Here are 70 books that Rush fans have personally recommended if you like
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I’ve been reading romance since I was a teenager and writing them just as long. I have given workshops and panels, written a chapter on romance novels in a Kathryn Falk book, and was once the VP of SOLA. I have read thousands of books but few are memorable enough to become my favorites.
Fifty Shades of Grey was recommended to me on Amazon. It took me a full year before I finally gave in and bought Fifty Shades. And this happened because I was taking part in a radio show discussing the books because of one of my recent releases.
It took me 30 hours to read all three books. It was compelling with Ana, her Inner Goddess, and Christian Grey. I personally have always found the books great escapism from daily pressures.
The book is incredibly polarizing and the vitriol directed at its fans can get exhausting. But in my reading life, Christian’s over-the-top existence and manic living epitomizes rich boys and their toys.
"And in this quiet moment as I close my eyes, spent and sated, I think I'm in the eye of the storm. And in spite of all he's said, and what he hasn't said, I don't think I have ever been so happy." When literature student Anastasia Steele goes to interview young entrepreneur Christian Grey, she encounters a man who is beautiful, brilliant, and intimidating. The unworldly, innocent Ana is startled to realize she wants this man and, despite his enigmatic reserve, finds she is desperate to get close to him. Unable to resist Ana's quiet beauty, wit, and independent…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
The tortured hero was my first love, and I’ve never been able to shake him. He never fails to crush me, and there’s nothing more rewarding to a masochistic reader than being completely annihilated, then put back together again. These heartbroken heartbreakers are easy to love (usually), easy to forgive (hopefully), and always keep you coming back for more (definitely). My character, Darian, was born of my search for the perfect tortured hero, and although I’ve moved on to a different kind of hero for my follow-up novel, Magnolia May, he’ll forever own my heart.
“Once in Africa, I got my @ss handed to me by a king…” That’s a direct quote from my review, and it will make a lot more sense once you’ve read the book.Jack is the epitome of the tortured hero—angry, terse, godawful at times—but you accept it because, Oh my God! Think of what he’s suffered! And then you get to that part where said hero begins to soften toward the heroine and shut up! This book absolutely gutted me, and the pain was physical. No, seriously. My chest and stomach literally ached. I felt tingly, overheated, exhausted, and drained. And that was just from the prologue!
From the New York Times and USA Today bestselling author, Leylah Attar, comes a compelling, emotionally resonant novel, set against the lush backdrop of the Serengeti.
An Indie Reader Discovery Award Winner
Once in Africa, I kissed a king…
“And just like that, in an old red barn at the foothills of Mount Kilimanjaro, I discovered the elusive magic I had only ever glimpsed between the pages of great love stories. It fluttered around me like a newborn butterfly and settled in a corner of my heart. I held my breath, afraid to exhale for fear it would slip out,…
The tortured hero was my first love, and I’ve never been able to shake him. He never fails to crush me, and there’s nothing more rewarding to a masochistic reader than being completely annihilated, then put back together again. These heartbroken heartbreakers are easy to love (usually), easy to forgive (hopefully), and always keep you coming back for more (definitely). My character, Darian, was born of my search for the perfect tortured hero, and although I’ve moved on to a different kind of hero for my follow-up novel, Magnolia May, he’ll forever own my heart.
As far as tortured heroes go, Erik Fiskare is more of the brooding, quiet, suffer in silence type. The torturing happens on page, in a scene that will send your heart to your stomach. I suggest carving out time for a trilogy; it’s imperative you read book two to get the full impact of book one, and by then you’ll need book three just to heal. Lastly, be sure you’re stocked with Kleenex…and perhaps some antacid. I’m here if you need me.
A watershed moment exists in every man's life—the moment he stops being his mother's son and starts being his lover's man. When he transitions from protected to protector.
Erik "Fish" Fiskare is only a college junior when a gunman walks into the campus theater, intent on stopping the show. From the lighting booth, Fish sees his girlfriend, Marguerite "Daisy" Bianco, get caught in the line of fire. Everyone runs away from the stage but Fish, in a watershed moment, runs toward it.
Spanning fifteen years, The Man I Love explores how a single act of violence reverberates through a circle…
This book is an elegiac meditation on the will to survive. Tor, a beluga whaler, and his wife, Astrid, a botanist specializing in Arctic flora, are stranded during the dark season of 1937-38 at his remote whaling station in the Svalbard archipelago when they misjudge ice conditions and fail to…
The tortured hero was my first love, and I’ve never been able to shake him. He never fails to crush me, and there’s nothing more rewarding to a masochistic reader than being completely annihilated, then put back together again. These heartbroken heartbreakers are easy to love (usually), easy to forgive (hopefully), and always keep you coming back for more (definitely). My character, Darian, was born of my search for the perfect tortured hero, and although I’ve moved on to a different kind of hero for my follow-up novel, Magnolia May, he’ll forever own my heart.
