Here are 100 books that Pure fans have personally recommended if you like
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I write fictional, contemporary gay mysteries, but I prefer to read facts and I enjoy the research that accompanies my storytelling. Industrial history and geology fascinate me, so it isn’t any wonder that I set my tales in the Durham hills of northeast England. As some of my videos in the link show, there are many abandoned quarries, lead and coal mines in the area. I can become emotional when I think about the socio-political history of mining and quarrying. My latest tale reflects my interest in quarrying and my five recommendations reflect a passion that has its roots in the UK’s once thriving, now defunct, coal industry.
My sole non-fiction choice. I love the scope of this book: the early engineers and industrialists who were involved, the palaeogeological conditions that made coal deposits possible, the legacy of burning carbon, and, chapter by chapter, a description of most of the coalfields of Britain and the landscapes that resulted. Add poems and songs and paintings and you have a wonderful book. My sole gripe: the illustrations are too tiny. The breadth of content deserves something better.
Measures for Measure features once greatly-disturbed landscapes - now largely reclaimed, physically at least, by post-industrial activity. Yet the surviving machines, buildings and housing of the original Industrial Revolution, founded mostly upon Coal Measures strata, still loom large over many parts of Britain. They do so nowadays in the family-friendly and informative context of industrial museums, reconstructed industrial settlements, preserved landscapes and historic townscapes. Our society and its creative core of literature, visual arts and architecture were profoundly affected by the whole process. The British Carboniferous legacy for wider humankind was profound and permanent, more so with the realisation over…
You’re grieving, you’re falling in love and you’re skint. On top of it all, Europe’s going to Hell in a handcart. Things can’t get any worse, can they?
London, 1938. William is grieving over his former teacher and mentor, killed fighting for the Republicans in Spain. As Europe slides towards…
I write fictional, contemporary gay mysteries, but I prefer to read facts and I enjoy the research that accompanies my storytelling. Industrial history and geology fascinate me, so it isn’t any wonder that I set my tales in the Durham hills of northeast England. As some of my videos in the link show, there are many abandoned quarries, lead and coal mines in the area. I can become emotional when I think about the socio-political history of mining and quarrying. My latest tale reflects my interest in quarrying and my five recommendations reflect a passion that has its roots in the UK’s once thriving, now defunct, coal industry.
Billy Elliott is a miner’s son who wants to be a ballet dancer. This is an adaptation of Lee Hall’s original screenplay and, to me, lacks the feel of a novel, but I’ve chosen it for three reasons. It’s set in County Durham. It challenges traditional, macho values. It’s as good a description as anything I’ve read that describes aspects of the UK miners’ strikes of the 1980s. When Jackie, Billy’s dad, says, "There’s coal behind everything in this country. It’s still down there. We’re not,” you can sense the anger, hurt, and bitterness—and, forty years later, just like the coal, those feelings remain.
Billy Elliot's not like his Dad. He doesn't want to learn boxing. He's not cut out to be a miner. But when he stumbles across a ballet class and discovers he's a natural, he realises what he does want to do. This is Billy's gritty and determined struggle, at first in secret, but then with the wholehearted backing of his family, to dance his way to a different future.
Ever since I was a child, I have been fascinated by work and the ways that it organizes the rest of life. Mining is one of those activities that brings together economics, politics, gender, class, kinship, and cosmology in especially tight proximity. I am also fascinated by Latin America, a region where mining has been important for thousands of years. These interests led me to become an anthropologist specializing in mining in Mexico and Colombia. It has been my privilege to work in this area for over twenty-five years now, making lifelong friends, learning about their lives and struggles, and sharing that knowledge with students and readers.
This was one of my favorite books as a child and probably one reason I became an anthropologist of mining.
