Here are 100 books that Savage Son fans have personally recommended if you like
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As a lifelong journalist, I’ve covered and have been drawn to tales of intrigue, con men, massive financial scams, domestic terrorists and international plots, and the investigators and authorities who pursue them.
Robert Dugoni has created the nearly perfect American spy in Charles Jenkins, an unassuming father, husband, and gentleman farmer who wants nothing more than to be left alone after a brilliant career ends in shambles.
But above all else Jenkins is a patriot who reenters Russia, his old stomping grounds, to rescue his most-prized confidential informant and spirit her out of the country before she's captured and murdered by Putin’s thugs. Dugoni and his characters breathe new life into the spy genre.
An Amazon Charts, Washington Post, and Wall Street Journal bestselling series.
An American operative in Russia is on the run for his life in a thriller of heart-stopping betrayal and international intrigue by the New York Times bestselling author of The Eighth Sister.
Betrayed by his own country and tried for treason, former spy Charles Jenkins survived an undercover Russian operation gone wrong. Exonerated, bitter, and safe, the retired family man is through with duplicitous spy games. Then he learns of a woman isolated in Moscow's notorious Lefortovo Prison.
If it's Paulina Ponomayova, the agent who sacrificed her life to…
When a high security prison fails, a down-on-his luck cop and the governor’s daughter must team up if they’re going to escape in this "jaw-dropping, authentic, and absolutely gripping" (Harlan Coben, #1 New York Times bestselling author) USA Today bestselling thriller from Adam Plantinga.
Balakrishna Kamath has to his credit a 39-year-long service in one of India’s premier Intelligence agencies. His long service has taken him to many places and enabled him to gain considerable experience in handling challenging operations. The coveted national-level honors - The Indian Police Medal and President's Police Medal, he had received during his service, would indicate the distinction he has earned in his career. After his retirement, he has written two novels – The Velvet Gloves (November 2018) and The Ace of Shadows (March 2022). These novels dwelling on intelligence operations have been recently signed for adaptation into web series.
The book is a remarkable one amongst contemporary spy thrillers. In spy thrillers, all agents have difficult missions to accomplish. However, in The Eleventh Commandment, in addition to the extremely challenging assignment in a high-security environment, the protagonist has another dangerous enemy to tackle, and strangely, that is his own boss! Then there is this unique crisis in the protagonist’s personal and family life. Only Archer’s master storytelling abilities could have woven these complex dimensions together to present an excellent and memorable thriller.
A gripping spy thriller set at an addictive pace, from bestselling author, Jeffrey Archer.
Connor Fitzgerald is the professional's professional. Holder of the Medal of Honour. Devoted family man. The CIA's most deadly weapon. But for twenty-eight years, he has been leading a double life. And only days from his retirement, he comes across an enemy even he cannot handle. The enemy is his own boss. And she has only one purpose: to destroy him. Meanwhile, the United States is faced with an equally formidable foe: a new Russian President, determined to force a military confrontation between the two superpowers.…
I have chosen the five books below as the most original and thought-provoking ones on Russian history and culture, books that I return to again and again when thinking about the questions they raise. They are not books that I always agree with, but to me that makes them all the more valuable!
Hidden in Plain View makes us see Tolstoy in a completely new light. I find Morson one of the most engaging critics of the Russian classics, and this is perhaps his best and most curmudgeonly argumentative book.
It offers a brilliant reading of War and Peace as an “anti-novel”—as an attack on the form and philosophical suppositions of the “novel” (the word in Russian can also refer to a literary or real-life “romance”).
It follows in the footsteps of the Russian critic-philosopher Mikhail Bakhtin, who viewed the novel as a dialogical, open-ended “anti-genre,” without a fixed form, that cannibalizes all other genres. In War and Peace, this also serves to explain Tolstoy’s attack on history-writing, which shares the false, “closed” narrative presumptions as novel romances.
For decades, the formal peculiarities of War and Peace disturbed Russian and Western critics, who attributed both the anomalous structure and the literary power of the book to Tolstoy's "primitive," unruly genius. Using that critical history as a starting point, this volume recaptures the overwhelming sense of strangeness felt by the work's first readers and thereby illuminates Tolstoy's theoretical and narratological concerns.
The author demonstrates that the formal peculiarities of War and Peace were deliberate, designed to elude what Tolstoy regarded as the falsifying constraints of all narratives, both novelistic and historical. Developing and challenging the ideas of Mikhail Bakhtin,…
When a high security prison fails, a down-on-his luck cop and the governor’s daughter must team up if they’re going to escape in this "jaw-dropping, authentic, and absolutely gripping" (Harlan Coben, #1 New York Times bestselling author) USA Today bestselling thriller from Adam Plantinga.
My professional and personal interests in the Russian Empire began with a trip to St. Petersburg and Moscow I took as a college student in January 1992. The Soviet Union had officially collapsed the previous month: I was able to meet with ordinary citizens, hear their stories, and experience what the end of an empire looked like on the ground. I started to learn the Russian language–including one summer spent in Kazan, on the Volga River–and earned my doctorate in modern Russian History. My job as a history professor has allowed me to travel to Ukraine, Kazakhstan, Estonia, Latvia, and Lithuania, all helping me to understand the lingering effects of Russia’s imperial projects.
