100 Books Like Serving the Servant

Patti Smith’s book beautifully chronicles her intense and formative friendship with the groundbreaking artist Robert Mapplethorpe as they navigated the vibrant and often gritty art scene of late 1960s and 1970s New York City.

Theirs wasn’t a fairytale romance, but a complex, evolving bond between two flawed yet undeniably brilliant creatives. Reading about their struggles, their artistic pursuits within the legendary Chelsea Hotel, and the wider New York City scene evoked a strong sense of nostalgia for me, a time and place I've always found artistically inspiring.

The exploration of their creative partnership, the push and pull between them as individuals finding their artistic voices, is something I’ve often yearned for but haven’t quite experienced in such a profound way.

This book is a powerful and often heartbreakingly honest memoir from an artist who was frequently misunderstood throughout her career.

Before her untimely passing, Sinéad offered her own perspective on her life, her activism, and the numerous challenges she faced within the music industry and in her personal life.

One of the most compelling parts of the book for me was understanding how Sinéad saw herself and the fallout from the infamous Saturday Night Live incident, where she tore up a photo of the Pope. This act significantly impacted her career. Her account of Prince, who penned one of her biggest hits, is also quite memorable, though not particularly flattering to him.

Ultimately, it's a sad story of a fiercely independent and deeply emotional individual who often seemed unfairly castigated, and I truly appreciated her raw energy and unfiltered perspective in the book. Her loss is a significant one.

This is a deeply personal story from a friend who witnessed firsthand Tom Petty’s journey from being nearly discarded by his record label to achieving legendary status, a testament to unwavering belief and sheer persistence.

Having known Jon for years as a dedicated community builder with an exceptional ability to bring people together, it came as no surprise to me that his account of discovering and championing Tom Petty's music to a massive American audience is such a compelling and well-told story.

Jon’s authenticity and trustworthiness shine through, and his narrative feels like a genuine recounting of a pivotal moment in music history, coming from someone who was there and believed from the start, rather than someone trying to capitalize on Tom’s fame posthumously.

Debbie Harry, the iconic frontwoman of Blondie, offers a strikingly frank and visually rich account of her life in Face It.

From her early days to the explosion of Blondie’s popularity, she doesn't shy away from revealing the grit, glamour, and vulnerability that lay beneath the cool, confident persona. As a teenager, I admired Debbie for her captivating looks, but it was Blondie's music that truly cemented her in my mind.

Learning the backstory behind her journey, including the surprising revelation that she worked as a waitress at the Playboy Club in NYC before finding fame, and gaining insight into her complex relationship with Chris Stein, resonated deeply.

Her honesty in recounting her experiences was truly compelling.

When my wife and I moved to Nashville, I was stunned to realize that most forms of American popular music had been born within 500 miles of our new home, in an arc from New Orleans (jazz) to the Mississippi Delta (blues) to Memphis (rock ’n’ roll) to Nashville (bluegrass) to Bristol (country). 

I began reading eagerly about American popular music, and my reading led to writing—most recently my novel about the birth of country music, Lord of the Mountain. This list gives you some of my favorite books.

The best of these is also one of my favorite biographies of any kind, Peter Guralnick’s magnificent Last Train to Memphis, the first volume of his essential two-volume story of Elvis Presley and the birth of rock ’n’ roll.

Speaking of Elvis, this biography, the second of two parts, is among the greatest of the late 20th century. We begin with Elvis entering the U.S. Army in 1958 and follow this increasingly lost soul through the years, his fame metastasizing into something unrivaled, incredible, enviable and wholly malignant. Guralnick captures the singular loneliness Elvis came to suffer, the slow suicide that was his Las Vegas residency, the exploitations of his manager, Col. Tom Parker, and a death so humiliating it finally made Elvis what he had longed to be for decades: Profoundly, squalidly human. None other than Bob Dylan called this Presley biography the one that “cancels out all others.”

A greatly entertaining book about the myriad scandals of Elvis and Jerry Lee Lewis, crimes and murder among Norway’s black metal bands, how Sam Cooke wound up shot to death in a low-budget motel, and Gram Parsons’ death at 26, among others, written by the guy with a podcast of the same name. I’ve played and listened to music my entire life but have never really studied the topic or its practitioners, so much of this came as a fascinating surprise. Brennan does veer into fiction—at one point he relates a conversation between two dead people after they’re dead—but still a very interesting compilation. 

Levon Helm’s unflappable integrity makes him such a likable protagonist you’ll root for him as he rises up from small-town Arkansas boy to A list musician. You’ll see the salt  of the Earth underdog that he was as he recounts what happened behind the scenes at  “The Last Waltz.” This Wheel’s on Fire reads like a director’s cut commentary you can’t believe you’re privy to hearing.  

Flowers in the Dustbin uses an approach I dearly love: the vignette. Miller deftly selects stories that tie together a larger narrative of “where rock & roll came from—and what it came to do.” 

The book begins with the birth of rhythm & blues through one of its earliest stars, Wynonie Harris. Subsequent stories in chapter one weave together the impacts of technology, the Great Migration, racial dynamics, a booming economy, and an emerging youth culture. It culminates in Elvis’s earliest recordings, the so-called birth of rock & roll. All in the first chapter!

In the story that follows, Miller demonstrates why rock & roll emerged and how it reflected and shaped the social, cultural, and political landscape.

Crossroads: Race, Postwar America, Youth culture

I always knew there was something special, even mystical, about Led Zeppelin’s lead guitarist Jimmy Page. As a high school student, there was something about the band that drew me in, as if I didn’t have a choice.

I now know that I love their music, and Page’s playing in particular, because of the vision Page had for the band’s music, lyrics, and iconography on their album covers and artwork. Light and shade, light and heavy, clear and murky, simple and epic—how better to sum up Led Zeppelin?