Here are 100 books that Reclaiming 42 fans have personally recommended if you like
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I am a theater historian whose research focuses on African American theater of 1940s-50s. While other periods and movements—the Harlem Renaissance (1920s), the Federal Theatre Project (1930s), the Black Arts Movement (1960s), and contemporary theater—have been well studied and documented, I saw a gap of scholarship around the 1940s-50s; I wondered why those years had been largely overlooked. As I dived deeper, I saw how African American performance culture (ie. theater, film, television, music) of the later-20th Century had its roots in the history of those somewhat overlooked decades. I’m still investigating that story, and these books have helped me do it.
I’ve taught Lorraine Hansberry’s landmark 1959 play A Raisin in the Sun many times in my university courses. That play transformed African American theater in the Civil Rights era and marked a phenomenal debut for its 29-year-old writer. In her too-short life (she died a few years later from pancreatic cancer), Hansberry built an extraordinary life as a writer, intellectual, and political activist. This biography tells that rich, remarkable story.
A "loving, lavishly detailed" (New York Times) and captivating portrait of Lorraine Hansberry's life, art, and political activism-one of O Magazine's best books of April 2021
"A devoted and deeply felt account of the development of an artist's mind."-Dave Itzkoff, New York Times Book Review (2021 Summer Reading issue)
In this acclaimed biography of Lorraine Hansberry, Soyica Diggs Colbert narrates a life at the intersection of art and politics, arguing that for Hansberry the theater operated as a rehearsal room for her political and intellectual work. Celebrated for her play A Raisin in the Sun, Hansberry was also the author…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
I am a theater historian whose research focuses on African American theater of 1940s-50s. While other periods and movements—the Harlem Renaissance (1920s), the Federal Theatre Project (1930s), the Black Arts Movement (1960s), and contemporary theater—have been well studied and documented, I saw a gap of scholarship around the 1940s-50s; I wondered why those years had been largely overlooked. As I dived deeper, I saw how African American performance culture (ie. theater, film, television, music) of the later-20th Century had its roots in the history of those somewhat overlooked decades. I’m still investigating that story, and these books have helped me do it.
As I was writing my book, I delved more into the professional singing career of Harry Belafonte. I knew him as the singer of familiar, toe-tapping, globally-inspired hits (i.e. “The Banana Boat Song,” “Jump In the Line,” “Matilda”). I didn’t know about the depth and breadth of his commitment to racial justice. Nor did I realize, more importantly, how his Civil Rights activism informed and shaped his artistic career as an actor and a musician. An eye-opening read about a cultural icon.
A son of poor Jamaican immigrants who grew up in Depression-era Harlem, Harry Belafonte became the first black performer to gain artistic control over the representation of African Americans in commercial television and film. Forging connections with an astonishing array of consequential players on the American scene in the decades following World War II-from Paul Robeson to Ed Sullivan, John Kennedy to Stokely Carmichael-Belafonte established his place in American culture as a hugely popular singer, matinee idol, internationalist, and champion of civil rights, black pride, and black power.
In Becoming Belafonte, Judith E. Smith presents the first full-length interpretive study…
I am a theater historian whose research focuses on African American theater of 1940s-50s. While other periods and movements—the Harlem Renaissance (1920s), the Federal Theatre Project (1930s), the Black Arts Movement (1960s), and contemporary theater—have been well studied and documented, I saw a gap of scholarship around the 1940s-50s; I wondered why those years had been largely overlooked. As I dived deeper, I saw how African American performance culture (ie. theater, film, television, music) of the later-20th Century had its roots in the history of those somewhat overlooked decades. I’m still investigating that story, and these books have helped me do it.
We often learn about African American history in the 20th Century in terms of a conflict between nonviolent resistance vs. violent radicalism, integrationism vs. separatism, Martin vs. Malcolm. But this is an over-simplification of a complex and dynamic moment in the history of our nation. More than any other work, Black is a Country helped me think differently about the period that I study, and see African American history and culture of the mid-20th Century in a new way.
