Here are 91 books that Rushed fans have personally recommended if you like
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Because sometimes I think they go further than the formulas set by traditional publishing. I love fantasy and similar genres because there are no limits for the imagination. The books I’ve chosen fulfill what I think is important – world-building, imagination, thought-provoking, intelligent, and wonderful characters on a mission of some kind.
Seth Rain has a knack for building believable worlds, then inserting brain-teasers to make you wonder if this could happen. The writing is fast-paced and hooks you from the start. This particular series made me wonder what is real and what is not: who really is in charge? I’m sure that people who like to think, will love this series.
In a near dystopian future, Artificial Intelligence uncovers the clockwork nature of the universe, capable of revealing the date each person will die.
But when Scott Beck is told his given date of 22nd April is wrong, he sets off on a journey that explores the true nature of free will, morality, and sacrifice.
Combining dystopian, post-apocalyptic, and cyberpunk fiction, The Warm Machine is the first novel in the haunting five-part Humanity Series, depicting a future in which humanity is on the brink of annihilation.
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
Because sometimes I think they go further than the formulas set by traditional publishing. I love fantasy and similar genres because there are no limits for the imagination. The books I’ve chosen fulfill what I think is important – world-building, imagination, thought-provoking, intelligent, and wonderful characters on a mission of some kind.
This is my favourite series by Michael Robertson; its world-building is so real that it’s scary because this dystopian world could really exist. The world has its defined structure and the characters within it are believable, even if not all likable. It’s a complex series and yet is simple in its reading; compelling at the very least.
In Edin, when you turn eighteen, you have to do national service.
Six-months outside the city's walls, fighting the diseased hordes.
Only half the recruits survive.
Spike refuses to be just another statistic.
Beyond These Walls is a post-apocalyptic epic. Join Spike, Matilda, and their friends as they leave their city for the first time to face the brutal reality of national service. Some of them won’t return, and for those who do, their lives will never be the same again.
Because sometimes I think they go further than the formulas set by traditional publishing. I love fantasy and similar genres because there are no limits for the imagination. The books I’ve chosen fulfill what I think is important – world-building, imagination, thought-provoking, intelligent, and wonderful characters on a mission of some kind.
I like all of Maria Savva’s books because she has great insight into how people think and why they act as they do. She creates worlds that are ‘normal’ and yet pitches her characters into unusual situations, which make the worlds strange and eerie; especially in The Spider stories.
'No one's ever come out of that house alive. . .' What lurks behind the door of 8 Goldfern Road? Are you brave enough to step inside? By entering the sinister house, George and Glen become entangled in a dangerous battle of wills. "The Spider" is a story of obsession, infidelity, and broken dreams. This darkly humorous mystery will appeal to fantasy and romance readers as well as those who love to hate spiders!
This book is an elegiac meditation on the will to survive. Tor, a beluga whaler, and his wife, Astrid, a botanist specializing in Arctic flora, are stranded during the dark season of 1937-38 at his remote whaling station in the Svalbard archipelago when they misjudge ice conditions and fail to…
Because sometimes I think they go further than the formulas set by traditional publishing. I love fantasy and similar genres because there are no limits for the imagination. The books I’ve chosen fulfill what I think is important – world-building, imagination, thought-provoking, intelligent, and wonderful characters on a mission of some kind.
This author is a ‘master’ at creating fantasy worlds; his writing is intelligent and gripping. This particular series focuses on a battle between two immense powers with amazing descriptions, yet it is character-driven, making it relatable and believable. It’s thought-provoking and immerses you into a world that feels very real, its descriptions potent, its characters intriguing – I loved it.
For thousands of years they have sought the world from which they were cast out. Now, at last, Aona has been found. The younger races of this world will all be swept up in a struggle for survival, as their ancient, malevolent masters, guardians of all Aona's secrets, rise to do battle with their foes, remorseless destroyers of world after world throughout the known Existence.
I’m the tenth kid in my family. I can’t think of a single part of my personality that wasn’t defined by my interactions with my siblings, then later their partners, and then later their children. The thing about family is that, yes, it’s a source of stress and even trauma, but I’ve also found it the truest path to not just meaning in life but something like salvation. I love stories that put us at that tipping point, in part because I think most of us live there, whether we realize it or not.
I love this book because it shouldn’t work. On paper, the notion that an introverted boy’s quasi-imaginary friend is what holds together a dysfunctional family is a lost cause. I wouldn’t encourage anyone to try writing it. But that’s just what Elizabeth Genovise did.
