100 Books Like Pure

My sole non-fiction choice. I love the scope of this book: the early engineers and industrialists who were involved, the palaeogeological conditions that made coal deposits possible, the legacy of burning carbon, and, chapter by chapter, a description of most of the coalfields of Britain and the landscapes that resulted. Add poems and songs and paintings and you have a wonderful book. My sole gripe: the illustrations are too tiny. The breadth of content deserves something better.

Billy Elliott is a miner’s son who wants to be a ballet dancer. This is an adaptation of Lee Hall’s original screenplay and, to me, lacks the feel of a novel, but I’ve chosen it for three reasons. It’s set in County Durham. It challenges traditional, macho values. It’s as good a description as anything I’ve read that describes aspects of the UK miners’ strikes of the 1980s. When Jackie, Billy’s dad, says, "There’s coal behind everything in this country. It’s still down there. We’re not,” you can sense the anger, hurt, and bitterness—and, forty years later, just like the coal, those feelings remain.

This was one of my favorite books as a child and probably one reason I became an anthropologist of mining.

Though I wouldn’t have put it this way at the time, I found it fascinating that in a place where everything is doing the same job, especially a highly dangerous and damaging job, other aspects of culture coalesce around that job and its meanings—things like religion, kinship, gender, leisure, ecology, etcetera. I was deeply moved by the description of the vast slag heap that slowly came to tower over the town, eventually engulfing the narrator’s small house. 

Another book that features sons. Lawrence’s father was a Nottinghamshire coal miner and there are many little details in the book that attest to the author’s knowledge of nineteenth-century mining family life. I’ve chosen Sons and Lovers because, to me, it asks an unanswerable question and so the tale has stayed in my mind. Did Lawrence despise his own father as much as fictional Paul, influenced by Paul’s mother, despises Walter Morel? I’d love to know. I sympathised with Gertrude, the wife and mother, but I felt so sorry for Walter. He worked hard in a terrible job. He became old and tired before his time. Yes, he was uncouth and illiterate, but I felt he deserved some praise, not contempt.

At the celebrations on 14 July 1790 for the first anniversary of the storming of the Bastille, Louis XVI took an oath to work with the National Assembly as a constitutional monarch. Less than a year later, on 20 June 1791, the royal family tried to flee the Revolution. The king’s flight convinced masses of French people that he was a perjurer: the monarchy never recovered its mystique.

In contrast, his capture near the border with Luxembourg convinced the crowned heads of Europe that the royal family was in mortal danger. Ten months later France was at war with Marie-Antoinette’s native Austria, and Europe was engulfed in a generation of bloodshed. The great American historian of the Revolution, Timothy Tackett, recounts the engrossing story of the botched flight and its repercussions for a cast of unforgettable characters.    

I loved this story about a protagonist who is living her worst nightmare, and we’re along for the unpredictable twists and turns of her life.

The story is everything you’d expect for a well-conceived psychological drama where true-to-life characters come alive and live the nightmare you’re glad isn’t your own. It held my attention and wouldn’t let go!

The first time I went to Paris, I found a copy of this book at a bouquiniste on the Quai de la Tournelle. I can honestly say it has never left my bedside. Colette, born Sidonie-Gabrielle Colette in 1873, was a ferocious talent, a novelist, memoirist, journalist, and colossal French cultural figure until her death in 1954. Earthly Paradise is an autobiography in essays, and hers is an extraordinary story. Born in small-town Burgundy, she was a showgirl at the Moulin Rouge, a traveling performer, was married twice, lived as a lesbian for a decade, had a facelift in the 1920s and at the height of her literary fame, opened a beauty salon in Paris. She was to the core a sensualist and though she claimed to dislike feminism, she was a tower of female strength. But the reason this book—just one of her fifty-five—endures is her achingly gorgeous writing.… show more.

There are numerous reasons why this text should be read. Personally, Benjamin's reflections on progress and history are crucial to a critique of capitalist modernity.

From a methodological perspective, this text allows the reader to enter Benjamin's laboratory and grasp the essential aspects of his groundbreaking methodology that merged cultural analysis, historical research, and philosophical reflection. Benjamin's unique approach combined elements of sociology, anthropology, and literary critique, creating a multidisciplinary work that defied conventional boundaries.

This splendid biography traces the life and times of the Marquise Du Châtelet, born in Paris in December 1706, who became one of the most erudite women of her époque. For fifteen years she was the companion to Voltaire, the best-known of the French philosophes. She mastered calculus and translated Newton’s Principia, in addition to carrying on an active social life and raising several children. She died at the age of 42, following the birth of a daughter conceived with another lover. The author explains her subject’s life course as “from a life of frivolity to a life of the mind.” It’s a great read.

This is an intimate, first-person account of 1920’s Paris, and the life of one of the most central characters of the period—the model, singer, and artist, Kiki of Montparnasse as she was known by all. Born in Burgundy in 1901, christened Alice Prin, and raised by her grandmother in abject poverty, at age twelve she was shipped off to Paris to live with the mother she had never known.

The young Alice’s fierce survival instincts immediately translated into a precocious thirst for experience. At fourteen she had her “first contact with art” when she began posing nude for a sculptor. Thereafter, she assumed the name and embraced life as the irrepressible Kiki. Lover of Man Ray, beloved friend of Soutine, Jean Cocteau, and many other artists of the period, she became the toast of Montparnasse, one of the century’s first truly independent women. Man Ray, Foujita, Kisling, and others immortalized… show more.