Books like The Only Ones — picked by fans

I read the entire series growing up, starting with this one, and to this day, I consider it the best book ever written. The story was so realistic yet exciting and had a wholesome family dynamic. It sparked an enthusiasm towards sailboats among me and my siblings.

The kids, leaving their parents behind to camp on an island, sailing across the lake, fighting mock wars—it was thrilling, and everything worked and made sense. The characters are distinctive and memorable, and all important to the story. Ransome is a genius, and every now and then, I return to this book and revel in my imagination once again.

This was a truly unputdownable story. The science fiction concept was interesting in itself, especially watching the characters try to figure it out, but the suspense was strong. The plot had a lot going on, but it was well done and worked pretty well.

I really got to know the characters and particularly enjoyed the well-done romance between Sam and Astrid. It’s a very character-driven story, including the conflict between tyranny and freedom.

This book is short but to-the-point and extremely entertaining. One of its best qualities is how much sense it actually made, how the author thought through what would happen if a bunch of preteens were abandoned on a planet with only a computer to aide them. These are some shrewd kids, making sensible decisions—like lowering the marriage age to thirteen, which is honestly hilarious.

The author really handled his wonderful characters very well, capturing the reality of life and human beings without resorting to cliché cop-outs. I was pleasantly surprised by how good this book turned out to be.

This was a fabulous story, super interesting, that read kind of like a history text/novel, something in between, an effect I really loved. The story was well-developed, with scientific and technical detail and specific stories used appropriately to develop the greater tale, along with broader overviews, capturing the activities of the whole world. The characters were all interesting. The plots, schemes, and machinations are really good. The battles ranged from thrilling to very depressing.

Overall, I thought the book was very realistic and made a lot of sense. The author thought through what would happen in an adultless present-day world. I like how he captured that while kids are often seen as innocent and virtuous, take the adults away and they have not yet learned to appreciate the value of life, etc. It really gives you a lot of food for thought about human nature and especially children.

This is the first book in a series that seems—hooray!—never ending.

Novels, novellas, short stories, graphic novels…they’re all built around a wonderful idea: police procedural in a version of the modern world where rivers have goddesses, trees have dryads, and vampires, werewolves, elves, and all the other creatures of folklore and fantasy matter-of-factly exist alongside council estates and the internet. And so have to be policed.

The "Isaacs" (named after Isaac Newton) are that branch of the Old Bill which deals with magic, so its inspectors and constables tend to be witches and wizards. All the books are incredibly inventive and funny. I love them.

There is a world of difference between the fairies of folk-lore and the ‘airy-fairy’s’ to use one of Katherine Brigg’s descriptions that infest popular media. Disney’s depiction of Peter Pan & Tinkerbelle as ordinary kids who happen to have wings bears no relation to the fairies of folklore. The moment a fairy character is absorbed into capitalist entertainment, their magic is lost. The unsurpassable fairy lore of Katherine Briggs 1898-1980, takes up an entire shelf on my bookcase and includes The Anatomy of Puck, The Fairies in Tradition and Literature, The Vanishing People, and A Dictionary of Fairies. The one-time president of the English Folklore Society, her books are so authoritative and imaginative, they bring to life the incredible inhabitants of the otherworldly realm. All the best books on the subject were written before 1970, the later ones tending to be cribbed from Briggs and that other… show more.

Reminiscent of Ray Bradbury at his very finest, this absorbing collection of supernatural tales has it all: fascinating characters, palpable atmosphere, and delicious, chewy plots. McHugh brings the uncanny into the every day, most often through the experiences of women, and often using a distinctly Irish lens. From the Irish countryside, in all its windswept, boggy, or tangled forms, to modern office life, this is a glorious kaleidoscope of experiences that feel real even as the surface of human experience is punctured to expose the void beneath. Each story in this collection has a lot to offer, and - another thing this writer has in common with Bradbury - you’ll find yourself returning time and again for rereading 

This book had a very dramatic “reveal” that would make HGTV jealous.

I liked not immediately guessing the doer of bad things and blaming others only to learn I was wrong and also when Mother Nature threw obstacles. I could identify with the husband and wife who are building a new future and a new house for themselves after teaching. I also liked the interplay between the locals and the land and the use of research to get to the heart of the problem.

Most of all, I loved the ending with a twist, and I vowed to read more books by McMahon. 

Silver John, a balladeer with a silver-stringed guitar, crisscrosses rural USA encountering all manner of supernatural entities, and does it with a song in his heart. There's a deep love of ancient folklore that shines through in this wonderful collection. It's far removed from Carnacki or Silence's cozy sitting rooms and libraries, but every bit as tied to a desire to get to the root of ancient mysteries. There's an almost Bradburyesque sense of wonder in these tales that lifts you up and carries you alongside John on his travels.

This book hooked me initially by drawing hope out of a difficult situation. When Chance Fortunato is just a little kid, his own father sells him to a demon. He spends eight years learning magic and then tempting other teenagers to sell their souls. But then, he flips the script, winning his freedom and setting out to undo the evil he has done by helping others to avoid or escape demonic pacts.

I was impressed by Chance’s ability to overcome a catastrophic upbringing. I was fascinated by how seamlessly Reeder has him switch between navigating ordinary teenage issues and supernatural threats. Chance’s dialogs with his “hairy monkey brain”—which mostly wants sex—and his efforts to find a relationship that is more than that are moving and realistic. His bravery in the face of overwhelming threats is inspiring.