Here are 97 books that README.txt fans have personally recommended if you like
README.txt.
Book DNA is a community of 13,000+ authors and super readers sharing their favorite books with the world.
I started reading fiction again after realizing I needed to transition and wanted to see myself represented. Teenage stories help me imagine what my life would have been like had I transitioned earlier, and learning about other trans experiences helps me feel closer to the larger community. I didn’t know it at the time, but I was surrounded by other closeted queer teens when it wasn’t safe to be out. Writing essays evolved into memoir and eventually fiction, and reading others’ work was a critical part of learning to write my own. The books on this list laid the foundation for my debut novel.
As a trans woman seeking representation in teen stories, this was my first.
It broke barriers when it was published in 2016—the first widely published trans YA book by a trans woman—and nothing has come close since. Amanda is the complex girl I would have been, minus the opposite-sex attraction.
If I Was Your Girl is the best blend of sweet and bittersweet, with a realistic portrayal of messy, conflicted characters.
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
I am an Associate Lecturer and Adjunct in the Faculty of Arts at the University of Alberta. After being a piano teacher, working in communications for an NGO, and heading up the children’s department at a public library, I returned to university. While in graduate school, I underwent treatments for breast cancer, leading me into researching and teaching medical narratives, while focusing on works by breast cancer survivors. Introduced to graphic literature by a colleague, I began exploring a whole new world of literature. I now teach courses on graphic literature: memoirs, histories, speculative fiction, and the occasional comic.
This queer memoir takes us to New York City to explore the unfolding queer life of a child of Bengali immigrants in her difficult decision to divest from parents, colleagues, and friends’ expectations for her life. After taking up architecture as a career and attending Harvard to the delight of her parents, Anjali realizes that her real interest lies in creating graphic literature. This coincides with another journey away from the expected future marriage and family toward exploring and affirming her sexuality and attraction to women. In often spare and simple settings with clean lines that let readers fill in the gaps – for example, with picture frames containing blank canvasses rather than pictures – Anjali creates her own pictures, both as a graphic artist and in imagining her own life.
Love lies at the heart of this fictionalized memoir. A full recipe from Anjali’s father’s repertoire, a culinary interest…
The meticulous artwork of transgender artist Bishakh Som gives us the rare opportunity to see the world through another lens.
This exquisite graphic novel memoir by a transgender artist, explores the concept of identity by inviting the reader to view the author moving through life as she would have us see her, that is, as she sees herself. Framed with a candid autobiographical narrative, this book gives us the opportunity to enter into the author's daily life and explore her thoughts on themes of gender and sexuality, memory and urbanism, love and loss.
I'm a cartoonist with a transgender-biography and I write trans characters into my stories. Even though I value the growing awareness of transgender representation by all writers, those that were written by people with trans-experience carry special significance. I've written a graphic novel and many autobiographical, fictional, and documentary short stories. These works have centered on the themes sexual identity, gender roles, youth culture, family, social structures, and social history. With my work I aim to shed light on issues that are lesser known, with a strong social focus and the intention of using the storytelling medium and the comic format as a way of making the complex understandable.
This book impressed me because it doesn't shy away from its subject matter. The author tells about her journey and the struggles that pile up when she seeks professional help to transition but meets instead with a therapist who quickly becomes overwhelmed as they unpack trauma and dissociative identity disorder. With a whopping 904 pages, it's intense, but never gets dense. Entry is low-threshold and the quirky characters drew me in in no time. So much so that even when I didn't know who to believe, I was ready to believe anyone. This book perfectly illustrates the problems around gatekeeping of transgender healthcare and its complex intersections with mental health.