Jonathan isn’t your typical tortured hero, as much of his brokenness is self-inflicted. But that doesn’t make his journey to redemption any less painful or heart-twisty. We follow his progress in real-time while simultaneously discovering everything he did to fall from grace in the first place. You equally love him and hate him in the most soul-crushing way. And if that little bit of catnip didn’t sway you, give five-year-old Maddie a chance.
A new second chance romance standalone from USA Today bestselling author J.M. Darhower.
He's a troubled young actor, Hollywood's newest heartthrob, struggling with fame as the star of the latest superhero franchise. Through scandal after scandal, addiction on top of addiction, a flurry of paparazzi hunt him as he fights to conquer his demons.
She's a single mother, assistant manager at a grocery store, existing in monotony with her five-year-old daughter. Every day when she goes to work, lurid tabloids surround her, the face of a notorious bad boy haunting her from their covers.
I learned how to write poetry by reading. Books have always been my main teachers. I try to read all kinds of work because there are so many different kinds of minds to learn from. When I discovered poetry as a teenager, it fascinated me on the level of the line. I spent a lot of time just looking at poems, without necessarily even reading them—let alone understanding them—because the form on the page was a revelation. It amazed me that people were allowed to do that! That I could choose to do that with words—to explode a sentence across the white space or smash all the words together.
I love prose poems, and they are a great introduction to poetry for those unfamiliar with the genre. I admire Sean Singer's singular sensibility, as he weaves the dailiness of driving a taxi with intimations of jazz, the divine, and insights into the human condition. I find this collection mesmerizing, and return to it over and again.
Sean Singer's radiant and challenging body of work involves, much like Whitman's, nothing less than the ongoing interrogation of what a poem is. In this way his books are startlingly alive... I love in this work the sense that I am the grateful recipient of Singer's jazzy curation as I move from page to page. Today in the Taxi is threaded through with quotes from Kafka, facts about jazz musicians, musings from various thinkers, from a Cathar fragment to Martin Buber to Arthur Eddington to an anonymous comedian. The taxi is at once a real taxi and the microcosm of…
I first started walking in cities at night in my late teens – mainly London but also the Italian cities I travelled through alone when I went interrailing after leaving school. I discovered that cities have a quite different character at night, and that you cannot know the streets of one intimately if you don’t explore it – safely! – after dark. In my professional career as a scholar and lecturer, I have for decades almost unconsciously been drawn to those writers who themselves discovered, to their horror or delight, that the city at night is a foreign country. The books I’ve listed, fictional or non-fictional, are postcards from this foreign land.
This richly illustrated account of the century in which Manhattan was the preeminent metropolitan city at night is written by a scholar I admire enormously, who has become a friend since I first read this book. Sharpe has an encyclopedic knowledge of the art and literature of the modern city, and New York Nocturne is in consequence a treasure trove of cultural-historical information. But it is also beautifully written. It reads not only the paintings, photographs, poems, and novels about New York with sensitivity and insight, but the sometimes glamorous, sometimes painfully arduous lives of those who lived in it.
As early as the 1850s, gaslight tempted New Yorkers out into a burgeoning nightlife filled with shopping, dining, and dancing. Electricity later turned the city at night into an even more stunning spectacle of brilliantly lit streets and glittering skyscrapers. The advent of artificial lighting revolutionized the urban night, creating not only new forms of life and leisure, but also new ways of perceiving the nocturnal experience. New York Nocturne is the first book to examine how the art of the gaslit and electrified city evolved, and how representations of nighttime New York expanded the boundaries of modern painting, literature,…
Tina Edwards loved her childhood and creating fairy houses, a passion shared with her father, a world-renowned architect. But at nine years old, she found him dead at his desk and is haunted by this memory. Tina's mother abruptly moved away, leaving Tina with feelings of abandonment and suspicion.
I’ve written fourteen historical novels now and most of them include real historical characters. I particularly like writing about women I feel have been misjudged or ignored by historians, and trying to reassess them in the modern age. Fiction allows me to imagine what they were thinking and feeling as they lived through dramatic, life-changing experiences, giving more insight than facts alone could do. Sitting at my desk in the morning and pretending to be someone else is a strange way to earn a living but it’s terrific fun!
While I was writing my novel about Elizabeth Arden and Helena Rubinstein, I heard that Renée Rosen was writing about Estée Lauder and couldn’t wait to read it.
She perfectly captures the pushy, driven, hilarious character of Estée, who was known for accosting strangers in the street to tell them they were wearing the wrong shade of lipstick for their skin tone. Renée Rosen is one of the authors whose books I always preorder: I love everything she writes.
It’s 1938, and a young woman selling face cream out of a New York City beauty parlor is determined to prove she can have it all. Her name is Estée Lauder, and she’s about to take the world by storm, in this dazzling new novel from the USA Today bestselling author of The Social Graces and Park Avenue Summer.
