet this gave it more special meaning. Even the cover was a little torn and it was a pocket edition. So, I sat back with this little book, which I still have as…
A fabulous journey through the mind of the master of dark imaginative fiction, Clive Barker.
The nightmare had begun....
Boone knew that there was no place on this earth for him now; no happiness here, not even with Lori. He would let Hell claim him, let Death take him there.
But Death itself seemed to shrink from Boone. No wonder, if he had indeed been the monster who had shattered, violated and shredded so many others' lives.
And Decker had shown him the proof - the hellish photographs where the last victims were forever stilled, splayed in the last obscene…
I wasn’t a fan of reading when I was young. I was a lazy reader. Subjects and genres were always chosen for me during education, until I hunted for my own. I used to write a lot more than reading in early high school. I wrote a horror journal, submitted to my English teacher every week. He told me that my writing was good but advised me that reading the genre could help develop my ideas. Funny, a young teenager couldn’t work that out? So, off I went to the local bookstore and bought my first horror novel. I devoured it within a week. I've been a reader and writer of horror ever since.
My first horror read. It is dear to me. I picked it up off the shelf. It was neat and small in my hands, so not too overwhelming for someone who didn’t enjoy reading. However, I wanted to give the genre a try as I had been a hobby horror writer for a year or so beforehand. I liked the cover and blurb on the back, which was more of an excerpt, got me walking quickly to the counter to buy it so I could rush home to find out what was going to happen. This book opened the floodgates to the beauty of horror fiction. The excitement of the characters which had inspired my earlier experiments and still provides insights to this day. This is a wild ride, so grab on tight and let it take you as it had taken me.
Using ancient black magic, a dangerous, vindictive maniac is made all-powerful by his ability to become invisible. Raping and murdering his way around the States, he is biding his time before fulfilling his one desire—to get even with the high school belle who rejected him years before.
The Year Mrs. Cooper Got Out More
by
Meredith Marple,
The coastal tourist town of Great Wharf, Maine, boasts a crime rate so low you might suspect someone’s lying.
Nevertheless, jobless empty nester Mallory Cooper has become increasingly reclusive and fearful. Careful to keep the red wine handy and loath to leave the house, Mallory misses her happier self—and so…
I wasn’t a fan of reading when I was young. I was a lazy reader. Subjects and genres were always chosen for me during education, until I hunted for my own. I used to write a lot more than reading in early high school. I wrote a horror journal, submitted to my English teacher every week. He told me that my writing was good but advised me that reading the genre could help develop my ideas. Funny, a young teenager couldn’t work that out? So, off I went to the local bookstore and bought my first horror novel. I devoured it within a week. I've been a reader and writer of horror ever since.
An emotional and gripping collection of short stories. There is a saying that you should never meet your heroes or mentors, well, in my case it hadn’t become a nightmare, at least not personally. Behind the Midnight Blinds is a strong and perfect collection of dark horror stories. Each enrighed with the vivid imagination of the author. Funny enough, I have an honest relationship with the author, and we are never afraid to tell each other if something works or doesn’t. I walked into this book feeling very neutral, yet apprehensive about finding things I didn’t like, as I would need to point them out. It’s something we do, but if it can be avoided, all the better. Luckily, Marty made it easy for me here. Each tale just sank me deeper into his imagination, no matter how weird or disturbing, and I couldn’t help but think ‘why haven’t I…
From the introduction by multiple award-winning author Kaaron Warren:
"Marty Young epitomizes the theory that horror writers are amongst the nicest people. He’s done enormous amounts for the Australian horror writing community and continues to do so. He represents a positive figure to me, a person who loves genre and believes in it.