If you want to understand why so many Russians today (including President Vladimir Putin) believe that their national identity has roots in Kyiv, Faith Hillis’s book is a must-read. As I wrote in a review for The Moscow Times, Russian colonial settlers in and around the Ukrainian city increasingly began to push a narrative that they were all “children of Rus’,” a reference to the political entity that existed in the region from the 9th to the 13th centuries.
From the 1830s until the outbreak of World War I, as Hillis writes, this group shaped imperial policies about the relationship between Russians and Ukrainians even while they urged the imperial government to “protect” them from the Poles, Jews, and Ukrainians living all around. When Putin justified the full-scale invasion of Ukraine as one where Russia needed to “return” the “lands of ancient Rus’” and to “protect” Russian-speakers in Ukraine,…
In Children of Rus', Faith Hillis recovers an all but forgotten chapter in the history of the tsarist empire and its southwestern borderlands. The right bank, or west side, of the Dnieper River-which today is located at the heart of the independent state of Ukraine-was one of the Russian empire's last territorial acquisitions, annexed only in the late eighteenth century. Yet over the course of the long nineteenth century, this newly acquired region nearly a thousand miles from Moscow and St. Petersburg generated a powerful Russian nationalist movement. Claiming to restore the ancient customs of the East Slavs, the southwest's…
I have chosen the five books below as the most original and thought-provoking ones on Russian history and culture, books that I return to again and again when thinking about the questions they raise. They are not books that I always agree with, but to me that makes them all the more valuable!
Of the very many books I have read about Dostoevsky, this is one of the best, and I return to the author’s ideas again and again. Holquist argues that “Dostoevsky is the inheritor of a particular historical tradition—a tradition of radical doubt about history itself.”
His readings of Dostoevsky’s individual works show how Dostoevsky responded to this challenge, and are brilliant, theoretically sophisticated yet clear and convincingly argued.
What place do Dostoevsky's works occupy in the history of the novel? To answer this question, Michael Holquist focuses on the formal aspects of Dostoevskian narrative.
The author argues that the novel is a genre that constantly seeks its own identity: we still do not know what it is, since the uniqueness of its members defines the class to which it belongs. This anomaly explains the central role of the novel for Russians, perplexed as they were in the nineteenth century by idiosyncrasies that hindered development of a coherent national identity.
Michael Holquist shows that the generic impulse of the…
I’ve always loved satire. In college, I wrote and performed comedy sketches as part of a two-man team, and most of my work features at least some comic elements. For example, my novel The Whale: A Love Story is a serious historical novel about the relationship between Herman Melville and Nathaniel Hawthorne that also offers moments of comedy to honor Melville's comic spirit (Moby-Dick, while ultimately tragic, is a very funny book). The most serious subjects usually contain elements of the absurd, and the books I love find humor in even the gravest situations.
Set in Moscow on the eve of the Russian Revolution, this novel’s plot does not scream “funny,” but it’s one of the most deeply funny books I’ve ever read.
An English printer living in Russia wakes up one day to find that his wife has left him and taken their children away, and revolutionaries have broken into his shop to print manifestoes.
From this unlikely setup, Fitzgerald spins a hilarious tale of loss, love, and redemption.
From the Booker Prize-winning author of ‘Offshore’, ‘The Blue Flower’ and ‘Innocence’ comes this Booker Prize-shortlisted tale of a troubled Moscow printworks .
Frank Reid had been born and brought up in Moscow. His father had emigrated there in the 1870s and started a print-works which, by 1913, had shrunk from what it was when Frank inherited it. In that same year, to add to his troubles, Frank’s wife Nellie caught the train back home to England, without explanation.
How is a reasonable man like Frank to cope? How should he keep his house running? Should he consult the Anglican…
I have chosen the five books below as the most original and thought-provoking ones on Russian history and culture, books that I return to again and again when thinking about the questions they raise. They are not books that I always agree with, but to me that makes them all the more valuable!
This is, in my opinion, the best short history of Russia (only about 100 pages). It’s full of unexpected ideas, provocative and challenging.
It was published in 2003 and is written from the perspective of a Russia in decline (Russia of the 1990s, before Putin), but nevertheless offers a brilliant analysis of why the country has tended toward isolationism and xenophobia. It is thus almost predictive of Putin’s recent break with the West. I have assigned it to classes and recommend it to friends.
Is Russian history one big inevitable failure? The Soviet Union's demise and Russia's ensuing troubles have led many to wonder. But this is to look through a skewed prism indeed. In this provocative and elegantly written short history of Russia, Marshall Poe takes us well beyond the Soviet haze deep into the nation's fascinating--not at all inevitable, and in key respects remarkably successful--past. Tracing Russia's course from its beginnings to the present day, Poe shows that Russia was the only non-Western power to defend itself against Western imperialism for centuries. It did so by building a powerful state that molded…
You can experience Russia by exploring the churches and palaces of St Petersburg and Moscow. There’s nothing wrong with that, but it’s not my approach. For me, it has always made more sense to look at the largest country on earth from its edges, the distant mountains, steppes, forests, and waters that surround it. For three decades, I have travelled across this space, studied its languages, written books and articles about it. And I have tried to look through the lens of the diverse peoples and cultures that have been part of Russian history, for better or worse. The rise and fall of the Russian Empire are unthinkable without them.
