100 Books Like Scranton Lace

It’s a beautiful book, from the cover to the notes. It’s a neo-slave narrative that follows various enslaved, then freed people. Through this book, I learned how poetry collections can be explorations of history based on fact.

Like any good collection, reading one poem compels you forward, but each poem can stand on its own. She is a master of form. For instance, her persona poetry is powerful. The first poem in the book, “The Trapper’s Boast,” devoid of empathy, shows the business of slavery from an undesirable point of view. 

But what is moving is the ability to fall in love and to care even in the worst conditions, as well as the will to live and strive towards freedom in spite of any threats.

I started writing neo-slave narrative poems about a woman escaping slavery. I imagined that the poems I was writing, like Suck on the Marrow… show more.

This is a biography of Mother Ann Lee, the woman who brought the Shaker Religion to Colonial America. Extensively researched and beautifully rendered, these poems grab you and bring you into eighteenth-century England and New England. It is also a celebration of motherhood, love, death, and grief, as well as of an early American woman in leadership. Sometimes deceptively soft, the movement and violence of Colonial America will snap the reader forward, inviting us to question our past.

I revisited Ross’ book when writing about historical figures, mostly real. In my book, I looked at some historical figures, including Tituba and Harriet Tubman, and found reading Seedlip and Sweet Apple a good primer in writing historical poetry.

This book mixes personal poetry and history and art and space. It is a wonder! Smith looks at the Hubble Telescope and all of its marvels along with one of its engineers, her father Floyd Smith. 

Smith mixes stars, David Bowie, mass shootings, love, racism, sexism all in this poetry collection and somehow, it works. It more than works. It explodes! 

I don’t know if this work has much to do with my own; there is history, yes, and there is social commentary. But mostly, there is excellent poetry that is exemplary for any poet writing today.

These poems—most of every poem that Lee writes, really—do more than paint a picture. These poems appeal to every one of your senses. They are rich in description and you want to savor each one, sit with it, and let the poem envelop you. 

I heard or read somewhere that Li-Young Lee is a slow writer, not producing a lot of work but always producing good work. I don’t know if this is true, and except for my greed of wanting to consume more of his words asap, I don’t mind that his poems are slower coming. I like to spend time with them.

I share Rose because Lee teaches me—and my students—that writers depend too much on visual imagery and fear spreading out into the other senses.

I don't see how anyone couldn't love Adam Rippon. Not only is he a gorgeous skater... he has an absolutely killer sense of humour!

What is particularly refreshing about this particularly autobiography is that Adam doesn't take himself too seriously. He's not afraid to be matter-of-fact and have a laugh about some of the setbacks he faced during his skating career. If you're looking for a refreshing and fun skating memoir, this one is completely out of the box.

This is a pretty exhaustive study of how humans garb themselves, and how function, wealth and technology all influence fashion. Whether you’re telling the a tale of a doughty Georgian lace merchant, or the harrowing adventures of an inter-dimensional jazz band, you’re probably going to put your heroes in some sort of clothing, and this book gives you insight into all the various ways humans have found to do that.

This book has everything, Mystical Irish lace, touches of magic, a lovely romance, chilling family dysfunction, and a fabulous extra character in the guise of Witchtown, USA—Salem, Massachusetts. Towner Whitney comes back to Salem for the funeral of a beloved relative and ends up having to cope with demons from her past in a gorgeous, evocative seaside setting. The ending was a complete surprise to me, one of those Whaaaat? moments that are so rare and so thrilling, and which I keep trying to get to in my own books!

Lace-making and swordsmanship, and a deadly personal feud; swashbuckling hist-fic with a well-researched core about cultural conflict in 17th century Spain. The story opens in London, in 1609, then moves to Seville, where a young woman tries to reclaim her inheritance from a man devoted solely to fencing and himself. I married into a traditional Spanish family; I know Seville. Deborah Swift captures the summer heat and dust, and the pervading sensation that violence is just one stone's throw away in a page-turning novel that made me think more deeply about Moorish Andalucía, what happened in the past here – and is still happening. Quality fiction.

Unemployed lawyer, Nick, gets offered the chance to make quick bucks in the car repo business. With her repo partner, Frankie, she sets off across North Carolina on a series of zany (and dangerous) jobs to recover the cars. The jobs get more and more bizarre, the characters they meet are loveable and eccentric, and, despite not liking each other much in the beginning, along the way Nick and Frankie fall for each other.

Mixed in with the humour (and there are a lot of zingy one-liners, banter, and snort-coffee moments) are racial and small-town issues that give depth to an otherwise light-hearted story.

If you like novels with big heart, larger-than-life characters (including the cat, Carol Jenkins), an action movie feel at times and a banter-filled developing romance at others, this book will delight you.

One of the biggest draws for me in this story is that both women are both around fifty years old. One, Ida, is a closeted lesbian, having hidden her sexuality for decades to protect her Hollywood career. The other, Faye, has never considered the possibility that she might not be 100% straight, until she and Ida ‘play gay’ for a movie and have to kiss. But it isn’t just the kiss that sets Faye’s mind whirling – it’s how fascinating she finds Ida as a person. The more time they spend together, the more confused Faye gets. It’s so well written, with alternate chapters from each woman’s point of view, but all in first person, which is cleverly done.