Here are 100 books that Oscar and Lucinda fans have personally recommended if you like
Oscar and Lucinda.
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I’ve always loved stories that rearrange reality in some simple, allusive way, including movies like Groundhog Day or The Truman Show. They remind me of a quote about Italo Calvino that I first read when I was a teenager and have loved ever since: ‘He holds a mirror up to life, then writes about the mirror.’ I tend not to be attracted to stories that simply depict reality and even less so to stories that completely abandon reality for an invented fantasy world. All my favorite fictions take place somewhere in between, in the blending of the real and the impossible.
It always seemed unfair to me that not only do we get just one life, but we only get to live it once. So I fell in love with this novel from the moment I read its premise: Ursula Todd is born and dies and is born again… and again… and again.
I love that she doesn’t remember her previous lives except as vague intuitions that help her avoid making the same mistakes twice–and I also love that avoiding those mistakes often means she makes other (often fatal) mistakes. I found this book funny, moving, and thought-provoking, but what I love most about it is the way its down-to-earth, realistic style allowed me to fully inhabit the impossible conceit at its heart.
What if you could live again and again, until you got it right?
On a cold and snowy night in 1910, Ursula Todd is born to an English banker and his wife. She dies before she can draw her first breath. On that same cold and snowy night, Ursula Todd is born, lets out a lusty wail, and embarks upon a life that will be, to say the least, unusual. For as she grows, she also dies, repeatedly, in a variety of ways, while the young century marches on towards its second cataclysmic world war.
The dragons of Yuro have been hunted to extinction.
On a small, isolated island, in a reclusive forest, lives bandit leader Marani and her brother Jacks. With their outlaw band they rob from the rich to feed themselves, raiding carriages and dodging the occasional vindictive…
Sometimes, the setting of a novel can stay with you long after the details of the plot and characters have faded. My debut novel, The Lindens, was inspired by my grandmother’s home in the Wiltshire countryside where I grew up. As much as the house itself, I wanted to bring to life the land and nature around it: the garden and the orchard, the meadows and the woods, the plants and the birds and the changing seasons. I hope it’s a home that readers feel they can inhabit – just like the ones on this list.
Come for the oil paintings and the glass doors, stay for a tender and poignant portrait of family life. The Philadelphia mansion at the heart of this novel casts a spell over its characters – it’s the childhood home that Danny and Maeve have been banished from but are inexorably drawn back to.
Ann Patchett is one of my favourite contemporary novelists – few writers unpack their characters’ emotional baggage with such warmth, wit, and compassion.
Lose yourself in the story of a lifetime - the unforgettable Sunday Times bestseller
'Patchett leads us to a truth that feels like life rather than literature' Guardian
Nominated for the Women's Prize 2020
A STORY OF TWO SIBLINGS, THEIR CHILDHOOD HOME, AND A PAST THAT THEY CAN'T LET GO.
Like swallows, like salmon, we were the helpless captives of our migratory patterns. We pretended that what we had lost was the house, not our mother, not our father. We pretended that what we had lost had been taken from us by the person who still lived inside.
In the…
I’ve read a lot of books that feature gay characters. These characters often partition into two main groups: angsty men who are victims of oppression or illness, or camp stereotypes who provide the light relief. I prefer to read about heroes who happen to be gay. That’s why I started writing novels. My recent books are historical novels inspired by real gay heroes. The feedback I get from readers indicates that there are a lot of people who want the same as I do.
This book affected me very deeply because it’s set in the 80s and 90s when I was in my twenties and thirties. It describes with astonishing accuracy the political cruelty that abounded at that time. For me, the real hero of the book is Leo. He’s not only gay but also Black which makes him a double target for the prejudice of the time. The way he tackles it head on in the book is breathtaking.
In the summer of 1983, 20-year-old Nick Guest moves into an attic room in the Notting Hill home of the Feddens: Tory MP Gerald, his wealthy wife Rachel, and their two children, Toby - whom Nick had idolized at Oxford - and Catherine, always standing at a critical angle to the family and its assumptions and ambitions.
As the Thatcher boom-years unfold, Nick, an innocent in the worlds of politics and money, finds his life altered by the rising fortunes of the glamorous family he is entangled with. Two vividly contrasting love-affairs, with a young black clerk and a Lebanese…
When Annie Thornton, midwife and apprentice witch, falls through time to a 15th-century Yorkshire village with her telepathic cat, Rosamund, she befriends Will and Jack, two soldiers returning from the French Wars. Mistress Meg, Annie’s ancestral aunt living in the 15th century, is…
I have been fascinated by historical fiction since childhood, when I used to read historical stories for children by such writers as Rosemary Sutcliffe and Henry Treece, moving on to Dickens and Austen in my early teens. Many of the great books about girls growing up were written in the Victorian and Edwardian periods by e.g. Louisa M Alcott, L M Montgomery, and Laura Ingalls Wilder. I devoured all these since they seemed to take me into a different world. I am a fiction writer rather than a historian since it is the great stories offered by history that spark my passion!
From the brilliant first line to the ambiguous ending, this novel kept me gripped throughout its 800 + pages.
