Here are 100 books that Ramayana fans have personally recommended if you like
Ramayana.
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Scary books and movies hooked me early in life and never let go. I’m fascinated by the themes that are explored in all of the various sub-genres of horror. I’m intrigued by the lore that’s created, and I’m impressed with the imagination of so many horror creators. Horror remains and always will be one of the most popular genres of storytelling.
This book is an endearing and beloved classic, and deservedly so. Here, the marriage of its exquisite prose with black-and-white illustrations from one of the greatest artists who ever lived is truly something to behold. If you’re like me, you’ll spend quite a bit of time gazing in awe at Wrightson’s composition, lighting, and brush strokes.
If all of this wasn’t enough, the book features an introduction by Stephen King!
Few works by comic-book artists have earned the universal acclaim and reverence that Bernie Wrightson's illustrated version of Mary Wollstonecraft Shelley's Frankenstein was met with upon its original release in 1983. Twenty-five years later, this magnificent pairing of art and literature is still considered to be one of the greatest achievements made by any artist in the field. Now, Wrightson and Dark Horse Books are collaborating on a beautiful new hardcover edition of the book, published in a larger 9' x 12' format intended to show off the exquisitely detailed line art of one of the greatest living artists in…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I don't write within received categories: our lives aren't lived in categories, but are full of varying realities, whether of home, childhood, marriage, parenthood, fantasy, dream, work, or relaxation, and more all mixed together. I can't write in any other way, however dominant a particular strand or age may be on the surface in a given work.Orpheus Rising may have a child hero, and a fantastic, elegant Edwardian Elephant as a spirit guide, but it let me tell a story of love lost and regained, of family broken and remade, of a father in despair and remade, themes of real importance in any life.
We absorb this tale, like Peter Pan's, from childhood, and it provides us all with a leaning to light-hearted fantasy and a story pattern of leaving the real world and returning to it. An adventure may begin by going through a wardrobe as in the first Narnia novel, or into and out of Tom Bombadil's Old Forest in Tolkien. Alice goes down a rabbit hole. There are rabbit holes, wardrobes, forests, sailboats.... The world Alice gets to is full of strangeness appealed to me for Orpheus Rising whose characters have a similar variety.
When Alice sees the White Rabbit running by on the river bank, she follows him, tumbling down a Rabbit Hole into a magical world where nothing is ever as it seems...
Lewis Carroll's classic story has delighted children since 1865. One hundred and fifty years since its first publication, Hodder celebrates in style with this sumptuous new edition, illustrated by Rebecca Dautremer, whose dreamlike illustrations bring vibrant new life to Carroll's beloved characters. The original text appears complete and unabridged.
Rebecca Dautremer is the celebrated illustrator of The Secret Lives of Princesses.
At some point in our tweens, we learn that picture books are for children, and comic books are for nerds. I personally never heard it spoken aloud. It was more that thinly disguised looks of disapproval from adults delivered the message. As a graphic novelist, it sometimes feels like an uphill battle. I find pushing a reluctant ‘grown-up’ straight to graphic novels is perhaps a step too far. A start is an illustrated book. No speech bubbles. No comic book panels. Just illustrations supporting text, and text supporting illustrations. And sometimes, just sometimes, this opens the door to graphic novels.
This book is so evocative, a marriage of poetic words and nuanced illustrations so successful that when I first read it, it immediately took me back decades to my childhood and the old barn on my parents’ property. I could almost smell the pine trees through the barn boards, hear the birds nested in the rafters, and feel the summer sun on my face.
From Pulitzer Prize-winning poet Ted Kooser and Kate Greenaway winner Jon Klassen comes a poignant tale of loss, change and nature's quiet triumph.
From Pulitzer Prize-winning poet Ted Kooser and Jon Klassen, author-illustrator of the first ever title to win both the Kate Greenaway and Caldecott Medal, comes a lovely, lyrical exploration of loss, change and the natural world, and a story about a house over the passage of time. When the house was new, not a single tree remained on its perfect lawn to give shade from the sun. The children in the house trailed the scent of wild…
The Year Mrs. Cooper Got Out More
by
Meredith Marple,
The coastal tourist town of Great Wharf, Maine, boasts a crime rate so low you might suspect someone’s lying.
Nevertheless, jobless empty nester Mallory Cooper has become increasingly reclusive and fearful. Careful to keep the red wine handy and loath to leave the house, Mallory misses her happier self—and so…
As a child, growing up in New York as a first generation Greek-American, my family believed in the power of storytelling. My family embraced both classic Greek mythology and village folklore as words to live by. I learned how transformative storytelling can be. It transformed me as a child, finding solace in freedom in reading, and formed the foundation for my career as an actress and writer.
My new book, The House in the Middle of the Street, is my winter Gothic tale about a house, its occupants, and a yearly visit made by a boy and a girl on New Year’s Eve. It's a setting where magic and myth rule. The stories below spoke to me about the mystery that surrounds us all.
This is one of my favorite stories from Gaiman who I absolutely revere.
