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I’m a fan of Elton John’s music—obviously! Yet in all the decades that I’ve been listening to him, I never imagined I’d end up writing a book about him, let alone two. But I’m a professional book-writing historian, so when I discovered the 33 1/3 book series (each book on one album), I decided to pitch a proposal—and on a whim, I proposed writing on Elton’s Blue Moves LP. That book led a few years later to another—my On Elton John—which means I’ve now listened to every Elton song many times and read mountains of Elton interviews (but, no, I’m not planning a third Elton book)!
I was surprised at how funny this book is. It had me chuckling and giggling and even guffawing!
I am aware that autobiographies by celebrity musicians at this level are composed by ghost writers, but I hoped that Elton’s voice—and some of his quirky, witty, often self-deprecating but also often wickedly catty personality—would be evident. And I was delighted by how much that is the case here. There is no shortage of poignant moments as well.
Perhaps it is a tad unfair to place an autobiography above biographies and other books. After all, how can you compete with Sir Elton himself? But it seemed appropriate here, as Me is such a hoot and such a delight.
In his first and only official autobiography, music icon Elton John reveals the truth about his extraordinary life. Me is the joyously funny, honest and moving story of the most enduringly successful singer/songwriter of all time.
The Sunday Times bestseller with a new chapter bringing the story up to date.
'The rock memoir of the decade' - Daily Mail 'The rock star's gloriously entertaining and candid memoir is a gift to the reader' - Sunday Times ______________
Christened Reginald Dwight, he was a shy boy with Buddy Holly glasses who grew up in the London suburb of Pinner and dreamed…
The Victorian mansion, Evenmere, is the mechanism that runs the universe.
The lamps must be lit, or the stars die. The clocks must be wound, or Time ceases. The Balance between Order and Chaos must be preserved, or Existence crumbles.
Appointed the Steward of Evenmere, Carter Anderson must learn the…
I’m a fan of Elton John’s music—obviously! Yet in all the decades that I’ve been listening to him, I never imagined I’d end up writing a book about him, let alone two. But I’m a professional book-writing historian, so when I discovered the 33 1/3 book series (each book on one album), I decided to pitch a proposal—and on a whim, I proposed writing on Elton’s Blue Moves LP. That book led a few years later to another—my On Elton John—which means I’ve now listened to every Elton song many times and read mountains of Elton interviews (but, no, I’m not planning a third Elton book)!
He writes biographies of pop stars like Paul McCartney and Kate Bush, and I always find them to be well researched and engagingly written. This book on Elton’s rollercoaster life in the 1970s is so rich in detail that I wished Doyle had not stopped at the end of that decade (keep going, Tom!).
A different book with the same title and on the same topic was published the year before (written by David DeCouto). I mention this in case it confuses anyone, as I ended up buying (and reading) both. It is even longer and also very good, so while I’ve given Doyle’s book the nod here, I’m cheating by sneaking its worthy rival in here.
In August 1970 Elton John achieved overnight fame after a rousing performance at the Troubadour in Los Angeles; over the next five years he was unstoppable, scoring seven consecutive number 1 albums and sixteen Top 10 singles in America. But behind his outre image and comedy glasses lay a desperately shy individual, conflicted about his success, his sexuality, and his narcotic indulgences. In 1975, at the apex of his fame, John attempted suicide twice yet, after announcing his retirement in 1977 at the age of thirty as well as coming out as a gay man, he gradually found his way…
I’m a fan of Elton John’s music—obviously! Yet in all the decades that I’ve been listening to him, I never imagined I’d end up writing a book about him, let alone two. But I’m a professional book-writing historian, so when I discovered the 33 1/3 book series (each book on one album), I decided to pitch a proposal—and on a whim, I proposed writing on Elton’s Blue Moves LP. That book led a few years later to another—my On Elton John—which means I’ve now listened to every Elton song many times and read mountains of Elton interviews (but, no, I’m not planning a third Elton book)!
