Books like Sacred Places

My late colleague at UNSW Canberra, Jeff Grey, wrote this important book at the age of just 31. The product of a military family, Jeff blossomed from a specialist in Commonwealth operations in the Korean war into the author of a confident, opinionated (but impressively well researched) general history that went through three editions before Jeff’s untimely death in 2016. Jeff deserves credit for seeing that despite the resurgence in interest in Australia’s military history over the 1980s, no one had spotted the need for a comprehensive book that showed us how the bits went together. Thirty years on, no one has bettered it.

The Broken Years is a wonderful book about what Australian soldiers thought and felt during the war.

It originated in Bill Gammage’s PhD thesis, which was the first systematic study of the soldiers’ letters and diaries collected by the Australian War Memorial. The result is an illuminating and moving masterpiece, which proved transformational.

When he began his thesis he was in unfamiliar territory, as the concentrated use of these sources was unprecedented — in fact, military history itself was not popular. But he persevered, gradually sensing he was on to something, and indeed he was.

The Broken Years became an enduring classic. It was personally very influential for me during the 1970s when I was a dissatisfied, recently graduated lawyer considering a change to something more aligned with my interest in history. I took the plunge, left the law, and I’ve been a historian and biographer ever since.

In 1942 about 22,000 Australians – an entire army division – were captured by the Japanese, mostly in Singapore. When the survivors returned from the Burma-Thailand railway and camps across south-east Asia and Japan, a third of them were dead. This ordeal, so much at variance with Australia’s tradition of victory in war, remained largely neglected. In the early 1980s academic historian Hank Nelson teamed up with Tim Bowden, a radio presenter, to interview hundreds of former PoWs of the Japanese, many speaking for the first time, and together they produced a powerful Australian Broadcasting Corporation documentary series which told their stories. Hank produced the equally profound book based on the recordings, effectively kick-starting the investigation of PoW history, now an important part of Australian military history.

The study of battles, and often individual actions by small groups of men, has been an important part of Australian military history, and the Australian military historical tradition has produced many fine practitioners of operational military history. One author who produced a fine example of the genre is Gerard Windsor, the author of fiction and memoir who, though without any previous experience of writing military history, produced All Day Long the Noise of Battle, a study of the attack made by one company of Australian infantry upon a Viet Cong bunker system in Phuoc Tuy province, South Vietnam, in 1968. Sparked by a chance encounter with a schoolmate, Windsor began investigating a hitherto unnamed battle, one of the most fierce the Australians fought in their ten-year war in Vietnam, and a superb example of how to write about men in battle. 

Even before Archibald Edmund Filby embarked on his famous African expeditions, he took advantage of a government-sponsored scheme to migrate to Australia. It was 1921 and his daredevil nature soon had him performing reckless feats as a buckjumper in a popular circus rodeo. Whilst trekking through this vast continent, he embraced the opportunity to become a jockey, photographer, actor, pilot, car salesman, and pearl diver.

Not only was A E Filby a famous British explorer, but he was also my Uncle Archie. What a shame he never saw his memoirs published before his death in 1942.

When Tegan dies, she wakes up a hundred years later, locked in a government facility with no idea what happened. As she tries to make sense of this future world, it starts to feel as if something is very wrong. Should she keep her head down and just live out her life, or should she fight to make the future better for all? An excellent story from a world-class writer. “Accessible, thoughtful and compelling — science fiction done right.” – Kirkus Reviews

From the title of this book about "so-called Australia," it’s clear that we are going to hear a deeply subversive account of the politics and history of that country from an Aboriginal perspective.

In addition to providing a powerful critique of colonial narratives about white settler "discovery" that remain dominant in Australian public culture, the authors curate a rich archive of Aboriginal disruption of those narratives.

These have taken the form of not only statue protests of the kind that we have seen in other parts of the world, but also art, music, films, mock ethnographic documentaries, counter-memorials, and more. The book shows how another history of the continent has always been narrated, even if settler audiences have lacked the literacy necessary to understand it.  

This is still one of the coolest books I’ve ever read. It has wonderfully left-of-centre characters, original plot, and world building, a hint of darkness, and sharp dialogue. I love its Australian flavour (just enough to feel familiar). The setting is also off-kilter enough to be dystopian, but not so much so that it feels alien.

Best of all, at the novel's heart is an engaging, offbeat romance. There are also well-handled themes of alienation, grief, identity, and self-discovery.

(It was part of a gift pack of novels my Australian publisher sent me when I signed my first book deal back in 2011, and I instantly fell in love with it.)

If you like lushly written literary fiction about art, desire, friendship, and ambition, you’ll love The Strays.

Lily and Eva meet as children, and Eva – the daughter of a famous modernist artist – soon draws solitary Lily into her avant-garde family life. As the years pass and the two begin to leave childhood behind, their relationship makes new demands of them both.

Although The Strays features a large cast of characters in its makeshift family of artists, the connection between Eva and Lily is the beating heart of the novel, and is by turns tender, destructive, and tragic. 

I love history and found this to be an engrossing, historically based time-slip novel. 

From reading this, I learned about the politician, social reformer, and feminist Edith Cowan. The author has woven a cast of supporting characters to add to the story’s depth. 

I particularly love the inclusion of the time-travelling bed, which holds its own secrets. It’s an interesting twist on the usual time-travel methods, and instrumental to the historical fiction story's timeline.