Here are 99 books that Return the Innocent Earth fans have personally recommended if you like
Return the Innocent Earth.
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I grew up on the wild island of Tasmania. I saw the Vietnam War on TV, then went to a farm my father was ‘developing.’ It felt like war. The natural beauty that I’d once played in was destroyed by machines, poisons, and fire. During agricultural college in mainland Australia, I recognized an absence of reverence for Mother Nature. Women were missing from the rural narrative that increasingly held an economics-only mindset when it came to food. I’m a co-founder of Ripple Farm Landscape Healing Hub–a 100-acre farm we’re restoring to natural beauty and producing loved meat and eggs for customers. And I’m a devoted mum, shepherd, and working dog trainer.
Divine, divine, divine! This novel taught me so much about the landscape in Appalachia. The female characters were rich and deep. Running throughout the story was the thread of women standing for farming systems that partner with nature versus male characters who want to dominate or decimate.
It was musical and mystical, and I just adored being transported to the cabin in the woods and the rich gardens of the women who knew how Mama Earth rolls. There was also a wonderful exploration of female desire. It was lush and leafy, and I’m so grateful to Barbara for writing this book
It is summer in the Appalachian mountains and love, desire and attraction are in the air. Nature, too, it seems, is not immune. From her outpost in an isolated mountain cabin, Deanna Wolfe, a reclusive wildlife biologist, watches a den of coyotes that have recently migrated into the region. She is caught off guard by a young hunter who invades her most private spaces and interrupts her self-assured, solitary life. On a farm several miles down the mountain, Lusa Maluf Landowski, a bookish city girl turned farmer's wife, finds herself marooned in a strange place where she must declare or…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
I moved from Ohio to southern Appalachia in 1978 to take a temporary job teaching philosophy at the University of Tennessee. I hadn’t planned to stay, but I fell in love with the mountains. Recently I retired after a fruitful 44-year career here. Concern for this land and for my children and grandchildren led me to environmental activism and shifted my teaching and writing from mathematical logic to environmental and intergenerational ethics. Eventually I wrote or edited four books on environmental matters (two specifically on the southern Appalachian environment) in addition to three on logic and (most recently) a tome on the tricky topic of incomparable values.
Camuto’s supple prose draws the reader into a journey toward mountains that no longer exist, although they are named on some old maps: the southern Appalachians not as they are, but as they were before the European invasion. A keen historian and observant naturalist, Camuto walks deep into “what’s left of the backcountry,” documenting the hopeful reintroduction of the nearly extinct red wolf and reflecting on Cherokee place names, culture, and history. "Needless to say,” he confesses, “I never got to the Cherokee Mountains”—and, in sad irony, shortly after the book’s publication the red wolf reintroduction failed. Still, Camuto has succeeded in recording resonant reminiscences of places, peoples, and biotic populations now lost.
The southern Appalachians encompass one of the most beautiful, biologically diverse, and historically important regions of North America. In the widely acclaimed Another Country: Journeying toward the Cherokee Mountains, Christopher Camuto describes the tragic collision of natural and cultural history embedded in the region. In the spirit of Thoreau's "Walking," Camuto explores the Appalachian summit country of the Great Smoky Mountains-the historical home of the Cherokee-searching for access to the nature, history, and spirit of a magnificent, if diminished, landscape.
As the author takes the reader through old-growth forests and ancient myths, he tells of the attempted restoration of Canis…
Several years ago I gave a paper - Human experiments in Teratogenicity - a brief exploration of the use of herbicides in the Vietnam. I was accused of and being a traitor to my discipline and siding with the environmentalists who wanted to diminish herbicide use in agriculture. I wasn't guilty as charged. The accusation encouraged me to explore agriculture's values and ethical foundation. I have continued to explore the ethics of agriculture, question the ethics of the whole agricultural enterprise. I've written, learned, and thought about the application of moral philosophy to agriculture. The book selected will help readers think about the questions and guide those interested in pursuing the application of moral philosophy to agriculture.
Wendell Berry is a Kentucky farmer, a prolific author, an environmental activist, cultural critic, and poet.
In this book, one of his many, he raises important questions about the practice of agriculture in the United States and some of the consequences including loss of small farms and communities, the ecological effects, energy use, and agriculture's externalities.
His work has been largely ignored by the agricultural community including most faculty in colleges of agriculture. He writes eloquently about his concern that man was not made to rule the world and his claim that to rule the world we must conquer it.
Humans and agriculture have conquered and ignored and externalized the cultural, environmental, and human costs, which Berry explores in detail. His work has not been ignored by the environmental community.
Since its publication in 1977, The Unsettling of America has been recognized as a classic of American letters. In it, Wendell Berry argues that good farming is a cultural and spiritual discipline. Today’s agribusiness, however, takes farming out of its cultural context and away from families. As a result, we as a nation are more estranged from the land—from the intimate knowledge, love, and care of it.
