100 Books Like Royal Escape

Set in Cornwall, before and during the Civil War, this is a terrific tale based upon the lives of real people—most notably, perhaps, Sir Richard Grenville the King’s General in the West. It’s the story of the Rashleigh Family and Menabilly—where Daphne du Maurier herself lived.

Well written as one would expect of du Maurier—it’s a beautiful story, beautifully told; absorbing, exciting and hard to put down.

I read a lot of biographies but this one stands head and shoulders above the rest. Told with a novelist’s eye, Hastings gives a compelling account of a remarkable man, his achievements, and his tragic, utterly disgraceful end.

Travel with Montrose and his band of ill-equipped Irishmen over the Grampians in the dead of winter—it’s a journey one doesn’t forget.

I first read this in my teens and was utterly blown away. It tells the story of the young Prince Rupert of the Rhine, most famous for fighting for his uncle, King Charles the First in the English Civil Wars. I knew little about “Roundheads and Cavaliers” at the time but had the vague idea that cavaliers were silly dandies with long hair who deserved to lose, and that Rupert was a mere mercenary desperate to make money out of someone else’s war. The Rupert of this beautifully written and impeccably researched novel is so much more—dashing, yes, and fascinated by war, but also skilled, thoughtful, honourable, loyal, and unexpectedly vulnerable to those he loves. I believed in Ms. Irwin’s Rupert utterly. After my own studies, I still do.

First published in 1847, the writing style seems somewhat ponderous these days. I read it when I was about twelve—and this is where I discovered the English Civil War. It begins in 1647 and tells the story of four children who, their home burned by Parliamentary soldiers, flee to hide in the forest during a time of danger, persecution, and war. Its bias is unashamedly Royalist but that isn’t necessarily a flaw.

This is the third and final part of the author's trilogy on the East Anglian coastline, covering Essex, the previous two featuring Norfolk and Suffolk.

With her background in sailing, it is not so much a gazetteer as a wonderful medley of all things nautical as she goes off at a tangent time after time to fill in colour on the Essex coast, accompanied by her sketches and sketch maps.

Here are geology with the inundation of what has become the North Sea, human evolution, the Cinque Ports, the Hudson Bay Company, pocket submarines, sailing boat types, salt production, smuggling, Samuel Pepys, the Battle of Maldon, Anglo Saxons, oysters and other seafood, classic yacht racing, the Beagle, monsters, mermaids, the Great Lakes and much more.

Through his jaundiced eyes we accompany our erstwhile hero into coffee shops, the arms of actresses, and experience the ebb and flow of London life. Later we watch as his beloved London undergoes the rigors of the plague of 1665 and then how he buries his beloved cheese in the wake of the Great Fire of London. A true classic.

Entertaining Mr. Pepys explores the world of British theater during a time when women were finally allowed on stage as actresses. I loved it because of how the author explored her main character’s fascination with acting, which reminded me very much of how Grace in my own book is captivated by the stage and willing to go to any lengths to become an actress. I have read several of Swift’s novels and credit them with inspiring me to write my own novels based on women in the arts.

Why do our libraries, those at home, at university, or in the public library network, look the way they do? Many people would agree that books are best stored upright on shelves, spine out, but how did we come to that conclusion? This delightful book offers all the answers, and incidentally reveals more than you could ever think of to ask about the manner in which we take care of, store, and display books. It might even give you some inspiration on how to arrange your own collection.

Saint-Simon was another passionate outsider. He compensated for his lack of position and favour under Louis XIV by putting his fantasies of omniscience and his psychological perception into his memoirs. One of the great stylists of the French language, he leads readers into a universe where class, personality, and ambition are more important than public issues. He blamed French defeats on Louis XIV’s pride and ignorance. He called Versailles ’the saddest and most unrewarding place in the world’ and the King’s Revocation of the Edict of Nantes, heightening persecution of Protestants, ‘a general abomination born of flattery and cruelty’. At the same time, he praised the King’s ‘incomparable grace and majesty’. ‘Never was a man so naturally polite.’

My grandfather went to elementary school with Kathleen Winsor, whose bestselling historical romance, Forever Amber, was banned in some places for being too sexy. I haven't read the novel since I was a teenager, but I loved it at the time and would probably still enjoy it for the sheer romanticism today. Amber starts as a peasant and works her way up through the ranks of lords and ladies of restoration England, becoming the mistress of King Charles II—but she does it with way more bodice ripping than Becky Sharp ever dreamed. Amber navigates the Great Plague and Fire of England while, all along, she yearns for a man she can't have. Think Gone With The Wind, but without the racism.