Although His Song stops at the end of the 20th century (when it was written), it is the most carefully researched of the John biographies covering his first half-century.
That makes it invaluable to other writers (me, for example, when writing my own Elton books) and to fans looking to go down biographical and musical rabbit holes.
Rosenthal has also written about ornithologists and jazz musicians, and I always enjoy her writing—certainly careful but far from dull. She has a deft way of sharing her opinions, a kind of gentle persuasion that I found inspiring.
With Elton seemingly unstoppable, some biographers (like Mark Bego and David Buckley) have updated their John books; I rather hope Rosenthal will too!
A comprehensive overview of the musical career of Elton John provides the full story behind all of the musician's recordings, a complete chronicle of his concert tours, an assessment of his musical odyssey, and a study of his sometimes turbulent personal life, along with more than forty photographs and a complete discography.
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
I’m a fan of Elton John’s music—obviously! Yet in all the decades that I’ve been listening to him, I never imagined I’d end up writing a book about him, let alone two. But I’m a professional book-writing historian, so when I discovered the 33 1/3 book series (each book on one album), I decided to pitch a proposal—and on a whim, I proposed writing on Elton’s Blue Moves LP. That book led a few years later to another—my On Elton John—which means I’ve now listened to every Elton song many times and read mountains of Elton interviews (but, no, I’m not planning a third Elton book)!
Elton John may be a feast more for the ears than the eyes, but his unique and elaborate costuming and showmanship, along with his collector’s approach to art and fashion, mean that a visual component is crucial to any complete appraisal of his cultural significance.
I was thrilled to be able to include a few of Terry O’Neill’s classic photographs in my book On Elton John, but O’Neill’s work really deserves the treatment it is given here—a lavish, gorgeous, often mesmerizing presentation of every great O’Neill shot of John and the people who filled his world.
An ideal accompaniment to the biographies and albums.
"Looking at Terry's photographs is like gazing through a window at the most extraordinary and exciting moments of my life." ELTON JOHN
Elton John and iconic photographer Terry O'Neill worked together for many years, taking in excess of 5,000 photographs. From intimate backstage shots to huge stadium concerts, the photographs in this book represent the very best of this archive, with most of the images being shown here for the first time.
O'Neill has drawn on his personal relationship with Elton John to write the book's introduction and captions.
"I'm so glad he was with us throughout the madness: in…
Julian David Stone is an author, screenwriter, photographer, and filmmaker. He shot dozens of the 1980s greatest acts by sneaking his photography equipment into concerts such as Prince, U2, the Police, David Bowie, R.E.M., the Ramones, Elvis Costello, the Talking Heads, the Grateful Dead, Joan Jett, and many, many more. Other work include screenplays for Disney, Paramount, Sony, and MGM. He is also the writer and director of the hit cult comedy feature film, Follow the Bitch, which has played to packed houses all around the country and received numerous awards.
Of all the legendary bands that are part of the history of Rock and Roll, Pink Floyd is the one that appears to have the least amount written about them. That is why this book is so important and so good. Other books had touched on their history, but none of them went as deep and thorough as this one.
Mark Blake draws on his own interviews with band members as well as the group's friends, road crew, musical contemporaries, former housemates, and university colleagues to produce a riveting history of one of the biggest rock bands of all time. We follow Pink Floyd from the early psychedelic nights at UFO, to the stadium-rock and concept-album zenith of the seventies, to the acrimonious schisms of the late '80s and '90s. Along the way there are fascinating new revelations about Syd Barrett's chaotic life at the time of Piper at the Gates of Dawn, the band's painstaking and Byzantine recording sessions…
I am a journalist, author, guitarist, singer, and songwriter who has spent my career spreading the gospel of the music I love, notably the Allman Brothers Band and the blues masters. I’ve been a Guitar World writer and editor since 1991, profiled countless musicians for The Wall Street Journal, and lived in Beijing for four years, forming a blues band with three Chinese musicians that toured the country, recorded an album, and won awards. That experience has informed everything I’ve done since, including forming Friends of the Brothers, the premier celebration of the music of the Allman Brothers Band.
