100 Books Like Shadow Woman

I am a survivor. Whether flaming engines on a plane, a hurricane, or breast cancer, I have made many unusual journeys. The way I see it, I am also a writer, and God keeps giving me material for my adventure novels. Of course, I’m also a reader and could fill this page with more than five recommendations. Hopefully, you’ll want to read one of these awesome books. I guarantee they will make you escape reality.

I grew up in a family of strong women, and have always been drawn to women with brains and a sense of humor. When I worked in theater as an actor, director, and designer, my favorite stage manager and designers were women because they looked at the production challenges from a different angle than mine, so we both learned something while coming up with the best possible ideas and solutions. I can’t stand fluffy “victim” females. The women in my stories are always looking for a better way and a better world. Both my detective series feature several strong, resourceful women that complement the male detective, adding humor and insight, and—I hope—more humanity.

I have always had a passion for anything crime fiction—books, movies, podcasts, or TV shows. It didn’t matter. I loved it all. It was probably because I grew up in a family with six police officers that seldom talked about anything unrelated to policing. I was like a sponge and picked up some terminology and learned about different police procedures they would discuss. There was rarely a family gathering that didn’t have some type of story or anecdote being shared by each of them and I always found myself being drawn right in. For those reasons, I fell in love with trying to figure out the who’s, how’s and why’s of any story. 

I grew up in a family of strong women, and have always been drawn to women with brains and a sense of humor. When I worked in theater as an actor, director, and designer, my favorite stage manager and designers were women because they looked at the production challenges from a different angle than mine, so we both learned something while coming up with the best possible ideas and solutions. I can’t stand fluffy “victim” females. The women in my stories are always looking for a better way and a better world. Both my detective series feature several strong, resourceful women that complement the male detective, adding humor and insight, and—I hope—more humanity.

Economics isn't really a good starting point for financial market analysis for the simple reason that its models are wildly inaccurate. As behaviorial economists like Daniel Kahneman have been showing, irrationality and the inability to measure risk properly are a very big component of the investment and trading decisions. But statistical risk management is also sloppy when applied to human behavior because people are not objects that reliably behave the same way under similar circumstances. So when you read an economist about markets or an engineer about risk management, you're missing a lot of the story. In the end, technical analysis is fascinating because how and why humans behave is an enduring mystery.

I have been studying Celtic myth and history since I was in college and took a class on Arthurian literature. Drawing heavily from Irish and Welsh lore to build my “land beyond the veil” known as the Five Quarters, I have always been intrigued by the Celtic view of the land of the dead as a distinct world to which we go and then return, like two sides of the mirrored surface of a well. I hope you enjoy these mythic fantasy books as much as I did!

As a novelist, I get a lot of praise for my immersive recreation of time and place – even though I have complete aphantasia. That’s a condition affecting about 0.8% of the population, and it means I can’t form visual mental images. Ask me to close my eyes and visualise an apple, and I will see… darkness. Nothing. I suppose it’s why I’ve always loved novelists who create a picture with words. But truly great descriptive writing is about so much more than just what you can ‘see.’ These writers give you the sounds, smells, tastes, and textures of their worlds too. And they’re all wonderful storytellers.

I was a mailman when I became obsessed with card counting at blackjack. Not having enough money to play at a pro level, I decided to sell a mathematical formula I’d devised for evaluating games and systems. I offered it for sale through gambling newsletters at $100. I immediately had big sales because no one had ever seen a method for estimating card counters’ win rates. I got letters from college math professors asking me how I’d come up with the math. So, I started my own blackjack newsletter where I published my discoveries. I was inducted into the Blackjack Hall of Fame in 2002 and soon had big investors funding my play.

Growing up in a strait-laced Southern family, I was always fascinated with casinos. In my twenties on a summer hiatus from teaching in North Carolina, I drove to California and became a dealer at Caesars in Lake Tahoe. My mother highly disapproved of my working in a casino, "a place so bad it has 'sin' in the middle." Eventually, I returned east to take a hi-tech job in Boston. I also began working on my MFA in writing at Emerson. My characters were breathed into life from my years in the gambling industry. You learn a lot about the human personality when you watch thousands of people from behind the felt of a blackjack table.

I was a mailman when I became obsessed with card counting at blackjack. Not having enough money to play at a pro level, I decided to sell a mathematical formula I’d devised for evaluating games and systems. I offered it for sale through gambling newsletters at $100. I immediately had big sales because no one had ever seen a method for estimating card counters’ win rates. I got letters from college math professors asking me how I’d come up with the math. So, I started my own blackjack newsletter where I published my discoveries. I was inducted into the Blackjack Hall of Fame in 2002 and soon had big investors funding my play.