In New York City, you can disappear into the crowd. At least that’s what Gloria Downing desperately hopes as she tries to reinvent herself after a devastating family scandal. She’s ready for a total life makeover and a friend she can…
Escapism is my drug of choice. As a child, I was angry that my existence was confined to this reality, and I did everything I could to find a way out. Stories made it bearable. Whether it was Thor’s Bifrost, the wardrobe of Narnia, or the mirror in Stephen R. Donaldson’s Mordant’s Need duology, I was hooked. Now, I tell my own stories of escape. I create and invite others to find solace, adventure, love, and passion in fantasy realms, outer space, and reinvented parallel realities. This door is always open.
Remember A-ha’s video for Take on Me? In it, a man in a comic book pulls a woman into that two-dimensional world, and in a moment of desperation, he sends her back to save her. But true love prevails, and she pulls him into a three-dimensional life. I loved this video far more than the song, and I think I know why.
I have long been fascinated by interdimensional travel, and Donaldson’s book might be the root of the reason. A young woman, dissatisfied and disillusioned with everyday life, is offered an opportunity to escape and she takes it by following a man who crashed through her mirror. She becomes the unlikeliest of heroes as she navigates enemies and intrigue in a world she knows nothing about. The escapist in me relished the thought of finding another world and slipping away. Not knowing if the return was possibly teased out…
With The Chronicles of Thomas Covenant, Stephen R. Donaldson changed the face of fantasy fiction forever. In The Mirror of Her Dreams, the astonishing first novel in the two-volume Mordant’s Need series, Donaldson shows us a world of wondrous beauty and seductive illusion, where mirrors hold the deadliest of magics and nothing is what it seems. . . .
The daughter of rich but neglectful parents, Terisa Morgan lives alone in a New York City apartment, a young woman who has grown to doubt her own existence. Surrounded by the flat reassurance of mirrors, she leads an unfulfilled life—until the…
I have spent my professional career attempting to reform the justice system and create safer communities. For nearly two decades, I served as the executive director of the Center for Court Innovation (now the Center for Justice Innovation). Now, I co-edit a policy journal called Vital City that attempts to spark new thinking about how to achieve public safety. Over the years, I have worked with numerous city, state, and federal officials. I have seen that most of the people working within government are trying their best in difficult circumstances. I have also seen that it is enormously difficult to change government systems and solve complicated social problems.
Like many New Yorkers, I am fascinated by the history of the city.
The Cost of Good Intentionsdetails the run-up to a crucial turning point for the city: the fiscal crisis of 1975.
Written by a high-ranking city official after the fact, the book is an insightful analysis of how local government, particularly under Mayor John Lindsay, attempted to respond to a range of significant challenges, including the civil right movement, rising crime, and changing economic conditions.
Despite the best of intentions, the administration’s reach ended up exceeding its grasp, laying the groundwork not only for the fiscal crisis and for an era of declining public trust in government.
This book is about public policy making in New York during the zenith of the great liberal experiment, from 1960, Mayor Robert Wagner's third term, through John V. Lindsay, Abraham Beame, and, finally, to Edward Koch and the inevitable return of fiscal conservatism.
The bigger they come the harder they fall. When New York City fell and its intricate, often exotic, budget gimmickry came unstuck, they foundations of every other large city in America shook. If we are not to relive this history it is important to learn the lessons taught so cogently and entertainingly in this book.
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
I’ve spent years studying individual people involved in the American Revolution, especially the British soldiers and their wives. These were the people who did the day-to-day work, and their stories deserve to be told. I troll archival collections to find original documents that allow me to piece together the lives of the thousands of individuals who made up the regiments and battalions, focusing not on what they had in common, but on how they were different from each other, part of a military society but each with their own lives and experiences. They made the history happen.
Books on the war’s campaigns usually aggregate large numbers of people into bland terms like “regiments” and “refugees,” singling out only a few key players as individuals.
This book takes a refreshingly different approach, examining one of the war’s major operations from the level of participants of all sorts, from senior government officials down to the soldiers, civilians, and spies caught up in the fighting. The campaign itself has heretofore been almost entirely overlooked, or seen only in terms of a few of the battles that were part of it.
The result is a vivid account of the many components of a major campaign, and the legions of individuals involved.
After two years of defeats and reverses, 1778 had been a year of success for George Washington and the Continental Army. France had entered the war as the ally of the United States, the British had evacuated Philadelphia, and the redcoats had been fought to a standstill at the Battle of Monmouth. While the combined French-American effort to capture Newport was unsuccessful, it lead to intelligence from British-held New York that indicated a massive troop movement was imminent. British officers were selling their horses and laying in supplies for their men. Scores of empty naval transports were arriving in the…