A boldly drawn, unforgettable memoir about trauma and the barriers to gender affirming health care. In the winter of 2004, a shy woman named Emma sits in Toby s office. She wants to share this wonderful new book she s reading, but Toby, her therapist, is concerned with other things. Emma is transgender, and has sought out Toby for approval for hormone replacement therapy. Emma has shown up at the therapy sessions as an outgoing, confident young woman named Katina, and a depressed, submissive workaholic named Ed. She has little or no memory of her actions when presenting as these…
Katie's Gamble is an unexpected, unique story about a young woman who's trying to support her younger siblings by keeping her family's confectionery shop open.
In order to do that, she has to take on her older brother, who's a notorious gambler in Louisiana. Additionally, she has to outsmart Rowdy…
I’m a 54-year-old gay man who has led my own messy life here in New York City, marked as much by sex, romance, friendship, and culture as by drug addiction, relationship drama, mental illness and youthful trauma. I’ve published five novels, all of which contain queer characters who’ve not exactly been poster children for mainstream-world-approved LGBTQ behavior. I’m drawn to novels like the ones I’ve mentioned because they show queer people not as the hetero world often would like them to be—sanitized, asexual, witty and “fabulous”—but as capable of dysfunction, mediocrity, unwise choices and poor conduct as anybody else.
Like a hipster Brooklyn transgender Sex and the City, this novel is a chatty, hilarious, and moving look at queer folks grasping for parenthood and family in a world where all the rules have been thrown out.
The book’s narrator, transwoman Reese, takes us on this ride with such sardonic, poignant insight about the world she lives in that we begin to feel like we live in it, too. When Reese’s ex, Ames—who has detransitioned from his former transwoman identity, Amy—gets his straight female boss pregnant, the three of them begin negotiating how they might raise the child together.
But the novel’s true power lies in how Reese explains her life and her friends to us—bravely refusing to portray trans people as angelic role models and instead offering something deeper and more endearing: showing them as real people.
NATIONAL BESTSELLER • The lives of three women—transgender and cisgender—collide after an unexpected pregnancy forces them to confront their deepest desires in “one of the most celebrated novels of the year” (Time)
“Reading this novel is like holding a live wire in your hand.”—Vulture
Named one of the Best Books of the Year by more than twenty publications, including The New York Times Book Review, Entertainment Weekly, NPR, Time, Vogue, Esquire, Vulture, and Autostraddle
PEN/Hemingway Award Winner • Finalist for the Lambda Literary Award, the National Book Critics Circle Award, and the Gotham Book Prize • Longlisted for The Women’s…
As a writer working in multiple genres (I published two books of poetry before my debut story collection, A Manual for How to Love Us, and also write nonfiction), I’ve always been interested in bridging the ethereal gaps between forms and styles of writing. In college, I loved authors like Neil Gaiman and Ray Bradbury who portrayed fantastical worlds in a literary way. Later, I discovered great fiction in this same vein written by women, stories exploring the visceral, grotesque, and glorious from a distinctly female perspective. These became some of my favorite books, my favorite writers, and undeniably influenced the stories inA Manual for How to Love Us.
I read an excerpt ofSarahland’s titular story online, and immediately knew I needed this book; I’ve never clicked an “order” button so fast, and when it arrived in my mailbox, it exceeded expectations.
The most obvious element that connects these stories are girls and women named Sarah (or Sara, or Sari), and each Sarah is struggling through an intense hunger and desperation to understand herself in relation to others and her strange, strange world.
These stories are delightfully queer, and bend gender as well as genre.
In SARAHLAND, Sam Cohen brilliantly and often hilariously explores the ways in which traditional stories have failed us, both demanding and thrillingly providing for its cast of Sarahs new origin stories, new ways to love the planet and those inhabiting it, and new possibilities for life itself. In one story, a Jewish college Sarah passively consents to a form-life in pursuit of an MRS degree and is swept into a culture of normalized sexual violence. Another reveals a version of Sarah finding pleasure-and a new set of problems-by playing dead for a wealthy necrophiliac. A Buffy-loving Sarah uses fan fiction…
I am a queer writer whose early love of science fiction and fantasy gave me an outlet for my creativity and new ways of seeing myself in the world. It was A Wrinkle in Time by Madeleine L’Engle and Timeline by Michael Crichton that first introduced me to time and space travel in fiction, but it was the new Doctor Who and shows like Twelve Monkeys that made me realize how mad and wonderful stories about time and space travel could be. And once I came to terms with my own queer identities, I saw an obvious space for my own contribution to the time travel canon.