Despite black gains in modern America, the end of racism is not yet in sight. Nikhil Pal Singh asks what happened to the worldly and radical visions of equality that animated black intellectual activists from W. E. B. Du Bois in the 1930s to Martin Luther King, Jr. in the 1960s. In so doing, he constructs an alternative history of civil rights in the twentieth century, a long civil rights era, in which radical hopes and global dreams are recognized as central to the history of black struggle.
It is through the words and thought of key black intellectuals, like…
Sine, a professor of creative writing, accompanies Sam, a neuroscientist, on a conference trip to a Hotel Castle. Sam wants to present a new device, the "monitor." Sine hopes to recover from tending to her mother who just passed away.
When they arrive, Sine is in a dream-like state. Real…
I am a theater historian whose research focuses on African American theater of 1940s-50s. While other periods and movements—the Harlem Renaissance (1920s), the Federal Theatre Project (1930s), the Black Arts Movement (1960s), and contemporary theater—have been well studied and documented, I saw a gap of scholarship around the 1940s-50s; I wondered why those years had been largely overlooked. As I dived deeper, I saw how African American performance culture (ie. theater, film, television, music) of the later-20th Century had its roots in the history of those somewhat overlooked decades. I’m still investigating that story, and these books have helped me do it.
We tend to think about the Black Arts Movement of the 1960s as dominated by militant male voices. This book explores the rich contributions of black women artists to the movement—by amplifying the voices of women artists in their own words. The book is a collection of oral histories, drawing on dozens of interviews with influential Black women artists. Some of them are recognizable, like playwrights/poets Sonia Sanchez and Ntozake Shange. Others are less familiar names whose influence should be appreciated more fully. This is a rich celebration of the impact of women artists during a key period of African American cultural change.
The first oral history to fully explore the contributions of black women intellectuals to the Black Arts Movement, Sistuhs in the Struggle reclaims a vital yet under-researched chapter in African American, women's, and theater history. This groundbreaking study documents how black women theater artists and activists-many of whom worked behind the scenes as directors, designers, producers, stage managers, and artistic directors-disseminated the black aesthetic and emboldened their communities.
Drawing on nearly thirty original interviews with well-known artists such as Ntozake Shange and Sonia Sanchez as well as less-studied figures including distinguished lighting designer Shirley Prendergast, dancer and choreographer Halifu Osumare,…
As a teacher and historian, I’m interested in the collision of cultures that resulted from western intervention in Asia during the nineteenth and twentieth centuries. For young Asian nationalists, historical writing was a weapon to be wielded in the fight against imperialism. It is equally important for us to understand the forces that shape our collective memories and to recognize that historians don’t just uncover the past—they produce it.
What happens when a society is unwilling to acknowledge acts of barbarism in its past? In 1976, while leading a student protest at Thammasat University, Thongchai Winichakul watched in horror as government forces and rightist elements stormed the campus, killing over eighty of his fellow students and committing unspeakable acts on the living and the dead. He wrote this book to help process memories of an atrocity that took the lives of his friends and haunted his career as a Thai historian. To this day, the Thammasat massacre is marked only by silence from official sources. As a result, Thongchai observes that Thai society is trapped in a state of ‘unforgetting,’ unable to either remember or forget the trauma.
The massacre on October 6, 1976, in Bangkok was brutal and violent, its savagery unprecedented in modern Thai history. Four decades later there has been no investigation into the atrocity; information remains limited, the truth unknown. There has been no collective coming to terms with what happened or who is responsible. Thai society still refuses to confront this dark page in its history.
Moments of Silence focuses on the silence that surrounds the October 6 massacre. Silence, the book argues, is not forgetting. Rather it signals an inability to forget or remember-or to articulate a socially meaningful memory. It is…
Over the past 50 years, I've been one of those “tenured radicals” the right-wing loved to bash. But before that, during the 1960s, I worked, often full-time, in the social movements that didchange America: civil rights, anti-war, feminism. I was older, so I became a “professor-activist.” As a teacher, I applied what I had learned in the movements to reconstruct ideas about which writers mattered—women as well as men, minorities as well as whites: Zora Neale Hurston, Frederick Douglass, Adrienne Rich as well as Nathaniel Hawthorne, Herman Melville, Ernest Hemingway. Using that principle, I led a team that created a very successful collection, The Heath Anthology of American Literature.
