Here are 100 books that Primetime Blues fans have personally recommended if you like
Primetime Blues.
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I’ve seen the benefit of investing in awareness about how you can improve in leadership. I am a military veteran with two decades of experience in leading teams in high-stress environments. I’ve seen military leadership at its strongest and at its weakest. I’ve since led multi-million dollar projects and seen the value of investing in leadership and developing a culture of high-performance. For over 100 weeks, I researched and wrote a series of blog articles titled Leadership Sparks. The goal was to be able to create a spark with my words in someone else's mind. To pass the small ignition point of leadership growth to them.
Everyone loves Netflix. But I love their story more. If the conditions are right, your business could look very different. The Netflix way showed me the importance of the statement ‘hire good people and get out of their way'. Whilst that comment is simple, building a company that allows that is more complicated.
This book challenged the way I viewed organizational structure and innate bureaucracies. Reed describes some simple philosophies that provide a contrast to the status quo. I love the challenge of this book to traditional success.
Hard work is irrelevant. Be radically honest. Adequate performance gets a generous severance. And never, ever try to please your boss.
These are some of the ground rules if you work at Netflix. They are part of a unique cultural experiment that explains how the company has transformed itself at lightning speed from a DVD mail order service into a streaming superpower - with 125 million fervent subscribers and a market capitalisation bigger than Disney.
Finally Reed Hastings, Netflix Chairman and CEO, is sharing the secrets that have revolutionised the entertainment and tech industries. With INSEAD business school professor Erin…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
Kimberly Potts is a TV and pop culture journalist and author who believes television is not only the ultimate entertainment medium, but is also the ultimate cultural common denominator. She has written for The New York Times, Entertainment Weekly, Vulture, The Hollywood Reporter, TV Guide, The Los Angeles Times, Yahoo, Variety, People.com, US Weekly, E! Online, Thrillist, Esquire.com, AOL, Movies.com, and The Wrap. Kimberly also co-hosts the Pop Literacyand #Authoring podcasts, and is a member of the Television Critics Association, Critics Choice Association, Authors Guild, and American Society of Journalist and Authors.
Most of those curious about the history of television have heard of the boy who invented it: Philo Farnsworth. He was just 14 years old when he conceived the idea that led to the first televised image less than a decade later. Farnsworth died penniless and unwell despite a life spent devoted to what became one of the most influential inventions of his lifetime and ours. That journey is a large part of the story the Tube authors unfold, but there are several additional key players who factor into the medium’s early years, and that, along with what will feel like some prescient thoughts about the current state of the television industry, make for an insightful, delightful read in this 1996 tome.
Traces the progress of the diverse group of iconoclasts including an Idaho farm boy, an eccentric Scotsman, and two Russian Americans from the laboratory prototypes that drew public laughter to the vicious courtroom battles for control of what would become an enormous market power. With devilish character sketches, compelling stories, and scientific explanations that are easy to follow, the Fishers capture the brilliance, vision, and frustration behind the invention of television. Annotation c. by Book News, Inc., Portland, Or.
Kimberly Potts is a TV and pop culture journalist and author who believes television is not only the ultimate entertainment medium, but is also the ultimate cultural common denominator. She has written for The New York Times, Entertainment Weekly, Vulture, The Hollywood Reporter, TV Guide, The Los Angeles Times, Yahoo, Variety, People.com, US Weekly, E! Online, Thrillist, Esquire.com, AOL, Movies.com, and The Wrap. Kimberly also co-hosts the Pop Literacyand #Authoring podcasts, and is a member of the Television Critics Association, Critics Choice Association, Authors Guild, and American Society of Journalist and Authors.
Remember E.O.B., the drama about political speechwriters starring Mary Beth Hurt? Or the speechwriter series called Word of Mouth and starring Gladys Knight? Or the other one, The War Room, starring Brad Hall? Actually, no one saw any of them, because they were all versions of the same failed TV pilot, from St. Elsewhere producers Bruce Paltrow and Tom Fontana. And the story of the series’ saga to not making it to primetime covers more than a year, and highlights all the network, casting, technical, and general TV industry drama that can impact the TV pilot process, a process the networks still use to fill their schedules every year.
Absurdly funny, trenchant, and provocative, this outside-looking-in account of the stillbirth of one particular television series is a must read for every serious and not-so-serious television viewer.
