Here are 91 books that Queer Country fans have personally recommended if you like
Queer Country.
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I’ve been thinking about and researching obscured narratives for a long time, now. As a lawyer, I learned about how systems and structures marginalize and hide important voices because of overt discrimination and implicit biases, and I took that knowledge with me while I earned a PhD in literary studies. I’ve learned — and am still learning! — that if we want to remedy exclusions from cultural histories, we’ve gotto learn to think about what voices are missing and why. I hope reading my book and those recommended here will give you a chance to learn with me. Let’s change the ways we think about so-called “definitive” histories of music.
This is an essential book for anyone who wants to learn about women in punk—from the explosion in the UK in 1976 to the present, and across geographic spaces.
Goldman covers a broad and diverse range of artists, highlighting the critical work women have put into making punk what it is while also illuminating the ways in which punk as a DIY ethos has allowed women musicians to push back against barriers built by misogyny and discrimination to create lasting and influential records.
This book gave me in-depth information about bands I already knew and loved, and it introduced me to other women in punk across the globe. Thanks to Goldman’s book, I’ve become invested in punk from Indonesia, Mexico, Tokyo, Iran, and more. What a gift.
As an industry insider and pioneering post-punk musician, Vivien Goldman's perspective on music journalism is unusually well-rounded. In Revenge of the She-Punks, she probes four themes-identity, money, love, and protest-to explore what makes punk such a liberating art form for women.
With her visceral style, Goldman blends interviews, history, and her personal experience as one of Britain's first female music writers in a book that reads like a vivid documentary of a genre defined by dismantling boundaries. A discussion of the Patti Smith song "Free Money," for example, opens with Goldman on a shopping spree with Smith. Tamar-Kali, whose name…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I’ve been thinking about and researching obscured narratives for a long time, now. As a lawyer, I learned about how systems and structures marginalize and hide important voices because of overt discrimination and implicit biases, and I took that knowledge with me while I earned a PhD in literary studies. I’ve learned — and am still learning! — that if we want to remedy exclusions from cultural histories, we’ve gotto learn to think about what voices are missing and why. I hope reading my book and those recommended here will give you a chance to learn with me. Let’s change the ways we think about so-called “definitive” histories of music.
This is a book about the power of one musician to reimagine the shapes of identity and power in the face of centuries-long violence and pervasive discrimination against Black individuals and communities, and the ability of song and text to create new histories and futures.
I don’t think my words could possibly be better than Stephanie Phillips’s, so I’ll quote from her book here: “To watch Solange is to see a version of unapologetic Blackness many Black people aspire to—one that doesn’t subscribe to previous notions of what it means to be Black, one aware of self-preservation, one that doesn’t give a f*** about what Becky in the back thinks Black people should do.”
Whether you’re a fan of Solange’s music or not, you’ll find Phillips’s writing completely inspiring.
The dramatic story of Solange: a musician and artist whose unconventional journey to international success was far more important than her family name.
'Why Solange Matters is a significant and sober treatise on popular music . . . This book is more than necessary.' THURSTON MOORE
'The author's prose sparkles . . . This is a book about what freedom could look like for Black women.' CALEB AZUMAH NELSON, OBSERVER
'Invigorating . . . much more than a dry thesis and at times something nearer to personal reverie.' IAN PENMAN,…
I’ve been thinking about and researching obscured narratives for a long time, now. As a lawyer, I learned about how systems and structures marginalize and hide important voices because of overt discrimination and implicit biases, and I took that knowledge with me while I earned a PhD in literary studies. I’ve learned — and am still learning! — that if we want to remedy exclusions from cultural histories, we’ve gotto learn to think about what voices are missing and why. I hope reading my book and those recommended here will give you a chance to learn with me. Let’s change the ways we think about so-called “definitive” histories of music.
As far as I know, this is the first biography of an all-female or female-fronted band. When I saw it come out, I was thrilled but also thought: how in the world has it taken this long for someone to write a book about The Slits?!
Lucky for me (and for all of you), Zoe Howe was the one to do it because this book taught me that it’s more than possible to write about women in music (even when male journalists and music writers omit women altogether, marginalize them in print, or criticize their work).
Wild, defiant and startlingly inventive, The Slits were ahead of their time. Although they created some unique hybrids - dub reggae and pop-punk, African rhythms, funk and free jazz - they were dismissed as being unable to play. Their lyrics were witty and perceptive while their influential first album challenged perceptions of punk and of girl bands - but they were still misunderstood. And that infamous debut album cover, with the band appearing topless and mud-daubed, prompted further misreadings of the first ladies of punk. Author Zoe Street Howe speaks to The Slits themselves, to former manager Don Letts, mentor…
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
I’ve been thinking about and researching obscured narratives for a long time, now. As a lawyer, I learned about how systems and structures marginalize and hide important voices because of overt discrimination and implicit biases, and I took that knowledge with me while I earned a PhD in literary studies. I’ve learned — and am still learning! — that if we want to remedy exclusions from cultural histories, we’ve gotto learn to think about what voices are missing and why. I hope reading my book and those recommended here will give you a chance to learn with me. Let’s change the ways we think about so-called “definitive” histories of music.