It’s a saga of broken kids clinging to one another in the shadow of broken parents, all hoping against hope for the most unlikely of saviors. I found it sometimes weird and whacky but always profoundly insightful.
Forty-one-year-old Abra, the narrator of Third Class Relics, gathers with her brother and cousins for an uncomfortable dinner the night after her father's wake. No one speaks of the one missing family member-Jeffrey, the youngest cousin-nor of his doppelganger, Rupert, whose name Abra's father cried out just before his death. When the evening comes to a close, Abra finds herself prowling her family's history against her will. As she journeys through their darkest chapters, she is forced to confront the complex role Jeffrey/Rupert played in both healing and destroying them all, as well as the significance of her relationship with…
When I retired from the service, I wanted to be done with big decisions and just focus on family. I’d had enough war-zone drama. I’m drawn to stories where the veteran finds he/she just can’t do that. My protagonist in my debut, Stable deals with this. He’s overcome so much…the loss of his son, the loss of an aircrew, and years of depression. Now that he’s “back,” he just wants to lead a normal life. I wanted to show you can pull the veteran from the battlefield, but it’s hard to quell his or her desire to continue to serve—and the inherent conflict of service before self or family remains.
I highly recommend Nick Petrie's The Drifter and his follow-on books in the series.
The protagonist, Peter Ash, struggles with the debilitating effects of PTSD. Despite his desire to escape from society, he finds himself drawn back into it after the suicide of a fellow Marine. As he helps the man's widow with home repairs, Ash stumbles upon a shocking discovery that thrusts him back into a society filled with deceit and intrigue.
What makes this novel stand out is Petrie's sensitive and deep portrayal of Ash's struggle with PTSD. Ash's experiences in Iraq and Afghanistan have left him haunted by memories and struggling to adjust to civilian life. His white static, which he describes as a buzzing claustrophobia, is a constant reminder of the trauma he's endured.
But, as the reader will discover, Ash is a remarkably resilient character who is determined to do what's right—regardless of his personal…
The first explosive thriller featuring Peter Ash, a veteran who finds that the demons of war aren’t easily left behind...
“Lots of characters get compared to my own Jack Reacher, but Petrie’s Peter Ash is the real deal.”—Lee Child
Peter Ash came home from the wars in Iraq and Afghanistan with only one souvenir: what he calls his “white static,” the buzzing claustrophobia due to post-traumatic stress that has driven him to spend a year roaming in nature, sleeping under the stars.
But when a friend from the Marines commits suicide, Ash returns to civilization to help the man’s widow…
Tina Edwards loved her childhood and creating fairy houses, a passion shared with her father, a world-renowned architect. But at nine years old, she found him dead at his desk and is haunted by this memory. Tina's mother abruptly moved away, leaving Tina with feelings of abandonment and suspicion.
Twenty-one years ago, I moved off the grid. As a city-dweller who didn't even go camping, I'd never considered myself a country woman, but I felt called to the woods. I wanted to learn practical skills like how to split wood and bake bread, and I wanted to reduce my carbon footprint. Now, because of our lifestyle, we don't run microwaves, toasters, or dishwashers, and it’s been 20 years since I’ve had a clothes dryer. Living this way has changed me. My relationship with the environment has evolved over the years, and I don’t think I’ll ever stop learning about the different ways experiences in nature can help us humans to grow.
I love how this book starts—a young mother escaping her seemingly perfect life in the middle of the night, wearing a nightgown with infant in tow. Rachel Clayborne drives through the night to her grandmother’s lake house in northern Wisconsin, where we learn all the ways that being reasonable has led her to a miserable life.
Hassinger is particularly skilled at describing those intimate moments between a nursing mother and her young, and her protagonist, Rachael, is achingly aware of what she gave up to gain this wonderful experience of motherhood. One of my favorite scenes between Rachel and her first love, Joe, culminates with him telling her, “Did it ever occur to you that you can’t always get what you want? Even if you know what that is?” I love a story that grapples with that.