Though I wouldn’t have put it this way at the time, I found it fascinating that in a place where everything is doing the same job, especially a highly dangerous and damaging job, other aspects of culture coalesce around that job and its meanings—things like religion, kinship, gender, leisure, ecology, etcetera. I was deeply moved by the description of the vast slag heap that slowly came to tower over the town, eventually engulfing the narrator’s small house.
All six episodes of the BBC adaptation of Richard Llewellyn's classic novel set in a Welsh mining community at the turn of the century. Gwilym (Stanley Baker) and Beth Morgan (Siân Phillips) work their hardest to provide for their children, but these are the years before the unions improved the miner's lot, and times are very hard indeed. However, the community in which the Morgans live is a close-knit one, and they are grateful for all the help they receive, especially from the Rev. Gruffydd (Gareth Thomas).
You’re grieving, you’re falling in love and you’re skint. On top of it all, Europe’s going to Hell in a handcart. Things can’t get any worse, can they?
London, 1938. William is grieving over his former teacher and mentor, killed fighting for the Republicans in Spain. As Europe slides towards…
I write fictional, contemporary gay mysteries, but I prefer to read facts and I enjoy the research that accompanies my storytelling. Industrial history and geology fascinate me, so it isn’t any wonder that I set my tales in the Durham hills of northeast England. As some of my videos in the link show, there are many abandoned quarries, lead and coal mines in the area. I can become emotional when I think about the socio-political history of mining and quarrying. My latest tale reflects my interest in quarrying and my five recommendations reflect a passion that has its roots in the UK’s once thriving, now defunct, coal industry.
Another book that features sons. Lawrence’s father was a Nottinghamshire coal miner and there are many little details in the book that attest to the author’s knowledge of nineteenth-century mining family life. I’ve chosen Sons and Lovers because, to me, it asks an unanswerable question and so the tale has stayed in my mind. Did Lawrence despise his own father as much as fictional Paul, influenced by Paul’s mother, despises Walter Morel? I’d love to know. I sympathised with Gertrude, the wife and mother, but I felt so sorry for Walter. He worked hard in a terrible job. He became old and tired before his time. Yes, he was uncouth and illiterate, but I felt he deserved some praise, not contempt.
Sons and Lovers is the critically-acclaimed story of Paul Morel, a second son who must discover his own identity in the shadow of his mother’s overwhelming presence and influence. A budding artist, Paul must choose between his responsibility to his mother and his desire to explore the world and fall in love. Faced with the chance for a future with two different women, Paul must decide what he truly wants and whose opinion—his own or his mother’s—matters most.
HarperPerennial Classics brings great works of literature to life in digital format, upholding the highest standards in ebook production and celebrating reading…
As author and editor of six books about cemeteries, I have visited gravesites all around the world, from the world-famous to little family burial grounds to tombs tucked inside churches. On my travels, I’ve collected more than 300 books about cemeteries. My absolute favorites are the memoirs in which people—who are as passionate about cemeteries as I am—take me along on their graveyard adventures. I want to know what cemeteries mean to people, whether they’re travelers like me, or grew up in cemeteries, or worked in them, or are fiercely curious about the inequities that follow us to the grave. So many cemeteries, so little time!
Père-Lachaise was the second international cemetery I ever visited. It made me fall in love with the cemetery's history, celebrities, and amazing sculptures.
Those things are all touched on in this charming little book, written and photographed by the cemetery's curator. I'm fascinated by the author's complicated and varied job: from showing foreign dignitaries around to comforting families and arranging burials to dealing with international tourists who want to treat the cemetery like Disneyland.
Of course, he's compensated by living with his family inside the cemetery itself. It's difficult not to be jealous of such a sweet gig.
'The Secret Life of a Cemetery is no maudlin reflection on death and remembrance...With its fox cubs and anecdotes (it) allows us a privileged glimpse of Gallot's world, full of wonder and life.'-The Observer
From the head curator of the most famous cemetery in the world-a moving and "enchanting" (Guardian) story about a place where joy, grief, and wild nature converge in unexpected and inspiring ways.