I found this book riveting from page one and studied the ease with which Booth alternates chapters of straight biography and his own personal experiences with the band.
This included a drug-fueled slide that contributed to the book, largely chronicling the Stones’ 1969 tour of America, to take 15 years to complete. He writes about this with honesty and without romance, looking the devil in the eye with candor while also offering deep insights into bit characters like BB King and providing the definitive story of the Altamont fiasco.
Stanley Booth, a member of the Rolling Stones’ inner circle, met the band just a few months before Brian Jones drowned in a swimming pool in 1968. He lived with them throughout their 1969 tour across the United States, staying up all night together listening to blues, talking about music, ingesting drugs, and consorting with groupies. His thrilling account culminates with their final concert at Altamont Speedway—a nightmare of beating, stabbing, and killing that would signal the end of a generation’s dreams of peace and freedom. But while this book renders in fine detail the entire history of the Stones,…
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
Hi, my name is Nick, and I’m a recovering rockist. I’ve collected records and vintage gear; I’ve owned Ray Coleman biographies. I’ve played in garage bands that did terrible punk-rock covers of songs like Cream’s “Sunshine of Your Love.” I even used to subscribe to Rolling Stone magazine. And most embarrassingly, I believed in the power of rock – to effect political change, to free people’s bodies and minds. But if once I was a true believer, today I’ve become a rock ’n’ roll skeptic. And I hope that this list might help you rethink everything you thought you knew about rock, too.
Some time in the 1960s, rock ’n’ roll became rock, and rock became white. That moment forms the core of Jack Hamilton’s exploration of the fraught racial politics of this music in the United States.
Putting different artists into dialogue – such as Dylan and Cooke, or Janis and Aretha – allows Hamilton to excavate the original complexity of genre labels that, over the fifty years since, have too often effaced the original, more complicated story about race, music, and American society.
By the time Jimi Hendrix died in 1970, the idea of a black man playing lead guitar in a rock band seemed exotic. Yet a mere ten years earlier, Chuck Berry and Bo Diddley had stood among the most influential rock and roll performers. Why did rock and roll become "white"? Just around Midnight reveals the interplay of popular music and racial thought that was responsible for this shift within the music industry and in the minds of fans.
Rooted in rhythm-and-blues pioneered by black musicians, 1950s rock and roll was racially inclusive and attracted listeners and performers across the…
Sadly, I was born without an ounce of musical talent. After realizing I was never going to effortlessly play the guitar or sing in tune, I focused a lot of my energies on listening to music. I came of age in the 80s and the rise of MTV brought loads of fantastic music to explore: punk, new-wave, post-punk, pop. My love for music grew and expanded as I grew up in the 90s. It was those I reached back to musical memories in creating my books, 80s Redux and Lived Through That. I also host a popular podcast called Lived Through That that combines my love of music and storytelling.
Author and musician Miki Berenyi, from the 90s band Lush, pens a memoir that is one of the most open and honest I’ve read. In addition, the book reads almost like a casual conversation with a friend over coffee – albeit a friend who has lived quite an interesting life. Trigger warning – there are some sensitive topics discussed here, including suicide, self-harm, and sexual abuse. As of this writing, the book is only available in the UK but it’s well worth your time to seek it out if you can.
Rough Trade Book of the Year Resident Book of the Year A Rolling Stone Book of the Year A Mojo Book of the Year A Sunday Times Book of the Year
Formed in 1988, Lush were part of the London gig scene during one of the most vibrant and creative periods in UK music. Now, Miki Berenyi tells all.
