Here are 100 books that Scranton Lace fans have personally recommended if you like
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I care about social justice, equality, and history, as well as beauty and art. As an African-American woman who was raised working class and who understands how history informs the present, I have fallen in love with the depiction of history in poetry and prose. Not all of my writing has something to do with race or gender or class, but all of my writing is about justice in some way. I want to get to the good of people.
It’s a beautiful book, from the cover to the notes. It’s a neo-slave narrative that follows various enslaved, then freed people. Through this book, I learned how poetry collections can be explorations of history based on fact.
Like any good collection, reading one poem compels you forward, but each poem can stand on its own. She is a master of form. For instance, her persona poetry is powerful. The first poem in the book, “The Trapper’s Boast,” devoid of empathy, shows the business of slavery from an undesirable point of view.
But what is moving is the ability to fall in love and to care even in the worst conditions, as well as the will to live and strive towards freedom in spite of any threats.
I started writing neo-slave narrative poems about a woman escaping slavery. I imagined that the poems I was writing, like Suck on the Marrow …
Suck on the Marrow is a historical narrative, revolving around six main characters and set in mid-19th century Virginia and Philadelphia. The book traces the experiences of fugitive slaves, kidnapped Northern-born blacks, and free people of color, exploring the interdependence between plantation life and life in Northern and Southern American towns and illuminating the connections between the successes and difficulties of a wide range of Americans, free and slave, black and white, Northern and Southern. This neo-slave narrative treats the truths of lives touched by slavery with…
"New generation Holmes and Watson - if Holmes was adorable and Watson was a beautiful woman."
Set in an alternate and progressive Victorian London, anarchist Charles Shilling and noblewoman Amelia Florin inadvertently cross paths and join forces to catch a notorious serial killer. Romance, murder, and mystery abound as the…
I care about social justice, equality, and history, as well as beauty and art. As an African-American woman who was raised working class and who understands how history informs the present, I have fallen in love with the depiction of history in poetry and prose. Not all of my writing has something to do with race or gender or class, but all of my writing is about justice in some way. I want to get to the good of people.
This is a biography of Mother Ann Lee, the woman who brought the Shaker Religion to Colonial America. Extensively researched and beautifully rendered, these poems grab you and bring you into eighteenth-century England and New England. It is also a celebration of motherhood, love, death, and grief, as well as of an early American woman in leadership. Sometimes deceptively soft, the movement and violence of Colonial America will snap the reader forward, inviting us to question our past.
I revisited Ross’ book when writing about historical figures, mostly real. In my book, I looked at some historical figures, including Tituba and Harriet Tubman, and found reading Seedlip and Sweet Apple a good primer in writing historical poetry.
Seamlessly bridging the material and spiritual worlds, Seedlip and Sweet Apple takes the reader into the mind of a true visionary: Mother Ann Lee, the founder of the Shaker religion in colonial America. With astonishingly original poems inspired by extensive historical research, Arra Lynn Ross creates a collection linked thematically through the voice and story of the woman who was believed by her followers to be Christ incarnate. Broadly and inclusively spiritual, this remarkable debut captures the ineffable experience of ecstatic vision, activating the progression from literal reality to heightened perception. Simultaneously, this journey delves into the manifold issues of…
I care about social justice, equality, and history, as well as beauty and art. As an African-American woman who was raised working class and who understands how history informs the present, I have fallen in love with the depiction of history in poetry and prose. Not all of my writing has something to do with race or gender or class, but all of my writing is about justice in some way. I want to get to the good of people.
This book mixes personal poetry and history and art and space. It is a wonder! Smith looks at the Hubble Telescope and all of its marvels along with one of its engineers, her father Floyd Smith.
Smith mixes stars, David Bowie, mass shootings, love, racism, sexism all in this poetry collection and somehow, it works. It more than works. It explodes!
I don’t know if this work has much to do with my own; there is history, yes, and there is social commentary. But mostly, there is excellent poetry that is exemplary for any poet writing today.
In this brilliant collection of new poems, Tracy K. Smith envisions a sci-fi future sucked clean of any real dangers, contemplates the dark matter that keeps people both close and distant and revisits kitschy concepts like 'love' and 'illness', now relegated to the museum of obsolescence. With allusions to David Bowie and interplanetary travel, Life on Mars imagines a soundtrack for the universe, accompanying the discoveries, failures and oddities of human existence and establishing Smith as one of the best poets of her generation.
"New generation Holmes and Watson - if Holmes was adorable and Watson was a beautiful woman."