For Benoit Gallot, Pere Lachaise is best explored without a guide: You're guaranteed to lose your way. You'll feel as though you've stepped out of time, out of Paris, and into another place entirely.…
I have spent much of my adult life studying the French Revolution with students who, like me, are engrossed by the drama, successes and tragedies of the Revolution, and the scale of the attempts to arrest or reverse it. Why and how did an apparently stable regime collapse in 1789? Why did it prove to be so difficult to stabilize a new order? How could claims to “liberty” and “equality” be balanced? And why was there a period of “terror” in 1793-94? When the Revolution was finally over, how had France and other parts of the world been changed? The answers to those questions remain open and continue to fascinate.
At the celebrations on 14 July 1790 for the first anniversary of the storming of the Bastille, Louis XVI took an oath to work with the National Assembly as a constitutional monarch. Less than a year later, on 20 June 1791, the royal family tried to flee the Revolution. The king’s flight convinced masses of French people that he was a perjurer: the monarchy never recovered its mystique.
In contrast, his capture near the border with Luxembourg convinced the crowned heads of Europe that the royal family was in mortal danger. Ten months later France was at war with Marie-Antoinette’s native Austria, and Europe was engulfed in a generation of bloodshed. The great American historian of the Revolution, Timothy Tackett, recounts the engrossing story of the botched flight and its repercussions for a cast of unforgettable characters.
On a June night in 1791, King Louis XVI and Marie-Antoinette fled Paris in disguise, hoping to escape the mounting turmoil of the French Revolution. They were arrested by a small group of citizens a few miles from the Belgian border and forced to return to Paris. Two years later they would both die at the guillotine. It is this extraordinary story, and the events leading up to and away from it, that Tackett recounts in gripping novelistic style.
The king's flight opens a window to the whole of French society during the Revolution. Each dramatic chapter spotlights a different…
I’m American but I’ve been a Francophile for ages. I didn’t get a chance to visit France until well into adulthood. So much history lives in France and it’s been my joy to illuminate it for readers who tell me they feel transported. There is no higher compliment, in my mind. I’ve been writing novels for thirty years, set in the Rocky Mountains, America’s heartland, and the scenic villages of France. The Bennett Sisters Mysteries are now up 18 books in the series, featuring settings from Paris to Champagne to the Dordogne, with more in the works. I must go back to France to research, oui?
I love weaving history into my mysteries so I was drawn to this dark tale of Paris in the Belle Époque. An English girl goes to Paris to study art but, desperately poor, throws her fate into the hands of some shady characters. The atmosphere and scene-setting of Paris during a terrible rainy winter are unforgettable.
Extra material includes a deleted scene and a Q&A with Imogen Robertson
Maud Heighton came to Lafond's famous Academy to paint, and to flee the constraints of her small English town. It took all her courage to escape, but Paris eats money. While her fellow students enjoy the dazzling joys of the Belle Epoque, Maud slips into poverty. Quietly starving, and dreading another cold Paris winter, Maud takes a job as companion to young, beautiful Sylvie Morel. But Sylvie has a secret: an addiction to opium. As Maud is drawn into the Morels' world of elegant luxury, their secrets become…
I have always been fascinated by the relationship between the concept of time, history, and politics. My first publications were in the philosophy of history. I started by translating some Left Hegelians. Then I moved toward Kant and Benjamin. My research background was constituted by the attempt to liberate Marxism from any kind of teleological philosophy of history. Recently, I began digging into concrete historical cases to extract political and legal categories. I’m interested in the reactivation of past possibilities to reconfigure the present and open alternative futures. I am now fortunate to teach courses on Temporalities and History in the History of Consciousness Department at UCSC.
There are numerous reasons why this text should be read. Personally, Benjamin's reflections on progress and history are crucial to a critique of capitalist modernity.