The Light From Uncommon Stars is, at its sci-fi core, a story about being human and all of the messiness that comes from that state of being.
Even the aliens share a sweet humanness – a desire to find home, to find love, to find family. Plus, you can never go wrong with a donut-shop setting. This book is queer and gender-expansive, with all the beauty and trauma that comes with each.
I wouldn’t call this book cozy – and it’s worth noting that not all of the queer characters are “good queers”, but it isn’t gritty or dark – it is what it is, and isn’t that the most beautifully human thing it could be?
Good Omens meets The Long Way to a Small, Angry Planet in Ryka Aoki's Light From Uncommon Stars, a defiantly joyful adventure set in California's San Gabriel Valley, with cursed violins, Faustian bargains, and queer alien courtship over fresh-made donuts.
Shizuka Satomi made a deal with the devil: to escape damnation, she must entice seven other violin prodigies to trade their souls for success. She has already delivered six.
When Katrina Nguyen, a young transgender runaway, catches Shizuka's ear with her wild talent, Shizuka can almost feel the curse lifting. She's found her final candidate.
Papyrologist Lisa Emmer's world flips when the Sûreté detains her at her Metro station with news of the savage murder of the esteemed Paris historian Dr. Raimond Foix, her friend and mentor in the study of ancient documents.
Horrified, Lisa finds clues at the crime scene left behind for her…
Alongside my professional role as Emeritus professor and former head of postgraduate medical and dental education for NHS London and the South East region, I’ve been engaged with LGBTI human rights for thirty years, working with legal teams and advising a range of government departments and stakeholders. I wrote The Hidden Case of Ewan Forbes to remind us all that until the late 1960s, trans people self-identified, received affirmative medical care, corrected their birth certificates, and lived in full equality. At a time when discussion of trans lives is almost submerged by entrenched ideological dogma, the historical and scientific facts of trans experience feel particularly important. I hope you enjoy my selection on this theme.
Every list should have a classic, and Whipping Girl is a classic in spades. Written for a mainstream audience in 2007, but still vibrantly relevant to today’s trans lives, it brought the terms ‘cissexual’ and ‘cisgender’ into the mainstream, and introduced crucial concepts, such as ‘cissexual privilege’ and ‘trans misogyny’. Julia does brilliantly the difficult balancing act required to make complex ideas easily accessible to a general readership and covers a wide spectrum of debate. It’s a tour de force, and a favourite of mine when thinking or teaching about LGBT social justice.
In the updated second edition of Whipping Girl, Julia Serano, a transsexual woman whose supremely intelligent writing reflects her diverse background as a lesbian transgender activist and professional biologist, shares her powerful experiences and observations,both pre- and post-transition,to reveal the ways in which fear, suspicion, and dismissiveness toward femininity shape our societal attitudes toward trans women, as well as gender and sexuality as a whole. Serano's well-honed arguments stem from her ability to bridge the gap between the often-disparate biological and social perspectives on gender. In this provocative manifesto, she exposes how deep-rooted the cultural belief is that femininity is…
At a conference hosted by Maria Shriver, I met Sister Terry Dodge, who works with women exiting prison with nothing but $200, with no job and no place to live. She showed a video, and that video has stuck with me. So much so that it wrote itself into The Breaks. Meanwhile, I was volunteering with a therapy program, taking pets into Juvenile Hall. I learned a lot from the kids and counselors there. Then You Got Nothing Coming came my way, and later Orange is the New Black (the book, not the television show). In both fiction and nonfiction, the mix of pathos, hilarity, and horror is astounding.
First of all, this book is hilarious. Second of all, it made me cry.