This book is an elegiac meditation on the will to survive. Tor, a beluga whaler, and his wife, Astrid, a botanist specializing in Arctic flora, are stranded during the dark season of 1937-38 at his remote whaling station in the Svalbard archipelago when they misjudge ice conditions and fail to…
Kimberly Potts is a TV and pop culture journalist and author who believes television is not only the ultimate entertainment medium, but is also the ultimate cultural common denominator. She has written for The New York Times, Entertainment Weekly, Vulture, The Hollywood Reporter, TV Guide, The Los Angeles Times, Yahoo, Variety, People.com, US Weekly, E! Online, Thrillist, Esquire.com, AOL, Movies.com, and The Wrap. Kimberly also co-hosts the Pop Literacyand #Authoring podcasts, and is a member of the Television Critics Association, Critics Choice Association, Authors Guild, and American Society of Journalist and Authors.
The most important aspect of television history is, of course, the shows. And though there have been hundreds, at least, more series that will need to be added to the book since it was published in 2015, it is a gorgeously designed collection of viewing suggestions. And like any great guidebook, it’s also just a fun way for any TV fan to revisit the best series of the past, arranged by decades, and including American and international programming.
The most groundbreaking and important must-see shows from the 1950s to today’s golden age of television. This latest addition to the best-selling and highly acclaimed 1001 series showcases the best programs produced for television from its inception to the bumper crop of great shows being produced in today’s era of original cable programming and digital streaming. Offering a critical evaluation of the most important and groundbreaking TV programs ever created, this book tracks television’s evolution through decades of social, cultural, and stylistic change. Included are shows that broke new ground, influenced the future, and left a lasting mark, ranging from…
I am a professor of pop culture, so I know personally that talking about race can be so incredibly awkward at times – but it does not always have to be! Often, many restrict themselves from fully participating in these necessary dialogues only because of a profound fear of “saying the wrong thing.” As individuals responsible for preparing a new generation of thinkers prepared to innovate improved solutions for the society we share, inevitably, the topic of race must not only be broached, but broached productively. I write to provide tools to help make such difficult conversations less difficult.
This book is excellent in providing quantitative data to demonstrate how well-meaning people often make negative racial associations based upon media content – this book really helps readers question to what degree we are influenced by or are impervious to media images.
While they do not focus on movies exclusively, they do thoroughly explain subtle racial patterns within mainstream media.
Living in a segregated society, white Americans learn about African Americans not through personal relationships but through the images the media show them. "The Black Image in the White Mind" offers the most comprehensive look at the intricate racial patterns in the mass media and how they shape the ambivalent attitudes of Whites towards Blacks. Using the media, and especially television, as barometers of race relations, Robert M. Entman and Andrew Rojecki explore but then go beyond the treatment of African Americans on network and local news to incisively uncover the messages sent about race by the entertainment industry -…
I have taught history at the University of Alabama since the year 2000, and I have been working and writing as a historian of American slavery for more than twenty-five years. It is not an easy subject to spend time with, but it is also not a subject we can afford to turn away from because it makes us uncomfortable. Slavery may not be the only thing you need to understand about American history, but you cannot effectively understand American history without it.
Because the buying and selling of enslaved people was enormously profitable and entirely legal in the United States before the Civil War, even free Black people lived in fear that they might be kidnapped, sold illegally as slaves, and never heard from by their friends and families again. Though many Americans are familiar with the experience of Solomon Northup, as relayed in his memoir Twelve Years a Slave and the film of the same name, Richard Bell demonstrates how kidnapping was widespread in the nineteenth century and how thin the line could be between freedom and slavery.
This “superbly researched and engaging” (The Wall Street Journal) true story about five boys who were kidnapped in the North and smuggled into slavery in the Deep South—and their daring attempt to escape and bring their captors to justice belongs “alongside the work of Harriet Beecher Stowe, Edward P. Jones, and Toni Morrison” (Jane Kamensky, Professor of American History at Harvard University).
Philadelphia, 1825: five young, free black boys fall into the clutches of the most fearsome gang of kidnappers and slavers in the United States. Lured onto a small ship with the promise of food and pay, they are…
Tina Edwards loved her childhood and creating fairy houses, a passion shared with her father, a world-renowned architect. But at nine years old, she found him dead at his desk and is haunted by this memory. Tina's mother abruptly moved away, leaving Tina with feelings of abandonment and suspicion.
By Cathy N. Davidson and Christina KatopodisAuthor
Why are we passionate about this?
We are two college-level educators, one has had a long career, one a recent PhD. We share a commitment to lifelong learning, not just in the classroom but beyond. And we love learning from one another. We wrote The New College Classroomtogether during the pandemic, meeting over Zoom twice a week, discussing books by other educators, writing and revising and rewriting every word together, finding ways to think about improving our students’ lives for a better future even as the world seemed grim. The books we cherish share those values: hope, belief in the next generation, and a deep commitment to learning even in—especiallyin—the grimmest of times.
