Books like Saving Emma — picked by fans

First of all, this book is hilarious. Second of all, it made me cry.

A trans woman leaving a men’s prison? After twenty years inside? With nowhere to go that will meet the requirements of her parole? Never mind meeting her requirements in the way of wardrobe. So this novel was quite a ride for me, right from page one. Although I have nothing in common with Carlotta, I somehow found myself identifying with her, and I was hooked. I can’t explain it.

I’m fussy about grammar and punctuation—until this book, which had my head spinning with mid-sentence switch-ups between first person and third person, between prison-speak and whatever I speak, between using and not using punctuation and sentence structure. I loved every minute, every sentence.

This was the first book I ever read dealing with life in prison, and it took me into a world way beyond my own.

The prisoner who wrote it was, like me, a corporate office worker (although unlike me, he killed someone). This book took me right into prison with him, directly from the courtroom. I could feel and hear and see and smell this utterly alien place, this community of people that has its own structure and its own rules, and where nothing that worked in your past life has any relevance.

A big part of why I love this book is the humor in the author’s outlook and writing style—so I got to laugh occasionally, especially when he would describe trying to apply his MBA training to the situations he encountered on the inside. 

I loved the characters in this novel, both the “ordinary” people and the quirky ones. And the non-human ones.

I loved how each character’s backstory and front story came out over time and sometimes merged and sometimes stayed quiet. I loved how the main and minor plots merged and separated and did not always go where I thought they would go. I loved that the story sometimes seemed predictable, and then, like real life, didn’t go as planned.

Most of all, I love how the author constructed a novel about a tough subject that didn’t drag me down into hopelessness and also didn’t turn out all sunshine and kittens. As a bonus, I learned some pretty cool things about parrots.

Women’s prison was something I never thought about, until I picked up this memoir because I was curious about the title (and was completely wrong about it).

How a Smith graduate with a job as a New York creative ended up in prison was interesting, but once she walked inside, I was spellbound. I got caught up in the sadness, the fear, the drama, the boredom, and the unfairness of (no period products??).

This book was as eye-opening as it was mesmerizing. 

Brian Banks was one of the best high school football players in the country when he was wrongfully arrested at the age of 16 years old for raping a classmate. He went to prison, and a decade later, his accuser admitted it never happened. I love this book because it gives a first-person view of what a child goes through when they are eaten alive by the criminal legal system.   

It is also a great book about hope and determination. Brian never gives up on his dreams and ultimately lives them on an NFL field after more than a decade-long ordeal. This book has something for everyone. 

I love Elijah stories, especially those that emerge from Eastern European tradition. But I also realize that such stories do not always speak to post-modern kids.

This particular story appeals to me specifically because it takes the underlying nature of Elijah stories—and those that are connected to the Passover seder ritual—and turns it into a totally accessible and sweet story. 

Jewish tradition teaches that we never know where Elijah may be hiding. Thus, we are instructed to show kindness to all—for it is Elijah who will herald in the messianic era—a time of peace.

This is a recent reissue of a book first published in 1974 and long out of print. Bette Howland gives us a vivid and honest account of her time in Ward 3 of a Chicago psychiatric hospital after a serious suicide attempt in her late twenties. I was moved by the moments of communion, camaraderie and even comedy the narrator shares with her fellow patients. Having said that, Ward 3 is a terrible place. The “treatments” are also punishments. The narrator confronts the ward’s alienation with clear, unsentimental detachment. I was absorbed by her struggle to retain an element of dignity in the face of the hospital’s fatally indifferent bureaucracy. 

Faces in the Water was first published in 1961, though it received far less attention and acclaim. The “story,” such as it is, is narrated by Istina Mavet, a shy, introverted young woman (again, based closely on the author) who, like the author, spends ten years in a New Zealand psychiatric hospital. Faces in the Water recounts long, dull years of cruelty and suffering. But don’t let this put you off—Frame’s style is marvelously poetic. The narrative is abstract in places and was at first difficult for me to get into, but once I began to see things from Istina’s perspective, the story came to life, and I found it brutally beautiful. 

My new book features the classic “book within a book” trope as a key plot mechanic, but I think Moxon is going for the gold medal in the category of “books within books within books,” with multiple competing characters claiming to be authors and demonstrating unnatural control over their domains, while bemused but frequently baffled readers attempt to decipher what nested reality is foregrounded and what the hell it all means regardless.

It starts off as a spiritual quest for inner-city redemption, starring the inmates of a forgotten asylum and the local parish that tries to tend to them; then an inmate reveals a deeper story of solipsistic villainy that blows away their current problems, and then at least one if not multiple authors involved throws all the cards up in the air and reshuffles them into a multiverse-spanning road movie.

All this, plus the prose is dense and thoughtful… show more.

This story is a twist on a familiar Lewis Carroll tale.

It is unsettling in a dementia-like way, spinning the reader from the known into the unknown with just enough of the old story to keep them from tipping completely off balance, hope and dark humor always alive. 

This book helped me with the twisting of fact and fiction in my own books, where I used many of my own family incidents (and fears), but gave them to fictional characters with their own generational slant.