This book was a milestone in the study of tsarist Russia as a multiethnic and multireligious empire, especially its large Muslim population.
By the 2000s, we had become used to thinking that the Russian Empire had suppressed or ignored its religious minorities who, in turn, had avoided state institutions as much as possible. Crews’ book shattered that idea.
Exploring court cases and other disputes across time and space, he boldly argued that Muslims turned to the state as protector of their faith and that Islam became a pillar of Russian imperial policy. Many scholars have attacked his argument since then, partly for good reasons.
And yet, his contribution has proven to be more important and long-lived than those of most of his critics. On top, it’s a wonderful read.
Russia occupies a unique position in the Muslim world. Unlike any other non-Islamic state, it has ruled Muslim populations for over 500 years. Though Russia today is plagued by its unrelenting war in Chechnya, Russia's approach toward Islam once yielded stability. In stark contrast to the popular 'clash of civilisations' theory that sees Islam inevitably in conflict with the West, Robert D. Crews reveals the remarkable ways in which Russia constructed an empire with broad Muslim support. In the 18th Century, Catherine the Great inaugurated a policy of religious toleration that made Islam an essential pillar of Orthodox Russia. For…
I was born in Romania, a closed society during the Cold War, and I never expected to live anywhere else, especially not in the West. When communism ended, I rushed out of Eastern Europe for the first time, eager to find places and people I could only read about before. I also discovered the power longing and homesickness can have on defining our identities. I moved to the United States, where I now live and work, cherishing my nostalgia for the world I left behind, imperfect as it was. The books I read and write are always, in one way or another, about traveling across cultures and languages.
Walter Benjamin was a Jewish German philosopher who escaped Nazi Germany only to commit suicide upon arrival in Spain.
This book captures an earlier time in his life, when he was still hopeful, an idealist in search of intellectual adventures and political transformation. He went to Moscow to define his political vision and found a city both seductive and elusive. The intense winter scenes in the deep Muscovite cold are unforgettable, even though he mentions them almost in passing.
Benjamin had another reason to go to Moscow: he was in love. But the woman he wished to pursue was also elusive, unavailable both in practical and emotional terms. The book speaks to the fascination Western leftist intellectuals have had with Russian culture and politics, turning to Russia as an alternative to a corrupt West.
Benjamin’s reflections about philosophy, history, and the Moscow of the 1920s makes me fantasize about our…
The life of the German-Jewish literary critic and philosopher Walter Benjamin (1892-1940) is a veritable allegory of the life of letters in the twentieth century. Benjamin's intellectual odyssey culminated in his death by suicide on the Franco-Spanish border, pursued by the Nazis, but long before he had traveled to the Soviet Union. His stunning account of that journey is unique among Benjamin's writings for the frank, merciless way he struggles with his motives and conscience.
Perhaps the primary reason for his trip was his affection for Asja Lacis, a Latvian Bolshevik whom he had first met in Capri in 1924…
I am teacher of Russian History in the University of York and have been in both countries many times. Russia’s war against Ukraine is something that has touched me personally and professionally in the most profound way: witnessing Russia’s aggression against Ukraine has been heartbreaking. Understanding why that war happened and what its consequences will be is of vital importance for anyone interested in the modern world, in justice, and the future of Europe. These books offer clear, passionate, and compelling accounts of the war, explaining the historical background, the immediate causes, the principle actors, and the Russian way of waging of the war.
Luke Harding is a journalist who has spent many years as The Guardian correspondent in Ukraine including the present war.
The book is a mixture of historical analysis and on-the-spot reporting which makes it read like a thriller. It is vivid and at times harrowing, particularly the reports from Bucha after the massacres there. Harding pulls no punches, arguing the brutality of the war comes from Putin himself: ‘His apparent goal: the annihilation of a country, a culture and its citizens.’
Complicit in this genocidal operation are the Russian media elite who frequently openly call for the extermination of the Ukrainian nation. An excellent account from an impeccable source.
A FINALIST FOR THE ORWELL PRIZE FOR POLITICAL WRITING
The first book of reportage from the front line of the Ukraine war. This is a powerful, moving first draft of history written by the award-winning Guardian journalist and #1 New York Times bestselling author of Collusion and Shadow State.
'An excellent, moving account of an ongoing tragedy.' ANNE APPLEBAUM
'Compelling, important and heartbreaking.' SIMON SEBAG MONTEFIORE
'Essential reading.' ELIOT HIGGINS, founder of Bellingcat
'Brilliant.' ANDREY KURKOV
For months, the omens had pointed in one scarcely believable direction: Russia was about to invade Ukraine. And yet, the world was stunned by…
