100 Books Like The Russian Moment in World History

Hidden in Plain View makes us see Tolstoy in a completely new light. I find Morson one of the most engaging critics of the Russian classics, and this is perhaps his best and most curmudgeonly argumentative book.

It offers a brilliant reading of War and Peace as an “anti-novel”—as an attack on the form and philosophical suppositions of the “novel” (the word in Russian can also refer to a literary or real-life “romance”).

It follows in the footsteps of the Russian critic-philosopher Mikhail Bakhtin, who viewed the novel as a dialogical, open-ended “anti-genre,” without a fixed form, that cannibalizes all other genres. In War and Peace, this also serves to explain Tolstoy’s attack on history-writing, which shares the false, “closed” narrative presumptions as novel romances. 

Of the very many books I have read about Dostoevsky, this is one of the best, and I return to the author’s ideas again and again. Holquist argues that “Dostoevsky is the inheritor of a particular historical tradition—a tradition of radical doubt about history itself.”

His readings of Dostoevsky’s individual works show how Dostoevsky responded to this challenge, and are brilliant, theoretically sophisticated yet clear and convincingly argued. 

Red Square, Black Square is a unique, fragmented “postmodern” critique of Russian avant-garde and revolutionary ideas that bleeds into a deconstruction of Soviet ersatz culture that took its cue from them.

It combines horror and comedy, seriousness and self-satire, and itself partakes of the style and language (as well as the punning wit) of the avant-garde. I found it challenging and fun to read and full of surprises.

Gogol is one of the weirdest and most fascinating of Russian writers, whose eccentric comic masterpieces continue to entertain and puzzle us. His identity as a Ukrainian who became a Russian classic and the way this is or isn’t reflected in his works has long been debated.

Nikolai Gogol: Performing Hybrid Identity makes sense of these two contending national components of Gogol’s writing and career. Ilchuk demonstrates the remarkable ways his “hybrid” national identity played out: in his often bizarre language, an uncanny Russian pervaded by Ukrainianisms (made more or less evident in successive, ideologically-motivated editings); in his works’ narrative structure, plot, and theme; and in the author’s odd behavior in society as a colonial “other.”

The book helped me understand the ins and outs of post-colonial theory, which the author presents in a clear and effective way.  It also unexpectedly illuminated for me aspects of Russian imperial identity that… show more.

This book was absolutely amazing. The author interviewed many Soviet citizens in the 1990s after the Soviet Union’s collapse. I loved this book because it showed how people dealt with the massive change of the fall of the Soviet Union.

I also happened to be doing research in the Soviet Union in 1990 and then in 1995. So, I had an idea or two about before and after, but what about the people themselves? It shocked me to learn how many people believed in Stalin and how they thought they were changing the world even as it went far astray.

I also learned in the wonderful stories how they struggled to survive, some more, some less. The stories were heartbreaking but also illuminating and even encouraging.

Cap Daniels's marvellous character Anya Burinkova takes us all around the Caribbean by both sea and air throughout the series. And like Nora Sommer, she’s full of deep thoughts and observations, but never wastes words.

The former Russian SVR Captain has defected to the US, but to earn the freedom she seeks, the federal government coerces her into using her deadly skill sets against the Russian mob.

Partnered with Special Agent Gwynn Davis, the two build a relationship that is perfectly cultivated throughout the series, and if you’re looking for guns, knives, and explosions, this series does not come up short.

Amazingly, in the spring of 1917 an Interview Commission was formed in Russia to obtain oral histories of the revolution that led to the abdication of Czar Nicholas II. Thirteen key players were interviewed about their role in the sweeping and often violent events that had occurred just two months earlier. You can sense the ambivalence that they were struggling with. Of special note is Alexander Kerensky, who would become the leader of the Provisional Government, describing how he called Nicholas’ brother Michael in the middle of the night, waking him up, and persuading him to renounce the throne.

The author was an old fraud but this is a delightful period piece which reveals a good deal, sometimes inadvertently, about the lives of Russians in the benighted Soviet sixties.

Although they are largely forgotten now, the five to six thousand Russian women who enlisted as soldiers were amongst the most photographed and written about women in the First World War, especially the charismatic but tyrannical leader of the 1st Russian Women’s Battalion of Death, Maria Bochkareva. Stoff’s book gives a highly readable and fascinating account of their formation, their military action, their ill-fated involvement in the defence of the Winter Palace when it was stormed by the Bolsheviks in November 1917, and their reception by the rest of the world as the only battalions of women to carry out officially sanctioned combat roles in the war.

Stoff uses their own memoirs alongside other first-hand accounts by American, British, and French diplomats stationed in Russian in the tumultuous year of 1917, and her book provides a balanced and nuanced analysis.

The collapse of the Russian Empire into revolution took place across a vast landscape, and amid the chaos, countless individuals who might be charitably (naively) described as “colorful” percolated to the surface to become consequential figures in the civil war. One of the most notorious was Baron von Ungern-Sternberg, who fought against the Red Army in East Siberia until his capture and execution.

This book by Willard Sutherland is a biography of Ungern-Sternberg that is also an immensely insightful history of the Russian Empire and a study of the imperial man—the kind of person who was the product of a multiethnic empire, who moved comfortably in a world of many cultures, and who ultimately fought desperately, brutally, and delusionally for a restoration of that lost imperial world.