This is an essential history for anyone interested in the story of punk, andfor anyone who loves comics or graphic novels!
Not only does the book convey untold stories of Black artists in punk, post-punk, new wave, and more, but it tells those stories through incredibly drawn images. Yes, it’s a comic book! It also pushes back against the idea that “punk” is centered around a specific period or sound, highlighting crucial artists like Sister Rosetta Tharpe alongside Black women of the original UK punk scene like the fabulous Poly Styrene.
You’ll be making yourself a playlist and buying this book as a gift for readers of all ages in your life.
I'm a Mexican writer and illustrator based in Los Angeles. I was always a bookish kid! Growing up I loved reading contemporary books, mostly about fearless girls trying to change the world! In my career, I’ve had the privilege to work creating cover artwork for a lot of middle-grade books, which in turn leads me to read a lot of really great stories. As a bonus, as the industry has become more diverse, so have the stories of outstanding girls, making the middle-grade space even more amazing than it was when I was a kid.
This is an odd one out, because it’s in audiobook form. Margarita is a part of her uber-famous country star sister and gets thrown into the limelight when the label gets into hot water for not being inclusive enough. This audible original truly shines with its amazing story and wonderful music! Personally, I liked the way the story tackles Margarita’s struggles to figure out her place within Latin culture and processing the feelings of what that means for her.
This middle grade story has it all: humor, heart, and country music - including original songs!
Margarita McCoy plays banjo and sings backup in her stepsister Stephanie McCoy’s wildly popular country music band.
Margarita isn’t particularly passionate about music, but she loves Stephanie and would do anything to help her - and that includes being thrust into the media spotlight after an article in the New York Times calls out country music for its lack of diversity. Since Margarita’s father is Mexican American, the McCoys' record label wants to use her to show that they aren’t as whitewashed as the…
I moved from Ohio to southern Appalachia in 1978 to take a temporary job teaching philosophy at the University of Tennessee. I hadn’t planned to stay, but I fell in love with the mountains. Recently I retired after a fruitful 44-year career here. Concern for this land and for my children and grandchildren led me to environmental activism and shifted my teaching and writing from mathematical logic to environmental and intergenerational ethics. Eventually I wrote or edited four books on environmental matters (two specifically on the southern Appalachian environment) in addition to three on logic and (most recently) a tome on the tricky topic of incomparable values.
It rings with awe-struck musings on Bartram’s explorations, begun just before the American revolution, of the lush and bountiful landscapes of the southern British colonies. Bartram’s effusive descriptions of the astonishingly profuse flora and fauna, replete with taxonomic names, provide a baseline for gauging the steep ecological declines that followed. The Penguin edition includes an appreciative introduction by American writer James Dickey, best known for his novel Deliverance.
At the request of Dr. Fothergill, of London, to search the Floridas, and the western parts of Carolina and Georgia, for the discovery of rare and useful productions of nature, chiefly in the vegetable kingdom; in April, 1773, I embarked for Charleston, South Carolina, on board the brigantine Charleston Packet, Captain Wright, the brig——, Captain Mason, being in company with us, and bound to the same port. We had a pleasant run down the Delaware, 150 miles to Cape Henlopen, the two vessels entering the Atlantic together. For the first twenty-four hours, we had a prosperous gale, and were cheerful…
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
If you regard science fiction, fantasy, and horror as throwaway literature, think again. It is within such tales that the contest between good and evil is given center stage, wherein heroic acts are celebrated, and virtue discussed in all its many permutations. I would call speculative fiction a worthy successor to the medieval morality play, a dramatic form that used allegorical characters to teach moral lessons. To wit—stories are an instrument of culture, a way to promote common values and an important activity for any civilization that intends to stick around. You won’t find an abundance of this vibe in ‘serious’ fiction—and when you do, it’s not as much fun.
A short story compilation, within which the title ‘Uncle Einar’ made such an impression that I still, to this day, remember what it was about, who wrote it, and when I read it. I found it on my dad’s nightstand 65 years ago. That’s how much I liked it. Although the collection falls mostly into the fantasy genre, the title Uncle Einar is something of a crossover (Mutants!) and heartwarming to boot.
Many of these stories were first published in the pulp magazine Weird Tales, but keep in mind we’re talking about the 1940s and 50s. They called it ‘macabre fiction’. These days, we call it YA.