His style is a perfect whimsical blend of mythological fairy tales with the insightful science fiction grit and truth-telling of Rod Sterling’s "Twilight Zone” tales.
This particular story of Gaiman’s ushered me into this world with its poetic rhythm. A man returns to his childhood home and meets a girl named Lettie and her family. It felt like I stepped into a world where all things are possible, a homecoming is at hand, filled with the threat of danger and the loss of self. As the man remembers his past, he travels through time and crosses between our world and a darker one that brings terror as well as an understanding and protection.
It’s a beautiful story that informs my writing and deepens my love for a modern fairy tale.
A brilliantly imaginative and poignant fairy tale from the modern master of wonder and terror, The Ocean at the End of the Lane is Neil Gaiman's first new novel for adults since his #1 New York Times bestseller Anansi Boys.
This bewitching and harrowing tale of mystery and survival, and memory and magic, makes the impossible all too real...
I write, coach, and lead at the intersection of identity, healing, and leadership, especially for women navigating cultural complexity. As a South Asian woman raised in the U.S., I spent years unpacking inherited narratives about devotion, obedience, and silence. This list reflects books that helped me reclaim power, soften shame, and lead from a place of alignment rather than survival. Each title here offered me tools, language, or perspective that shaped not just how I show up in the world, but how I guide others to do the same.
Growing up, I absorbed mythology that glorified sacrifice and obedience in women. They were stories that shaped how I understood devotion, duty, and my own worth. This retelling gave Sita a voice that was both fierce and tender, and it helped me see that I can reimagine the stories I was raised on in a way that affirms my truth.
This book softened the part of me that had grown resistant to my culture after feeling betrayed by it. It reminded me that agency and reverence can coexist, and that rewriting inherited stories is a sacred act.
'One of the most strikingly lyrical voices writing about the lives of Indian women' -- Amitav Ghosh
'Chitra Banerjee Divakaruni turns the Ramayana around by telling it in the voice of Sita ... this inversion is a gift - it presents us a with a way to know an already well-known story better and to love an already beloved story more'
-- Arshia Sattar
'This inspired evocation of the goddess Sita is an epic song of strength and solidarity told with joy and intensity. It brings to life the personalities and predicaments of the Ramayana' -- Namita Gokhale
Nicholas Jubber has written for the Guardian, Irish Times and Telegraph, amongst other publications. He has won the Dolman Travel Book Award, for which he has been shortlisted three times, and his books have been picked by National Geographic, Wanderlust and the New York Times, amongst other publications, for their books of the year.
The scale of this ancient Indian epic is off the charts, fusing Hindu iconography with story beats of startling familiarity. Monkeys build a bridge between India and Sri Lanka, an army of demons takes on the vanguard of the gods and the villain is felled by a celestial bow. An influence on storytelling down the ages – notably Star Wars – it’s a tale as exciting as it is charming, with a surprisingly downbeat coda, as Queen Sita discovers that being rescued by her divine husband isn’t enough to survive the prejudices of her age.
Which version to read? Arshia Sattar’s 1996 translation is available in Penguin translation. I can’t testify to its accuracy, but it’s a magnificent read.
One of India's greatest epics, the Ramayana pervades the country's moral and cultural consciousness. For generations it has served as a bedtime story for Indian children, while at the same time engaging the interest of philosophers and theologians. Believed to have been composed by Valmiki sometime between the eighth and sixth centuries BC, the Ramayana tells the tragic and magical story of Rama, the prince of Ayodhya, an incarnation of Lord Visnu, born to rid the earth of the terrible demon Ravana. An idealized heroic tale ending with the inevitable triumph of good over evil, the Ramayana is also an…
Don’t mess with the hothead—or he might just mess with you. Slater Ibáñez is only interested in two kinds of guys: the ones he wants to punch, and the ones he sleeps with. Things get interesting when they start to overlap. A freelance investigator, Slater trolls the dark side of…
When we authors name our characters, we gift them with meaning—a single word that somehow encompasses everything they will experience on the page. The name of my heroine, Akmaral, hails from Kazakhstan and means “white deer.” It resounds with the sound of hooves on the ancient Central Asian steppes and the deep connection to the natural world of the nomadic people who once lived there. Names bear unconscious expectations—hopes for strength and wisdom, dreams of triumph, beauty, and love. I hope that someday, hearing “Akmaral” will bring to mind vast, windswept steppes and a strong woman on horseback, head held high, contemplating her journey from warrior to leader.
I read the Ramayana many years ago, but I didn’t even remember Kaikeyi, which just goes to show why we really need Vaishnavi Patel’s reimagining of her life. Kaikeyi is more than the mother of Rama. In Patel’s novel, she is a powerful warrior. The chariot battle scene from early in the novel still stays vivid in my mind. Nonetheless, the reality of being a royal consort pressured to conform eventually puts Kaikeyi in her place. When she rebels, she is shunned and even vilified.
I loved rediscovering Hindu mythology while unearthing new dimensions and depth to this misjudged, maligned female progenitor of a major faith. Why are women always pushed to the side?