A trans woman leaving a men’s prison? After twenty years inside? With nowhere to go that will meet the requirements of her parole? Never mind meeting her requirements in the way of wardrobe. So this novel was quite a ride for me, right from page one. Although I have nothing in common with Carlotta, I somehow found myself identifying with her, and I was hooked. I can’t explain it.
I’m fussy about grammar and punctuation—until this book, which had my head spinning with mid-sentence switch-ups between first person and third person, between prison-speak and whatever I speak, between using and not using punctuation and sentence structure. I loved every minute, every sentence.
In this “dangerously hilarious” novel (Los Angeles Times), a trans woman reenters life on the outside after more than twenty years in a men’s prison, over one consequential Fourth of July weekend—from the author of the PEN/Faulkner Award winner Delicious Foods.
Carlotta Mercedes has been misunderstood her entire life. When she was pulled into a robbery gone wrong, she still went by the name she’d grown up with in Fort Greene, Brooklyn—before it gentrified. But not long after her conviction, she took the name Carlotta and began to live as a woman, an embrace of selfhood that prison authorities rejected,…
I am an award-winning author and illustrator who works in a variety of genres, including Historical Fiction. When historical fiction is well done it conveys times and events as they were lived and breathed by real people. Historical fiction by diverse women tells the stories of those consistently left out of the “historical record.” Human life is rich and diverse, and the stories belong to all of us, not just those who have historically had the power to control the cultural narratives. As a writer and student of history, it has been my pleasure to explore characters that are not often represented, characters that are ordinary for their times, and extraordinary as well.
Each of the five books in my list either stars or co-stars a young woman, and The Complete Claudine, as the title would suggest, is not an exception. Colette’s Claudine is a mesmerizing character—sensual, passionate, fierce, and tender by turns. The ordinary twists and turns of Claudine’s turn-of-the-century life in the French countryside and Paris are made extraordinary by her uncommon self-possession and power of observance. Claudine fairly blisters off the page.
The stories that inspired the film Colette, directed by Wash Westmoreland and starring Keira Knightley.
Colette, prodded by her first husband, Willy, began her writing career with Claudine at School, which catapulted the young author into instant, sensational success. Among the most autobiographical of Colette's works, these four novels are dominated by the child-woman Claudine, whose strength, humor, and zest for living make her seem almost a symbol for the life force.
Janet Flanner described these books as "amazing writing on the almost girlish search for the absolute of happiness in physical love . . . recorded by a literary…
A poisonous maiden, a Daoist sex cult, and a violent insurgency.
The polyandrous Yan family in China's rural Shaanxi Province takes in two carpenter brothers. When one brother is convicted of murder after killing their neighbor in a dispute, a constable threatens to expose the family's rumored polyandry and extorts…
Allan D. Hunter came out as genderqueer in 1980, more than 20 years before “genderqueer” was trending. His story is autobiographical: the story of a different kind of male hero, a genderqueer person's tale. It follows the author from his debut as an eighth grader in Los Alamos, New Mexico until his unorthodox coming out at the age of twenty-one on the University of New Mexico campus in Albuquerque.
In this autobiographical sketch, the author describes being assumed by people he meets on Grindr to be either a drag queen or a trans woman.
He is neither; Princess WaWa is femme. It’s different. The passion of his life is Derek Island, his romantic obsession. But caring about someone, or even caring about the outcome, is frightening when your primary way of coping with how life treats you is to refuse to care.
A loud-mouth, black, gay teenager struggles to find himself in rural America. After having realized his inability to attend his top-choice school, Waldell Goode embarks on a journey to reevaluate why the grand departure appealed to him in the first place. He learns that as much as he can control his nonexistent love life, there are other factors that aren’t as easily mutable. He comes to terms with his peculiar relationship with his mother, the inevitable heartbreak in store for him no matter how hard he’s tried avoiding it, and the voice of God, in all her beguiling glory.