Here are 100 books that Sacred Geography of the Ancient Greeks fans have personally recommended if you like
Sacred Geography of the Ancient Greeks.
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As a geologist, I met and shared meals – occasionally under the stars – with individuals with strikingly different backgrounds. In time I realized that, whatever their DNA, they all shared certain beliefs, that the happy dead eventually go upward, for example, even if they start by going down or out to the horizon. Eventually, I concluded that the entire human adventure began in a single moment the day one of our forebears asked another "What shall we do about death?" and was understood. Humans have a single genetic heritage; we also have a single cultural heritage.
Allen (1838-1906) was described as a "walking encyclopedia" by people who knew him. It was only after acquiring a reprint of his great book, a decade before the internet, that my own research into ancient cosmology took off. Star Names was first published in 1899 and as Wikipedia notes "there is no direct modern equivalent." As is the case with the internet, large sections can also be plucked out and read for pleasure.
Here is an unusual book for anyone who appreciates the beauty and wonder of the stars. Solidly based upon years of thorough research into astronomical writings and observations of the ancient Chinese, Arabic, Euphrates, Hellenic, and Roman civilizations, it is an informative, non-technical excursion into the vast heritage of folklore and history associated with the heavenly bodies. From his studies of the writings of scores of ancient astronomers, the author has come up with a fascinating history of the names various cultures have given the constellations, the literary and folkloristic uses that have been made of the stars through the…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I've been fond of the Homeric poems since my youth. I followed classical studies in the high here in Rome, so I studied Latin and Greek before graduating in nuclear engineering. Then, in addition to my professional activity, I've devoted myself to the study of The Iliad and the Odyssey, with their huge contradictions between geography and their traditional Mediterranean setting. The book I published on this topic was translated and published into eight foreign languages (as The Baltic Origins of Homer's Epic Tales), and has given rise to many scientific discussions. I also published The Mysteries of the Megalithic Civilization, a Bestseller here in Italy.
This extraordinary book makes us understand what the ancients saw in the sky. It is one of those rare books that change our ideas about myth and archaic thought once and for all, explaining the myths of the whole world by an astronomical key. In a word, this is certainly an extraordinarily important book, which should definitely be read by anyone who is passionate about these topics.
As a geologist, I met and shared meals – occasionally under the stars – with individuals with strikingly different backgrounds. In time I realized that, whatever their DNA, they all shared certain beliefs, that the happy dead eventually go upward, for example, even if they start by going down or out to the horizon. Eventually, I concluded that the entire human adventure began in a single moment the day one of our forebears asked another "What shall we do about death?" and was understood. Humans have a single genetic heritage; we also have a single cultural heritage.
Among the several fine essays here, Harald Reiche's "The Language of Archaic Astronomy: a Clue to the Atlantis Myth?" is a bonus treat. Reiche introduces the technological language of ancient mythology – the "tech talk of our ancestors" – and explains how "stories," recounted in the language of myth, track the "damage" to the heavens caused by the Precession of the Equinoxes. This easy-reading collection is a great aid for those with little inclination to study the heavens through light-polluted skies, or to plunge into the troublesome field of comparative mythology.
The eight articles and dozens of photographs and drawings in this book introduce the reader to the ancient astronomers―their observatories, their instruments, and their explorations of the awesome regularities (and shocking irregularities) that appear in the sky. The authors draw upon a wide range of disciplines―history, archaeology, technology, even mythology in discussing their subjects. This book is one endeavor toward a reconstruction of the past of the human mind, using all available evidence: text, myth, spade; yet, there is a difference. That difference is that in the world of the heavens there are real phenomena, striking or subtle, enduring or…
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
As a geologist, I met and shared meals – occasionally under the stars – with individuals with strikingly different backgrounds. In time I realized that, whatever their DNA, they all shared certain beliefs, that the happy dead eventually go upward, for example, even if they start by going down or out to the horizon. Eventually, I concluded that the entire human adventure began in a single moment the day one of our forebears asked another "What shall we do about death?" and was understood. Humans have a single genetic heritage; we also have a single cultural heritage.
My personal background and fieldwork have been in North America, Africa, and Europe. Sullivan's book opened the world of ancient South America for me. The Incas lived in a Sacred Kingship, an institution in which Church and State were one, invented in ancient Mesopotamia and diffused as far as the Andes, carrying with it a promise of eternity. In Sacred Kingships, the King was to funnel the essence of the undying Heavens into the ways of Earthbound mortals. Sullivan shows how this all went dreadfully wrong for the Incas when they began to treat mythological notions as literally true, applying the technical language of myth to the real world.
Step by step, Sullivan pieces together the hidden esoteric tradition of the Andes to uncover the tragic secret of the Incas, a tribe who believed that, if events in the heavens could influence those on earth, perhaps the reverse could be true. Anyone who reads this book will never look at the ruins of the Incas, or at the night sky, the same way again. Illustrations.