Undone by motherhood, judged by her husband, thirty-two-year-old Rachel Clayborne flees with her baby in the middle of the night for the one place on earth that's been her refuge: her grandmother's lakehouse in northern Wisconsin. Hoping to reconnect with a former, healthier self, she instead faces a confused and dying grandmother, her ever-present nurse who seems bent on thwarting each of Rachel's desires, and a changed ex-boyfriend-her first and most passionate love. As a constant rain threatens the nearby dam, Rachel struggles to discern what's happened to the past, who she's become, and what kind of a life she…
I am passionate about little-told stories of women’s lives. Too often, women have been either minimized or silenced, and in so doing, we have ignored the experience of half of humanity. I grew up in the 1950s and ’60s in the South, where girls and women were not listened to. For this reason, among others, it was hard for me to speak up for myself, hard for me to write. I found the stories of strong, courageous women—bad-ass women—whether fictional or real, to be life-affirming and inspirational in my own journey as a writer. These stories have helped me to say, “It’s my turn. I’m talking now.”
I love me a tomboy. And that’s Caddie Woodlawn, who lives on the Wisconsin frontier with her family in the 1860s, where there are still Indians in the woods, and all the richness of nature to explore with her two brothers. Plus lots of mischief to get into. The threat of a proper, domestic young lady’s life looms, but with her father to support her, Caddie resists it.
I love this book because it brings me back to my own childhood, where my siblings and I played for endless days in the woods and creek around our home, making pretend food out of sticks and mud, catching frogs and salamanders, and building forts. The kind of childhood that few children now have in suburban America.
Author Greil Marcus’ phrase “the old, weird America” gave me exactly the right words for something I’ve always felt: that there is a specific weirdness to the American landscape, an uncontrollable current of strange that runs beneath the carefully cultivated surface of heroes and neighbors and shared, stable dreams. Of course, as William Faulkner observed, the past isn’t past, and America is as weird as it’s ever been. Maybe weirder. Look at the news. Look out your window. No surprise, then, that I’m drawn to such a perspective when I read other people’s stories, and seldom get completely away from it when I write my own.
A stunning assembly of archival photographs and newspaper clippings from Jackson County, Wisconsin, in the last decade and a half of the 19th century, and the definitive explanation of why nobody in old-time photographs is ever smiling—and, I choose to believe, the real reason the parts of The Wizard of Oz set in Kansas were filmed in black and white. Economic privation, unceasing bereavement, disease both physical and mental—in other words, Tuesday. Was there any joy in Jackson County? Somewhere, I’m sure. What’s documented here is a stark, powerful beauty. The most real book I’ve ever encountered, and one of two on face-out display on my bookshelves.
This book is about life in a small turn-of-the-century Wisconsin town. Lesy has collected and arranged photographs taken between 1890 and 1910. Against these are juxtaposed excerpts from the Badger State Banner, from the Mendota State (asylum) Record Book, and occasionally quotations from the writings of Hamlin Garland and Glenway Wescott.
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
In the ‘60s, everyone was reading—or claiming to have read—Jack Kerouac’s On the Road. I faked reading it, to appear cool. The idea of a road trip, though—characters running away, running toward, or often both—and the self-discovery that ensues—was so intriguing, I made it the heart of the novel I first drafted decades ago. I wrote about a middle-aged woman who flees her life to find a lost love and her lost youth, then put the manuscript away. For 30 years. When I retired from my social work career, I pulled it from the closet, revised it, and became an author at 74.
When this astonishing debut novel about a complicated mother-daughter relationship came out, I wondered if the author had met my mother. Because Adele August believes there’s nothing for her in her small Wisconsin town, she sets off for Los Angeles with her twelve-year-old daughter and a dream—Ann will be a child star; Adele will make a wealthy marriage; they’ll live the lives they were meant to. Simpson’s writing is gorgeous: “My mother and I should have both been girls who stayed out on the porch a little longer than the rest… who strained to hear the long-distance trucks on the highway... girls who looked at the sky and wanted to go away… but who finally sighed, and calling the dog with a mixture of reluctance and relief, shut the door and went home.” Reality can’t live up to Adele’s delusions; mother-child roles are often reversed; but love underlies this tangled…
A national bestseller—adapted into a movie starring Natalie Portman and Susan Sarandon—Anywhere But Here is the heart-rending tale of a mother and daughter. A moving, often comic portrait of wise child Ann August and her mother, Adele, a larger-than-life American dreamer, the novel follows the two women as they travel through the landscape of their often conflicting ambitions. A brilliant exploration of the perennial urge to keep moving, even at the risk of profound disorientation, Anywhere But Here is a story about the things we do for love, and a powerful study of familial bonds.