It plumbs the secret depths of Victorian Society, uncovering pornography, mental illness, prostitution, the evils of marriage and inheritance in gloriously rich prose.
It explores the lives of two very different women, Agnes and Sugar who are both dependent on Wiliam Rachkam, reluctant heir to a perfume business. Agnes represents the Victorian ideal of naive femininity, whereas Sugar is a prostitute who is writing an erotic revenge novel in which all clients are gruesomely murdered.
This novel has a surreal and baroque quality, which I loved.
'Watch your step. Keep your wits about you; you will need them . . .'
So begins this irresistible voyage into the dark side of Victorian London. Amongst an unforgettable cast of low-lifes, physicians, businessmen and prostitutes, meet our heroine Sugar, a young woman trying to drag herself up from the gutter any way she can. Be prepared for a mesmerising tale of passion, intrigue, ambition and revenge.
I love a romance where the hero has his viewpoint changed by the woman he falls in love with. He might become a better family man, or transform his politics, or change his priorities, but it all cases loving her alters him. Additionally, I love a heroine who is exceptional in a distinct way but overlooked or dismissed by others. They can be bluestockings or spinsters, reformers or quiet and shy, but they’re all steadfast and they all derive strength from the hero’s support. In short, the love they find together makes them better people.
I loved this book because Penelope is supposed to be a means to an end, but she ends up being Bourne's everything.
Bourne wants revenge. He believes that his happiness lies in recovering the land that he foolishly lost in a card game. Penelope proves to him that regaining his legacy is not enough. She helps him rediscover the man he would have become if he hadn’t lost everything that mattered to him.
When he lets himself love her, he chooses to abandon his quest for revenge so he can be worthy. Bourne is an absolute sweetheart by the end and is completely devoted to his wife.
A decade ago, the Marquess of Bourne was cast from society with nothing but his title. Now a partner in London's most exclusive gaming hell, the cold, ruthless Bourne will do whatever it takes to regain his inheritance—including marrying perfect, proper Lady Penelope Marbury.
A broken engagement and years of disappointing courtships have left Penelope with little interest in a quiet, comfortable marriage, and a longing for something more. How lucky that her new husband has access to an unexplored world of pleasures.
My father, when he consented to talk about all the moments in his life when the odds against his survival were so small as to make them statistically non-existent, would say, ‘I was lucky.’ Trying to understand what he meant got me started on this book. As well as being a novelist, I’m a poker player. Luck is a subject that every poker player has a relationship to; more importantly it’s a subject that every person has a relationship to. The combination of family history and intellectual curiosity and the gambler’s desire to win drove me on this quest.
This novel is the best account of the gambling psychology I know. It is a first-person narrative, ruthless in its depiction of the lies that addicts know they’re telling themselves. The story of a resentful compulsive gambler, the poor but superior tutor to a Russian family at “Roulettenburg,” it was itself the subject of a bet. Dostoevsky signed away his next decade’s worth of publishing profits unless he could deliver a new novel within a year. With six weeks to go he hadn’t written a word. He delivered the completed novel several hours before the deadline was going to pass.
"The Gambler" is a gripping narrative of the dangers of an addiction to gambling. As was common with Dostoyevsky's writing he draws upon his own life in a semi-autobiographical way in "The Gambler". Dostoyevksy himself suffered from a compulsion to gambling and those first-hand experiences bring a depth of realism to "The Gambler" and to his portrayal of the main character, Alexis Ivanovitch, a young man addicted to gambling. "The Gambler" is an insightful look at the compulsive nature of the gambling addict and the tragic consequences of such an addiction.
Chasing Light is a lyrical meditation on grief, memory, and the fragile beauty of everyday life. At its core, it is a story of resilience, forgiveness, and the transformational power of human connection. It sheds light on the overlooked realities of homelessness and addiction, while emphasizing the importance of compassion…
Early in my career, I attended a writer’s conference in southern Louisiana. During a discussion of the best-selling Louisiana-based novels of Vermont-born author Francis Parkinson Keyes, a local historian said with great ire, “That woman came down here and picked our brains for her books!” As a follower of my state’s incredible past, I immediately saw the attraction. Since then, I’ve written more than 65 historical and contemporary novels, most set in New Orleans and broader Louisiana. Hours have been spent at the famed Historic New Orleans Collection, talking to people and walking the streets of the French Quarter—and, of course, collecting a library of famous Louisiana histories.
It was in Asbury’s social history of the French Quarter that I first read about the deadly yet intriguing fencing masters of old New Orleans that swagger through my own series.
I was also fascinated by the richly painted French and Spanish culture from the colonial period, the daily life among the French Creole elite in the city, the unique courting and marriage customs, male and female amusements, education, religious observances, and much more.
In addition, the book is famous, or infamous, for its gritty details of the city's underworld at that time, from cutthroat barrel houses and gambling dens to the names of famous madams and the locations of their brothels in the red-light district known as Storyville.