Although her father died when she was only nine, the great scholar of African American life and literature, Farah Jasmine Griffin has never forgotten his admonition to her: “Read until you understand.” In this beautiful book, Professor Griffin guides us to an understanding of the U.S. Constitution, Malcolm X, Marvin Gaye, and Stevie Wonder, the artist Romare Bearden, and writers as different as the enslaved 18th-century poet Phillis Wheatley and Nobel Prize winner Toni Morrison. As educators, we have read and re-read and read again. Every read reveals a new level of understanding and we are grateful for the journey on which Professor Griffin leads us.
Farah Jasmine Griffin has taken to her heart the phrase "read until you understand," a line her father, who died when she was nine, wrote in a note to her. She has made it central to this book about love of the majestic power of words and love of the magnificence of Black life. Griffin has spent years rooted in the culture of Black genius and the legacy of books that her father left her. A beloved professor, she has devoted herself to passing these works and their wisdom on to generations of students.
I am a lifelong lover of books. As a child, one of my most prized possessions was my library card. It gave me entrance to a world of untold wonders from the past, present, and future. My love of reading sparked my imagination and led me to my own fledgling writing efforts. I come from a family of storytellers, my mother being the chief example. She delighted us with stories from her childhood and her maturation in the rural South. She was an excellent mimic, which added realism and humor to every tale.
Reading this book changed my life. It gave me a sense of pride and place that extended beyond the shores of America. The enduring message of Roots is that enslavement severely tested Black people, but it did not break them.
The “factional” story of Alex Haley’s family encouraged me to go in search of my own roots, a quest that continues to this day.
Now a major BBC drama starring Forest Whitaker, Jonathan Rhys Meyers and Laurence Fishburne
Tracing his ancestry through six generations - slaves and freedmen, farmers and blacksmiths, lawyers and architects - back to Africa, Alex Haley discovered a sixteen-year-old youth, Kunta Kinte. It was this young man, who had been torn from his homeland and in torment and anguish brought to the slave markets of the New World, who held the key to Haley's deep and distant past.
Winner of the Pulitzer Prize and the National Book Award
I have always been interested in family stories, the history of women’s lives, and history in general. Discovering new (at least it was at the time!) work in social and women’s history at university in the 1980s opened up new vistas for me and showed me it was possible to do academic work in the discipline in creative and challenging ways. These books were crucial to my development as a historian, both because of their subject matter and because they are so beautifully written. They brought the past “to life” for me and showed that historians could care about their subjects without sacrificing academic rigor.
I knew about the history of enslaved people and the institution of slavery in the Americas. Still, until I read Jones’ book, I did not appreciate how slavery affected African-American women’s lives in so many different ways, even after the institution itself formally ended.
I also gained a new understanding of their bravery, ingenuity, persistence, and contributions to their communities and American society more generally. Jones tells their stories with empathy and great wisdom, shattering stereotypes and insisting that we pay attention to these women and their lives.
The forces that shaped the institution of slavery in the American South endured, albeit in altered form, long after slavery was abolished. Toiling in sweltering Virginia tobacco factories or in the kitchens of white families in Chicago, black women felt a stultifying combination of racial discrimination and sexual prejudice. And yet, in their efforts to sustain family ties, they shared a common purpose with wives and mothers of all classes. In labour of Love, labour of Sorrow , historian Jacqueline Jones offers a powerful account of the changing role of black women, lending a voice to an unsung struggle from…
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
Before I’m a scholar, author, or policy wonk, I’m a Christian who believes that God has shown us that our highest and greatest call after loving God is to love each other—and thus we are to value people’s and communities’ well-being above profit, wealth, and status. Thus, I come to sociology with a sense of mission: to use the tools of social science to understand the mechanisms creating inequitable resource access and, with that insight, to imagine and work alongside like-minded others to build economic and political systems that foster communal and individual prosperity. By studying the Black middle class, specifically, I gain traction for understanding how racial status distorts our economic and political systems.
It helped me to hold two truths in tension—on the one hand, that there is increasing class and geographic variation among African Americans that leads to multiple, sometimes competing agendas, and on the other hand, Black Americans still express significant political solidarity, irrespective of their other social statuses. Dawson identifies the social conditions leading to shared political goals among African Americans—what he calls “linked fate.”
While his and others’ subsequent research shows that political solidarity among African Americans is waning to some extent, Behind the Mule is still important for understanding why racial status, notwithstanding African Americans’ other statuses, continues to be a core driver of Black Americans’ political behavior.