Sadly, his arguments and observations are more relevant than ever. Although “this book has not had the happy fate of being proved wrong,” Berry writes, there are people working “to make something comely…
The problem is not with the actions young women take but with the toxic, sexist conditions they are responding to.
Tanenbaum found, based on six years of interviews with young people ages 14-30, that young women are navigating a culture littered with gendered dress codes, revenge porn, and sexually explicit…
I moved from Ohio to southern Appalachia in 1978 to take a temporary job teaching philosophy at the University of Tennessee. I hadn’t planned to stay, but I fell in love with the mountains. Recently I retired after a fruitful 44-year career here. Concern for this land and for my children and grandchildren led me to environmental activism and shifted my teaching and writing from mathematical logic to environmental and intergenerational ethics. Eventually I wrote or edited four books on environmental matters (two specifically on the southern Appalachian environment) in addition to three on logic and (most recently) a tome on the tricky topic of incomparable values.
It rings with awe-struck musings on Bartram’s explorations, begun just before the American revolution, of the lush and bountiful landscapes of the southern British colonies. Bartram’s effusive descriptions of the astonishingly profuse flora and fauna, replete with taxonomic names, provide a baseline for gauging the steep ecological declines that followed. The Penguin edition includes an appreciative introduction by American writer James Dickey, best known for his novel Deliverance.
At the request of Dr. Fothergill, of London, to search the Floridas, and the western parts of Carolina and Georgia, for the discovery of rare and useful productions of nature, chiefly in the vegetable kingdom; in April, 1773, I embarked for Charleston, South Carolina, on board the brigantine Charleston Packet, Captain Wright, the brig——, Captain Mason, being in company with us, and bound to the same port. We had a pleasant run down the Delaware, 150 miles to Cape Henlopen, the two vessels entering the Atlantic together. For the first twenty-four hours, we had a prosperous gale, and were cheerful…
I’m a mystery author from sunny California who moved to New England to be close to my dark roots. Places spark my imagination. As a child, I’d look at a house and wonder, “What would it be like to live there, in that town and that landscape?” On family road trips, my parents fueled my desire for knowledge about different places by reading from the WPA guides to the states. The books I enjoy the most have a strong sense of place. I want my readers to experience my settings as fully as I do. Setting is where a book begins. Characters and story spring from this fertile ground.
I was drawn to this book because it’s loaded with atmosphere, and features hill folk like I do, with the difference that McCrumb’s characters inhabit the hills of Tennessee, while mine live in the Berkshire Hills of Western Massachusetts. I especially like the way she weaves local lore and legends into the story, and how she reveals how the landscape appears to different characters, ranging from a long-ago woman, kidnapped by Indians who escapes and makes her way homeward, to a modern-day non-hillbilly who struggles to re-create her difficult journey. Then, there’s the way McCrumb adds a dash of the supernatural through a character with psychic powers—all of which have been grist to my fictional mill.
Katie Wyler still crosses Ashe Mountain, and although a few can see her, Deputy Sheriff Martha Ayers doesn't believe in ghosts. Hiram Sorley has escaped after 30 years in prison and he's on his way home to Ashe Mountain. Only Martha seems to understand that Sorley's wife and daughter are in danger.
I’ve loved fiction that excites my mind and imagination since I was very young. I spent a lot of time in the library growing up, mostly reading horror and historical narratives. Later, I became interested in music, painting, film, philosophy, psychology, cognitive science, religion, and politics. I’m not an expert in anything—I’m too driven to make things to be a good scholar—but these are the subject areas that inform what I write.
McCarthy’s second novel is an underappreciated masterpiece, one that combines the author’s distinct style and notoriously difficult subject matter with a genuinely sublime vision of the world. Simultaneously a horror novel, a historical fiction, a Gnostic heresy, a cosmic joke, and act of spiritual seeking, I cannot recommend it enough.
By Cormac McCarthy, the author of the critically acclaimed Border Trilogy, Outer Dark is a novel at once mythic and starkly evocative, set in an unspecified place in Appalachia sometime around the turn of the century. A woman bears her brother's child, a boy; the brother leaves the baby in the woods and tells her he died of natural causes. Discovering her brother's lie, she sets forth alone to find her son. Both brother and sister wander separately through a countryside being scourged by three terrifying and elusive strangers, headlong toward an eerie, apocalyptic resolution.
Crossing is a vividly human re-imagining of the love, sacrifices, and accomplishments that two Chinese brothers - American Immigrants - experience as they travel to California to build the Transcontinental Railroad.
I grew up in West Virginia and believed you had to leave the region to write. Only after I’d published my first novel did I discover books like these and many more. I have become a wide reader in our literature, with a special interest in novels that both tell the stories of individuals and families and explore the connection between resource extraction and poverty. It’s also a pleasure to read about regional successes as well as losses.
Kentucky writer Robert Gipe’s graphic novel is about a teen-age girl growing up in Appalachia.
Dawn tells the story of her drug-dealing junk-food-scarfing Kentucky family and their dilemmas. Like Maynard’s characters, Gipe’s border stereotypes, or would, if Gipe didn’t know and respect his people so well. These are the descendants of the hunters of Hunter’s Horn and the battling miners of Storming Heaven.
