Here are 68 books that Protect and Defend fans have personally recommended if you like
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I remember carrying home tall stacks of library books in the summertime and spending entire days immersed in my heroes’ latest adventures as a kid. This continued as I grew up, as I learned that I ought to be a hero, too, by confronting evil both within and without. So I took steps to face my fears, and now when I write about good guys fighting bad guys in my own action fiction, it’s with a real passion for doing what’s right, for making this world better, even if it’s in my own way and only just a little.
As I indicated earlier, I am a Lee Child superfan. I’ve read all his original books. A thick (and expensive) biography. A long essay he wrote on heroism. All his short stories. You get the idea. So it was fun to re-read this book, his first.
It wasn’t what I remembered, that’s for sure! Yes, the action scenes are vivid and instructive (Child writes about the utility of a headbutt versus the risk of breaking your hand with a punch), and the action is what I remember most. But there’s more to this book than fights: there’s a major romance, which the author writes with gusto and in detail, heavy on feelings, not on private parts; the prose is better than solid, with imagery that really makes it come alive; and the story is plausible and tightly woven, with plenty of surprises.
Ex-military policeman Jack Reacher is a drifter. He's just passing through Margrave, Georgia, and in less than an hour, he's arrested for murder. Not much of a welcome. All Reacher knows is that he didn't kill anybody. At least not here. Not lately. But he doesn't stand a chance of convincing anyone. Not in Margrave, Georgia. Not a chance in hell.
Zoe Lorel, an elite operative in an international spy agency, is sent to abduct a nine-year-old girl. The girl is the only one who knows the riddle that holds the code to unleash the most lethal weapon on earth—the first ever “invisibility” nano weapon, a cloaking spider bot. But when…
I became an author because I loved books and wanted to craft my own. Here are five books I consumed first as a reader and then as a writer, methodically noting what made these books brilliant in style, depth, and plot. If you enjoy thrillers or science fiction and are looking for books to hone your craft as a writer, here are my choices.
This book is the book that made me decide to become an author. I was always a voracious reader and crazy about all things technological—space exploration, airplanes, naval warfare, you name it. In my mind, there was no way anyone would want to read a book about my interests—until Tom Clancy showed it absolutely could be done and singlehandedly created a new genre of fiction with one book.
His research was so accurate that he was accused of spilling classified information about our submarine capabilities and tactics. But no, he was just an insurance agent from Owings, Maryland, who touched a 220-volt wire in my soul that made me decide, “Someday I’m going to do that, too!”
Tom Clancy's rich imagination and his remarkable grasp of the capabilities of advanced technology give this novel an amazing ring of authenticity. It is a thriller with a new twist, a "military procedural" with an ingenious, tightly woven plot that revolves around the defection of a Soviet nuclear submarine--the USSR's newest and most valuable ship, with its most trusted and skilled officer at the helm.
A deadly serious game of hide-and-seek is on. The entire Soviet Atlantic Fleet is ordered to hunt down the submarine and destroy her at all costs. The…
In college I minored in Military History and spent over twenty active duty years in the military. My earlier books were primarily murder/mystery stories, and I had the urge to write a historical romance. The War between States (not civil but ruthless) has always enthralled me. I visited most of the battlefields in the East and Southeast but never in the West. I researched the war’s end and found the last battle at Palmetto Ranch near Brownsville, Texas was near my home in San Antonio. Strange things happened on this dysfunctional battlefield. Little did I realize the involvement of Mexico, France, and Spain and their attempts to influence this conflict.
Vince Flynn has a unique ability of highlighting his main character in such a realistic way that the character is facing you and waiting for your next question. His description of action-oriented scenes leaves no doubt as to the severity and authenticity of what is happening to hold you glued to the pages. I'm left with great anticipation for his next book using the same main character. My goal is consistent with Vince Flynn's.
I've been told that my characters "jump off the page and slap you in the face."
Now a major motion picture starring Dylan O'Brien (Maze Runner), Taylor Kitsch (True Detective) and Michael Keaton.
Tensions in the Middle East are simmering when Central Intelligence Agency Director Irene Kennedy pays a visit to Syracuse University, where she hopes to recruit none other than Mitch Rapp, a student who has quickly climbed up the academic and athletic ranks. At first glance, he appears like any other smart, good-looking American college kid. Under the surface, however, a tempest rages.
Nine months later, after gruelling training, Mitch finds himself in Istanbul on his first assignment. He hits his target but quickly…
When I retired from the service, I wanted to be done with big decisions and just focus on family. I’d had enough war-zone drama. I’m drawn to stories where the veteran finds he/she just can’t do that. My protagonist in my debut, Stable deals with this. He’s overcome so much…the loss of his son, the loss of an aircrew, and years of depression. Now that he’s “back,” he just wants to lead a normal life. I wanted to show you can pull the veteran from the battlefield, but it’s hard to quell his or her desire to continue to serve—and the inherent conflict of service before self or family remains.