From the bohemian ways of her father's social circle to the privileged glamour of her mother's acting career, Miki's young life was a blur of travel, celebrities and peripatetic schooling. But frequent relocation, parental neglect and the dark presence of her…
As a writer of children’s books, I’ve always been fascinated – not merely by the narrative, characters, and plot that form a story – but how ideas themselves spring to life and cross-pollinate to form some kind of creative endeavor, whether that’s a song, a poem, a book or anything else that provokes an emotional response. Rather than shying away from the question: "Where do you get your ideas?" I like to embrace it and search for answers myself. These books all set contexts through which the nature of imagination and ideas are explored alongside the tales they tell, and they remain an influence on the ideas I have, and the words I write.
What on earth would possess you to burn a million quid? And if you’re going to, why travel to the small Scottish island of Jura to do it? Was this some ill-conceived publicity stunt, a cry for help, or a ceremony born of chaos and magic? John Higgs takes the reader on a deep dive into the fractured psyche of a couple of musicians that were briefly the most successful singles band in the world, and attempts to unravel the reasons behind what many people felt was either a self-absorbed, utterly insane, or obsessively destructive act. Along the way we dip into the philosophy of Discordianism, the influence of Robert Anton Wilson and Robert Shea’s Illuminatus! trilogy and the significance of darkly magical rabbits, as we’re provided with enough clues to draw our own conclusions.
'The best non-fiction book I've ever read. It's magical. Stunning' Dan Schreiber, No Such Thing As a Fish
'A pop biography for people who don't read pop biographies' Dorian Lynskey, Guardian
'Brilliant, discursive and wise' Ben Goldacre
'Utterly irresistible and totally brilliant' The Quietus
'A thing of endlessly fascinating, utterly demented genius' Alexis Petridis
THE STRANGE TALE OF THE DEATH, LIFE AND LEGACY OF THE HUGELY SUCCESSFUL BAND.
They were the bestselling singles band in the world. They had awards, credibility, commercial success and creative freedom. Then they deleted their records, erased themselves from musical history and burnt their last…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
Brent Abell resides in Southern Indiana with his wife and Drake the Puggle. Brent enjoys anything horror-related. In his writing career, he’s had stories featured in over 30 publications from multiple presses. His books Southern Devils,Southern Devils: Reconstruction of the Dead, In Memoriam, The Calling, Phoenix Protocol, Dying Days: Death Sentence, Dying Days: Zealot, Death Inc., and Wicked Tales for Wicked People are available now. He is also a co-author of the horror-comedy Hellmouth series. Currently, he is working on a multitude of projects. You can hang out with him on his website for some rum, beer, and a good cigar.
I am a huge Iron Maiden fan, like a devoted acolyte fan. Over the years, I’ve seen them multiple times, bought a closet full of concert shirts, and collected their beers/Funko Pops/album deluxe versions. Bruce Dickinson is the band’s second vocalist, and here he gives us the tales of his early days in Samson before joining Steve Harris and the Maiden crew. We get stories of his childhood and family in typical autobiography fashion, but it takes off once he gets into the meat of his time with Iron Maiden.
The book is captivating because he reflects on leaving Maiden to follow a solo career. The struggles he dealt with personally and professionally paint a picture of a man who had it all but wanted to try something new. The book’s final portion deals with his return to Iron Maiden and how he went through cancer. Cancer could’ve ended his…
'I was spotty, wore an anorak, had biro-engraved flared blue jeans with "purple" and "Sabbath" written on the thighs, and rode an ear-splittingly uncool moped. Oh yes, and I wanted to be a drummer...'
Bruce Dickinson - Iron Maiden's legendary front man - is one of the world's most iconic singers and songwriters. But there are many strings to Bruce's bow, of which larger-than-life lead vocalist is just one. He is also an airline captain, aviation entrepreneur, motivational speaker, beer brewer, novelist, radio presenter, film scriptwriter and an international fencer: truly one of the most unique and interesting men in…