From a methodological perspective, this text allows the reader to enter Benjamin's laboratory and grasp the essential aspects of his groundbreaking methodology that merged cultural analysis, historical research, and philosophical reflection. Benjamin's unique approach combined elements of sociology, anthropology, and literary critique, creating a multidisciplinary work that defied conventional boundaries.
"To great writers," Walter Benjamin once wrote, "finished works weigh lighter than those fragments on which they labor their entire lives." Conceived in Paris in 1927 and still in progress when Benjamin fled the Occupation in 1940, The Arcades Project (in German, Das Passagen-Werk) is a monumental ruin, meticulously constructed over the course of thirteen years--"the theater," as Benjamin called it, "of all my struggles and all my ideas."
Focusing on the arcades of nineteenth-century Paris-glass-roofed rows of shops that were early centers of consumerism--Benjamin presents a montage of quotations from, and reflections on, hundreds of published sources, arranging them…
I went to Paris the first time when I was nineteen. I was sitting in a cheap restaurant when a man entered carrying a burlap sack filled with escargots, and put some on my plate (all very unsanitary) for me to taste. Delicious! I was in France in the 1970s when Robert Parker was discovering French wine. (We didn’t meet then, but did after my series was published many years later.) Subsequent stays in Paris and other areas of France (Champagne, Bordeaux, Burgundy) afforded me a food and wine sensibility that over decades has permeated my lifestyle, my friendships—and my writing.
The description above segues nicely into The New Paris by Lindsey Traumata, published in 2017. Traumata now has a second book published, and hosts a podcast, and is popular on social media. I have spent at least a month (and sometimes three) in Paris annually over the past six years and think of Traumata’s first book as a good friend. She writes wonderful profiles of people, and she keeps readers updated about bistros, winemakers, new cuisine. Her writing is elegant, and I read her descriptions as avidly as I do a novel, constantly making notes. So different from the usual guidebooks.
The city long-adored for its medieval beauty, old-timey brasseries, and corner cafes has even more to offer today. In the last few years, a flood of new ideas and creative locals has infused a once-static, traditional city with a new open-minded sensibility and energy. Journalist Lindsey Tramuta offers detailed insight into the rapidly evolving worlds of food, wine, pastry, coffee, beer, fashion, and design in the delightful city of Paris. Tramuta puts the spotlight on the new trends and people that are making France's capital a more whimsical, creative, vibrant, and curious place to explore than its classical reputation might…
I’ve always been attracted to the Gothic before I even knew the term. From watching The Munstersas a child to wanting to live in a haunted house and devouring classic Gothic novels like The Mysteries of Udolpho and Dracula, I’ve never been able to get enough of the Gothic. After fully exploring British Gothic in my book The Gothic Wanderer, I discovered the French Gothic tradition, which made me realize how universal the genre is. Everyone can relate to its themes of fear, death, loss, guilt, forgiveness, and redemption. On some level, we are all Gothic wanderers, trying to find meaning in what is too often a nightmarish world.
You may know this book as The Hunchback of Notre Dame, but you probably don’t really know it. Films, most notably the Disney cartoon, have grossly distorted this novel, often having Esmeralda ride off into the sunset with Phoebus. But the novel is really a very dark, Gothic story of love and lust, and one of the first existential novels. Frollo and Quasimodo both love Esmeralda, but she loves Phoebus, and he only loves himself. In the end, everyone dies, allowing their lust to destroy their common sense. Hugo wrote it to help popularize and save Notre-Dame Cathedral from falling into further disrepair. It influenced British author William Harrison Ainsworth to writeThe Tower of London, thus revitalizing British Gothic in a new way just as it did French Gothic.
Victor Hugo's great story of Quasimodo, the deformed bell ringer of Notre Dame and his unrequited love for the dancer, Esmeralda. Classics Illustrated tells this wonderful tale in colourful comic strip form, offering an excellent introduction for younger readers. This edition also includes theme discussions and study questions, which can be used both in the classroom and at home to further engage the reader in the story.