It’s hard to find someone who hasn’t heard of Lee Child’s protagonist Jack Reacher.
I recommend his second in the series to start with because that’s when Child started writing the rest of the series in third person as opposed to first.
Die Trying has Reacher witnessing a kidnapping, and ultimately being captured himself. As Reacher and the woman try to outsmart their captors and uncover the truth behind their abduction, the tension never lets up.
But what really sets this book apart is how Reacher's military background is woven into the fabric of the story, creating a character whose unique perspective, skills, and experience make him an unstoppable force.
A Chicago street in bright sunshine. A young woman, struggling on crutches. He offers her a steadying arm.
And turns to see a handgun aimed at his stomach.
Chained in a dark van racing across America, Reacher doesn't know why they've been kidnapped. The woman claims to be FBI. She's certainly tough enough. But at their remote destination, will raw courage be enough to overcome the hopeless odds?
Against all odds, women journalists have built a robust tradition of telling the truth and getting to the heart of the story no matter the obstacles. In a world where the Fourth Estate is ever more crucial, the history of female reporters is all the more relevant as a source of information and inspiration for the next generation of correspondents. As a woman’s historian and passionate supporter of freedom of the press I’m always on the lookout for great histories of these intrepid reporters whose lives also happen to make for great reads.
Pour yourself a double before cracking open Clarissa Ward’s outstanding memoir. A polyglot who seems to have been imbued with very little fear from birth, Ward has an incredible capacity to find the heart of the story, whether it’s in the middle of Moscow or the center of a Bangladeshi river. As a reader, her experiences and prose swept me along as she dove into some of the world’s most consequential combat zones.
But wrapped in this non-stop adrenaline rush is a rare account of the cost of this kind of life on reporters. More than any of the other books on this list, Ward explores the toll born by combat journalists. With heartrending detail, she delves into the death of so many friends and colleagues who made up her world that seemed to crumble a little more with each of their passings. Equally moving are her nuanced descriptions of…
“On All Fronts: The Education of a Journalist beautifully outlines . . . what it means to seek the truth. It gave me a new faith in the power of reporting.” —Oprah Winfrey
The recipient of multiple Peabody and Murrow awards, Clarissa Ward is a world-renowned conflict reporter. In this strange age of crisis where there really is no front line, she has moved from one hot zone to the next. With multiple assignments in Syria, Gaza, Ukraine, and Afghanistan, Ward, who speaks seven languages, has been based in Baghdad, Beirut, Beijing, and Moscow. She has seen and documented the…
I'm a British-born American historian, currently residing in Long Beach, California. I’ve published four books on the CIA and lectured about it for the Great Courses. Why spies? I’ve always loved spy novels and movies but my historical interest was piqued years ago when I stumbled across the weird story of how the CIA secretly funded various American artists and writers in the so-called Cultural Cold War. Decades on, I’m still fascinated by the subject: there’s so much human drama involved, and it’s a great lens through which to examine recent American and world history.
This book, about the CIA’s secret funding of art and culture in the Cold War battle for hearts and minds, caused a big stir on its publication in 2000. Written by a young British researcher, it scathingly criticized the Agency’s cultural operations (a source of some pride among intelligence veterans), arguing that they compromised and undermined the very artistic values they were supposed to defend. Several writers on the same subject since, myself included, have argued with aspects of her work, but Saunders’ research and storytelling are second to none. A harsh but hugely informative and entertaining account of one of the most intriguing chapters in the history of the Cold War.
During the Cold War, freedom of expression was vaunted as liberal democracy's most cherished possession-but such freedom was put in service of a hidden agenda. In The Cultural Cold War, Frances Stonor Saunders reveals the extraordinary efforts of a secret campaign in which some of the most vocal exponents of intellectual freedom in the West were working for or subsidized by the CIA-whether they knew it or not.
Called "the most comprehensive account yet of the [CIA's] activities between 1947 and 1967" by the New York Times, the book presents shocking evidence of the CIA's undercover program of cultural interventions…
Two small-time journalists take on an international cartel who try a hostile takeover of a Canadian mining company.
Lucas, a veteran journalist, sees a big story brewing within a strike at a local mining company when explosions rip through the plant, but he gets bumped by Jamie, a junior reporter.…
As a former U.S. Army service member and a student of life, espionage and intelligence have often been staples in my research (as a creative writer), the cornerstones of my professional experience (as a combat veteran and slum baby), and a central theme in most of my novels. I’ve always enjoyed dissecting the inherent struggles of mankind and their inevitable fallouts—the pain, the joy, the misguided hopes and leaps of faith. Espionage and intelligence weaponize these sentiments. They transform them into actionable information and, sometimes, life-altering schemes.
That is what drives my work and sparks my interest in this subject matter: the psychological warfare we subject ourselves—and others—to.
At first glance, Damascus Station seems like your generic airport filler.