There is also a strong political thread about Dawn's grandmother who is an organizer against mountaintop removal. The novel has the bonus of Gipe’s wry little black and white illustrations.
Dawn Jewell is fifteen. She is restless, curious, and wry. She listens to Black Flag, speaks her mind, and joins her grandmother's fight against mountaintop removal mining almost in spite of herself. "I write by ear," says Robert Gipe, and Dawn's voice is the essence of his debut novel, Trampoline. She lives in eastern Kentucky with her addict mother and her Mamaw, whose stance against the coal companies has earned her the community's ire. Jagged and honest, Trampoline is a powerful portrait of a place struggling with the economic and social forces that threaten and define it. Inspired by oral…
I don’t consider myself specifically a horror reader (or writer for that matter!) any more than I consider myself a fantasy, mystery, or science fiction reader. As a writer (under my real name John Mantooth as well as my pseudonym, Hank Early), much of my work has been classified as horror, though I take pride in my novels appealing to people who aren’t typically well-versed in the genre. So, it got me thinking… what are some novels that may or may not be classified as horror that will appeal to a wide range of readers? I call these books horror-adjacent, and no matter what you typically read, I think you’ll enjoy them.
Another one I read many years ago that still has its claws in me today. A sprawling epic made up of many Appalachian voices. There’s magic and grief and family secrets. It’s a Southern Gothic that will grip you from the first page and has influenced me as a writer in a myriad of ways. This might be an example of a novel that wasn’t classified as horror, but very well could have been. Will appeal to all kinds of readers.
A dark and riveting story of the legacies—of magic and madness, faith and secrets, passion and loss—that haunt one family across the generations.
Myra Lamb is a wild girl with mysterious, haint blue eyes who grows up on remote Bloodroot Mountain. Her grandmother, Byrdie, protects her fiercely and passes down “the touch” that bewitches people and animals alike. But when John Odom tries to tame Myra, it sparks a shocking disaster, ripping lives apart.
"A fascinating look at a rural world full of love and life, and dreams and disappointment." --The Boston Globe
I have been a fan of the horror genre since I was a kid. Even though sometimes I was so scared, I had to sleep with the light on or not sleep at all. Something about the darkness and the unknown has always seemed so alluring. I can't even count the number of horror movies I've watched or books I've read. That feel of the hair standing up on your arms or the back of your neck is a thrill like no other.
Tales of a witch's curse in Appalachia draw a grieving father to sacrifice everything for his son. How far will a parent go to save their child and then how much farther will they have to go to save themselves? A Southern voodoo twist on Pet Cemetery that’s twice as frightening and just as engaging.
SOMETHING EVIL ROSE FROM WITHIN, AN ANCIENT BEING, ONE OLDER THAN TIME ITSELF...
Deep in the mountains of Appalachia, a legend is told about something evil that lurks within the dense woods of Gunrack Hollow. A witch is said to live there, one whose appetite for innocent souls dates back hundreds of years.
Sam Fletcher had heard the story his whole life, but he never really believed it. After all, as his father always said, it's just an old folktale...only a story.
But two years ago, something happened that made him believe. Something that ties back to an ancient evil…
At five years old, Kasiel was found with the pointed ends of his ears cut off. Despite that brutal start, he’s lived twelve peaceful years with the man who took him in. Keeping his hair long over his mutilated ears helps him hide the fact that he is Vanrian, a…
I started learning about the Great Forest in the early 1980s, when my husband and I homesteaded a 100 acre woodlot in the Allegheny Mountains of Virginia. Our long back border is with the 1.2 million acres of the George Washington National Forest. So, from the beginning, we straddled the philosophical and ethical differences between private and public lands. As we learned about the devastation done to the Appalachian Mountain forests by private owners who cared for nothing but money, we took lessons from the past to form our own forest management plan aimed at avoiding such excesses. And we became advocates for the protection of national forests from any repeat of the past.
The amazing photos and descriptions in the book absolutely stunned me. From 1880 to 1930, West Virginia went from being 95% forested with mostly virgin woods to 85% denuded, reflecting the fate of much of the Appalachian Mountain chain. In the early 1900s, the mill in Rainelle, WV, was the largest hardwood lumber plant in the world.
Clarkson tells this story through text and an amazing collection of photos, including of the largest tree ever cut in WV, in 1913: a white oak thirteen feet in diameter and estimated at 1,000 years old.
Outcries over damages from reckless timbering, followed by roaring fires and eroding floods, resulted in the Weeks Act of 1911, which authorized the U.S. Forest Service to purchase millions of acres of burning, eroding mountains for reforestation.
A truly entertaining and historical book with educational merit that portrays the lumber industry from its inconspicuous beginnings through a century and a half of progress. The main emphasis throughout Tumult... is on the day to day work and lives of the men engaged in the felling, skidding, loading, hauling, and sowing of timber. This book includes 257 full-page photos and a map insert.