But this is, first and foremost, a work of literature, a timeless classic upon which the author made a splendid reputation, replete with lyrical prose, imaginative concepts, surprise endings, and persuasive dialogue. Also, an example of Magical Realism, a literary approach I…
The October Country is Ray Bradbury’s own netherworld of the soul, inhabited by the horrors and demons that lurk within all of us. Renowned for his multi-million-copy bestseller, Fahrenheit 451, and hailed by Harper’s magazine as “the finest living writer of fantastic fiction,” Ray Bradbury proves here that he is America’s master of the short story.
This classic collection features:
The Emissary: The faithful dog was the sick boy’s only connection with the world outside—and beyond . . . The Small Assassin: A fine, healthy baby boy was the new mother’s dream come true—or her worst nightmare . . .…
I am a lifelong fan of cozy mysteries, starting with Nancy Drew. Although I have written primarily about women of the 19th-century American West, I always longed to write mysteries. The Irene in Chicago Culinary Mysteries is my fourth series but the first outrageous one. The books combine my love of all things culinary (I’ve even written cookbooks) and my love of Chicago, my hometown. What makes them outrageous? Irene’s diva-like deceptions and Henny’s snarky commentary.
In this fourteenth book in the Country Club Murders series, Ellison Russell returns from a long honeymoon to find an older woman has been murdered in her bed. With a new husband, her mother in the hospital (targeted by the murderer?), her difficult sister as a houseguest, one too many animals, and a full social calendar, Ellison can’t catch a break. Ellison is smart and funny, and she’s found herself a new, inappropriate, and wonderful husband. The spoof of the 1980s country club society is spot on.
When Ellison Russell Jones returns from her honeymoon, she’s ready for a restful summer.
But while she was away, an older woman was murdered in her bed. And the police have questions only Ellison and her friends can answer.
She gets to be a sleuth. A real one! But with a new husband, her mother in the hospital (targeted by the murderer?), her sister as a house guest, one too many animals, and a full social calendar, Ellison can’t catch a break, much less a killer.
She’d better focus, or she may be the next victim.
I'm a writer and a botanist with a lifelong interest in nature. I grew up in southern England where I spent my time running around the fields and woods searching for birds, insects and wild plants (as one does). As well as writing about nature, I run plant identification training courses and have a genetics PhD.
Miriam Darlington is my favourite author and Otter Country is one of the most thumbed, tatty-cornered, precious books that I own. I love it: for its voice, its humour and its beautiful prose. Darlington takes you on a gentle meander through the world of the otter in the most relatable of writing styles. She doesn’t start out as an otter expert; she learns as she goes, and so do you. Everything about this book is wonderful, and I would say the same about her other book, Owl Sense, which I have only left off this list because I wanted to cover five different authors!
Over the course of a year, Miriam Darlington travelled around Britain in search of wild otters; from her home in Devon to the wilds of Scotland; to Cumbria, Wales, Northumberland, Cornwall, Somerset and the River Lea; to her childhood home near the Ouse, the source of her watery obsession. Otter Country follows Darlington's search through different landscapes, seasons, weather and light, as she tracks one of Britain's most elusive animals. During her journey, she meets otter experts, representatives of the Environment Agency, conservationists, ecologists, walkers, Henry Williamson's family, Gavin Maxwell's heir; zoo keepers, fishermen, scientists, hunters and poets. Above all…
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon.
In these and other intimate conversations, the book…
As the Director of the Center for Texas Music History at Texas State University, I’m excited to stay on top of all that’s being done in the field of Texas Music and let me assure you that it is a great way to spend one’s days. Texas music and culture reflect the state’s diverse and contested past, and every month, it seems that there is not only a new artist appearing on the stage to sing her or his truth but a writer helping us to understand how those truths fit into the larger narratives of Texas history.
If the Armadillo World Headquarters is one central node of countercultural country music in Texas, Willie Nelson’s Fourth of July Picnics was the other. Where the Armadillo closed down in 1980, though, Willie’s picnics persist as an annual institution to this day. Author Dave Thomas has extensively researched the phenomenon and crafts its half-century history well.
The resulting volume is a riveting account that uses the sun-baked Texas ritual as a launching pad for stories encompassing all of America. A newspaper journalist, Thomas has an eye for detail and an ear for turns of phrase that kept me turning the pages long after I should have turned out the lights. If you ever wanted to read about a sort of country music, Woodstock Groundhog Day, this is that book.
In 1973, a forty-year-old country musician named Willie Nelson, inspired by a failed music festival the year before, decided he was going to hold his own party. He would stage it in the same remote and rocky field where the previous festival had withered. And he’d do it in July: not the hottest part of the Central Texas summer, but “damn sure close enough,” according to music journalist Dave Dalton Thomas. As unlikely as it seemed in 1973, Willie kept the event going, minus a year off here and there, for half a century.