All of this shines through his work. This collection is like a love story to horror, and it demonstrates his skill as an author, his great knowledge of the genre, and his abiding, deep humanity. Marty Young has a heart (and no, it doesn’t belong to that…
I’ve lived in small towns and capital cities and gone to school on four continents, so I love books in which the location is practically a character in the story. When moving, I struggle to put down roots and feel legitimate in my new home. Writing about old homes helps. While living in New England, I wrote my Jana Bibi trilogy, set in India. Now in New York state, I’m setting a new novel in my native New Hampshire. I’ve been a Jill of all Trades: teaching, software, editing, fact-checking, social science research, and, most happily, fiction-writing. I’m also an amateur musician and an avid foreign language buff.
I love Rumer Godden’s novels, but I’m even fonder of her memoirs, especially this one. Writing with her sister, Jon, she describes life in Naryangang (then in British India, now in Bangla Desh) during and shortly after World War 1. The large household, the bazaar, the diversity of people, the bright sun and the monsoon rains, the wealth and the poverty, the danger of rabid dogs, the holidays in hill stations…I grew up in India forty years after Jon and Rumer Godden, but in many ways, their experiences bring back my own childhood.
I began college as a science major, but then switched to literature from a minor to my major. In graduate school, as I worked on my dissertation (which became my first book), I found that metaphors of the body and health were everywhere in the literary field in the mid-nineteenth century. Suffice it to say that the sciences, including the rapid development of modern medicine, are both fundamental to this period and deeply shape its literary culture. In Mapping the Victorian Social Body, I became fascinated with the history of data visualization. Disease mapping completely transformed the ways we understand space and how our bodies exist within it.
A wonderful book on how techniques of mapping were central to the construction of both the empire and of an emerging idea of “India” as a coherent space. I love the way it clearly lays out how mapping is never simply an innocent process of measuring or describing something that exists out in the world, but is always a process of constructing that reality. And it is an essential part of the history of India, as well as the British empire.
In this history of the British surveys of India, focusing especially on the Great Trigonometrical Survey (GTS) undertaken by the British East India Company, the author relates how imperial Britain employed modern scientific survey techniques not only to create and define the spacial inmage of its Indian empire, but also to legitimate its colonialist activities as triumphs of liberal, rational science bringing "Civilisation" to irrational, mystical and despotic Indians. The reshaping of cartographic technologies in Europe into their modern form played a key role in the use of the GTS as an instrument of British cartographic control over India. In…
Don’t mess with the hothead—or he might just mess with you. Slater Ibáñez is only interested in two kinds of guys: the ones he wants to punch, and the ones he sleeps with. Things get interesting when they start to overlap. A freelance investigator, Slater trolls the dark side of…
This list reflects my focus as a writer about and researcher of cultures very different from my own. I grew up in the country of New Zealand and have been based in Australia for a long time–but I have worked and lived in places like India, Barbados, Malaysia, Canada, Jordan, Syria, Cambodia, and Laos. All of those experiences contribute to my evolution as a writer through academic works, biography, creative nonfiction, memoir, and, more lately, crime fiction and screenwriting. I would not be the writer I am without this curiosity for the “Other,” and it continues to drive me.
In writing my own crime novels set in 1920s British India, I am always looking for other series that take me into “Other” places, and the Makan series that starts with this book is a wonderful model. This is the pen name for Jamal Mahjoub, a Sudanese-British writer who gives real insights into cultural differences and practices. His protagonist is a Sudanese working as a cop in Cairo, and the adventures roam far and wide across the city and its people.
For me, the word pictures created here help inspire my own writing aspirations, there is always much to learn.
Former police inspector Makana, in exile from his native Sudan, lives on a rickety Nile houseboat in Cairo, scratching out a living as a private investigator. When he receives a call from the notorious and powerful Saad Hanafi, he is thrust into a dangerous and glittering world. Hanafi is the owner of a star-studded football team and their most valuable player has vanished. His disappearance threatens to bring down not only the businessman's private empire but also the entire country.
Makana encounters Muslim extremists, Russian gangsters and a desperate mother hunting for her missing daughter, as his search stirs up…
I’ve been fascinated by maps all my life. The map of India has always held special interest. As I’ve lived in different parts of India, I’ve seen firsthand how India is one country, but its stories are multiple. I chronicled India’s varied stories through the origins of each of its states. Similarly, I’ve curated a diverse and inclusive reading list. It covers different parts of the country and contains different types of books—graphic novel, travelog, memoir, and short story collections. The authors also cut across religion, gender, and social strata. I hope you discover a whole new India!