The opening sequence may lack purpose and direction, and the prose is fragmented. It is an acquired taste, I suppose. But there are many redeeming qualities to this novel that make it an engaging and fulfilling read.
It is the product of a real-life intelligence officer who provides incredibly detailed insight on tradecraft and the less glamorous aspects of intelligence collection. The plot tightens as the conflict takes shape, and we end up being personally invested in the fate of our CIA protagonists and their shadowy contractors.
There is a sense of closeness to the political backdrop of the Syrian state: although released in 2021, the themes of corruption, ethnic cleansing, and power imbalances resonate well with our current socioeconomic and geopolitical climate.
A must-read for any longtime fan of intelligence thrillers.
CIA case officer Sam Joseph is dispatched to Paris to recruit Syrian Palace official Mariam Haddad. The two fall into a forbidden relationship, which supercharges Haddad's recruitment and creates unspeakable danger when they enter Damascus to find the man responsible for the disappearance of an American spy.
But the cat and mouse chase for the killer soon leads to a trail of high-profile assassinations and the discovery of a dark secret at the heart of the Syrian regime, bringing the pair under the all-seeing eyes of Assad's spy catcher, Ali Hassan, and his brother Rustum, the head of the…
John Marks is co-author of The CIA and the Cult of Intelligence, a New York Times best-seller in hard-cover and paperback. He has written for the Washington Post, New York Times, Playboy, Foreign Policy, and Rolling Stone. He was the founder and long-time President of Search for Common Ground, the world’s largest peacebuilding organization that was nominated for the 2018 Nobel Peace Prize.
This is a great book about former CIA Director Richard Helms and the agency he directed. Helms was the quintessential CIA man, and Powers tells the story of his 30-year career in spying in this beautifully written book, which somehow captures both Helms’ elusiveness and his essence.
An account of the thirty-year career of the quintessential CIA man details his activities and attitudes as an intelligence agent and official and reveals--objectively and comprehensively--the workings of the CIA itself
I'm a British-born American historian, currently residing in Long Beach, California. I’ve published four books on the CIA and lectured about it for the Great Courses. Why spies? I’ve always loved spy novels and movies but my historical interest was piqued years ago when I stumbled across the weird story of how the CIA secretly funded various American artists and writers in the so-called Cultural Cold War. Decades on, I’m still fascinated by the subject: there’s so much human drama involved, and it’s a great lens through which to examine recent American and world history.
The best book on the founding period of the CIA, the 1940s to the 1960s. Thomas is the only non-Agency employee to have been granted access to still-classified CIA historical studies, making this work an invaluable compendium of previously secret information. It’s also a wonderfully rich evocation of the rarified social world of the early CIA – East Coast, WASP, Ivy League – and a moving biographical portrait of a generation of intelligence officers whose early careers began in youthful idealism but all too often descended into disillusionment, disgrace, and even suicide. The gold standard of CIA history books.
Evan Thomas recreates the personal drama of four figures who risked everything to keep America out of war. They were Frank Wisner, Richard Bissell, Tracy Barnes and Desmond FitzGerald. Within the inner circles of Washington, at the high point of American power in the world, they planned and acted to contain the Soviet threat - by stealth and "political action", and to do by cunning and sleight of hand what great armies could not be allowed to do. The fall of each man had momentous consequences for the CIA. Thomas draws on the CIA's own secret histories, as well as…
This is a list for those who love a tough guy with a soft heart. If you crave a story with passion, heat, and that zing of a good thriller, then this is the list for you. I love a romance wrapped around a strong plot. I need a book to stimulate my mind and give my old heart its “Aw, shucks,” moment. I’ve been fascinated by those who serve and the long-term effects it has on mental health. These books tackle the effects of PTSD, trauma, and its consequences. I believe the romance genre, when done well, is one of the best for examining this darkness.
This book changed my perception about what a romance book could be. I have never been so swept away by a single narrative and never been so haunted. It inspired me and broke me. The story is long and complex. It’s about a young CIA operative who joins the Agency just before 9/11 and how that one event shaped his life for years to come. It’s a fascinating fictionalised insight into LGBTQ rights in the military during this period, the horrors of the war, the consequences, the personal narratives, and the terrible implications of the wilder political landscape on those who have to fight. It’s full of love, romance, heartbreak, action, violence, torment, and ultimately, salvation. It’s the kind of book which teaches you to see the world through different lenses. One of the most extraordinary gay romance political thrillers I’ve read.
On September 11th, 2001, Kris Caldera was a junior member of the CIA’s Alec Station, the unit dedicated to finding and stopping Osama Bin Laden.
They failed.
Ten days later, he was on the ground in Afghanistan with a Special Forces team, driven to avenge the ghosts that haunted him and the nation he’d let down. On the battlefield, he meets Special Forces Sergeant David Haddad. David – Arab American, Muslim, and gay – becomes the man Kris loves, the man he lives for, and the man he kills for, through the long years of the…