Books like Prince Ombra — picked by fans

I would have thought to list another book here, and for sure, there are truly many books to be read that could easily be listed here, and despite that, this is listing Tolkien’s works for a third time; the truth simply stands in my library that his works are simply that great. 

So far be it that the renowned book of The Lord of the Rings be not included. I had been introduced to Tolkien and fantasy’s more serious nature by my dad and grandfather with readings of The Hobbit, and by it, I was already enamored with the world of Middle-earth, as Bilbo was my hero.

I loved the classic animated cartoon adaptations back then by Rankin and Bass, and Bakshi, which at the time was my main exposure to The Lord of the Rings, along with commentaries from my dad, until I finally read it at the time… show more.

A wonderful book in two senses – it’s wonderfully written, and it evokes wonder. This is an idiosyncratic urban fantasy set in an imaginary metropolis called New York City (cut off from the world by an impenetrable cloud wall that lifts only occasionally, to let the trains through). In this city, amazing characters (amazingly good and amazingly evil) clash as they strive for the things that matter to them most. And the prose is as bright and vivid as a Van Gogh painting. Winter’s Tale contains one of my favorite lines in all literature, where one character is described as “breathtakingly short.”

At times, C.S. Lewis eschewed writing what would be expected of him. For example, every volume of his Chronicles of Narnia takes the reader in a new direction, a new aspect of that fantasy world, instead of merely rehashing the popular story of the first novel, as many series do.

Science Fiction was not his field, yet Dr. Lewis dived into the genre for three novels and proved he was a master. The third book in Dr. Lewis’s space trilogy continues the epic interplanetary story of the first two but brings the tale to a dystopian Earth.

At first, the story seems unrelated to the earlier space-traveling books of the trilogy, as an engrossing study of professors playing politics and strange dreams. As the novel progresses, however, this proves to be a much larger story involving aliens, demons, the very fabric of human existence, and the return of Merlin. 

This is a one-off, and as far as I know, Wangerin never wrote anything else on the same level. It starts out like an animal fable—the main characters are animals—but gradually takes on a cosmic dimension. By the time I finished, I was gasping for breath and wondering, what was that?!

The three forms of darkness threatening the animals are each more tremendous than the last. They’re genuinely threatening, and the world seems inescapably doomed. Wangerin, like all the best fantasy writers, takes his world very, very seriously—he never belittles his creation as a mere game. In another lifetime, I used to be a university professor (when living through 25 years of writer’s block!), and I’m proud to remember how many students I turned on to this and other fantasy novels.

I am fascinated by the contradictions of Tolkien’s women and by the tension between Christian and pagan in his writing.

This book is particularly valuable for its explication of Tolkien’s integration of Marian and Valkyrie imagery, resulting in female characters of transcendental beauty and heroism. And the writing is absorbing and informative.

I love coming-of-age stories in the 50s and 60s, so I was thrilled to find this one. I know from my own passage into the teen years what these two sisters were experiencing. Their mother was like many others, taking care of her home, husband, and family. Women were on the cusp of new freedoms, and she fell under the spell of a divorced artsy feminist who moved next door to them. Then the secrets started.

I recall the whispers and dropped conversations as a young teen around my mother. Often we didn’t know the adult decisions that were being made. I wanted to hate the girls’ mother, and I couldn’t wait to find out how the story would end.

Brief, poetic, and filled with gorgeous art, I first encountered this unforgettable book as a child. I now see it as a philosophical meditation on approaching life's difficulties. It urges a creative shift in perspective to seek a more transcendent approach to life's problems, something the world needs more of right now!     

I’ve always wondered what an apocalyptic battle between angels and demons would look like.

Though this book is a theological non-fiction piece, it vastly expanded my imagination, in that realm, as I came to learn more about the supernatural worldview of the biblical authors and of other ancient religions.

What I loved most about the book was the exploration of this theme that hidden, divine beings walk among us.

It captures the fascinating image of the ordinary world being interrupted by that which is extraordinary—and these extraordinary phenomena are a lot closer than we think.

There is a world of difference between the fairies of folk-lore and the ‘airy-fairy’s’ to use one of Katherine Brigg’s descriptions that infest popular media. Disney’s depiction of Peter Pan & Tinkerbelle as ordinary kids who happen to have wings bears no relation to the fairies of folklore. The moment a fairy character is absorbed into capitalist entertainment, their magic is lost. The unsurpassable fairy lore of Katherine Briggs 1898-1980, takes up an entire shelf on my bookcase and includes The Anatomy of Puck, The Fairies in Tradition and Literature, The Vanishing People, and A Dictionary of Fairies. The one-time president of the English Folklore Society, her books are so authoritative and imaginative, they bring to life the incredible inhabitants of the otherworldly realm. All the best books on the subject were written before 1970, the later ones tending to be cribbed from Briggs and that other great… show more.

Published in February, 2022, this is the most modern of my five choices. An impressive debut by an author who lives in a one-hundred-and-fourteen-year-old haunted house, The Hitman’s Daughter embodies modern Gothic, with its atmospheric setting in a haunted, historic, past-its-prime hotel/chateau, a gruesome murder, a whiff of the supernatural, and a kick-ass heroine (Mave) plagued by her past (and daddy issues.) Thanks to a massive New Year’s Eve blizzard that traps Mave and the chateau’s high-society guests at the scene of a crime, this felt like a twisted, claustrophobic game of Clue.