AN INSTANT NEW YORK TIMES BESTSELLER • A BOOK OF THE MONTH CLUB PICK • "MYTHIC RETELLING AT ITS BEST." (R. F. Kuang, author of Babel)
“With a graceful, measured elegance” (New York Times), this lyrical novel reimagines the life of the infamous queen from the ancient epic the Ramayana, giving voice to an extraordinary woman determined to leave her mark in a world where gods and men dictate the shape of things to come.
I was born on the full moon under an auspicious constellation, the holiest of positions—much good it did me.
I am an author whose work has reverberated globally in the fields of Sustainability, Jain Studies, Film Studies, and Diaspora Studies. With over 30 years of experience in academia and the corporate world, I have held the position of Head of Department (HoD) for Humanities and Languages. As the Director of The India Centre at FLAME University, I have led numerous initiatives to promote Indian culture and scholarship, including international conferences, research projects, and cultural events, leaving an indelible mark on the global academic landscape. My suggested five books are also in these fields.
This book examines the function and representation of religion in Indian cinema and demonstrates that the interplay between the modern and the traditional in modern India is a natural aspect of daily existence. It discusses India's various cinemas while focusing on Bollywood, the Hindi film industry in Mumbai.
The devotional genre, which peaked during the height of the nationalist movement in the 1930s and 1940s, the mythological genre, which carries on India's long tradition of retelling Hindu myths and legends by drawing from sources like the national epics of the Mahabharata and the Ramayana, and Bombay-produced films that portray India's Islamicate culture, including historical, courtesan, and "Muslim social" genres, are all covered in Rachel Dwyer's engaging conversation.
Filming the Gods examines the role and depiction of religion in Indian cinema, showing that the relationship between the modern and the traditional in contemporary India is not exotic, but part of everyday life. Concentrating mainly on the Hindi cinema of Mumbai, Bollywood, it also discusses India's other cinemas.
Rachel Dwyer's lively discussion encompasses the mythological genre which continues India's long tradition of retelling Hindu myths and legends, drawing on sources such as the national epics of the Mahabharata and the Ramayana; the devotional genre, which flourished at the height of the nationalist movement in the 1930s and 40s; and…
It has always fascinated me how one person can enter a room, and they can change its temperature, and yet others remain unnoticed. Some feel unstoppable, whilst others struggle to get out of bed. Some create such a resonant, kind, and compassionate coherence in everything they do and all those that they touch; it feels like they are surrounded by blue birds and sunshine, and yet many of their colleagues will not be remembered.To be human is complex and magical. I've spent my life learning how we can get our energy right so that every day becomes extraordinary and Technicolor, and that's why I help businesses do the same.
Alan Moore is an extraordinary character. I can't even remember how I met him, but ever since I have, my life has been significantly richer. He is a modern-day savant. He is the only person I have ever read who articulates so wonderfully why beauty should exist in every part of our lives, especially in business.
His touch and feel are exquisite as a designer, and when I read his book, I started to see things in ways I had never done before. He believes in a Beautiful Business–one that is not only beautiful on the outside to its consumers but in every aspect of its model, its impact, and its experience. Whilst reading it, I felt more alive and, with every page, more inspired to strive for a higher standard of beauty in everything I do.Such an exciting book by such a visionary writer.
So much goes unnoticed. We multi-task, switch between screens, work faster. When was the last time you paused to consider a beautifully made object or stunning natural landscape? Yet this is when our spirits lift, our soul is restored. Designer Alan Moore invites us to rethink not only what we produce – whether it’s a website, a handmade chair, or a business – but how and why. With examples including Pixar, Apple, and Blitz Motorcycles, we are encouraged to ask: Is it useful and considered. Is it a thing of beauty? Do Design will inspire you to: • Improve your…
I’m a programming book author, software developer, podcaster, and computer science professor at a teaching college. But I’ve also always been a devoted fan of Apple Inc. and deeply interested in its history. I’ve read more than two dozen books about Apple so you can just read the best ones. If five books are not enough for you, and you want to dig deeper into books about Apple and Steve Jobs, you can check out my blog post on my website.
This biography was almost written as a “response” to the Isaacson book. It better covers the NeXT and Pixar years. In fact, it makes the case that those years in Steve Jobs's life were critical for his later success after returning to Apple. This book should probably be read after the Isaacson book because it’s not as comprehensive as the Isaacson book and provides a different perspective.
THE SUNDAY TIMES AND #1 INTERNATIONAL BESTSELLER - with a new foreword by Silicon Valley legend Marc Andreessen.
'For my money, a better book about Jobs than Walter Isaacson's biography' New Yorker
'A fascinating reinterpretation of the Steve Jobs story' Sunday Times
We all think we know who Steve Jobs was, what made him tick, and what made him succeed.
Yet the single most important question about him has never been answered.
The young, impulsive, egotistical genius was ousted in the mid-80s from the company he founded, exiled from his own kingdom and cast into the wilderness. Yet he returned…