Mickey and Dick Flacks enjoyed a 60-year marital and political partnership that featured blintzes along with activism. Their joint memoir traces a century of American left history as they and their families created and lived it. Raised in the rich but insulated culture of the communist “old left” in the Bronx and Brooklyn, these founding figures of the "new left,” helped construct a post-sixties progressive movement in a once-conservative region of California. They have been trailblazers in the struggles for affordable housing, and leaders and mentors—including me—in the on-going efforts to democratize higher education. Their activist left perspective on American possibility—unimaginable for too many Americans—belongs on our bookshelves.
Making History/Making Blintzes is a chronicle of the political and personal lives of progressive activists Richard (Dick) and Miriam (Mickey) Flacks, two of the founders of Students for a Democratic Society (SDS). As active members of the Civil Rights movement and the anti-Vietnam War movement in the 1960s, and leaders in today's social movements, their stories are a first-hand account of progressive American activism from the 1960s to the present.
Throughout this memoir, the couple demonstrates that their lifelong commitment to making history through social activism cannot be understood without returning to the deeply personal context of their family history-of…
In an age of splendor, a heretic king strips Egypt bare—forcing his queen to quell rebellion and plunging his children into a conspiracy against the crown.
Salvation in the Sun follows Nefertiti as she ascends the throne beside Pharaoh Amenhotep—soon to become Akhenaten—just as he declares war on Egypt’s ancient…
I’ve been panicking about environmental destruction ever since a fateful day in eighth grade, when I stayed home with the flu binge-watching Animal Planet, realizing that every ecosystem on earth was in decline. In college, unable to hack it as an environmental scientist, I switched majors to writing, and now I tell stories to try and help the planet. I’m an environmental journalist for One Breath Houston, covering the racist, illegal polluting of the petrochemical industry in Houston, Texas. I’m also a climate fiction author, and my debut novella, Depart, Depart! was an Otherwise Award Honor List book. The first installment in my YA cli-fi trilogy Seeds for the Swarm is forthcoming from Stelliform Press in Fall 2022.
At this point in the reading list, hopefully, you’re feeling more grounded in your climate grief and energized to fight for what’s left of the natural world. A Spy in the Struggle is a fast-paced novel about activism at the intersection of racial and environmental justice. Yolanda Vance is a ruthless, capitalist FBI agent who infiltrates a Black activist group organizing against a biotech corporation that’s poisoning their neighborhood.
By making the protagonist start off as an enemy of the climate movement, De León demonstrates the kinds of experiences and messaging that can win over new allies. This book also centers the Black communities that are doing some of the most critical organizing against environmental racism in the U.S. and reveals the interconnectedness between police brutality, racial capitalism, and the climate crisis. In most cities in the U.S., you’ll find communities of color organizing against environmental racism, and I hope…
The Washington Post Featured Thriller That Will Have You On The Edge Of Your Seat Bustle's Most Anticipated Reads for December An Amazon Best of the Month Selection Book Riot Featured Hispanic Heritage Month Book CrimeReads Most Anticipated Crime Books of Fall 2020 Novel Suspects Featured December New Release
"A passionately felt stand-alone with an affecting personal story at its center." - The Washington Post
Winner of the International Latino Book Award, Aya de Leon, returns with a thrilling and timely story of feminism, climate, and corporate justice--as one successful lawyer must decide whether to put everything on the line…
Although I am Jewish, I didn’t know much about Israel until college. I studied in Cairo and Jerusalem and became very committed to Palestinian rights. I married a Palestinian Muslim, and we raised our daughters in the West Bank under Israeli occupation. Now, I spend most of my time talking with people about the need for justice, peace, security, and dignity for everyone and explaining why equality for Palestinians is not only a moral stance but one that is also good for Jews. The books I recommended help young people understand Palestinian experiences so they can resist the dehumanizing messages that are so common in the media.