Though from different backgrounds, we share a profound passion for Native culture. As an enrolled member of the White Earth Chippewa Tribe of Minnesota, Gordon’s poetry and fiction draw deeply from his Anishinabe heritage and contribute to the current flowering of Indian writing. Ivy is the grandchild of Jewish immigrants from Eastern Europe. As a scholar and teacher, she was appalled that Native writers are largely excluded from the American canon and worked to right that wrong. They met through their shared interest in Samson Occom, an 18th-century Mohegan writer, and decided to collaborate on increasing awareness of the necessity of Native writing to sustaining our future.
This account of early Native writing by a Wabanaki scholar has had a profound effect on our work as scholars, teachers, and writers. It recovers an archive that requires us to put Native literature at the center of a white-dominated literary history. Brooks’ brilliant argument connects Native language and history of the Northeast with its geography, a vast network of interconnected waterways that served as the basis for a sophisticated communal Native system of communication. Foundational to this system is the idea of “the common pot,” shared by all Algonquian-speaking peoples, that everyone and everything is related and interdependent for survival and flourishing. Including the invading Europeans, whose writing technologies Native peoples then absorbed and adapted.
Literary critics frequently portray early Native American writers either as individuals caught between two worlds or as subjects who, even as they defied the colonial world, struggled to exist within it. In striking counterpoint to these analyses, Lisa Brooks demonstrates the ways in which Native leaders-including Samson Occom, Joseph Brant, Hendrick Aupaumut, and William Apess-adopted writing as a tool to reclaim rights and land in the Native networks of what is now the northeastern United States.
"The Common Pot," a metaphor that appears in Native writings during the eighteenth and nineteenth centuries, embodies land, community, and the shared space of…
I am a biologist and I am also interested in spiritual explorations and sacred places. These books discuss some of the most interesting issues in science, and the nature of ultimate consciousness - the primary subject of theology, consciousness. I am also very interested in spiritual practices that have measurable effects, as discussed in my books Science and Spiritual Practices and Ways to Go Beyond and Why They Work.
This is a truly wonderful guide, lavishly illustrated to hundreds of holy places in Britain, together with pilgrim routes on foot that connect them. This book includes ancient sacred sites, holy wells and springs, sources of rivers, cathedrals, medieval village churches and ancient trees. This is a book that literally opens new horizons and magical doorways, complete with practical details on how to get there.
Britain's
Pilgrim Places captures the
spirit of 2,000 years of history, heritage and wonder. It is the complete guide
to every spiritual treasure, including 500 enchanting holy places throughout
England, Wales and Scotland and covers all major pilgrimage routes.
Produced in collaboration with
The British Pilgrimage Trust, this book encapsulates the timeless quest of the human
spirit to find meaning, connection and peace.
Each listing is illustrated
in full colour and written and presented in a way that appeals to everyone.
From wild hermit islands to city-centre cathedrals alike, there is something to
surprise and enlighten anyone with a sense…
A fake date, romance, and a conniving co-worker you'd love to shut down. Fun summer reading!
Liza loves helping people and creating designer shoes that feel as good as they look. Financially overextended and recovering from a divorce, her last-ditch opportunity to pitch her firm for investment falls flat. Then…
My career has taken me zero millimeters from a large college, Christ Church, to a small, adjacent one, Corpus Christi, in 1971. In my mind, though, I have crisscrossed the world, leaping back in time to late antiquity and the Middle Ages, and nowhere proved more fascinating than Iran, which I have visited twice, in 1998 and 2002. I have written about different facets of its history at the end of antiquity, in particular its dominant role in the India trade and the coming of the Arabs.
I have been to Iran twice for long journeys to historic sites. Like so many other travelers, I was captivated by the landscape of high mountains and parched plains and by the extraordinary buildings erected in the deep past.
Canepa’s book enabled me to travel again (in my mind) to the great palaces and sacred sites where each of the classical dynasties made its mark. Once again, I was struck by the absence of temples (before late antiquity) and by that hallmark of Iranian architecture, the ayvan, a great vaulted chamber open on one side from which a shah could gaze upon his people.
The Iranian Expanse explores how kings in Persia and the ancient Iranian world utilized the built and natural environment to form and contest Iranian cultural memory, royal identity, and sacred cosmologies. Investigating over a thousand years of history, from the Achaemenid period to the arrival of Islam, The Iranian Expanse argues that Iranian identities were built and shaped not by royal discourse alone, but by strategic changes to Western Asia's cities, sanctuaries, palaces, and landscapes. The Iranian Expanse critically examines the construction of a new Iranian royal identity and empire, which subsumed and subordinated all previous traditions, including those of…
I’ve been fascinated by the ancient Greeks and Romans since my teenage years. I was lucky to have inspiring teachers when I was an undergraduate. Spending a few months in Greece during my university years intensified my love of antiquity, and now I’m a professor who teaches Greek and Latin. One of the things that first drew me to the Greeks and Romans was the sophistication of their poetry, and that’s why I wrote this list.