Set in an alternate and progressive Victorian London, anarchist Charles Shilling and noblewoman Amelia Florin inadvertently cross paths and join forces to catch a notorious serial killer. Romance, murder, and mystery abound as the…
I care about social justice, equality, and history, as well as beauty and art. As an African-American woman who was raised working class and who understands how history informs the present, I have fallen in love with the depiction of history in poetry and prose. Not all of my writing has something to do with race or gender or class, but all of my writing is about justice in some way. I want to get to the good of people.
These poems—most of every poem that Lee writes, really—do more than paint a picture. These poems appeal to every one of your senses. They are rich in description and you want to savor each one, sit with it, and let the poem envelop you.
I heard or read somewhere that Li-Young Lee is a slow writer, not producing a lot of work but always producing good work. I don’t know if this is true, and except for my greed of wanting to consume more of his words asap, I don’t mind that his poems are slower coming. I like to spend time with them.
I share Rose because Lee teaches me—and my students—that writers depend too much on visual imagery and fear spreading out into the other senses.
I. Epistle The Gift Persimmons The Weight Of Sweetness From Blossoms Dreaming Of Hair Early In The Morning Water Falling: The Code Nocturne My Indigo Irises Eating Alone
II. Always A Rose
III. Eating Together I Ask My Mother To Sing Ash, Snow, Or Moonlight The Life The Weepers Braiding Rain Diary My Sleeping Loved Ones Mnemonic Between Seasons Visions And Interpretations
I'm a Canadian author and figure skating historian. I have written about the sport's fascinating past for over a decade. My innate curiosity about skating history dates back to the days of BETA tapes and card catalogs. Long before YouTube and social media, the only insights we often had about skater's stories were small nuggets of information passed on in television broadcasts and magazines. Figure skating biographies are a rare treat, allowing us to really get to know the people behind the skating performances we love. I'm absolutely delighted to share with you a skating biography of my own - the true story of The Father of Figure Skating - Jackson Haines.
I don't see how anyone couldn't love Adam Rippon. Not only is he a gorgeous skater... he has an absolutely killer sense of humour!
What is particularly refreshing about this particularly autobiography is that Adam doesn't take himself too seriously. He's not afraid to be matter-of-fact and have a laugh about some of the setbacks he faced during his skating career. If you're looking for a refreshing and fun skating memoir, this one is completely out of the box.
Former Olympic figure skater and self-professed America's Sweetheart Adam Rippon shares his underdog journey from beautiful mess to outrageous success in this hilarious, big-hearted memoir that the Washington Post calls "comedic gold."
Your mom probably told you it's what on the inside that counts. Well, then she was never a competitive figure skater. Olympic medalist Adam Rippon has been making it pretty for the judges even when, just below the surface, everything was an absolute mess. From traveling to practices on the Greyhound bus next to ex convicts to being so poor he could only afford to eat the free…
I believe stories to be our species’ instinctual tool for discovering our best selves. Sometimes those stories are about real people in the past, sometimes they’re completely imagined people in the future — sometimes we even swap out the humans for animals or aliens, or sassy anthropomorphized objects. Whatever the case, for a story to work its wonders, its details must be believable, or we reject its premise. These books help make a story believable, and, if you get the alchemy just right, those details can even help tell the story themselves.
This is a pretty exhaustive study of how humans garb themselves, and how function, wealth and technology all influence fashion. Whether you’re telling the a tale of a doughty Georgian lace merchant, or the harrowing adventures of an inter-dimensional jazz band, you’re probably going to put your heroes in some sort of clothing, and this book gives you insight into all the various ways humans have found to do that.
What People Wore When combines the studies of two classic nineteenth-century illustrators Auguste Racinet and Friedrich Hottenroth for the first time. Their works are presented first by chronology and then by subject, so that illustrators, historians, and students alike can choose to follow the path of fashion through the centuries, or study in detail the contrasting styles of individual clothing and accessories. Silhouettes reveal the shape of style through the ages, detailed cross-references draw attention to recurring motifs, and navigation bars help the researcher to travel the complex chronology of costume.
With authoritative narrative from leading experts in the history…
My idea of ‘good fiction’ – and what I try to write myself – involves secret agents and skulduggery, crime, and romance. My own life has involved a good deal of travel. I studied Education and Drama, then Literature, History, and Politics at post-graduate level. All of which help with my research and writing. As a British ex-pat, I have lived in the USA and different parts of Europe. Now, we are finally settled near Málaga, Spain. ‘Deep-reading’ fiction set in fascinating places, quality content to indulge in on dark winter nights. I hope you enjoy your time travel as much as I do.