I loved learning Ahed Tamimi’s story from her directly rather than from a news story. How often do teenagers get to learn about life in Palestine from a Palestinian age mate? Ahed was arrested when she was 16 for slapping a soldier, but her story started when she was born in the West Bank under Israeli occupation.
I found Ahed’s story informative and inspiring, and I can’t stop thinking about her!
A Palestinian activist jailed at sixteen after a confrontation with Israeli soldiers illuminates the daily struggles of life under occupation in this moving, deeply personal memoir.
“I cannot even begin to convey the clarity, the intensity, the power, the photographic storytelling of They Called Me a Lioness.”—Ibram X. Kendi, internationally bestselling author of How to Be an Antiracist
ONE OF THE BEST BOOKS OF THE YEAR: Kirkus Reviews
“What would you do if you grew up seeing your home repeatedly raided? Your parents arrested? Your mother shot? Your uncle killed? Try, for just a moment, to imagine that this was…
I am a professor of Latin American history at the University of North Carolina at Chapel Hill. My teaching and research focus on Andean history, and I have written several books on the period of political violence that pitted guerrillas of the Shining Path and Tupac Amaru Revolutionary Movement (MRTA) against Peruvian security forces and peasant militias during the 1980s and 1990s. I have been researching in Peru for twenty years, from Lima’s shantytowns, to the Andes mountains, to the Amazon jungle. A Peruvian-American, I maintain strong family ties to the region and am a proud, yet frequently heartbroken, supporter of the national soccer team.
I love anything by Jaymie Patricia Heilman. Her writing is always smart, compelling, and beautiful—and this book, co-authored with its main character, is no exception. Part political history, part memoir, this book recounts the incredible life of Manuel Llamojha Mitma, a little-known Indigenous activist whose struggle for land, citizenship, and anti-racism brought him face-to-face with some of the most oppressive forces of 20th-century Latin America. More than an autobiography, this sobering and powerful collaborative history contextualizes the struggles and achievements of Indigenous people at the height of the Cold War.
Born in 1921, Manuel Llamojha Mitma became one of Peru's most creative and inspiring indigenous political activists. Now Peru Is Mine combines extensive oral history interviews with archival research to chronicle his struggles for indigenous land rights and political inclusion as well as his fight against anti-Indian racism. His compelling story-framed by Jaymie Patricia Heilman's historical contextualization-covers nearly eight decades, from the poverty of his youth and teaching himself to read, to becoming an internationally known activist. Llamojha also recounts his life's tragedies, such as being forced to flee his home and the disappearance of his son during the war…
Born the heir of a master woodcutter in a queendom defined by guilds and matrilineal inheritance, nonbinary Sorin can’t quite seem to find their place. At seventeen, an opportunity to attend an alchemical guild fair and secure an apprenticeship with the…
As a writer, I’ve found that learning about other writers and their processes helps me. Over the years, I’ve devoured the memoirs and letters of writers like Madeleine L’Engle, Audre Lorde, and Zora Neal Hurston. In 2006, when I started a writing program for young people in my city, I brought these writers’ words to use as writing prompts. When I researched my book, Mightier Than the Sword, I read dozens of anthologies to find people who used writing to make a difference in their fields—science, art, politics, music, and sports. I will always be grateful for those anthologies—because they broadened my knowledge and introduced me to so many interesting people.
The first generation of young people raised on the internet has faced gun violence, climate change, and a pandemic. They also understand diversity, are adept at digital platforms, and want to change the world. The inspiring stories in this book gave me the good kind of chills. These young people are marching for social justice, working to change laws, giving speeches, starting nonprofits, and more. But they need your help. After you read this, you’ll be inspired to make a difference, too.
An illustrated celebration of Gen Z activists fighting to make our world a better place.
Gen Z is populated-and defined-by activists. They are bold and original thinkers and not afraid to stand up to authority and conventional wisdom. From the March for Our Lives to the fight for human rights and climate change awareness, this generation is leading the way toward truth and hope like no generation before.
Generation Brave showcases Gen Z activists who are fighting for change on many fronts: climate change, LGBTQ rights, awareness and treatment of mental illness, gun control, gender equality, and corruption in business…