I was drawn to Sappho as a teenager, and in many ways, her poems are classic poems of teen angst, love, jealousy, and rejection. Over the years, I’ve also come to admire her poetic craft and skill at composing beautiful verse, as well as the music of her poetry.
If only more of her poems had survived! Even many of the surviving poems are marked by gaps and omissions. The fragmentariness of the poems is part of their mystique. An accomplished poet, Anne Carson captures the force and charm of these ancient love songs superbly in her version.
In this "gorgeous translation" (The New York Times), one of our most fearless and original poets provides a tantalizing window onto the genius of a woman whose lyric power spans millennia.
Of the nine books of lyrics the ancient Greek poet Sappho is said to have composed, only one poem has survived complete. The rest are fragments. In this miraculous new translation, acclaimed poet and classicist Anne Carson presents all of Sappho’s fragments, in Greek and in English, as if on the ragged scraps of papyrus that preserve them, inviting a thrill of discovery and conjecture that can be described…
My Democracybook was the summation of my views to that date (2018) on the strengths and weaknesses of democracy as a political system, in both its ancient and its modern forms. I’d been an activist and advocate of democracy since my undergraduate days (at Oxford, in the late 1960s – interesting times!). As I was writing the book the world of democracy suddenly took unexpected, and to me undesirable turns, not least in the United States and my own U.K. An entire issue of an English-language Italian political-philosophy journal was devoted to the book in 2019, and in 2021 a Companionto the reception of Athenian democracy in subsequent epochs was dedicated to me.
Coincidentally this scholarly collection of essays appeared in the same year as my 2nd Book Pick. The original versions of the papers were delivered at ‘Penn’ (the University of Pennsylvania, Professor Rosen’s home) at the second ‘Penn-Leiden Colloquium on Ancient Values’ (Leiden being Prof. Sluiter’s base). Free speech had two distinct terms and expressions in ancient Greece, one more expansive than the other. Parrhesia could be understood as frankness of expression, not necessarily political. Isegoria, on the other hand, was narrowly political and applied only to adult male free citizens: it’s best translated exactly as equal freedom of public political speech. One reviewer of the collection picked up on the existence of a rivalry between an official/state version of historical facts and the—more truthful—version given by an individual writer, explicitly referencing Salman Rushdie.
This book contains a collection of essays on the notion of "Free Speech" in classical antiquity. The essays examine such concepts as "freedom of speech," "self-expression," and "censorship," in ancient Greek and Roman culture from historical, philosophical, and literary perspectives. Among the many questions addressed are: what was the precise lexicographical valence of the ancient terms we routinely translate as "Freedom of Speech," e.g., Parrhesia in Greece, Licentia in Rome? What relationship do such terms have with concepts such as isegoria, demokratia and eleutheria; or libertas, res publica and imperium? What does ancient theorizing about free speech tell us about…
“Rowdy” Randy Cox, a woman staring down the barrel of retirement, is a curmudgeonly blue-collar butch lesbian who has been single for twenty years and is trying to date again.
At the end of a long, exhausting shift, Randy finds her supervisor, Bryant, pinned and near death at the warehouse…
I fell in love with the ancient Greeks a half-century ago. Ever since I have tried to learn from the past, by recognizing the ways in which the ancients were at once very like us and shockingly different. I only recently grasped that the Greeks were like us in their self-consciousness about human motivation: They recognized that many (perhaps most) people are driven by self-interest. But only a few of us are skilled at strategic choice-making. They knew that cooperation was necessary for human flourishing, but terribly hard to achieve. Today working together on common projects remains the greatest challenge for business, politics – and your everyday life.
Williams was one of the most creative and engaging moral philosophers of the 20th century. He was a student at Oxford of E.R. Dodds. While Dodds reminded his readers of how strange the Greeks are to us, in terms of their religious practices, Williams reminds us that the Greeks are also very like us in the moral problems they confronted. Rejecting the idea that modern people have given up on “shame” in favor of “guilt,” Williams showed that we still share the same concerns as the conflicted characters of Greek tragedy – like them, for good and for ill, we gain our sense of ourselves and our moral worth from the reactions of the those around us.
Although humanity has changed since the times of the ancient Greeks, this study claims that the differences are not to be traced to a shift in basic conceptions of ethical life. We are more like the ancients than we are prepared to acknowledge, and only when this is understood can we properly grasp our most important differences from them, such as our rejection of slavery. This treatise is directed towards writers such as Homer and the tragedians. At the centre of the study is the question of how we can understand Greek tragedy at all, when its world is so…