Lace-making and swordsmanship, and a deadly personal feud; swashbuckling hist-fic with a well-researched core about cultural conflict in 17th century Spain. The story opens in London, in 1609, then moves to Seville, where a young woman tries to reclaim her inheritance from a man devoted solely to fencing and himself. I married into a traditional Spanish family; I know Seville. Deborah Swift captures the summer heat and dust, and the pervading sensation that violence is just one stone's throw away in a page-turning novel that made me think more deeply about Moorish Andalucía, what happened in the past here – and is still happening. Quality fiction.
First she must fight for her inheritance. Then she must fight for her life. 'a classy, compelling adventure story and a true journey of discovery.' -- Lancashire Evening Post London 1609 Genteel Englishwoman Elspet Leviston has always managed her father's lace business and expects to continue in his footsteps. So when her hot-headed cousin Zachary Deane appears from nowhere, his arrival in her life is like an earthquake.
Zachary has no love at all for Leviston's Lace, and when her father dies unexpectedly, Elspet is horrified to find her inheritance is tied to her cousin's and her house belongs to…
People either love or hate surprises, but in a book, done well, they’re always welcome—whether we race to the last page to find them or they hip-check us along the way. I started my career writing comedy romance—comfort reads but with few surprises. Now in my novels, I make sure to give readers plenty they don’t expect, whether it’s a character who isn’t what s/he seems, a contradictory situation gradually made clear, or a jaw-dropping twist. Pulling off a successful surprise is one of my favorite parts of writing—therefore my love of books that take me somewhere I didn't expect.
This book has everything, Mystical Irish lace, touches of magic, a lovely romance, chilling family dysfunction, and a fabulous extra character in the guise of Witchtown, USA—Salem, Massachusetts. Towner Whitney comes back to Salem for the funeral of a beloved relative and ends up having to cope with demons from her past in a gorgeous, evocative seaside setting. The ending was a complete surprise to me, one of those Whaaaat? moments that are so rare and so thrilling, and which I keep trying to get to in my own books!
Would knowing the future be a gift or a burden? Or even a curse...?
The Whitney women of Salem, Massachusetts are renowned for reading the future in the patterns of lace. But the future doesn't always bring good news - as Towner Whitney knows all too well. When she was just fifteen her gift sent her whole world crashing to pieces. She predicted - and then witnessed - something so horrific that she vowed never to read lace again, and fled her home and family for good. Salem is…
I have a wealth of knowledge and experience for living through tragic situations from my young adult life. I have overcome a traumatic childhood, alcoholism, drug addiction, and mental health. I find psychology fascinating; I have personally had many attempts by others to take my life. I have survived violent attacks, stalkers, and abuse. I love thriller books that have psychology embedded alongside many life lessons.
This book is a coming of age, thriller book that blew me away. I had no idea what the book was about when I read it and I did not even know which genre it was.
The storyline flicks between the past and present with the present chapters giving you a sneak peek into a troubled relationship between a lesbian couple. The past chapters are full of unanswered questions, heartache, and some truly shocking experiences.
The book is gripping and deep, it feels like you are inside the MCs mind. The traumatic life experiences she is forced to go through alongside becoming an adult is probably fascinating to others. I felt I could identify with many of the experiences so I enjoyed reading it for a comforting reason. The shocking ending is truly beautiful and satisfying.
“Your eyes are amazing. I’ve never seen a blue like that.”
Emma Landry is tough, independent, beautiful, and smart. Being an outcast unable to identify with her classmates, she was willing to do whatever it takes to climb her way out of poverty.
“What color would you say they are?”
Like Sapphire Blue
Having never known a mother’s love, her father “Bear”, raised her on the wrong side of the tracks in a wealthy town.
When success beckons, the woman she’s been in love with is, finally, within her grasp. Life is now worth living and loving.
Thanks to my mother, I grew up immersed in English literature. I was educated in Delhi and co-founded the first nationwide feminist magazine, but same-sex love was never mentioned either in the classroom or in the women’s movement. I educated myself in Indian literature and discovered that same-sex sexuality had been practiced and written about until the British criminalized it. I wrote several books about same-sex unions in Indian literature and history and translated poetry and fiction from Hindi and Urdu to English. My first novel, Memory of Light, is a love story between two courtesans, based in pre-colonial India, where poets freely wrote about same-sex, as well as cross-sex love.
I love this book for its humour, magical qualities, deceptively simple language, and the way it weaves together Hindu and Western ideas of transformation.
I have taught it in many different types of classes and my students also loved its unique portrait of the artist as a young Indian woman, a lesbian living in the West. It was a great way to introduce them to India. I am an admirer of Suniti Namjoshi, and this is my favourite among her works.