Books like Second Harvest — picked by fans

Young was an English agriculturalist who took time out from farming to analyse life and developments in the countryside. He toured Britain, then Ireland, and finally France. Here, he lucked in. He wandered the fields, lanes, and city streets of France as the Revolution was brewing and then erupting. Although not an aristo himself, he frequented nobility and royalty, and was amazed at the blissful indifference of the idle rich about what was going on around them. He saw the extreme poverty of the peasants, who were being worked and starved to death by their absentee landlords. He witnessed the actual events of the Revolution and had to talk himself out of getting lynched as a potential aristo spy. It’s a book to browse rather than consume whole, and contains whole pages about crop yields and diseases, but at times it is the most measured first-hand view of the Revolution… show more.

For me, the Bayeux Tapestry is one of the most glorious works in the whole of Western art. Seventy metres of embroidery (not actual tapestry) describing the conquest of Britain by William and co. Every time I go to see it, it takes my breath away. But as I began to read around the subject for the opening chapter of my book 1000 Years of Annoying the French, I started to doubt the “official” version of the story told by the museum’s audio guide, which is basically a justification of the Norman duke’s claim to the throne of England. Andrew Bridgeford’s book examines both the story being told in the main narrative of the tapestry, as well as the hidden undercurrent of anti-William propaganda there. It turns out that, contrary to French legend, this was not just a visual record of the Conquest commissioned by William and executed by his… show more.

In the third novel of Zola’s twenty-volume series Les Rougon-Macquart, a man named Florent, accused of a crime he didn’t commit, escapes to Paris and becomes a fish inspector at the Les Halles market. Food and politics collide in the heart of the market, giving the reader some of the most vivid and delicious descriptions you’ll ever find on the page.

We all know the title. It’s become a record-breaking musical phenomenon. The book is a phenomenon in itself. It was a voyage I took for a few spellbound weeks, and I read it in a stone house in a small village in the South of France. It is a book of great sympathy and grace. 

Victor Hugo’s heart is large—at least measured by this story of an escaped prisoner who tries to do good with his life but is pursued relentlessly by a police officer, Javert. I found with this book, as the great writers always show me, that character is all. Hugo drew me into the struggles and losses of his people so ably and memorably that I still think of them years later. 

I love this group of very different women from Smithfield College who band together amid the Great War and set sail to nurse in war-torn France. 

Armed with good intentions but few practical skills and little knowledge of what they’re getting into, nothing is as they imagined—not the lodging, the lack of welcome, the unimagined obstacles, or the many differences in personalities that challenge them. Still, they buckle down to learn critical skills by doing, overcome countless obstacles while surviving dangerous characters and circumstances, work through their own personality clashes and prejudices, and accomplish more than they or anyone expected. 

The gift and beauty is that in banding together to accomplish the impossible they develop deep and lasting friendships. Band of Sisters is rich in inspiration desperately needed in our time.

This is the most touching love story I have ever read. I do not tend to read period dramas, and so I was hesitant to read a book set during the first world war. However, this book had me in tears so many times. I read this book over ten years ago, yet it is still my favorite love story of all time to date. Beautiful, just beautiful.

One of the very best books in English about France during this time, Hanna mines a treasure trove of letters between a married peasant couple from southwest France to tell an intimate history of the war, of its effects on families, women, villages, men, and the countryside. War stories take place on battlefields, of course, but also in homes and in hearts. Anyone wanting to understand the experience of the Great War at the front, on the home front, and everywhere in between, should start here.

A perpetually useful and inspiring book. Shattuck’s study of modern art in France came out in 1955 and remains a lively source for understanding how key artists—Alfred Jarry, Henri Rousseau, Erik Satie, and Guillaume Apollinaire—absorbed and reshaped traditions in writing, painting, and music, and launched the ethos of avant-garde aesthetics in the 20th century. A master storyteller, Shattuck situates his artists in their time, place, and culture with novelistic flair.

With some 1.5 million men dead, and several million more wounded, the story of France and the Great War is in many ways simply the story of grief, and this work captures that beautifully. Through the tragic, true story of a wounded amnesiac veteran whose name and family are unknown, Le Naour tells the crucial story of women, families, and an entire culture in mourning, in many ways hopelessly. Yet the veteran and the people who try to help him or claim him as their own retain their dignity and humanity in this account.

This is a first-person account of life in the trenches in France and Belgium in WW1. It’s actually a difficult read in places because his writing style is quite unusual and by no means eloquent, but once you get used to it, it’s truly intriguing. He wrote the book with a pencil on exercise books after the war, probably to try and exorcise his demons. It wasn’t until his family found it and took it to a publisher that his story came to light, a very frank and occasionally morbid description of war at its very worst but an essential read.