I love how this short story collection traverses time but not location—the setting is the northeastern state of Meghalaya while the stories span 150 years. In these fifteen tales, folklore mixes with modern life and myth is steeped in the mundane. The result? The reader journeys through a rich smorgasbord of a multi-faceted Meghalaya and its people. Given the tendency to clump the seven northeastern states together, this book helps us view one of those states distinctively.
Boats on Land is a unique way of looking at India’s northeast and its people against a larger historical canvas—the early days of the British Raj, the World Wars, conversions to Christianity, and the missionaries. This is a world in which the everyday is infused with folklore and a deep belief in the supernatural. Here, a girl dreams of being a firebird. An artist watches souls turn into trees. A man shape-shifts into a tiger. Another is bewitched by water fairies. Political struggles and social unrest interweave with fireside tales and age-old superstitions. Boats on Land quietly captures our fragile…
I love stories, and as a child I found that some of the best and most powerful stories I ever heard were those that people told about the past. When I grew up, I pursued a career as an academic archaeologist and historian, and I am now Professor of Classical Archaeology at the University of Vienna. But while I am of course interested in the past, in recent years I have been increasingly thinking about the politics of the past as well. Why do we choose to celebrate some stories about the past and not others? I have found these books all useful in helping me to think through this.
This collection of essays offers a broad set of different examples of history and ideas about the past have been pressed into the service of nationalism – often resulting, as the title has it, in the invention of tradition.
I also love the quality of the writing in this book. Hobsbawm has such elegant prose, and as an editor he seems to have influenced the style of the other authors in the volume.
Many of the traditions which we think of as very ancient in their origins were not in fact sanctioned by long usage over the centuries, but were invented comparatively recently. This book explores examples of this process of invention - the creation of Welsh and Scottish 'national culture'; the elaboration of British royal rituals in the nineteenth and twentieth centuries; the origins of imperial rituals in British India and Africa; and the attempts by radical movements to develop counter-traditions of their own. It addresses the complex interaction of past and present, bringing together historians and anthropologists in a fascinating study…
Grief is now an unwanted travel companion and a friend to me. At times, I find myself incapable of understanding it. Even so, it has helped me view myself through a different lens. When I wrote my book, my mother was still alive. Grief had yet to announce itself as my lifelong companion, but I was aware of its menacing presence. That amazing prescience spilled into my book. After my mother died, I discovered that there was a lot more to discover about death and grief. For months, I reviewed books on these topics for various publications. I'm still on this enlightening journey.
I read Jhumpa Lahiri's The Lowland in 2015—a time when my life wasn't tainted by grief. Even then, I found myself mesmerized by the novel's depiction of the grieving process as a long-lasting curse that spreads its tentacles into all aspects of our lives.
Gauri, the protagonist of Lahiri's novel, loses her Naxalite husband to political violence. Although Gauri gains a second chance at happiness, her pain consumes her, and she constantly reinvents herself to escape its clutches, albeit at her family’s emotional expense.
In retrospect, I was impressed by the author's accurate portrayal of grief as a sort of spiritual and emotional gridlock. In addition, I believe The Lowland provides a moving meditation on the intergenerational effect of unresolved trauma.
SHORTLISTED FOR THE MAN BOOKER PRIZE 2013.
From Subhash's earliest memories, at every point, his brother was there. In the suburban streets of Calcutta where they wandered before dusk and in the hyacinth-strewn ponds where they played for hours on end, Udayan was always in his older brother's sight.
So close in age, they were inseparable in childhood and yet, as the years pass - as U.S tanks roll into Vietnam and riots sweep across India - their brotherly bond can do nothing to forestall the tragedy that will upend their lives. Udayan - charismatic and impulsive - finds himself…
