100 Books Like Rental House

Taking a transnational frame and drawing on English- and Chinese-language sources by and about Eurasians, this book uses juxtaposition to bring different perspectives to bear on each other. People’s lives, the choices they make amid various external limitations, are at the heart. The book takes a unique structural approach, with a prologue before each main chapter that describes a central story and helps ground and guide the larger narrative. In exploring interracial marriages and the lives of couples and children, the work shows how Eurasians have been producers of knowledge. Through highly diverse sources from the era, the author demonstrates that Eurasians have engaged in self-representation in complex ways and a broad range of voices and experiences comprise the category “Eurasian.”

I first read Maxine Hong Kingston in college, but I can’t remember if I was assigned China Men or The Woman Warrior (the more famous counterpoint to China Men). All I know is that whichever one I read, I loved it so much that I immediately sought out the companion piece, which I also loved. In China Men, Kingston weaves together fiction and nonfiction, history and myth, story and memory. Is it a novel? A tapestry? I’m not quite sure what to call it, and that’s part of what I love about the book. Brief interludes of two or three pages present a single scene; longer stories narrate entire sagas. I love that this volume covers so much literal ground but ultimately feels incredibly personal.

Among U.S. immigrants and racially and culturally marginalized peoples, Asian Americans have a particularly complicated history in our national culture. Chinese and other ethnic Asians are still less than 7% percent of the U.S., a modicum at least partly conditioned by Chinese Exclusion, a federal law that for more than sixty years (from 1882-1943) severely restricted ethnic Asians from immigrating to and settling within the U.S.

But just as Neil Gabler and Lin-Manuel Miranda emphasize the migrants and racial-ethnic minorities at the core of America’s founding myths, novelist Lisa See details an eclectic group of artists, movie stars, and other creatives who gathered in Los Angeles Chinatown since the 1930s. This multimedia, multicultural milieu included both whites and ethnic Asians and spanned Hollywood, fine art, and commercial design.

Now a classic Asian American history, See's bestselling 1995 family history documents the enduring impact of the Chinatown residents and creatives who… show more.

Stanford isn’t a happy camper when, because of a failing grade in English, he has to go to summer school instead of basketball camp. Used to being a star basketball player, he’s embarrassed by this new turn of events. Millicent Min as his tutor is the last straw. I love how the plot and various situations, along with his parents’ bickering and his grandmother entering a nursing home, feel real and something today’s kids can relate to. And also how, despite Stanford’s disappointments, he puts forth his best efforts all the while he tries to manage his problems. There’s plenty of humor, too.

This book was extremely poignant. It may not be intended for the youngest of readers. I admit, I read it on my own. But the message was deep. Children from preschool to teenage can have strong feelings about their parents’ behaviors. But what young children don’t often (can’t often) understand is where, in their parents’ history, those behaviors are born out of.

This story takes something as simple as foraging for watercress on the side of the road and examines where, in the narrator’s parents’ history, that behavior comes from. It’s sorrowful, haunting, and hopeful all at the same time. This is a beautiful book to address the “big feelings” of embarrassment kids may feel about their parents without understanding the reasoning behind their patent’s actions.

This one captured my heart completely, and I sobbed at the end. Although dystopian, it is a timely story about the consequences of racism, oppression, and fear in America. The main characters are a boy and his missing mother. His quest to find her will touch you deeply.

I love emotionally gripping books that carry a deep message or meaning, and this one does that beautifully.

I can’t think of this book without picturing my own little girl when she was 3 years old with pigtails sticking out, just like Amy Wu.

She and I read this over and over again to the point that she could quote the whole book. It is such a sweet story about family traditions and pushing through the challenge it can be for little hands to learn how to do something new.

The story is precious and the illustrations are delightful.

Weike Wang is kind of a master at dry, unadorned, razor-sharp writing. This book made me both cry and laugh. Joan is doing perfectly fine—great, even—if anyone asks her. Her life is efficient and successful and—empty.

When her father dies, her mother returns from China, and their subsequent interactions force Joan to stop just going through the motions and actually take a look at her life. This book is sweet but not saccharine, and its humor comes from Joan’s quirky observations which felt very relatable to me. 

The experience of being a teenage exchange student living with a Beijing family whose mother is dying of cancer and whose father makes an aborted sexual pass on her marked Solimine deeply enough to inspire this novel. The author wisely shifts the focus away from herself and adopts the role of frame narrator as she reconstructs the family’s history and events leading up to her arrival, where she inserts herself into the story. The narrative unfolds in flashbacks, impressionistic vignettes, and haunting poetic imagery to capture fleeting moments which build in intensity. It’s the kind of novel readers may not find easygoing on first acquaintance – the cracked-glass cover design nicely conveys the initial impression – but promises to improve on rereading.

I love all of Grace Lin’s books – we share the same surname after all! Bringing in the New Year is another great one of hers. This board book is meant for the very young (0-3 years), but older kids will learn from it too. It describes how a Chinese family prepares for the Chinese New Year - decorating the house, making dumplings, and wearing new clothes. Celebrations follow with fireworks and lion dancers to scare away the previous year’s bad luck. The fun color illustrations will be a hit with the little ones, especially the fold-out dragon at the end of the book.