Home to the notorious "Blue Book," which listed the names and addresses of every prostitute living in the city, New Orleans's infamous red-light district gained a reputation as one of the most raucous in the world. But the New Orleans underworld consisted of much more than the local bordellos. It was also well known as the early gambling capital of the United States, and sported one of the most violent records of street crime in the country. In The French Quarter, Herbert Asbury, author of The Gangs of New York, chronicles this rather immense underbelly of "The Big Easy." From…
Economics isn't really a good starting point for financial market analysis for the simple reason that its models are wildly inaccurate. As behaviorial economists like Daniel Kahneman have been showing, irrationality and the inability to measure risk properly are a very big component of the investment and trading decisions. But statistical risk management is also sloppy when applied to human behavior because people are not objects that reliably behave the same way under similar circumstances. So when you read an economist about markets or an engineer about risk management, you're missing a lot of the story. In the end, technical analysis is fascinating because how and why humans behave is an enduring mystery.
The subtitle is The Untold Story of the Scientific Betting System that Beat the Casinos and Wall Street. This book is an easy-to-read narrative of the intersection of the grimy underbelly of betting--with high-minded math. It reminds you that trading is not conducted in a clean little bubble. Technical analysis can give you an edge, but trading is still engaging in battle with opposing forces; strategy and tactics can count as much as building an elegant technical system.
Your opponent on the trading battlefield will try to trick you, like a general in real warfare. He may keep selling and selling after you have bought, triggering a sell signal in your trading system. He is hunting for your sell signal. The mechanical response is to sell—your system says sell, and you should follow your system. To exit a position when the market goes against you is named a stop,…
In 1956, two Bell Labs scientists discovered the scientific formula for getting rich. One was mathematician Claude Shannon, neurotic father of our digital age, whose genius is ranked with Einstein's. The other was John L. Kelly Jr., a Texas-born, gun-toting physicist. Together they applied the science of information theory—the basis of computers and the Internet—to the problem of making as much money as possible, as fast as possible.
Shannon and MIT mathematician Edward O. Thorp took the "Kelly formula" to Las Vegas. It worked. They realized that there was even more money to be made in the stock market. Thorp…
I am Susie Black. Before I became an award-winning, humorous, cozy mystery author, I had a successful career as a ladies’ swimwear sales exec. As you can imagine, I spent a lot of time in Florida. I interacted with progressive, traditional, and conservative buyers and sellers from large cities to small towns all over the Sunshine State. My experiences gave me a unique perspective on the social mores and hierarchy of Florida’s diverse, multi-layered, and complicated society.
I bet it’s because I lived on a houseboat for ten years that this hilarious book grabbed me by the sea legs and never let me go. Nothing tickles my funny bone more than a group of people who have nothing in common and are thrown together on a boat out to sea but going in circles.
The antics of this ship of fools on a gambling boat who are seemingly clueless as to the ship’s nefarious real business make for a madcap tale of side-splitting laughter.
The Extravaganza of the Seas is a 5,000-ton cash cow, a top-heavy tub whose sole function is to carry gamblers three miles from the Florida coast, take their money, then bring them back so they can find more money. Travelling this trip are Fay Benton, a single mom and cocktail waitress, desperate for something to go right for a change; Johnny and the Contusions, a ship's band with so little talent they are, well, the ship's band; Arnold and Phil, two refugees from the Beaux Arts Senior Centre; Lou Tarant, a wide, bald man who has killed nine people, though…
Portrait of an Artist as a Young Woman
by
Alexis Krasilovsky,
Kate from Jules et Jim meets I Love Dick.
A young woman filmmaker’s journey of self-discovery, set against a backdrop of the sexual liberation movement of the 1970s and 1980s. In Portrait of an Artist as a Young Woman, we follow Ana Fried as she faces the ultimate…
I’ve been playing card games since childhood, and have had a parallel interest in the mathematics behind the games for nearly as long. While I didn’t visit Las Vegas in person until 2000, the stories of how that city was built around the gaming industry quickly came to fascinate me. Digging into the details of the people who have made that city what it is and have come to make their way in the desert has been a fascinating sidelight that has enhanced my recent work writing books on gambling mathematics.
Grandissimo is a biography of Jay Sarno, the entrepreneur who built Caesars Palace and Circus Circus on the Las Vegas Strip and then lost his empire.
It is fascinating to see read about how Caesars Palace started with humble beginnings before rising to its current prominent place of the Strip. The book’s title is taken from Sarno’s last great obsession: a new Las Vegas mega-resort that was never built, and the story of how that project never happened is just as interesting as the tales of how the other casino resorts succeeded.
Jay Sarno built two path-breaking Las Vegas casinos, Caesars Palace (1966) and Circus Circus (1968), and planned but did not build a third, the Grandissimo, which would have started the mega-resort era a decade before Steve Wynn built The Mirage. As mobsters and accountants battled for the soul of the last American frontier town, Las Vegas had endless possibilities—if you didn’t mind high stakes and stiff odds. Sarno invented the modern Las Vegas casino, but he was part of a dying breed—a back-pocket entrepreneur who’d parlayed a jones for action and a few Teamster loans into a life as a…
